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Australia’s Media Entertainment Arts Alliance launched a campaign to open Australia’s borders to the Index Award-shortlisted Kurdish-Iranian journalist Behrouz Boochani, who is currently interned in Papua New Guinea.
The alliance is calling for the Australian government to resettle Boochani, along with actor Mehdi Savari and cartoonist ‘Eaten Fish’, from the Manus Island immigration detention centre to Australia.
“We believe that to continue to detain these three individuals without charge or trial undermines freedom of expression and the right to seek asylum”, according to a statement on the alliance’s website. “We urge you to allow them to be resettled in Australia so that they can live, work and contribute to Australian society.”
Boochani has been shortlisted in the journalism category of the 2017 Index on Censorship’s Freedom of Expression Awards. Winners will be announced in April.
Boochani, who has been held at the detention centre since 2013, fled the city of Ilam in Iran after police raided the magazine he had co-founded, Kurdish Cultural Heritage. After less than a month in Australia he was forcibly relocated to the newly opened “refugee processing centre” in Papua New Guinea.
Preferring not to return home, Boochani reluctantly claimed asylum in Papua New Guinea alongside nearly 1000 other prisoners hoping to make it to Australia’s mainland. He has done his best to continue writing by passionately documenting his life in the restricted detention centre.
“I have never stopped thinking and working as a journalist”, says Boochani. “Despite attempts to silence me, I have not been silenced.”
He circumvented a ban on cell phones until 2016 by trading with the local residents in Papua New Guinea. Boochani was able to write many stories via the messenger app Whatsapp, even finding the time and space to shoot a feature film on his phone.
More than 100 journalists, actors, writers and cartoonists have collaborated in writing to the prime minister and immigration minister requesting that Boochani, Savari and Eaten Fish be resettled in Australia as soon as possible.
“WE, the undersigned, write as journalists, writers, cartoonists and performers to urge you to allow our colleagues Behrouz Boochani, Mehdi Savari, and ‘Eaten Fish’ to be resettled in Australia.
All three men have sought protection as refugees from Iran and are currently detained at the Manus Island Regional Processing Centre in Papua New Guinea which is operated on behalf of the Australian Government.
Well into the fourth year of their ordeal on Manus Island, and with delays and uncertainties in relation to any US resettlement deal, the three men remain in limbo. To varying degrees, the years of detention have severely impacted their mental and physical health.
As journalists, cartoonists, writers and performers, we are aware that the rights we enjoy are matched by a responsibility to challenge and confront tyranny and wrongdoing, to bear witness and uphold truth, and to reflect our society, even if sometimes unfavourably. We are privileged that in Australia we are able to pursue these ends without fear of persecution or threat to our personal liberty.
We believe that to continue to detain these three individuals without charge or trial undermines freedom of expression and the right to seek asylum. All three have courageously continued to practice their vocations on Manus Island despite their incarceration. We urge you to allow them to be resettled in Australia so that they can live, work and contribute to Australian society.
MEAA is joined in this letter by the the International Federation of Journalists, the International Federation of Actors, Reporters Without Borders, the Cartoonists’ Rights Network International, PEN International and members of the global network of the International Freedom of Expression Exchange.
We urge you to give the cases for resettlement of these three men serious consideration.”
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Eaten Fish (Ali Dorani), a 25-year-old Iranian cartoonist began a hunger strike on January 31 in Manus Island detention centre. He has now been on hunger strike for more than two weeks. The Media Entertainment and Arts Alliance (MEAA) published an open letter on February 5 calling on the federal government to free and resettle Eaten Fish and two other media colleagues, journalist Behrouz Boochani and actor Mehdi Savari. Read the full article
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Today, more than thirty cultural institutions and human rights organisations around the world, including international arts, curators’ and critics’ associations, organisations protecting free speech rights, as well as US based performance, arts and creative freedom organisations and alliances, issued a joint statement opposing United States President Donald J. Trump’s immigration ban. Read the full statement below.
On Friday, January 27th, President Trump signed an Executive Order to temporarily block citizens of seven predominantly Muslim countries from entering the United States. This order bars citizens of Iran, Iraq, Libya, Somalia, Sudan, Syria, and Yemen from entering the United States for 90 days. It also suspends the entry of all refugees for 120 days and bars Syrian refugees indefinitely.
The organisations express grave concern that the Executive Order will have a broad and far-reaching impact on artists’ freedom of movement and, as a result, will seriously inhibit creative freedom, collaboration, and the free flow of ideas. US border regulations, the organisations argue, must only be issued after a process of deliberation which takes into account the impact such regulations would have on the core values of the country, on its cultural leadership, and on the world as a whole.
Representatives of several of the participating organisations issued additional statements on the immigration ban and its impact on writers and artists:
Helge Lunde, Executive Director of ICORN, said, “Freedom of movement is a fundamental right. Curtailing this puts vulnerable people, people at risk and those who speak out against dictators and aggressors, at an even greater risk.”
Svetlana Mintcheva, Director of Programs at the US National Coalition Against Censorship (NCAC), said, “In a troubled and divided world, we need more understanding, not greater divisions. It is the voices of artists that help us understand, empathise, and see the common humanity underlying the separations of political and religious differences. Silencing these voices is not likely to make us any safer.”
Suzanne Nossel, Executive Director of PEN America, said, “The immigration ban is interfering with the ability of artists and creators to pursue their work and exercise their right to free expression. In keeping with its mission to defend open expression and foster the free flow of ideas between cultures and across borders, PEN America vows to fight on behalf of the artists affected by this Executive Order.”
Diana Ramarohetra, Project Manager of Arterial Network, said, “A limit on mobility and limits on freedom of expression has the reverse effect – to spur hate and ignorance. Artists from Somalia and Sudan play a crucial role in spreading the message to their peers about human rights, often putting themselves at great risk in countries affected by ongoing conflict. Denying them safety is to fail them in our obligation to protect and defend their rights.”
Ole Reitov, Executive Director of Freemuse, said, “This is a de-facto cultural boycott, not only preventing great artists from performing, but even negatively affecting the US cultural economy and its citizens rights to access important diversity of artistic expressions.”
Shawn Van Sluys, Director of Musagetes and ArtsEverywhere, said, “Musagetes/ArtsEverywhere stands in solidarity with all who protect artist rights and the freedom of mobility. It is time for bold collective actions to defend free and open inquiry around the world.”
A growing number of organisations continue to sign the statement.
JOINT STATEMENT REGARDING THE IMPACT OF THE US IMMIGRATION BAN ON ARTISTIC FREEDOM
Freedom of artistic expression is fundamental to a free and open society. Uninhibited creative expression catalyses social and political engagement, stimulates the exchange of ideas and opinions, and encourages cross-cultural understanding. It fosters empathy between individuals and communities, and challenges us to confront difficult realities with compassion.
Restricting creative freedom and the free flow of ideas strikes at the heart of the core values of an open society. By inhibiting artists’ ability to move freely in the performance, exhibition, or distribution of their work, United States President Trump’s January 27 Executive Order, blocking immigration from seven countries to the United States and refusing entry to all refugees, jettisons voices which contribute to the vibrancy, quality, and diversity of US cultural wealth and promote global understanding.
The Executive Order threatens the United States safe havens for artists who are at risk in their home countries, in many cases for daring to challenge repressive regimes. It will deprive those artists of crucial platforms for expression and thus deprive all of us of our best hopes for creating mutual understanding in a divided world. It will also damage global cultural economies, including the cultural economy of the United States.
Art has the power to transcend historical divisions and socio-cultural differences. It conveys essential, alternative perspectives on the world. The voices of cultural workers coming from every part of the world – writers, visual artists, musicians, filmmakers, and performers – are more vital than ever today, at a time when we must listen to others in the search for unity and global understanding, when we need, more than anything else, to imagine creative solutions to the crises of our time.
As cultural or human rights organisations, we urge the United States government to take into consideration all these serious concerns and to adopt any regulations of United States borders only after a process of deliberation, which takes into account the impact such regulations would have on the core values of the country, on its cultural leadership, as well as on the world as a whole.
African Arts Institute (South Africa)
Aide aux Musiques Innovatrices (AMI) (France)
Alliance for Inclusion in the Arts (USA)
Arterial (Africa)
Artistic Freedom Initiative (USA)
ArtsEverywhere (Canada)
Association of Art Museum Curators and Association of Art Museum Curators Foundation
Association Racines (Morocco)
Bamboo Curtain Studio (Taiwan)
Cartoonists Rights Network International
Cedilla & Co. (USA)
Culture Resource – Al Mawred Al Thaqafy (Lebanon)
International Committee for Museums and Collections of Modern Art (CIMAM)
College Art Association (USA)
European Composer and Songwriter Alliance (ECSA)
European Council of Artists
Freemuse: Freedom of Expression for Musicians
Index on Censorship: Defending Free Expression Worldwide
Independent Curators International
International Arts Critics Association
International Network for Contemporary Performing Arts
The International Cities of Refuge Network (ICORN)
Levy Delval Gallery (Belgium)
Geneva Ethnography Museum (Switzerland)
National Coalition Against Censorship (USA)
New School for Drama Arts Integrity Initiative (USA)
Observatoire de la Liberté de Création (France)
On the Move | Cultural Mobility Information Network
PEN America (USA)
Queens Museum (USA)
Roberto Cimetta Fund
San Francisco Art Institute (USA)
Stage Directors and Choreographers Society (SDC) (USA)
Tamizdat (USA)
Vera List Center for Art and Politics, New School (USA)[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1486570424977-7a30af48-045a-3″ taxonomies=”3784″][/vc_column][/vc_row]