02 Apr 17 | Magazine, Magazine Contents, Volume 46.01 Spring 2017
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The spring issue of Index on Censorship magazine looks at how pressures on free speech are currently coming from many different angles, not just one. Richard Sambrook, former director of global news at the BBC, shows how journalists are in a bind, caught between what advertisers want and what readers want. Also looking at journalists, Duncan Tucker casts his eye on the grave situation in Mexico, where getting to the truth involves working against the government, violent cartels and even coworkers.
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Meanwhile, in the Maldives Zaheena Rasheed shows how a mix of forces conspire against those who want to write anything beyond the usual tourist sale pitch.
But the squeezes on free expression don’t just concern journalists. Annemarie Luck reports from Japan, where penis festivals are popular, but women struggle to discuss their own bodies. Can they find a voice through art and manga? For musician Smockey from Burkina Faso, art should indeed be a way to confront truth and yet that’s not always the case. Expectations run high for him to not be “too political” in his lyrics.
Universities, normally the cradle of free expression, aren’t faring too well either, as two articles show. Jan Fox reports from the USA, where bias response teams are becoming a staple of US collegiate life. In South Africa Fees Must Fall has created a divide between right and left, writes Natasha Joseph, with neither side talking to each other and those in the middle being silenced altogether.
Outside of our special report, Roger Law, creator of the iconic TV satire Spitting Image, talks about the great fun he had with the series back in the day and questions whether the show would be able to air today. Alfonso Lázaro de la Fuente might say no. He was one of the Spanish puppeteers arrested last year for a show that referenced Basque-separatist organisation ETA. In an Index exclusive, he explains what the charges have meant for his personal and professional life.
Want to know how to spot fake news? Then read Reel-time news in which Index’s team of experienced global reporters offer tips on how to spot fake news from a mile/screen away. And don’t miss Martin Rowson‘s fake o’clock news, a hilarious – and sinister – take on what a future of alternative facts would look like.
Index also publish an interview with Turkish journalist Canan Coşkun, whose coworkers are currently in jail, and a pair of writers discuss the situation of free speech in Poland, which is tumbling down global charts following the election of the Law and Justice party. And in the UK, former attorney general Dominic Grieve reveals that MPs are avoiding hard talk in parliament.
Finally, the culture section includes a short story from award-winning French writer Karim Miské and original work from Vyacheslav Huk, a Crimean novelist who is unable to publish work in his mother tongue.
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The Big Squeeze: Freedom of speech under pressure
Fact-filled future? by Rachael Jolley: Journalists need to step up, and produce more detailed news coverage. The public needs it
Between a rock and a hard place, by Duncan Tucker: Mexico’s journalists face threats from cartels, the government and each other
Reality rapped, by Smockey: An award-winning musician from Burkina Faso explains why he won’t water down his lyrics to avoid rocking the boat, despite pressure to do so
Talking a tightrope, by
Kaya Genç: Despite the crackdown in Turkey, the post-Gezi spirit still survives among the determined
Taking the bait, by Richard Sambrook: The quest for instant gratification online is seriously compromising news reporting
Dangerous minds, by Natasha Joseph: Rather than creating an alliance, Fees Must Fall is limiting free speech at South Africa’s universities, leaving some early supporters disheartened
Japan’s Madonna complex, by Annemarie Luck: Japan’s contradictory attitudes include highly sexualised images of women and women not being allowed to talk about sex-related subjects
Squeezed in the closet, by Hannah Leung: Get married and be quiet are the messages China’s LGBT community is given
Degrees of separation, by Jan Fox: The author investigates units appearing on US campuses suggesting students should report lecturers who they feel are biased
Dying to tell a story, by Sadaf Saaz: The list of what Bangladesh writers cannot talk about is getting longer, but that isn’t stopping some from writing
Trouble in paradise, by Zaheena Rasheed: Behind the image of palm-lined beaches is a side of the Maldives the government doesn’t want you to see
Your cover is shown, by Mark Frary: Tech giants and governments are out to get your data. Soon it might be impossible to remain anonymous
Stripsearch cartoon, by Martin Rowson: Tune in to the fake o’clock news
Composing battle lines, by Steven Borowiec: Why have South Korean pop stars found themselves caught in crossfire between their country and China?
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We have no time for fear, by Canan Coşkun: A Turkish journalist on the perils of reporting in her country when fellow reporters are imprisoned
Reel-time news, by Natasha Joseph, Kaya Genç, Jemimah Steinfeld, Duncan Tucker, Abraham T Zere, Raymond Joseph: As “fake news” dominates headlines, Index’s global team of experienced journalists offers tips on how to spot falsehoods before you click and share
Singing from the same hymn sheet, by Suhrith Parthasarathy: Rising Indian nationalism is creating a repressive state where non-conformity is deemed unpatriotic
Poland: Special Focus, by Wojciech Przybylski, Marcin Król: Poland has gone from free speech hero to villain almost overnight. Two writers discuss the shift and why history is being rewritten
Shooting from the hip, by Irene Caselli: A new mayor in a Mexican border city believes he will make it less dangerous for journalists
Silence in the house, by Dominic Grieve: The former UK attorney general says MPs are shying away from tough topics in parliament
Puppet masters, by Roger Law: The creator of iconic TV satire Spitting Image on whether we still have our sense of humour
Drawing the line, by John Power: Australia is debating free speech, one cartoon at a time. Cartoonist Bill Leak interviewed just before he died
Puppet state, by Alfonso Lázaro de la Fuente: A Spanish puppeteer, arrested after terrorism charges related to a show, discusses the impact on his life
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Novel take on terror, by
Karim Miské: The award-winning crime writer on why fiction and reality overlap. Plus his short story featuring a future where tech rules supreme. Interview by Sally Gimson
The war of the words, by Amira Hanafi: Translated extracts from an American-Egyptian writer’s project to capture the shifting linguistic landscape in Egypt since 2011. Interview by Sally Gimson
Crimean closedown, by Vyacheslav Huk: The Crimean novelist on being unable to publish in his mother tongue and a story of the narrator’s memories. Introduced and translated by Steve Komarnyckyj
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Index around the world, by
Kieran Etoria-King: What to look out for at Index’s Freedom of Expression Awards 2017, alongside news of other projects that Index has been working on in the last few months
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Getting print out, by Jemimah Steinfeld: Self-publishing may be a new solution to censorship in China and other countries
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
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24 Oct 16 | Volume 45.03 Autumn 2016
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This article is from the autumn issue of Index on Censorship magazine, which focuses on anonymity.
I have a name. I am not anonymous. But what if I didn’t have a name? What if I could enjoy the luxury of being safe at home in Bangladesh, and not far away in Germany?
I could have distanced myself from my identity, adopted a pseudonym and continued to write in Bangladesh. Had I done so, my family wouldn’t have to spend each moment in fear and anxiety. My sister wouldn’t have to wake up from nightmares about rape threats. But I am not anonymous. I carry my name and history with me. And so the possibility of an unnatural death haunts me.
Since 2013, my name has surfaced on multiple “hit lists” targeting Bangladeshi bloggers and other activists. I still regularly receive death threats from religious extremists on Facebook and other social media. One simply told me, “It’s your turn now.”
My words often create problems for others. I see myself as writing for the freedom of various groups, for the rights of oppressed communities, for women, for the sexually marginalised. In my debut book Chastity Versus Polygamy, I addressed the patriarchal notion of purity that is assigned to women’s sexuality; this was considered controversial and it enraged many.
I strongly believe that all human beings possess an equal right to express themselves, to assert their ideas and to be recognised for who they are and what they want to be. When the identity of the writer is out in the open, along with a certain level of insecurity comes a burden of responsibility that commits the writer to his or her words. This is why anonymity never appealed to me. I had faith in the democratic setup of my country, Bangladesh. But the state failed to uphold our freedom by suggesting we should stop writing, rather than that terrorism should stop. So I left.
Anonymous bloggers and activists in Bangladesh come from all parts of the ideological spectrum. They include religious radicals, communists, liberals. Unfortunately, certain sections of this anonymous community aim to create chaos, rather than a constructive democratic debate. A number of them publish hate speech, or post videos which are meant to incite violence.
Generally, however, the bloggers are on the receiving end of aggression. Sometimes, even anonymity is no protection. Those who would silence them are often incredibly adept at technological espionage, and can all too easily crack their identities. In March 2015, anonymous atheist blogger Washiqur Rahman Babu was traced and killed in broad daylight outside his residence. Even I didn’t know his identity at the time.
In the face of threats, therefore, going anonymous is hardly a foolproof solution. However, it may not always be feasible to declare one’s identity under dire circumstances, which is the case in many places across the world right now. Anonymity might turn to be one of the necessary shields in the larger, longer battle for free speech.
This article is from the autumn issue of Index on Censorship magazine.
Ananya Azad, a Bangladeshi writer and blogger, is currently in exile in Germany. His father, author Humayun Azad, was the victim of assassination attempts, and later died in mysterious circumstances.
You can order your copy of the latest issue here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”91922″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/030642208701600613″][vc_custom_heading text=”Testimony of an ex-censor” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F030642208701600613|||”][vc_column_text]June 1987
Once a censor in the Syrian Ministry of Information, the anonymous source details the invasion of privacy and censorship the government employs.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”80637″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422015591456″][vc_custom_heading text=”Blogging in Bangladesh” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422015591456|||”][vc_column_text]June 2015
A series of murders of secular bloggers by religious fundamentalists in has presented clear warnings for bloggers to watch what they say.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89164″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422010362466″][vc_custom_heading text=”Egyptian gate to freedom” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422010362466|||”][vc_column_text]March 2010
Mohamed Khaled reports that the Egyptian government continues to harass bloggers, but they’ve become a vital source of information even for the state media. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”The unnamed” font_container=”tag:p|font_size:24|text_align:left” link=”url:%20https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F09%2Ffree-to-air%2F|||”][vc_column_text]The autumn 2016 Index on Censorship magazine explores topics on anonymity through a range of in-depth features, interviews and illustrations from around the world.
With: Valerie Plame Wilson, Ananya Azad, Hilary Mantel[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”80570″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/11/the-unnamed/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
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14 Oct 16 | Afghanistan, Asia and Pacific, Bangladesh, Burma, India, mobile, News and features, Pakistan, Sri Lanka, Tibet
One of South Asia’s most influential news magazines, Himal Southasian, is to close next month after 29 years of publishing as part of a clampdown on freedom of expression across the region. The magazine has a specific goal: to unify the divided countries in South Asia by informing and educating readers on issues that stretch throughout the region, not just one community.
Index got a chance to speak with Himal Southasian’s editor, Aunohita Mojumdar, on the vital role of independent media in South Asia, the Nepali government’s complicated way of silencing activists and what the future holds for journalism in the region.
“The means used to silence us are not straightforward but nor are they unique,” Mojumdar said. “Throughout the region one sees increasing use of regulatory means to clamp down on freedom of expression, whether it relates to civil society activists, media houses, journalists or human rights campaigners.”
Himal Southasian, which claims to be the only analytical and regional news magazine for South Asia, faced months of bureaucratic roadblocks before the funding for the magazine’s publisher, the Southasia Trust, was cut off due to non-cooperation by regulatory state agencies in Nepal, said the editor. This is a common tactic among the neighbouring countries as governments are wary of using “direct attacks or outright censorship” for fear of public backlash.
But for Nepal it wasn’t always this way. “Nepal earlier stood as the country where independent media and civil society not accepted by their own countries could function fearlessly,” Mojumdar said.
In a statement announcing its suspension of publication as of November 2016, Himal Southasian explained that without warning, grants were cut off, work permits for editorial staff became difficult to obtain and it started to experience “unreasonable delays” when processing payments for international contributors. “We persevered through the repercussions of the political attack on Himal in Parliament in April 2014, as well as the escalating targeting of Kanak Mani Dixit, Himal’s founding editor and Trust chairman over the past year,” it added.
Index on Censorship: Why is an independent media outlet like Himal Southasian essential in South Asia?
Aunohita Mojumdar: While the region has robust media, much of it is confined in its coverage to the boundaries of the nation-states or takes a nationalistic approach while reporting on cross-border issues. Himal’s coverage is based on the understanding that the enmeshed lives of almost a quarter of the world’s population makes it imperative to deal with both challenges and opportunities in a collaborative manner.
The drum-beating jingoism currently on exhibit in the mainstream media of India and Pakistan underline how urgent it is for a different form of journalism that is fact-based and underpinned by rigorous research. Himal’s reportage and analysis generate awareness about issues and areas that are underreported. It’s long-form narrative journalism also attempts to ensure that the power of good writing generates interest in these issues. Based on a recognition of the need for social justice for the people rather than temporary pyrrhic victories for the political leaderships, Himal Southasian brings journalism back to its creed of being a public service good.
Index: Did the arrest of Kanak Mani Dixit, the founding editor for Himal Southasian, contribute to the suspension of Himal Southasian or the treatment the magazine received from regulatory agencies?
Mojumdar: In the case of Himal or its publisher the non-profit Southasia Trust, neither entity is even under investigation. We can only surmise that the tenuous link is that the chairman of the trust, Kanak Mani Dixit, is under investigation since we have received no formal information. Informally we have indeed been told that there is political pressure related to the “investigation” which prevents the regulatory bodies from providing their approval.
The lengthy process of this denial – we had applied in January 2016 for the permission to use a secured grant and in December 2015 for the work permit, effectively diminished our ability to function as an organisation until the point of paralysis. While the case against Dixit is itself contentious and currently sub judice, Himal has not been intimated by any authority that it is under any kind of scrutiny. On the contrary, regulatory officials inform us informally that we have fulfilled every requirement of law and procedure, but cite political pressure for their inability to process our requests. Our finances are audited independently and the audit report, financial statements, bank statements and financial reporting are submitted to the Nepal government’s regulatory bodies as well as to the donors.
Index: Why is Nepal utilising bureaucracy to indirectly shut down independent media? Why are they choosing indirect methods rather than direct censorship?
Mojumdar: The means used to silence us are not straightforward but nor are they unique. Throughout the region one sees increasing use of regulatory means to clamp down on freedom of expression, whether it relates to civil society activists, media houses, journalists or human rights campaigners. Direct attacks or outright censorship are becoming rarer as governments have begun to fear the backlash of public protests.
Index: With the use of bureaucratic force to shut down civil society activists and media growing in Nepal, how does the future look for independent media in South Asia?
Mojumdar: This is actually a regional trend. However, while Nepal earlier stood as the country where independent media and civil society not accepted by their own countries could function fearlessly, the closing down of this space in Nepal is a great loss. As a journalist I myself was supported by the existence of the Himal Southasian platform. When the media of my home country, India, were not interested in publishing independent reporting from Afghanistan, Himal reached out to me and published my article for the eight years that I was based in Kabul as a freelancer. We are constantly approached by journalists wishing to write the articles that they cannot publish in their own national media.
The fact that regulatory means to silence media and civil society is meeting with such success here and that an independent platform is getting scarce support within Nepal’s civil society will also be a signal for others in power wishing to use the same means against voices of dissent.
It is a struggle for the media to be independent and survive. In an era where corporate interests increasingly drive the media’s agenda, it is important for all of us to reflect on what we can all do to ensure the survival of small independent organisations, many of which, like us, face severe challenges.
19 Sep 16 | Magazine, Magazine Contents, mobile, Volume 45.03 Autumn 2016
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The latest issue of Index on Censorship explores anonymity through a range of in-depth features, interviews and illustrations from around the world. The special report looks at the pros and cons of masking identities from the perspective of a variety of players, from online trolls to intelligence agencies, whistleblowers, activists, artists, journalists, bloggers and fixers.
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Former CIA agent Valerie Plame Wilson writes on the damage done when her cover was blown, journalist John Lloyd looks at how terrorist attacks have affected surveillance needs worldwide, Bangladeshi blogger Ananya Azad explains why he was forced into exile after violent attacks on secular writers, philosopher Julian Baggini looks at the power of literary aliases through the ages, Edward Lucas shares The Economist’s perspective on keeping its writers unnamed, John Crace imagines a meeting at Trolls Anonymous, and Caroline Lees looks at how local journalists, or fixers, can be endangered, or even killed, when they are revealed to be working with foreign news companies. There are are also features on how Turkish artists moonlight under pseudonyms to stay safe, how Chinese artists are being forced to exhibit their works in secret, and an interview with Los Angeles street artist Skid Robot.
Outside of the themed report, this issue also has a thoughtful essay by novelist Hilary Mantel, called Blot, Erase, Delete, about the importance of committing to your words, whether you’re a student, an author, or a politician campaigner in the Brexit referendum. Andrey Arkhangelsky looks back at the last 10 years of Russian journalism, in the decade after the murder of investigative reporter Anna Politkovskaya. Uzbek writer Hamid Ismailov looks at how metaphor has taken over post-Soviet literature and prevented it tackling reality head-on. Plus there is poetry from Chilean-French director Alejandro Jodorowsky and Russian writer Maria Stepanova, plus new fiction from Turkey and Egypt, via Kaya Genç and Basma Abdel Aziz.
There is art work from Molly Crabapple, Martin Rowson, Ben Jennings, Rebel Pepper, Eva Bee, Brian John Spencer and Sam Darlow.
You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.
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Does anonymity need to be defended?
Anonymity: worth defending, by Rachael Jolley: False names can be used by the unscrupulous but the right to anonymity needs to be defended
Under the wires, by Caroline Lees : A look at local “fixers”, who help foreign correspondents on the ground, can face death threats and accusations of being spies after working for international media
Art attack, by Jemimah Steinfeld: Ai Weiwei and other artists have increased the popularity of Chinese art, but censorship has followed
Naming names, by Suhrith Parthasarathy: India has promised to crack down on online trolls, but the right to anonymity is also threatened
Secrets and spies, by Valerie Plame Wilson: The former CIA officer on why intelligence agents need to operate undercover, and on the damage done when her cover was blown in a Bush administration scandal
Undercover artist, by Jan Fox: Los Angeles street artist Skid Robot explains why his down-and-out murals never carry his real name
A meeting at Trolls Anonymous, by John Crace: A humorous sketch imagining what would happen if vicious online commentators met face to face
Whose name is on the frame? By Kaya Genç: Why artists in Turkey have adopted alter egos to hide their more political and provocative works
Spooks and sceptics, by John Lloyd: After a series of worldwide terrorist attacks, the public must decide what surveillance it is willing to accept
Privacy and encryption, by Bethany Horne: An interview with human rights researcher Jennifer Schulte on how she protects herself in the field
“I have a name”, by Ananya Azad: A Bangladeshi blogger speaks out on why he made his identity known and how this put his life in danger
The smear factor, by Rupert Myers: The power of anonymous allegations to affect democracy, justice and the political system
Stripsearch cartoon, by Martin Rowson: When a whistleblower gets caught …
Signing off, by Julian Baggini: From Kierkegaard to JK Rowling, a look at the history of literary pen names and their impact
The Snowden effect, by Charlie Smith: Three years after Edward Snowden’s mass-surveillance leaks, does the public care how they are watched?
Leave no trace, by Mark Frary: Five ways to increase your privacy when browsing online
Goodbye to the byline, by Edward Lucas: A senior editor at The Economist explains why the publication does not name its writers in print
What’s your emergency? By Jason DaPonte: How online threats can lead to armed police at your door
Yakety yak (don’t hate back), by Sean Vannata: How a social network promising anonymity for users backtracked after being banned on US campuses
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Blot, erase, delete, by Hilary Mantel: How the author found her voice and why all writers should resist the urge to change their past words
Murder in Moscow: Anna’s legacy, by Andrey Arkhangelsky: Ten years after investigative reporter Anna Politkovskaya was killed, where is Russian journalism today?
Writing in riddles, by Hamid Ismailov: Too much metaphor has restricted post-Soviet literature
Owners of our own words, by Irene Caselli: Aftermath of a brutal attack on an Argentinian newspaper
Sackings, South Africa and silence, by Natasha Joseph: What is the future for public broadcasting in southern Africa after the sackings of SABC reporters?
“Journalists must not feel alone”, by Can Dündar: An exiled Turkish editor on the need to collaborate internationally so investigations can cross borders
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Bottled-up messages, by Basma Abdel Aziz: A short story from Egypt about a woman feeling trapped. Interview with the author by Charlotte Bailey
Muscovite memories, by Maria Stepanova: A poem inspired by the last decade in Putin’s Russia
Silence is not golden, by Alejandro Jodorowsky: An exclusive translation of the Chilean-French film director’s poem What One Must Not Silence
Write man for the job, by Kaya Genç: A new short story about a failed writer who gets a job policing the words of dissidents in Turkey
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Global view, by Jodie Ginsberg: Europe’s right-to-be-forgotten law pushed to new extremes after a Belgian court rules that individuals can force newspapers to edit archive articles
Index around the world, by
Josie Timms: Rounding up Index’s recent work, from a hip-hop conference to the latest from Mapping Media Freedom
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
What ever happened to Luther Blissett? By Vicky Baker: How Italian activists took the name of an unsuspecting English footballer, and still use it today
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
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