07 Mar 19 | Awards, News and features
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Ms Saffaa is a self-exiled Saudi street artist living in Australia who uses murals to highlight women’s rights and human rights violations in Saudi Arabia.
Collaborating with artists from around the world, she often focuses on Saudi women, their individuality and autonomy. She challenges Saudi authorities’ linear and limited narrative of women’s position in Saudi society, and offers a counter narrative. Recently, she has also focussed on human rights and the murder of Jamal Khashoggi.
Part of a new generation of Saudi activists who take to social media to spread ideas, Ms Saffaa’s work has acquired international reach. Through her use of social media and collaborations, Ms Saffaa amplifies her subjects’ voices online, beyond their life on a wall.
“I am my own guardian”, a series of murals she created in 2012-13, made waves in Saudi Arabia and internationally. This was a protest against restrictive guardianship laws that mandate women must have a male guardian’s permission to get married, undertake education, have elective surgery or even to open a bank account. She depicted Saudi women wearing the male Saudi headdress, with banners across their mouths saying: “I Am My Own Guardian”.
In 2016, a conservative Saudi man discovered her work and abused her on Twitter. This sent Ms Saffaa trending. Many activists retweeted her artwork, and used it in a movement protesting against Saudi Arabia’s guardianship laws, which used the artwork as the unofficial logo.
Ms Saffaa has faced online threats, harassment, and in 2017, after an interrogation by the head of intelligence at the Saudi embassy in Canberra, her passport renewal request was denied, leaving her stranded in Australia with a de facto travel ban.
With crown prince Mohammed Bin-Salman’s rise to power, expressing dissent or challenging the Saudi leadership has become even more dangerous. After the murder of prominent journalist Jamal Khashoggi, it is clear that dissidents face repression beyond a travel ban, and regardless of whether they live in the country or abroad.
In 2017, a mural celebrating Saudi women and the 150th day of the “I am my own guardian” movement was vandalised. In 2018, she recreated the defaced artwork with support from Peter Khalil, an Australian Labor MP. The new mural included the work of 10 local and international female artists as collaborators. On the week of International Women’s Day, she created a mural in Sydney to celebrate Saudi women’s resilience. It features two portraits of prominent Saudi activists imprisoned on terrorism charges. In November 2018, Ms Saffaa collaborated with renowned American artist and writer Molly Crabapple on a mural celebrating Jamal Khashoggi that read, “We Saudis deserve better.”[/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”104691″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2019/01/awards-2019/”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Index on Censorship’s Freedom of Expression Awards exist to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1551786362908-3b759dfe-64e8-9″ taxonomies=”26925″][/vc_column][/vc_row]
06 Mar 19 | Awards, News and features
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ElMadina for Performing and Digital Arts is a group of artists and arts managers who combine art and protest by encouraging Egyptians to get involved in performances in public spaces, defying the country’s restrictive laws.
ElMadina’s work encourages participation — blending performances, story-telling, dance and training on human rights and citizenship — to transform public spaces and marginalised areas in Alexandria and beyond into thriving environments where people can freely express themselves.
Their work blends various artistic practices — street theatre, artistic training and grassroots advocacy — to encourage free expression in a country in which public space is shrinking under the weight of government distrust of the artistic sector.
Under the current president Abdel Fattah el-Sisi, civil society has come under attack. A 2013 Protest Law restricts demonstrations and art in public spaces. Over 500 websites are currently blocked. The arts sector is tightly regulated and the use of foreign funds is restricted. A 2018 law prohibits any festivals that have not been authorised by a government committee.
Some of their work takes the form of ‘advocacy street theatre’: Street Carnival, a 2015-16 series of performances, showcased Egypt’s marginalised cultures; Training in the Street use the public realm to stage theatre training workshops for artists and the public.
Another project, Street Theater in Egypt, challenged Egypt’s Protest Law, which regulates arts in public spaces, and produced two legal studies that were referenced in the case filed against the constitutionality of the law.
As a result of their activity, ElMadina have come under growing government pressure, and had to close their office a few months ago. They cite “a lot of pressure in many different ways”; including trouble with their landlord (a governmental institution); obstacles in receiving funds; unofficial interrogations; denial of event approvals; and being put on the list of people tracked to be investigated prior to travelling.
In November 2018, ElMadina launched The Picnic, a research project and interactive artistic installation that seeks to involve the audience in monitoring the transformation of public spaces in Egypt.
Raya, Sakina & Cavafy uses the stories of two serial killers and a poet to make the audience reflect on Egypt’s cultural policies. It took the form of an exhibition and a performance that will premiere in 2019. ElMadina also do advocacy and research work for the MARSAD (Mediterranean Action and Research for Sustainability And Development) Observatory and MedCulture. They also provide a physical space for training programmes, residencies and performances.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”104691″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2019/01/awards-2019/”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Index on Censorship’s Freedom of Expression Awards exist to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1551786321771-589402b3-618c-6″ taxonomies=”26925″][/vc_column][/vc_row]
05 Mar 19 | Awards, News and features
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ArtLords is a grassroots movement of artists and volunteers in Afghanistan who encourage ordinary citizens, especially women and children, to paint the issues that concern them on so-called blast walls: walls the country’s rich and the powerful have built around themselves to protect them from violence while the poor fend for themselves.
Three decades of war have changed Afghanistan’s social fabric dramatically. Violence and pressure from groups ranging from terrorists to government forces to drug lords has stoked fear in the population, fuelling self-censorship. Journalists, activists and artists have been threatened and killed. The ArtLords themselves have been threatened and accused of being spies.
According to Reuters, “some city streets have been turned into concrete canyons”. The ArtLords, whose name is in opposition to the warlords and drug lords at the root of many of Afghanistan’s problems, have turned these walls into canvases. Recurrent themes painted by citizens include anti-corruption, women’s rights and polio eradication.
In their most famous artwork, called I See You, the group painted eyes on the walls of the National Directorate of Security as a warning to corrupt officials. The painting mysteriously disappeared a few days after being completed, sparking public outcry.
Another mural takes a dig at the rich and powerful, depicting a black SUV with its windows tinted, and reads “What are you carrying, that your windows are black? You don’t have a license plate and don’t stop for searches.” Other paintings celebrated women who died serving Afghanistan and victims of random violence.
Their work has turned a symbol of fear, tension and separation into a platform where social issues can be expressed visually and discussed in the street.
The team has been threatened many times – they’ve been accused of becoming infidels, being CIA spies, standing against Sharia Law. ArtLords have also been indirectly targeted by the government because of their attempts to call out corrupt officials – and the government has whitewashed at least one of their murals.
ArtLords has completed over 400 murals in 16 provinces of Afghanistan, partnering with NATO, UNICEF, embassies and being covered widely in Western media. In March 2018, for International Women’s Day, ArtLords painted a tribute to Professor Hamida Barmaki, a woman human rights defender killed in a terrorist attack six years ago.
ArtLords is also collaborating on murals with the support Canadian Embassy in Kabul, UNICEF and the National Endowment for Democracy on themes such as tolerance, empathy and respect.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”104691″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2019/01/awards-2019/”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Index on Censorship’s Freedom of Expression Awards exist to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1551800428751-ed837da4-cccd-5″ taxonomies=”26925″][/vc_column][/vc_row]
15 Jan 19 | Fellowship 2019, News and features, Press Releases
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- Judges include investigative journalist Maria Ressa, one of Time magazine’s people of the Year 2018; actor Khalid Abdalla
- Shortlist celebrates artists, campaigners and activists from Saudi Arabia to Serbia, Colombia to Cameroon
[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_column_text]A self-exiled Saudi street artist who uses murals to challenge her homeland’s repression of women, a Nigerian organisation that fosters community radio, a group of digital activists tackling online trolls in Colombia, and a Serbian collective of investigative journalists exposing government corruption are among the individuals and organisations shortlisted for the 2019 Index on Censorship Freedom of Expression Awards Fellowships.
Drawn from more than 400 crowdsourced nominations, the shortlist celebrates artists, writers, journalists and campaigners fighting for freedom of expression against immense obstacles. Many of the 15 shortlisted nominees face regular death threats, others criminal prosecution or exile. Some are currently in prison for daring to speak out against the status quo.
“Free speech is the cornerstone of a free society – and it’s under increasing threat worldwide. That’s why it’s more important than ever to recognise the groups and individuals willing to stand up for it,” said Jodie Ginsberg, CEO of campaigning nonprofit Index on Censorship.
Awards fellowships are offered in four categories: arts, campaigning, digital activism and journalism.
Nominees include exiled street artist Ms. Saffaa whose murals highlight women’s rights and human rights violations in Saudi Arabia; Nigeria’s Institute for Media and Society, which goes to great lengths to improve the country’s media landscape by challenging government regulation and aiding the creation of community radio stations in rural areas; Colombia’s Fundación Karisma, which fights back against internet trolls and promotes freedom of expression online; and The Center for Investigative Journalism of Serbia (CINS), an independent group of investigative journalists exposing corruption in the country.
Other nominees include ArtLords, a grassroots movement of artists and volunteers in Afghanistan; P24 (Platform for Independent Journalism), a civil society organisation with an ambitious goal of neutralising censorship in Turkey; Mohammed al-Maskati, a Bahraini activist and digital security consultant who provides digital security training to activists in the Middle East and in North Africa; and Mehman Huseynov, an imprisoned journalist and human rights defender who documents corruption and human rights violations in Azerbaijan.
Judges for this year’s awards, now in its 19th year, are award-winning investigative journalist and Rappler.com Editor-in-Chief Maria Ressa, actor and filmmaker Khalid Abdalla, computer scientist and author Dr. Kate Devlin, and writer and social activist Nimco Ali.
Abdalla said: “The abyss we are facing all over the world requires acts of courage and intellect capable of changing the terms of how we think and respond to the challenges ahead. We have to celebrate those who inspire us and lead by example, not just because they have managed to break barriers in their own contexts, but because some part of what they do holds a key for us all.”
Winners, who will be announced at a gala ceremony in London on 4 April, become Index on Censorship Freedom of Expression Awards Fellows and are given year-long support for their work, including training in areas such as advocacy and communications.
“Many of the things that I dreamt of happening one day, in an idealistic way, have become reality, all thanks to Index,” Wendy Funes, 2018 Index on Censorship Freedom of Expression Journalism Fellow, said. “Solidarity, love and friendship are really the things that can move this world, and that is what Index is made of with all of the support they have extended to me.”
This year, the Freedom of Expression Awards are being supported by sponsors including SAGE Publishing, Google, Private Internet Access, Edwardian Hotels, Vodafone, France Médias Mondes and Psiphon. Illustrations of the nominees were created by Sebastián Bravo Guerrero.
Notes for editors:
- Index on Censorship is a UK-based non-profit organisation that publishes work by censored writers and artists and campaigns against censorship worldwide.
- More detail about each of the nominees is included below.
- The winners will be announced at a ceremony in London on 4 April.
For more information, or to arrange interviews with any of those shortlisted, please contact Sean Gallagher on 0207 963 7262 or [email protected]. More biographical information and illustrations of the nominees are available at indexoncensorship.org/indexawards2019.[/vc_column_text][vc_custom_heading text=”Index on Censorship Freedom of Expression Awards nominees 2019″ use_theme_fonts=”yes”][vc_column_text]
Arts
for artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression
[/vc_column_text][vc_single_image image=”104530″ img_size=”full” alignment=”center”][vc_column_text]ArtLords
Afghanistan
ArtLords is a grassroots movement of artists and volunteers in Afghanistan who encourage ordinary citizens, especially women and children, to paint the issues that concern them on so-called blast walls: walls the country’s rich and the powerful have built around themselves to protect them from violence while the poor fend for themselves. Their work has turned a symbol of fear, tension and separation into a platform where social issues can be expressed visually and discussed in the street. ArtLords has completed over 400 murals in 16 provinces of Afghanistan. In March 2018, for International Women’s Day, ArtLords painted a tribute to Professor Hamida Barmaki, a human rights defender killed in a terrorist attack six years ago.
Zehra Doğan
Turkey
Zehra Doğan is an imprisoned Kurdish painter and journalist who — denied access to materials for her work — paints with dyes made from crushed fruit and herbs, even blood, and uses newspapers and milk cartons as canvases. When she realised her reports from Turkey’s Kurdish region were being ignored by mainstream media, Doğan began painting the destruction in town of Nusaybin and sharing it on social media. For this she was arrested and imprisoned. Imprisonment hasn’t stopped her from producing journalism and art. She collects and writes stories about female political prisoners, reports on human rights abuses in prison, and paints despite the prison administration’s refusal to supply her with art materials.
ElMadina for Performing and Digital Arts
Egypt
ElMadina is a group of artists and arts managers who combine art and protest by encouraging Egyptians to get involved in performances in public spaces, defying the country’s restrictive laws. ElMadina’s work encourages participation — through story-telling, dance and theatre — to transform public spaces and marginalised areas in Alexandria and beyond into thriving environments where people can freely express themselves. Their work encourages free expression in a country in which public space is shrinking under the weight of government distrust of the artistic sector. ElMadina also carry out advocacy and research work and provide a physical space for training programmes, residencies and performances.
Ms Saffaa
Saudi Arabia / Australia
Ms Saffaa is a self-exiled Saudi street artist living in Australia who uses murals to highlight women’s rights and human rights violations in Saudi Arabia. Collaborating with artists from around the world, she challenges Saudi authorities’ linear and limited narrative of women’s position in Saudi society, and offers a counter narrative through her art. Part of a new generation of Saudi activists who take to social media to spread ideas, Ms Saffaa’s work has acquired international reach. In November 2018, she collaborated with renowned American artist and writer Molly Crabapple on a mural celebrating murdered Saudi journalist Jamal Khashoggi that read, “We Saudis deserve better.” [/vc_column_text][vc_column_text]
Campaigning
for activists and campaigners who have had a marked impact in fighting censorship and promoting freedom of expression
[/vc_column_text][vc_single_image image=”104531″ img_size=”full” alignment=”center”][vc_column_text]Cartoonists Rights Network International
United States / International
Cartoonists Rights Network International (CRNI) is a small organisation with a big impact: monitoring threats and abuses against editorial cartoonists worldwide. Marshalling an impressive worldwide network, CRNI helps to focus international attention on cases in which cartoonists are persecuted and put pressure on the persecutors. CRNI tracks censorship, fines, penalties and physical intimidation – including of family members, assault, imprisonment, and even assassinations. Once a threat is detected, CRNI often partners with other human rights organisations to maximise the pressure and impact of a campaign to protect the cartoonist and confront those who seek to censor political cartoonists.
Institute for Media and Society
Nigeria
The Institute for Media and Society (IMS) is a Nigerian NGO that aims to improve the country’s media landscape by challenging government regulation and fostering the creation of community radio stations in rural areas at a time when local journalism globally is under threat. Three-quarters of television and radio stations in Nigeria are owned by politicians, and as a result they are divided along political lines, while rural communities are increasingly marginalised. IMS’s approach combines research and advocacy to challenge legal restrictions on the media as well as practical action to encourage Nigerians to use their voices, particularly via local radio. IMS also tracks violations of the rights of journalists in Nigeria.
Media Rights Agenda
Nigeria
Media Rights Agenda (MRA) is a non-profit organisation that has spent the last two decades working to improve media freedom and freedom of expression in Nigeria by challenging the government in courts. While the constitution guarantees the right to freedom of expression, other laws – including the sections of the Criminal Code, the Cybercrimes Act and the Official Secrets Act – limit and even criminalise expression. Through its active legal team, MRA has initiated strategic litigation targeting dozens of institutions, politicians and officials to improve the country’s legal framework around media freedom. Its persistent campaigning and lawsuits on freedom of information have helped improve access to government-held data.
P24 (Platform for Independent Journalism)
Turkey
P24 (Platform for Independent Journalism) is a civil society organisation that aims to neutralise censorship in Turkey — a country in which speaking freely courts fines, arrest and lengthy jail sentences. P24’s pro bono legal team defends journalists and academics who are on trial for exercising their right to free expression. It also undertakes coordinated social media and public advocacy work that includes live-tweeting from courtrooms and campaigning through an array of websites, newsletters and exhibition spaces. Its latest effort aims to provide spaces for collaboration and free expression in the form of a literature house and a project connecting lawyers and artists. [/vc_column_text][vc_column_text]
Digital Activism
for innovative uses of technology to circumvent censorship and enable free and independent exchange of information
[/vc_column_text][vc_single_image image=”104532″ img_size=”full” alignment=”center”][vc_column_text]Fundación Karisma
Colombia
Fundación Karisma is a civil society organisation that takes on online trolls by using witty online ‘stamps’ that flag up internet abuse. It’s an initiative that uses humour to draw attention to a serious problem: the growing online harassment of women in Colombia and its chilling effect. The organisation offers a rare space to discuss many issues at the intersection of human rights and technology in the country and then tackles them through a mix of research, advocacy and digital tools. Karisma’s “Sharing is not a crime” campaign supports open access to knowledge against the backdrop of Colombia’s restrictive copyright legislation.
Mohammed Al-Maskati
Middle East
Mohammed al-Maskati is a digital security consultant who provides training to activists in the Middle East and in North Africa. Working as Frontline Defenders’ Digital Protection Consultant for the MENA Region, Mohammed teaches activists – ranging from vulnerable minorities to renowned campaigners taking on whole governments – to communicate despite government attempt to shut them down. He educates them on the use of virtual private networks and how to avoid falling into phishing or malware traps, create safe passwords and keep accounts anonymous. As governments become more and more sophisticated in their attempts to track and crush dissent, the work of people like Al-Maskati is increasingly vital.
SFLC.in
India
SFLC.in (Software Freedom Law Centre) tracks internet shutdowns in India, a crucial service in a country with the most online blackouts of any country in the world. The tracker was the first initiative of its kind in India and has quickly become the top source for journalists reporting on the issue. As well as charting the sharp increase in the number and frequency of shutdowns in the country, the organisation has a productive legal arm and brings together lawyers, policy analysts and technologists to fight for digital rights in the world’s second most populous country. It also provides training and pro-bono services to journalists, activists and comedians whose rights have been curtailed.[/vc_column_text][vc_column_text]
Journalism
for courageous, high-impact and determined journalism that exposes censorship and threats to free expression
[/vc_column_text][vc_single_image image=”104534″ img_size=”full” alignment=”center”][vc_column_text]Bihus.info
Ukraine
Bihus.info is a group of independent investigative journalists in Ukraine who – despite threats and assaults – are fearlessly exposing the corruption of many Ukrainian officials. In the last two years alone, Bihus.info’s coverage has contributed to the opening of more than 100 legal cases against corrupt officials. Chasing money trails, murky real estate ownership and Russian passports, Bihus.info produces hard-hitting, in-depth TV reports for popular television programme, Nashi Hroshi (Our Money), which illuminates discrepancies between officials’ real wealth and their official income. One of the key objectives of the project is not just to inform, but to involve people in the fight against corruption by demonstrating how it affects their own well-being.
Center for Investigative Journalism of Serbia (CINS)
Serbia
Investigating corruption is one of the most dangerous jobs in journalism: three investigative reporters have been murdered in the European Union in the past year alone. In Serbia, journalists face death threats and smear campaigns portray investigative journalists as foreign-backed propagandists. Against this backdrop, Center for Investigative Journalism of Serbia (CINS) stands out as one of the last independent outlets left amid an increasingly partisan media. Using freedom of information requests, the CINS has created databases based on thousands of pages of documents to underpin its hard-hitting investigations. These include stories on loans provided to pro-government tabloids and TV channels. CINS also provides hands-on investigative journalism training for journalists and editors.
Mehman Huseynov
Azerbaijan
Mehman Huseynov is a journalist and human rights defender who documents corruption and human rights violations in Azerbaijan, consistently ranked among the world’s worst countries for press freedom. Sentenced to two years in prison in March 2017 after describing abuses he had suffered at a police station, Huseynov has put his life in danger to document sensitive issues. His work circulated widely on the internet, informing citizens about the real estate and business empires of the country’s government officials, and scrutinising the decisions of president Ilham Aliyev. Huseynov is still in prison and remains defiant, saying: “I am not here only for myself; I am here so that your children are not in my place tomorrow. If you uphold the judgement against me, you have no guarantees that you and your children will not be in my place tomorrow.”
Mimi Mefo
Cameroon
Mimi Mefo is one of less than a handful journalists working without fear or favour in Cameroon’s climate of repression and self-censorship. An award-winning broadcast journalist and the first-ever woman editor-in-chief of private media house Equinoxe TV and Radio, Mefo was arrested in November 2018 after she published reports that the military was behind the death of an American missionary in the country. Mefo reports on the escalating violence in the country’s western regions, a conflict that has become known as the “Anglophone Crisis” and is a leading voice in exposing the harassment of other Cameroonian journalists, calling publicly for the release of those jailed.[/vc_column_text][/vc_column][/vc_row]
