Staging Shakespearean Dissent: spring magazine 2016

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Our special report explores how different countries use different plays to tackle difficult themes. Hungarian author György Spiró writes about how Richard III was used to taunt eastern European dictators during the 1980s. Dame Janet Suzman remembers how staging Othello with a black lead during apartheid in South Africa caused people to walk out of the theatre.

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Kaya Genç tells of a 1981 production of A Midsummer’s Night Dream in Turkey that landed most of the cast in jail. And Brazilian director Roberto Alvim recounts his recent staging of Julius Caesar, which was inspired by the country’s current political tumult. The issue also includes contributions from Simon Callow, Tom Holland, Preti Taneja and Kathleen E McLuskie. Plus we explore Shakespeare’s ability to provoke and protest in India, Zimbabwe and the USA. Currently Shakespeare is very much in favour in China and our contributing editor Jemimah Steinfeld explores why.

Shakespeare aside, we have Hollywood screenwriter John McNamara on why his film on blacklisted screenwriter Dalton Trumbo nearly didn’t make it to the big screen. There are interviews with US academic Steven Salaita and Syrian playwright  Liwaa Yazji. We look at how one man from New Zealand has been hacking North Korea for years. And we explore Index’s archives on Argentina’s dictatorship, 40 years after the coup, with interviews from former prisoners and descendants of the disappeared.

The issue also includes new fiction from Akram Aylisli, one of Azerbaijan’s leading, and persecuted, writers. Plus lyrics from Egyptian musician Ramy Essam, famed for his performances in the Tahrir Square revolution, and Basque protest singer Fermin Muguruza. And there are illustrations and cartoons by Martin RowsonBen Jennings, Eva Bee and Brian John Spencer.

Order your copy here, or take out a digital subscription via Exact Editions (just £18 for the year, with a free trial). Copies are also available in excellent bookshops including at the BFI and Serpentine Gallery (London), News from Nowhere (Liverpool), Home (Manchester) and on Amazon. Each magazine sale helps Index on Censorship fight for free expression worldwide.

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Plays that protest, provoke and slip by the censors

Editorial – Rachael Jolley on why governments fear theatre more than they realise

Rising star – Jemimah Steinfeld on how China has embraced Shakespeare, with performances spanning from brash pro-government productions to a Tibetan Hamlet

When the show doesn’t go on – Jan Fox reports on why school and community theatre productions in the US are under increasing pressure to curb “controversial” themes

The Bard meets Bollywood – Suhrith Pathasarathy looks at how India’s films use Shakespeare to tackle controversy

Lifting the curtain on Zimbabwe – While Shakespeare’s tales of power play and ageing rulers get the go-ahead, local playwrights struggle to be heard, says playwright Elizabeth Zaza Muchemwa

Lend me your ears – Claire Rigby interviews leading Brazilian director Roberto Alvim about tackling his country’s current political turmoil through Julius Caesar

Plays, protests and the censor’s pencilSimon Callow explores Shakespeare’s ability to rattle and toy with authorities over the centuries

The play’s the thing – Kathleen E McLuskie on how the Bard kept out of trouble with the censors of his day, despite some close calls

Morals made to measure  – Tom Holland suggests that Measure for Measure could be reworked for our times

Stripsearch – Martin Rowson’s cartoon on how the history plays would be staged in the Pious People’s Hereditary Democractic Republic of Kryxygistan

The writer of our discontent – György Spiró remembers when a Hungarian staging of Richard III became a way to take on eastern Europe’s dictators

Star-crossed actors – Preti Taneja visits a dual production of Romeo and Juliet staged by theatres in Kosovo and Serbia

When the Dream upset the regime – Kaya Genç on the enduring legacy of a subversive 1981 performance of A Midsummer Night’s Dream in Turkey

Say no moor – Dame Janet Suzman tells Natasha Joseph why South Africa’s apartheid-era censors wouldn’t dare touch Othello

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Theatre of war – Charlotte Bailey interviews Syrian playwright Liwaa Yazji

Beyond belief – Ryan McChrystal looks at whether Ireland’s new government will finally phase out the country’s blasphemy law

Exposing history’s faultlines – Vicky Baker explores the Index archives for stories of Argentina’s dictatorship 40 years on, and talks to those who were affected

Rainbow warriors – Duncan Tucker reports on the attacks and killings of LGBT activists in Honduras

Hack job – Sybil Jones interviews Frank Feinstein, who monitors the North Korean propaganda machine

“They worried I’m dangerous. I’m absolutely harmless” – Nan Levinson speaks to US academic Steven Salaita who lost his job after posting controversial tweets

Tools and tricks for truthseekers – Alastair Reid and Peter Sands on why people need to learn verification techniques to combat hoaxes and misinformation on social media

Your television is watching you – Jason DaPonte explains how information stored by internet-connected home devices could be used against us

Tackling Trumbo – Hollywood screenwriter John McNamara on how his story about blacklisted writer Dalton Trumbo almost didn’t make it to screens

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Know your enemy – John Angliss introduces his translation of a new short story by one of Azerbaijan’s leading, persecuted writers, Akram Aylisli

Borderless bard – Josie Timms interviews poet Edin Suljic who fled war in Yugoslavia and found inspiration in Shakespeare

Singing for Tahrir – Musician Ramy Essam who roused crowds during the Egyptian revolution shares his lyrics and future plans

Notes of discord – Rachael Jolley speaks to the Basque singer Fermin Muguruza about having his concerts banned in Madrid

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Global view – Index on Censorship CEO Jodie Ginsberg debunks the argument that powerful voices should be silenced to promote the free speech of others

Index around the world – Josie Timms runs through the latest news on Index on Censorship’s global work, including a Magna Carta-inspired youth project

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

T-shirted turmoil – Vicky Baker looks at the power of the slogan T-shirt and how one can land you in trouble with the law

Web exclusives: Student reading list: theatre and censorship | Quiz: Are you a Shakespeare expert?

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

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Index unveils 2016 Freedom of Expression Awards shortlist

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An Aleppo-based journalist training women to report on the crisis in war-torn Syria, an Indonesian comic who jokes about Islamic extremism and a 19-year-old campaigner against repression in Eritrea are among those shortlisted for the 2016 Index on Censorship Freedom of Expression Awards.

Drawn from more than 400 crowdsourced nominations, the Index awards shortlist celebrates artists, writers, journalists and campaigners tackling censorship and fighting for freedom of expression. Many of the 20 shortlisted nominees are regularly targeted by authorities or by criminal and extremist groups for their work: some face regular death threats, others criminal prosecution.

Judges for this year’s awards are Nobel Prize-winning author Wole Soyinka, pianist James Rhodes, tech entrepreneur Bindi Karia, Colombian journalist Maria Teresa Ronderos, human rights lawyer Kirsty Brimelow QC and Bahraini campaigner Nabeel Rajab.

“Censorship is not something that happens ‘somewhere else’,” said Jodie Ginsberg, CEO of Index on Censorship. “It occurs on a daily basis in every country, in every part of the world. The shortlist honours those who are among the bravest and most creative in tackling such threats.”

Awards are offered in four categories: journalism; arts; campaigning; and digital activism.

Nominees include Good Chance Theatre who work in the infamous “Jungle” refugee camp in Calais, France; imprisoned Bahraini academic and blogger Dr Abduljalil Al-Singace, who has continued to protest in prison despite being subjected to torture and abuse for daring to speak out on human rights abuses in his country; GreatFire, an anonymous group that battles China’s severe web censorship; and Pravit Rojanaphruk, a veteran reporter who was arrested, interrogated and forced out of his job for criticising Thailand’s military government.

Other nominees include Zaina Erhaim, who returned to her native Syria to report on the conflict and train women to tell unreported stories; Sakdiyah Ma’ruf, a female Muslim stand-up comedian from Indonesia; and campaigner Nkosilathi Emmanuel Moyo, a Zimbabwean who fights corruption in his country, currently in hiding after sending Robert Mugabe a prison uniform for his 92nd birthday this month.

Winners, who will be announced at a gala ceremony in London on 13 April, become Index on Censorship Freedom of Expression Awards Fellows and are given support for their work.

“How do you fight for free expression beyond a moment? How do you keep it alive? You must remember how stressful it is for people on the ground. This fellowship, following us for a year, it is a good idea,” said Rafael Marques de Morais, Freedom of Expression Award winner for Journalism in 2015.

Notes for editors:

  • Index on Censorship is a UK-based non-profit organisation that publishes work by censored writers and artists and campaigns against censorship worldwide.
  • More detail about each of the nominees is included below.
  • The winners will be announced at a ceremony at The Unicorn Theatre, London, on 13 April.

For more information, or to arrange interviews with any of those shortlisted, please contact: David Heinemann on 0207 260 2660. More biographical information and photos of the nominees are available at awards.indexoncensorship.org

 

Index on Censorship Freedom of Expression Awards nominees 2016
Arts
Belarus Free Theatre and The Ministry of Counterculture (UK/Belarus)
Ten-year-old Belarus Free Theatre has been using their creative and subversive art to protest the dictatorial rule of Aleksandr Lukashenko for a decade
Tania Bruguera (Cuba)
American-Cuban artist Tania Bruguera, who uses art to campaign for greater openness in Cuban society, was arrested after attempting to stage her play #YoTambienExijo at a festival in Havana. It is now a global movement
Good Chance Theatre (UK)
Good Chance works in the infamous Jungle refugee camp in Calais, France, to provide a space for refugees to express themselves
Sakdiyah Ma’ruf (Indonesia)
Sakdiyah Ma’ruf is a female Muslim stand-up comedian from Indonesia who challenges Islamic fundamentalism and advocates for women’s rights
Murad Subay (Yemen)
Artist Murad Subay uses his country’s streets as a canvas to protest Yemen’s war, institutionalised corruption and forced “disappearings”

Campaigning
Abduljalil Al-Singace (Bahrain)

Dr. Abduljalil Al- Singace is an imprisoned Bahraini human rights activist, academic and blogger who has not let prison stop him from calling attention to his country’s human rights practices
Vanessa Berhe (US)
University student Vanessa Berhe is fighting for the release of her uncle, Eritrean journalist Seyoum Tsehaye, and for freedom of expression in Eritrea, one of the world’s worst most censored countries
Bolo Bhi (Pakistan)
A women-lead digital rights campaigning group who have orchestrated an impressive effort to turn back the Pakistani government’s draconian attempt to censor the internet
Nkosilathi Emmanuel Moyo (Zimbabwe)
Prolific author and activist Nkosilathi Emmanuel Moyo campaigned against political corruption and worked with young people to foster human rights
Pu Zhiqiang (China)
A human rights lawyer who represented Ai Weiwei, Pu Zhiqiang has been targeted by China’s authorities for his unwavering support of free speech

Digital Advocacy
Dokuz8 Haber and Gökhan Biçici  (Turkey)

Journalist Gökhan Biçici launched citizen news agency Dokuz8Haber to foster uncensored information and strengthen Turkish democracy, circumventing intense press censorship
GreatFire (China)
GreatFire campaigns for transparency of Chinese censorship by providing numerous effective circumvention tools to the “Great Firewall”
Love Matters (international)
An international platform dedicated to opening up conversation about sexual health in countries where such subjects are censored or taboo
Mexicoleaks (Mexico)
An anonymous news-sharing platform seeking to bring more transparency to Mexico’s society by uncovering corruption
Hebib Muntezir (Azerbaijan)
An exiled Azerbaijani activist and blogger, who works with Meydan TV, mobilising social media to get uncensored news to a surprising number of his fellow citizens

Journalism
Zaina Erhaim (Syria)

One of the few female journalists still reporting from Syria, Zaina Erhaim of Aleppo works to train women to tell the story of the war-ravaged country
Mada Masr (Egypt)
Mada Masr is an independent news cooperative launched to offer an alternative narrative to government-controlled media
Hamid Mir (Pakistan)
Hamid Mir, a television journalist whose 30-year-career has been punctuated by threats, physical assaults, abductions and assassination attempts for taking on unchallenged powers in Pakistan
Pravit Rojanaphruk (Thailand)
Pravit Rojanaphruk is a veteran reporter who was arrested, interrogated and forced to resign for speaking out against Thailand’s lèse majesté law and military government
Ferit Tunç (Turkey)
Ferit Tunç is a Kurdish journalist who set up an independent newspaper in eastern Turkey and used inventive methods including publishing recipes with hidden messages to challenge censorship of his reporting on corruption

After Charlie Hebdo: The free speech fight begins at home

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When I started working at Index on Censorship, some friends (including some journalists) asked why an organisation defending free expression was needed in the 21st century. “We’ve won the battle,” was a phrase I heard often. “We have free speech.”

There was another group who recognised that there are many places in the world where speech is curbed (North Korea was mentioned a lot), but most refused to accept that any threat existed in modern, liberal democracies.

After the killing of 12 people at the offices of French satirical magazine Charlie Hebdo, that argument died away. The threats that Index sees every day – in Bangladesh, in Iran, in Mexico, the threats to poets, playwrights, singers, journalists and artists – had come to Paris. And so, by extension, to all of us.

Those to whom I had struggled to explain the creeping forms of censorship that are increasingly restraining our freedom to express ourselves – a freedom which for me forms the bedrock of all other liberties and which is essential for a tolerant, progressive society – found their voice. Suddenly, everyone was “Charlie”, declaring their support for a value whose worth they had, in the preceding months, seemingly barely understood, and certainly saw no reason to defend.

The heartfelt response to the brutal murders at Charlie Hebdo was strong and felt like it came from a united voice. If one good thing could come out of such killings, I thought, it would be that people would start to take more seriously what it means to believe that everyone should have the right to speak freely. Perhaps more attention would fall on those whose speech is being curbed on a daily basis elsewhere in the world: the murders of atheist bloggers in Bangladesh, the detention of journalists in Azerbaijan, the crackdown on media in Turkey. Perhaps this new-found interest in free expression – and its value – would also help to reignite debate in the UK, France and other democracies about the growing curbs on free speech: the banning of speakers on university campuses, the laws being drafted that are meant to stop terrorism but which can catch anyone with whom the government disagrees, the individuals jailed for making jokes.

And, in a way, this did happen. At least, free expression was “in vogue” for much of 2015. University debating societies wanted to discuss its limits, plays were written about censorship and the arts, funds raised to keep Charlie Hebdo going in defiance against those who would use the “assassin’s veto” to stop them. It was also a tense year. Events discussing hate speech or cartooning for which six months previously we might have struggled to get an audience were now being held to full houses. But they were also marked by the presence of police, security guards and patrol cars. I attended one seminar at which a participant was accompanied at all times by two bodyguards. Newspapers and magazines across London conducted security reviews.

But after the dust settled, after the initial rush of apparent solidarity, it became clear that very few people were actually for free speech in the way we understand it at Index. The “buts” crept quickly in – no one would condone violence to deal with troublesome speech, but many were ready to defend a raft of curbs on speech deemed to be offensive, or found they could only defend certain kinds of speech. The PEN American Center, which defends the freedom to write and read, discovered this in May when it awarded Charlie Hebdo a courage award and a number of novelists withdrew from the gala ceremony. Many said they felt uncomfortable giving an award to a publication that drew crude caricatures and mocked religion.

Index's project Mapping Media Freedom recorded 745 violations against media freedom across Europe in 2015.

Index’s project Mapping Media Freedom recorded 745 violations against media freedom across Europe in 2015.

The problem with the reaction of the PEN novelists is that it sends the same message as that used by the violent fundamentalists: that only some kinds of speech are worth defending. But if free speech is to mean anything at all, then we must extend the same privileges to speech we dislike as to that of which we approve. We cannot qualify this freedom with caveats about the quality of the art, or the acceptability of the views. Because once you start down that route, all speech is fair game for censorship – including your own.

As Neil Gaiman, the writer who stepped in to host one of the tables at the ceremony after others pulled out, once said: “…if you don’t stand up for the stuff you don’t like, when they come for the stuff you do like, you’ve already lost.”

Index believes that speech and expression should be curbed only when it incites violence. Defending this position is not easy. It means you find yourself having to defend the speech rights of religious bigots, racists, misogynists and a whole panoply of people with unpalatable views. But if we don’t do that, why should the rights of those who speak out against such people be defended?

In 2016, if we are to defend free expression we need to do a few things. Firstly, we need to stop banning stuff. Sometimes when I look around at the barrage of calls for various people to be silenced (Donald Trump, Germaine Greer, Maryam Namazie) I feel like I’m in that scene from the film Lock, Stock and Two Smoking Barrels where a bunch of gangsters keep firing at each other by accident and one finally shouts: “Could everyone stop getting shot?” Instead of demanding that people be prevented from speaking on campus, debate them, argue back, expose the holes in their rhetoric and the flaws in their logic.

Secondly, we need to give people the tools for that fight. If you believe as I do that the free flow of ideas and opinions – as opposed to banning things – is ultimately what builds a more tolerant society, then everyone needs to be able to express themselves. One of the arguments used often in the wake of Charlie Hebdo to potentially excuse, or at least explain, what the gunmen did is that the Muslim community in France lacks a voice in mainstream media. Into this vacuum, poisonous and misrepresentative ideas that perpetuate stereotypes and exacerbate hatreds can flourish. The person with the microphone, the pen or the printing press has power over those without.

It is important not to dismiss these arguments but it is vital that the response is not to censor the speaker, the writer or the publisher. Ideas are not challenged by hiding them away and minds not changed by silence. Efforts that encourage diversity in media coverage, representation and decision-making are a good place to start.

Finally, as the reaction to the killings in Paris in November showed, solidarity makes a difference: we need to stand up to the bullies together. When Index called for republication of Charlie Hebdo’s cartoons shortly after the attacks, we wanted to show that publishers and free expression groups were united not by a political philosophy, but by an unwillingness to be cowed by bullies. Fear isolates the brave – and it makes the courageous targets for attack. We saw this clearly in the days after Charlie Hebdo when British newspapers and broadcasters shied away from publishing any of the cartoons featuring the Prophet Mohammed. We need to act together in speaking out against those who would use violence to silence us.

As we see this week, threats against freedom of expression in Europe come in all shapes and sizes. The Polish government’s plans to appoint the heads of public broadcasters has drawn complaints to the Council of Europe from journalism bodies, including Index, who argue that the changes would be “wholly unacceptable in a genuine democracy”.

In the UK, plans are afoot to curb speech in the name of protecting us from terror but which are likely to have far-reaching repercussions for all. Index, along with colleagues at English PEN, the National Secular Society and the Christian Institute will be working to ensure that doesn’t happen. This year, as every year, defending free speech will begin at home.

#Index100: Unveiling this year’s 100 global free speech heroes

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A graffiti artist who paints murals in war-torn Yemen, a jailed Bahraini academic and the Ethiopia’s Zone 9 bloggers are among those honoured in this year’s #Index100 list of global free expression heroes.

Selected from public nominations from around the world, the #Index100 highlights champions against censorship and those who fight for free expression against the odds in the fields of arts, journalism, activism and technology and whose work had a marked impact in 2015.

Those on the long list include Chinese human rights lawyer Pu Zhiqiang, Angolan journalist Sedrick de Carvalho, website Raqqa is Being Slaughtered Silently and refugee arts venue Good Chance Calais. The #Index100 includes nominees from 53 countries ranging from Azerbaijan to China to El Salvador and Zambia, and who were selected from around 500 public nominations.

“The individuals and organisations listed in the #Index100 demonstrate courage, creativity and determination in tackling threats to censorship in every corner of globe. They are a testament to the universal value of free expression. Without their efforts in the face of huge obstacles, often under violent harassment, the world would be a darker place,” Index on Censorship CEO Jodie Ginsberg said.

Those in the #Index100 form the long list for the Index on Censorship Freedom of Expression Awards to be presented in April. Now in their 16th year, the awards recognise artists, journalists and campaigners who have had a marked impact in tackling censorship, or in defending free expression, in the past year. Previous winners include Nobel Peace Prize winner Malala Yousafzai, Argentina-born conductor Daniel Barenboim and Syrian cartoonist Ali Ferzat.

A shortlist will be announced in January 2016 and winners then selected by an international panel of judges. This year’s judges include Nobel Prize winning author Wole Soyinka, classical pianist James Rhodes and award-winning journalist María Teresa Ronderos. Other judges include Bahraini human rights activist Nabeel Rajab, tech “queen of startups” Bindi Karia and human rights lawyer Kirsty Brimelow QC.

The winners will be announced on 13 April at a gala ceremony at London’s Unicorn Theatre.

The awards are distinctive in attempting to identify individuals whose work might be little acknowledged outside their own communities. Judges place particular emphasis on the impact that the awards and the Index fellowship can have on winners in enhancing their security, magnifying the impact of their work or increasing their sustainability. Winners become Index on Censorship Freedom of Expression Awards Fellows and are given support for the year after their fellowship on one aspect of their work.

“The award ceremony was aired by all community radios in northern Kenya and reached many people. I am happy because it will give women courage to stand up for their rights,” said 2015’s winner of the Index campaigning award, Amran Abdundi, a women’s rights activist working on the treacherous border between Somalia and Kenya.

Each member of the long list is shown on an interactive map on the Index website where people can find out more about their work. This is the first time Index has published the long list for the awards.

For more information on the #Index100, please contact [email protected] or call 0207 260 2665.