Contents – Masked by Covid: The underreported stories of 2020 that must be heard

[vc_row][vc_column][vc_custom_heading text=”Special report “][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Another explosion for Lebanon by Zahra Hankir and Kareem Chehayeb: The blast in Beirut made international headlines. Even before that the nation was in turmoil and it has only worsened the mental health crisis

Who will report on Nicaragua? by Jemimah Steinfeld: Bianca Jagger tells Index a clampdown on dissent and independent media is reaching new heights

Remembering Rex Cornelio by Ryan Macasero: Months on from the murder of Philippines radio host Rex Cornelio we speak to those who knew him about his bravery and his awful death

Royally silenced by Pavin Chachavalpongpun: As students campaign against lèse-majesté laws, the Thai exile and royal critic with a Facebook group of two million followers considers their fate

Another black day for Poland by Katarzyna Kasia: The attack on women’s reproductive rights caused mass protests. Duda’s re-election gave it legitimacy

Tearing down the ivory tower by Kaya Genç: Amidst the noise of the pandemic, a thriving Istanbul university was shut down with litle outcry

Ganging up against the truth by Chris Havler-Barrett: El Salvador’s government do not want you to hear about a potential deal they’ve made with the country’s biggest gang

Mexico’s deadliest state by Stephen Woodman: The government’s promise to protect journalists from harm is failing. Just look at the state of Veracruz

Europe’s new Orban by Anuška Delić: Janez Janša, Slovenia’s new prime minister, is mirroring the extreme policies of his Hungarian counterpart

Democracy vs the people by Andy Morgan: Mali has seen a government coup following escalating protests. What has caused the unrest?

“The state won’t protest you” by Natasha Joseph: The death of Robert Mugabe brought so much hope, but improvements to daily life have not come for Zimbabweans. Far from it

Dying for the mother tongue by Uradyn E Bulag: Why have people in Inner Mongolia recently taken their lives?[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Global view “][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Hey, big brother – we’re watching you by Ruth Smeeth: We will fight louder and harder for those whose governments have taken away their freedoms[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In focus”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Long march towards cultural genocide by Nick Holdstock: As news emerges of the present horrors happening in Xinjiang, an expert on the region looks at its recent history

How to challenge China by Tom Tugendhat, Lokman Tsui, Rushan Abbas & Anne-Marie Brady: How do we make a global power sit up and take notice? These experts offer advice

Abuse not part of journalists’ day job by Fréderike Geerdink: A reporter in the Netherlands has won a landmark case against her online harassers

Two faces of On Liberty by John Gray: Liberal institutions are becoming more censorial. Is the philosopher John Stuart Mill to blame?

Out with the old? by Robert Speel: Donald Trump’s conduct during and after the election appeared extraordinary, but a look at US history challenges that

The Sudanese revolution will be illustrated by Abraham Zere: A profile of Khalid Albaih, the political cartoonist dubbed “an enemy of the state”

Social media platforms have a moral duty to ban misinformation about vaccines by Julie Leask and Jonathan Kennedy: Two leading thinkers on vaccine hesitancy and misinformation debate this crucial question[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture “][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Fighting the propaganda tsars by Sergey Khazov-Cassia: The Russian writer speaks to Index about why his books are sold wrapped in plastic and shares an extract from The Gospel According To

Banning those who ban by Bothayna al-Essa: Jemimah Steinfeld talks to the Kuwaiti author about a landmark case in the country that saw a ban on books overturned. Plus an exclusive extract from al-Essa’s book Guardian of Superficialities

“Your limitless grief is a tale with no ending” by Joshua L Freeman: We publish the poetry of three Uighur poets – Abuqadir Jüme Tunyuquq, Idris Nurillah and Shahip Abdusalam Nurbeg – who have disappeared in China

Page turners or slow burners? by Leah Cross, Jessica Ní Mhainín & Marc Nash: New books reviewed on the murder of a Honduran activist, stories from a Tibetan town and a semi-autobiographical account of an artist in the USA[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Index around the world”][vc_column_text]World loses titans of free speech by Benjamin Lynch: A look at the free speech advocates that recently passed away including Sir Harold Evans[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Fighting for Covid information by Lauren Brown: Meet the people who are ensuring that even those in the most censored environments receive accurate information on the pandemic[/vc_column_text][/vc_column][/vc_row]

“His only crime is to believe that Egyptians deserve the most basic of human rights”

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Kelly and Ennarah in happier times

Two months ago, British documentary filmmaker Jess Kelly was making plans for a happy future. She had just got married and she and her Egyptian husband Karim Ennarah were planning on a life together in London.

Today, the future could hardly be more uncertain. Ennarah is in an Egyptian jail facing charges of belonging to a terrorist group and spreading false news, with the threat of a long jail sentence.

Ennarah’s ‘crime’ was to meet in early November with a group of European diplomats, including from the UK and the Netherlands, to discuss human rights issues in the country. Ennarah works as criminal justice unit director for the Egyptian Initiative for Personal Rights. His work focuses on human rights abuses within Egypt’s policing and the criminal justice system.

Speaking to Index, Kelly said, “I was in London on the day of the meeting and we were on the phone. He mentioned he had to get up early and had an important meeting with a couple of diplomats.

“It was typical of him to underplay the importance of these things and also to underplay his role. He joked that he was going to have to wear a suit. I didn’t know then it was going to be such a historic turning point,” said Kelly.

A few days later, Ennarah travelled to the Red Sea town of Dahab for a short break with friends. Kelly planned to join him there.

On the day of his arrival, Ennarah received a phone call to say that his EIPR colleague Mohammad Bashseer had been arrested. He thought about turning around and heading straight back to help but he decided to stay for one night.

Kelly says, “That night he called me, he told me the police had come to his mum’s house and told me to prepare for the worst. He couldn’t couch it in comforting terms.”

A natural advocate

Kelly first met Ennarah in 2009.

“I was doing my degree in Arabic and was spending the second year in Cairo. We were introduced by mutual friends. At the time, he was working for the UN in South Sudan and he started working for EIPR in 2011, just after the revolution. We got together in 2015.”

Ennarah was well suited to his new role.

“He found himself very suited to the job of advocacy,” said Kelly. “His sense of right and wrong was strong and he has an encyclopaedic knowledge of human rights. He is also a very good speaker and can talk to anyone.”

EIPR is one of the few remaining human rights organisations in Egypt.

“Over the years, Karim has supported many journalists who come to him for comment,” said Kelly. “EIPR are the ones in the know, they are the only people taking testimonies and conducting proper research into abuses of human rights, whether of minorities or in the criminal justice system.”

Kelly says that the human rights situation in Egypt has deteriorated over the years and the authorities have been locking up political prisoners at an increasing rate.

“I have made films in most countries in the Middle East – Iraq, Lebanon, Kuwait, Saudi Arabia. Egypt is the only place I have never been granted a visa. People see Egypt as a holiday destination where you can drink and people have a good time. It is well known to us in the media that Egypt is the only place that you don’t try and expose things because you will be locked up.”

Someone has to keep fighting

On 18 November, the couple’s concerns materialised. Ennarah was sitting in a restaurant in the Red Sea town when he was arrested by the authorities.

During a four-hour investigation, security forces confiscated his laptop, phone and personal belongings and ordered his pre-trial detention for 15 days on charges of “joining a terrorist group”, “using a social media account to spread false news” and “spreading false news”. The prosecutor said the charges were based on security investigations showing that Ennarah “agreed with a group inside prisons to spread false rumours that could undermine public peace and public safety.”

Ennarah is not alone – Patrick George Zaki, a human rights activist who had previously worked with EIPR, and the organisation’s executive director Gasser Abed El Razek have also been arrested.

“When Patrick Zaki was detained in February, it was a huge shock for everyone,” said Kelly. “We discovered that they had interrogated him and had asked about Karim by name.”

Despite this worrying development, Ennarah did not flinch.

“Karim is someone who is not going to run away from anything until he is forced to,” said Kelly. “We spoke about how it wasn’t safe for him but he just was never going to give up this role. There are not many people who can take it one, he would say, someone has to keep fighting.”

He loves Egypt the most

Kelly has not been able to speak with Ennarah or get him a message since his arrest a week ago but she believes emphatically that he will be strong.

“Karim is very resilient and very pragmatic,“ said Kelly. “He will be confident that he has the best people working on his case get him out. He is very strong-willed but I think it is going to be very hard for him to think about his mum and me. He wouldn’t have wanted me to put my life on hold but I can’t think of anything else.”

Kelly speaks to Ennarah’s mother regularly. “When we talk, she seems pretty strong. She is proud of him. She says to me, ‘He is the person who loves Egypt the most. How could they level these accusations against him?’”

Kelly believes that applying pressure now – before there is a trial or sentencing – offers the best chance of getting him free. Some 90,000 people have already signed a petition started by Kelly to UK foreign secretary Dominic Raab calling for the UK government to demand his release.

Next Monday is Ennarah’s 38th birthday and it will be a difficult day for Kelly and Ennarah’s family.

“Just two months ago when we got married we were dreaming of our future together. Now I don’t even know when I’ll get to see him again,” she said. “I couldn’t wait to have him by my side. Now our life together has been crushed.”

She says the charges against Ennarah are totally unfounded.

“His only crime is to dare to believe that Egyptians deserve the most basic of human rights.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You may also want to read” category_id=”4060″][/vc_column][/vc_row]

Zehra Dogan: I became more widely known after winning the Index Freedom of Expression Award

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Zehra Dogan, winner of the 2019 Index on Censorship Freedom of Expression Award for Arts, is a Kurdish painter and journalist. She was released from prison on 24 February 2019 after almost 600 days in prison in Turkey, during which she was denied access to materials for her work. She painted with dyes made from crushed fruit and herbs, even blood, and used newspapers and milk cartons as canvases. When she realised her reports from Turkey’s Kurdish region were being ignored by mainstream media, Dogan began painting the destruction in the town of Nusaybin and sharing it on social media. For this she was arrested and imprisoned. During her imprisonment, she refused to be silenced and continued to produce journalism and art. She collected and wrote stories about female political prisoners, reported on human rights abuses in prison, and painted despite the prison administration’s refusal to supply her with art materials. 

Dogan also received the 2019 May Chidiac Foundation Award for Exceptional Courage in Journalism. She accepted the prize in Lebanon where she dedicated the prize to the people of Rojava. Dogan also featured at an exhibition at The Drawing Center in New York entitled The Pencil Is a Key by Incarcerated Artists which will feature drawings by incarcerated people from all over the globe. The exhibition will run until 5 January 2020.

Dogan’s first book, Nous aurons aussi de beaux jours – Écrits de prison (We will also have beautiful days – Writings of prison), a collection of her letters from prison during the 600 days she spent in detention, was released on 31 October 2019. From 6 to 23 of November, works by Dogan will go on display at Galerie des Femmes in Paris as part of her exhibition Œuvres Évadées (Escaped Works).

We caught up with Dogan to find out what she has been working on since winning the Index on Censorship award in April 2019.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1574072523308-d110cf72-f9a9-3″ taxonomies=”22555″][/vc_column][/vc_row]

The paradox of creative constraints

[vc_row][vc_column][vc_single_image image=”108169″ img_size=”full”][vc_column_text]Above: Tehran: City of Love © Here and There Productions[/vc_column_text][vc_column_text]This public symposium will reflect on the paradox of creative constraints in contemporary cinema from the Middle East – a day of film screenings and panel discussions with filmmakers, funders and programmers, including some of the most innovative rising talents as well as established experts.

Freedom of expression is often understood solely through the lens of state censorship. This symposium, however, starts from the premise that social, economic and other constraints shape any film from the outset, rather than only coming at the end of the process in the form of intervention by the state or other parties. It seeks to explore the different kinds of limitations on freedom of cinematic expression, from funding through to problems on set, lack of local distribution and travel restrictions, as well as the complex negotiation between constraints and political and creative impulses behind the films. It will deal with questions such as what types of constraints do filmmakers face when they make and distribute films in the region? To what extent are these constraints either productive or harmful? How do the creative strategies used by filmmakers evolve in response to the constraints?

The symposium will offer new insights into filmmaking from the region, revitalising debates on cinematic creativity in sites of conflict and crisis in the Middle East and beyond.

Confirmed speakers include:

Mounia Akl, Film Director, Submarine (Lebanon, US, 2016)

Naziha Arebi, Film Director, Freedom Fields (UK, Libya, 2018)

Shirin Barghnavard, Film Director, Profession: Documentarist (Iran, 2014)

Fay Breeman, Manager, Hubert Bals Fund of the International Film Festival Rotterdam

Tamer El Said, Film Director and Co-Founder, Cimatheque, Cairo

Julia Farrington, Associate Arts Producer, Index on Censorship

Yael Friedman, Documentary Filmmaker and film scholar

Malu Halasa, Writer and Editor

Ali Jaberansari, Film Director, Tehran: City of Love (Iran, UK, Netherlands, 2018)

Basil Khalil, Film Director, Ave Maria (Palestine, France, Germany, 2015)

Rima Mismar, Executive Director, Arab Fund for Arts and Culture

Persheng Sadegh-Vaziri, Documentary Filmmaker and Film Scholar

Naghmeh Samini, Screenwriter

Elhum Shakerifar, BAFTA-nominated film producer, MENA programme advisor for the BFI London Film Festival and Film Curator for Shubbak, festival of contemporary Arab culture

Full schedule available here.[/vc_column_text][vc_column_text]

When: Saturday 7 September 2019 10:00 am
Where: The Mosaic Rooms, Tower House, 226 Cromwell Road, London SW5 0SW
Tickets: £5.00 – £6.50 via Mosaic Rooms (includes lunch/refreshments)

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The paradox of creative constraints resource pack 

Symposium organiser Shohini Chaudhuri has put together a reading list of articles dealing with constraints in Middle Eastern cinema from the Index on Censorship magazine archive. 

  1. An undelivered love letter: Kite Runner star Khalid Abdalla talks about how his film In the Last Days of the City can’t be screened in the city where it is set, Cairo  
  2. Make art not war: Yemeni artists are painting the streets of bombed out cities with their protests 
  3. Return of Iraq’s silver screen: Iraq’s film industry is reviving after decades of conflict. Can it help the nation rebuild?
  4. Mission Unaccomplished  
  5. New Times, Same Problems

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Presented in partnership with:[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”108172″ img_size=”full” onclick=”custom_link” link=”https://mosaicrooms.org/”][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]