Spring 2015: Across the wires – how refugee stories get told

16 Mar 2015 | Magazine, mobile, Volume 44.01 Spring 2015

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We follow the steps of Italian journalist Fabrizio Gatti, who spent four years undercover investigating migrant routes from Africa to Europe.  We look at how social media has become a blessing and a curse – offering a connection back home and a means of surveillance. We have pieces by refugees, written from inside camps about persisting myths;  by those struggling to claim rights as workers; and by those who have set up innovative, creative projects to share their stories.

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The issue also features a thoughtful analysis of the aftermath of the Charlie Hebdo attack in Paris, with contributions from Chilean writer Ariel Dorfman; Irish co-creator of Father Ted, Arthur Mathews; Turkish novelist Elif Shafak; British playwright David Edgar; former head of BBC news Richard Sambrook; and Hong Kong-based journalist Hannah Leung. Taking the long view, this group of writers looks at the worldwide picture, and how terror is used to silence.

Also, Martha Lane Fox and retired Major General Tim Cross go head-to-head, debating if privacy is more vital than national security. We have stories about attacks on journalists covering the drug trade in South America; a cover-up of abortion figures in Nicaragua; and the lessons to be learnt from attempts to downplay epidemics, from Aids to ebola.  Plus an extract from Lucien Bourjeily’s new play, which has skirted the Lebanese censors’ ban, and poetry from Turkish writers Ömer Erdem and Nilay Özer – all translated into English for the first time.

The issue’s cover artwork is by cartoonist Ben Jennings, and the magazine also features work from our regular collaborator Martin Rowson; and extracts from a graphic reportage set in an Iraqi camp, by Olivier Kugler.

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How refugee stories get told

Undercover immigrant – Italian journalist Fabrizio Gatti spent four years undercover investigating refugee routes from Africa to Europe

Taking control of the camera – Almir Koldzic and Aine O’Brien on refugee camp projects – from soap operas to photography classes – that help refugees tell their own stories. Also: Valentino Achak Deng on life after fleeing Sudan’s civil war; Kate Maltby visits the Syrian Trojan Women’s acting project; and Preti Taneja on bringing Shakespeare to the children of Zaatari

The way I see it – Refugees Rana Moneim and Mohammed Maarouf share their viewpoints from inside a camp, plus a camp visitor shatters his preconceptions

Clear connections – Jason DaPonte on how social media’s power is being harnessed by refugees

Who tells the stories? – Mary Mitchell and Mohammed Al Assad on a storytelling project in a Lebanon camp

Realities of the promised land – Iara Beekma looks at life for Haitian immigrants in Brazil and their rights as workers

The whole picture – Photojournalist Chris Steele-Perkins’ honest account of decades spent capturing refugees’ stories, from Rwandans to the Rohingha

Stripsearch – Our regular cartoonist, Martin Rowson, imagines the Democratic Republic of Cyberspace

Escape from Eritrea – Ismail Einashe explores the dangers of fleeing one of the world’s harshest regimes

A very human picture – Artist Olivier Kugler illustrates life within Iraq’s Domiz refugee camp

In limbo in world’s oldest refugee camps – Tim Finch looks at the places where 10 million people can spend years, or even decades

Sound and fury – Rachael Jolley interviews musician Martyn Ware, from Heaven 17 and the Human League, on the power of soundscape storytelling

Sheltering against resentment – Natasha Joseph reports from Johannesburg on the end of the line for a sanctuary for those fleeing xenophobia

Understanding how language matters – Kao Kalia Yang recalls her childhood as a Hmong refugee in Thailand and the USA

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Outbreaks under wraps – Alan Maryon-Davis looks at how denials and cover-ups spread ebola, Sars and Aids

Trade secrets – César Muñoz Acebes investigates Paraguay’s drug war and the dangers for journalists, plus Duncan Tucker on Mexico’s courageous bloggers and social media users, who are filling the gaps where Mexico’s press fears to tread

Lies and statistics – Nina Lakhani reports from Nicaragua on the cover-up of abortion figures and domestic abuse

Charlie Hebdo: taking the long view – After the Paris murders, seven writers from around the world look at how offence and terror are used to silence, featuring Arthur Mathews, Ariel Dorfman, David Edgar, Elif Shafak, Hannah Leung, Raymond Louw, Richard Sambrook

Screened shots – Jemimah Steinfeld on the Chinese film industry’s obsession with portraying Japan’s invasion during World War II

Finland of the free – Risto Uimonen explains why the Finns always top media freedom indexes, and the Belfast Telegraph’s readers’ editor, Paul Connolly, shares his thoughts on the future of press regulation

Head to head: Is privacy more vital than national security? Martha Lane Fox and Tim Cross debate how far governments should go when balancing individual rights and safeguarding the nation

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The state v the poets – Kaya Genç introduces works by Turkish poets Ömer Erdem and Nilay Özer

Knife edge – Lebanese playwright Lucien Bourjeily presents an exclusive extract from his latest play as it escapes the censors’ ban

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Global view – Index’s CEO Jodie Ginsberg says universities must not fear offence and controversy

Index around the world – Aimée Hamilton provides an update on Index on Censorship’s work

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Social disturbance – Vicky Baker looks at how user-generated content lost its innocence, from digital jihadis to hoaxes and propaganda

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

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Egypt: Sentenced Dutch journalist “will not rest” until colleagues are free

18 Jul 2014 | Mapping Media Freedom, Netherlands, News and features

Rena Netjes

Rena Netjes

Dutch journalist Rena Netjes was sentenced in absentia to ten years in prison in Egypt. The Egyptian government’s case against her and other journalists generated media interest from around the world. With the help of her colleagues at the Dutch Union for Journalists she’s now raising the issue of human rights and press freedom violations in Egypt in The Netherlands and abroad.

When freelance correspondent Netjes arrived at Schiphol airport on the 4th of February this year, she had just slipped out of Egypt after finding out she was blacklisted by the Egyptian government and would have to stand trial for on charges of working for Al Jazeera, terrorism and endangering national security. At home in The Netherlands, she recounted her escape with the help of Dutch diplomats in Egypt to newspapers and television in what seemed like a media circus.

While Netjes managed to flee Egypt, her colleagues were not so fortunate. Three Al Jazeera journalists, the Canadian-Egyptian Mohamed Fahmy, Egyptian Baher Mohamed and the Australian Peter Greste, have been sentenced to seven years, after being held in an Egyptian prison since December 2013.

In June, from the safety of her living room in The Netherlands, she learned that she has been sentenced to ten years in prison. She was convicted on the charges of spreading false information and promoting the banned Muslim Brotherhood. She was accused of working for Al Jazeera, which the Egyptian government claims promotes the views of the Muslim Brotherhood. Netjes says she only had coffee with the chief editor on one occasion. British journalists Sue Turton and Dominic Kane have also been sentenced in absentia to ten years imprisonment.

For Netjes, who lived and worked in Egypt for many years, the verdict means she might never be able to set foot in the country again.

“It’s still an emotional roller coaster,” she told Index on Censorship. She’s relieved to be free but is concerned about her colleagues now. “It’s hard to imagine these guys are in prison, in the hands of sadists.”

Her career as a foreign correspondent in Egypt is over, for now at least. Netjes would run the risk of being arrested if she returned. She can’t even go to most countries in the Middle East because of extradition agreements. “Even Lebanon extradites ‘terrorists’ to Egypt”, she said.

With the spotlight on her in The Netherlands, Netjes said she sees an opportunity to generate attention for Egypt’s human rights violations, the lack of press freedom and specifically the plight of the other journalists, who weren’t able to escape prison sentences. “They now depend on international pressure, by politicians and diplomats behind the scenes, but also on awareness raised by colleagues around the world”.

Netjes speaks frequently to Dutch and international media and is invited to panel discussions and public human rights events. “I’m trying to turn this traumatic experience into something positive,” she said. “I have a more platform to explain what is going on Egypt, to raise the subject of the abuses in Egypt”.

The Dutch Union for Journalists (Nederlandse Vereniging voor Journalisten, NVJ) jumped in to support Netjes’ case and the campaign for free media in Egypt. On July 8, NVJ-President Marjan Enzlin paid a visit to the Egyptian embassy in The Netherlands to address the issue.

At the embassy Enzlin expressed her concern about the trial and her worries about the lack of freedom for media in Egypt. “We told him these verdicts are a strong violation of press freedom. We asked him to deliver this message to his president”, she told Index on Censorship. “He told us he is not in the position to intervene. And then he even lectured us on how western media is poorly informed and is deliberately spreading negative stories about Egypt. It was ridiculous”.

Enzlin acknowledges that without Netjes’ involvement, the case probably wouldn’t have generated so much attention in Dutch media and politics. “It is because of Rena that this case is so high on the Dutch agenda. But through Rena, we should now fight for the others. We as free journalists in a free country have to make noise about the case. We should be a thorn in one’s side”.

Being one of the highest ranked countries in terms of media freedom, Enzlin believes the Dutch media should stand up. “The resistance needs to come from here”, she said. “We are spoiled in The Netherlands. We see it as our duty to support and help our colleagues in countries like Egypt”.

Immediately after the verdict in Egypt, the Dutch Minister of Foreign Affairs Frans Timmermans summoned the Egyptian ambassador. The Dutch government insists the trial wasn’t fair, and urged Egypt to improve human rights. The NVJ wants to make sure this kind of diplomatic pressure won’t wane over time. “This requires long term commitment, we have to keep the pressure up”, Enzlin says.

The NVJ has several actions and protests lined up. They will publish a photo gallery on their website of all journalists who have been convicted in Egypt. They have sent a letter to the Egyptian ambassador in The Netherlands asking for assurances that Netjes can travel to the country for her appeal without fear of detention. If Netjes can’t go to Egypt safely, the NVJ requested to go in her place.

After the Dutch parliament’s summer recess, the NVJ will ask for another meeting with the Egyptian ambassador. They plan to invite MPs to join them to add more political pressure. The union will also organise a protest at Amsterdam’s Schiphol Airport, in front of the gate for flights to Egypt. “We will make banners saying ‘journalists are not terrorists’. Something Egypt will not be happy with.”

Netjes is still publishing stories on issues in Egypt. “I still have my sources in Egypt feeding me with information because they see that I am in the position to speak and write freely”. Meanwhile, spreading the word about the deplorable situation for journalists and activists in Egypt became a mission on its own.

“I am deprived of my freedom to travel, but that is nothing compared to what the guys who are imprisoned are going through”, she said. “I will not rest before they are free.”

This article was updated on July 21, 2014 to reflect that Marjan Enzlin is the President of NVJ, not Director as previously stated.

More reports from The Netherlands via mediafreedom.ushahidi.com

Journalist denied entrance to public court hearing

‘Rules for using drones by journalists too restricted’

Journalists’ cameras seized by police

Dutch magazine on trial for photographing princess

This article was posted on July 18, 2014 at indexoncensorship.org

Index Awards 2014: Catching up with arts nominee Lucien Bourjeily

4 Jul 2014 | Awards, News and features

Three months have passed since the 2014 Index Awards and we caught up with arts nominee, Lucien Bourjeily. The Lebanese playwright told Index he is working on the sequel to his play, Will It Pass Or Not?, which was banned because it was about censorship. He hopes the same will not happen to the sequel, but says that even if it does, he is motivated to keep working and to get his message out.

Lebanon: General security return passport to critical writer (29 May 2014)

Index Freedom of Expression Awards: Arts nominee Lucien Bourjeily (13 March 2014)

From the Magazine: Will It Pass or Not? A play by Lucien Bourjeily (12 Feb 2014)

Index Freedom of Expression Awards: Arts nominee Lucien Bourjeily

13 Mar 2014 | Awards, News and features

Lucien Bourjeily openly confronted the Lebanese censorship bureau by writing a play Would It Pass Or Not? about censorship in Lebanon. The play was banned, exposing the farcical sensitivity of the censors and forcing them to justify their actions in public.

The play was produced by March – – an anti-censorship NGO of which Bourjeily is an advisory board member.

In conversation with Index, Bourjeily told of his bizarre encounters with the censor board’s general when summoned to the bureau in Beirut on 28 August.

“The play could not go ahead” he was told “because it was not realistic. It was exaggerated”. “True”, said Bourjeily, “it’s fiction. Of course it’s unrealistic and exaggerated. Otherwise it would be a documentary”.

Bourjeily recounts the general turning to his subaltern and describing scenes from the play, asking “would such a thing happen here?”, unintentionally and ironically echoing a scene in the play itself. When censors are censoring a play about censorship, things are bound to turn to farce sooner or later.

Normally, Lebanon’s censors will suggest changes to works that will allow them to pass – a joke removed here, a political remark erased there. But with Bourjeily’s play, this was apparently not going to happen.

The censors’ next move was interesting: they would show, they said, that Boujeily’s play had no artistic merit. On 3 September, General Mounir Akiki appeared on television bearing testimony from four “critics”, each of whom said the same thing; that there was no artistic value in “Would it pass or not?”

Curiously, none of these critics were named, despite their views being taken very seriously indeed. One said that Bourjeily’s play contained “a defamatory hallucination indicating the absence of his artistic level”, another that the play “was not related to the theatre, but rather with prosaic words. It does not meet the conditions regarding structure.”

Index Freedom of Expression Awards
#indexawards2014 The nominees are…

Nominees: Advocacy | Arts | Digital Activism | Journalism

Join us 20 March 2014 at the Barbican Centre for the Freedom of Expression Awards

This article was posted on 13 March 2014 at indexoncensorship.org