Contents – The final cut: How cinema is being used to change the global narrative

Contents

The Summer 2024 issue of Index looks at how cinema is used as a tool to help shape the global political narrative by investigating who controls what we see on the screen and why they want us to see it. We highlight examples from around the world of states censoring films that show them in a bad light and pushing narratives that help them to scrub up their reputation, as well as lending a voice to those who use cinema as a form of dissent. This issue provides a global perspective, with stories ranging from India to Nigeria to the US. Altogether, it provides us with an insight into the starring role that cinema plays in the world politics, both as a tool for oppressive regimes looking to stifle free expression and the brave dissidents fighting back.

Up Front

Lights, camera, (red)-action, by Sally Gimson: Index is going to the movies and exploring who determines what we see on screen

The Index, by Mark Stimpson: A glimpse at the world of free expression, including an election in Mozambique, an Iranian feminist podcaster and the 1960s TV show The Prisoner

Features

Banned: school librarians shushed over LGBT+ books, by Katie Dancey-Downs: An unlikely new battleground emerges in the fight for free speech

We’re not banned, but…, by Simon James Green: Authors are being caught up in the anti-LGBT+ backlash

The red pill problem, by Anmol Irfan: A group of muslim influencers are creating a misogynistic subculture online

Postcards from Putin’s prison, by Alexandra Domenech: The Russian teenager running an anti-war campaign from behind bars

The science of persecution, by Zofeen T Ebrahim: Even in death, a Pakistani scientist continues to be vilified for his faith

Cinema against the state, by Zahra Hankir: Artists in Lebanon are finding creative ways to resist oppression

First they came for the Greens, by Alessio Perrone, Darren Loucaides and Sam Edwards: Climate change isn’t the only threat facing environmentalists in Germany

Undercover freedom fund, by Gabija Steponenaite: Belarusian dissidents have a new weapon: cryptocurrency

A phantom act, by Danson Kahyana: Uganda’s anti-pornography law is restricting women’s freedom - and their mini skirts

Don’t say ‘gay’, by Ugonna-Ora Owoh: Queer Ghanaians are coming under fire from new anti-LGBT+ laws

Special Report: The final cut - how cinema is being used to change the global narrative

Money talks in Hollywood, by Karen Krizanovich: Out with the old and in with the new? Not on Hollywood’s watch

Strings attached, by JP O’Malley: Saudi Arabia’s booming film industry is the latest weapon in their soft power armoury

Filmmakers pull it out of the bag, by Shohini Chaudhuri: Iranian films are finding increasingly innovative ways to get around Islamic taboos

Edited out of existence, by Tilewa Kazeem: There’s no room for queer stories in Nollywood

Making movies to rule the world, by Jemimah Steinfeld: Author Erich Schwartzel describes how China’s imperfections are left on the cutting room floor

When the original is better than the remake, by Salil Tripathi: Can Bollywood escape from the Hindu nationalist narrative?

Selected screenings, by Maria Sorensen: The Russian filmmaker who is wanted by the Kremlin

A chronicle of censorship, by Martin Bright: A documentary on the Babyn Yar massacre faces an unlikely obstacle

Erdogan’s crucible by Kaya Genc: Election results bring renewed hope for Turkey’s imprisoned filmmakers

Race, royalty and religion - Malaysian cinema’s red lines, by Deborah Augustin: A behind the scenes look at a banned film in Malaysia

Comment

Join the exiled press club, by Can Dundar: A personalised insight into the challenges faced by journalists in exile

Freedoms lost in translation, by Banoo Zan: Supporting immigrant writers - one open mic poetry night at a time

Me Too’s two sides, by John Scott Lewinski: A lot has changed since the start of the #MeToo movement

We must keep holding the line, by Jemimah Steinfeld: When free speech is co-opted by extremists, tyrants are the only winners

Culture

It’s not normal, by Nazanin Zaghari-Ratcliffe: Toomaj Salehi’s life is at the mercy of the Iranian state, but they can’t kill his lyrics

No offence intended, by Kaya Genc: Warning: this short story may contain extremely inoffensive content

The unstilled voice of Gazan theatre, by Laura Silvia Battaglia: For some Palestinian actors, their characters’ lives have become a horrifying reality

Silent order, by Fujeena Abdul Kader, Upendar Gundala: The power of the church is being used to censor tales of India’s convents

Freedom of expression is the canary in the coalmine, by Mark Stimpson and Ruth Anderson: Our former CEO reflects on her four years spent at Index

The latest rubbish joke from China

Has China entered a "garbage time of history"? Some netizens think so. According to a Guardian article from yesterday, the term is trending, coined to reflect a generation who feel squeezed by rising costs and other social burdens. Those behind the term even created a “2024 misery ranking grand slam”, which tallies up the number of misery points that a person might have earned this year (one star for unemployment, two stars for a mortgage, another for hoarding the expensive liquor Moutai and so on). I always felt bonded to many of my Chinese friends by what I'd say was a shared sense of humour - the dry, acerbic sort that Brits are famed for, the one that is still able to chortle no matter how bad the news. It's very much on display in this story.

The censors though aren't laughing. They're scrubbing. Pity these people who take away the lemonade from those with lemons.

Two other stories emerged from the region this week that, while not necessarily "garbage", were bad. The first concerned a rumour that Xi Jinping had a stroke (side note: Xi is 71, his mother is 97, and his father died aged 88). The rumour spread across Chinese social media and was picked up on X by the activist Jennifer Zeng, who has a huge following. It was later debunked, including by the Reuters Fact Check team here. In the interim, China's censors blocked posts about it.

The story was troubling, and not just the censorship angle. There are perils to getting things wrong when you are meant to be on the side fighting for freedoms, a central one being that it's an own goal, a way to feed into the autocrats’ line that it is others, not themselves, who can't be trusted.

Another troubling story this week came out of Hong Kong. On Wednesday Wall Street Journal reporter Selina Cheng was laid off. The Post said it was part of a restructuring. Cheng believes it was linked to her taking up the position of chair at the Hong Kong Journalists Association, a union that campaigns for media freedom. She said she was pressed by her employer not to stand for election for chair, being told the role would be “incompatible with my employment at the Wall Street Journal”. The WSJ have not commented on her firing. But a pattern appears to be emerging of major international outlets being spooked by association with the HKJA. According to an article from the China Media Project, three recently elected members of the HKJA board, alongside an outgoing leader of the Foreign Correspondents’ Club of China, said they faced similar pressures.

"All asked to remain anonymous, fearing reprisals from their employers, but confirmed that the Journal is not alone: the biggest names in Hong Kong and China’s foreign press have been pressuring their employees to stand back and stay quiet, or face the repercussions. For the territory’s embattled journalists, defending the free press has become a fight on two fronts: against both an increasingly authoritarian government and their own employers, based in the West and nominally committed to liberal principles," the article said.

Meanwhile Tom Grundy from Hong Kong Free Press, one of the few independent media to still operate from Hong Kong, told Index that the news added to the sense of vulnerability felt by journalists there. He said:

"When a giant international news organisation fails to support the city's only independent media union and its officers, they further erode press freedom by closing precious space. It sends a terrible signal, and makes their own remaining staff more vulnerable in the long run. Especially locals."

The Beijing supporting media of course is loving it. The Global Times tabloid was calling the press union "a malignant tumour that harms the city's safety and security".

Finally on the note of the WSJ, we have just heard news that the reporter Evan Gershkovich has been sentenced to 16 years in a Russian prison on espionage charges after he was arrested last March while on a reporting trip in the city of Yekaterinburg 1,600 km east of Moscow. That this news was predicable doesn't make it any less disturbing. We will continue to fight for his release.

Contents – The long reach: How authoritarian countries are silencing critics abroad

Contents

The Spring 2024 issue of Index looks at how authoritarian states are bypassing borders in order to clamp down on dissidents who have fled their home state. In this issue we investigate the forms that transnational repression can take, as well as highlighting examples of those who have been harassed, threatened or silenced by the long arm of the state.

The writers in this issue offer a range of perspectives from countries all over the world, with stories from Turkey to Eritrea to India providing a global view of how states operate when it comes to suppressing dissidents abroad. These experiences serve as a warning that borders no longer come with a guarantee of safety for those targeted by oppressive regimes.

 

Up Front

Border control, by Jemimah Steinfeld: There's no safe place for the world's dissidents. World leaders need to act.

The Index, by Mark Frary: A glimpse at the world of free expression, featuring Indian elections, Predator spyware and a Bahraini hunger strike.

Features

Just passing through, by Eduardo Halfon: A guided tour through Guatemala's crime traps.

Exporting the American playbook, by Amy Fallon: The culture wars are finding new ground in Canada, where the freedom to read is the latest battle.

The couple and the king, by Clemence Manyukwe: Tanele Maseko saw her activist husband killed in front of her eyes, but it has not stopped her fight for democracy.

Obrador's parting gift, by Chris Havler-Barrett: Journalists are free to report in Mexico, as long as it's what the president wants to hear.

Silencing the faithful, by Simone Dias Marques: Brazil's religious minorities are under attack.

The anti-abortion roadshow, by Rebecca L Root: The USA's most controversial new export could be a campaign against reproductive rights.

The woman taking on the trolls, by Daisy Ruddock: Tackling disinformation has left Marianna Spring a victim of trolling, even by Elon Musk.

Broken news, by Mehran Firdous: The founder of The Kashmir Walla reels from his time in prison and the banning of his news outlet.

Who can we trust?, by Kimberley Brown: Organised crime and corruption have turned once peaceful Ecuador into a reporter's nightmare.

The cost of being green, by Thien Viet: Vietnam's environmental activists are mysteriously all being locked up on tax charges.

Who is the real enemy?, by Raphael Rashid: Where North Korea is concerned, poetry can go too far - according to South Korea.

The law, when it suits him, by JP O'Malley: Donald Trump could be making prison cells great again.

Special Report: The long reach - how authoritarian countries are silencing critics abroad

Nowhere is safe, by Alexander Dukalskis: Introducing the new and improved ways that autocracies silence their overseas critics.

Welcome to the dictator's playground, by Kaya Genç: When it comes to safeguarding immigrant dissidents, Turkey has a bad reputation.

The overseas repressors who are evading the spotlight, by Emily Couch: It's not all Russia, China and Saudi Arabia. Central Asian governments are reaching across borders too.

Everything everywhere all at once, by Daisy Ruddock: It's both quantity and quality when it comes to how states attack dissent abroad.

A fatal game of international hide and seek, by Danson Kahyana: After leaving Eritrea, one writer lives in constants fear of being kidnapped or killed.

Our principles are not for sale, by Jirapreeya Saeboo: The Thai student publisher who told China to keep their cash bribe.

Refused a passport, by Sally Gimson: A lesson from Belarus in how to obstruct your critics.

Be nice, or you're not coming in, by Salil Tripathi: Is the murder of a Sikh activist in Canada the latest in India's cross-border control.

An agency for those denied agency, by Amy Fallon: The Sikh Press Association's members are no strangers to receiving death threats.

Always looking behind, by Zhou Fengsuo and Nathan Law: If you're a Tiananmen protest leader or the face of Hong Kong's democracy movement, China is always watching.

Putting Interpol on notice, by Tommy Greene: For dissidents who find themselves on Red Notice, it's all about location, location, location

Living in Russia's shadow, by Irina Babloyan, Andrei Soldatov and Kirill Martynov: Three Russian journalists in exile outline why paranoia around their safety is justified.

Comment

Solidarity, Assange-style, by Martin Bright: Our editor-at-large on his own experience working with Assange.

Challenging words, by Emma Briant: An academic on what to do around the weaponisation of words.

Good, bad and everything that's in between, by Ruth Anderson: New threats to free speech call for new approaches.

Culture

Ukraine's disappearing ink, by Victoria Amelina and Stephen Komarnyckyj: One of several Ukrainian writers killed in Russia's war, Amelina's words live on.

One-way ticket to freedom?, by Ghanem Al Masarir and Jemimah Steinfeld: A dissident has the last laugh on Saudi, when we publish his skit.

The show must go on, by Katie Dancey-Downs, Yahya Marei and Bahaa Eldin Ibdah: In the midst of war Palestine's Freedom Theatre still deliver cultural resistance, some of which is published here.

Fight for life - and language, by William Yang: Uyghur linguists are doing everything they can to keep their culture alive.

Freedom is very fragile, by Mark Frary and Oleksandra Matviichuk: The winner of the 2022 Nobel Peace Prize on looking beyond the Nuremberg Trials lens.

China’s feminists walk a tightrope

It was in 2015, during my internship at one of China’s most prominent digital media publications, that I had my first close encounter with censorship. Every so often the editor-in-chief would repost a message to our online chat group coming from someone whose username was “The Person is Present” (“人在呢”). They were from the Cyberspace Administration, which is the national internet regulator and censor of China. The message was always an instruction such as “Look up and delete all related reportage on the topic of A, report by 6PM.” The username, together with the requests they made, created an Orwellian atmosphere that even at my level as just an intern was chilling. All I could think was: “Big Brother is watching you.”

That same year, “the Feminist Five”, a group of feminist activists, were arrested for planning to protest against sexual harassment on public transport just before International Women’s Day. Today even more feminists have been targeted, including Index 2022 award winner Sophia Huang Xueqin, who has been in jail for years now for her journalism and activism. Many of those who protested and were later arrested during the White Paper Revolution were also connected to the feminist movement. But not all discussions around women’s rights were or are silenced.

“To be honest, in today’s China, it's difficult to discuss other topics in detail, but the topic of feminism can be discussed to some extent,” the journalist Qing Wang said in one episode of her podcast The Weirdo. Books about feminism by authors such as the Japanese feminist Chizuko Ueno have become bestsellers in China, even though the publishing sector censors other subjects. Feminist conversations with Chinese characteristics, which oppose the display of female sexuality and eroticism, as exemplified in the discussions around K-pop star Lisa’s Crazy Horse cabaret performance, are allowed to flourish rather than being censored because they essentially align with the ruling patriarchal and traditional Confucius values.  

The most recent incident that sparked a widespread debate on feminism in the Mandarin-speaking world was a unique eulogy article written by Dr Lang Chen, the wife of assistant professor Xiaohong Xu at the University of Michigan, in which she delineated the gender dynamic in an intellectual household. The single article went viral online and reached more than 100,000 readers this January.

General feminist topics such as period poverty and gender-based healthcare inequalities are also essentially allowed. The latter discussion has even led to positive change. For example, in September 2022, after a woman's complaint about the unavailability of sanitary towels on bullet trains became a trending topic on Weibo, the bullet trains started selling period products.

As shown in the Baidu Index, searching for the word “nvquan” (feminism) surged to a historical high at the time of the 2022 Tangshan restaurant attack, in which four women were savagely beaten by a group of men after rejecting their unwanted advances. However, the censorship machine soon turned the narrative from gender-based violence and femicide towards gang violence. Any efforts to approach the incident from a feminist angle on social media such as Weibo and WeChat was subject to the accusation of “inciting conflict between genders” and therefore scrubbed by the censors. For example, an article from the account Philosophia哲学社, which discussed the incident under the title “The Tangshan Barbecue Restaurant Incident Is Exactly An Issue of Gender”, was promptly removed from the WeChat platform. All the while other discussions asserting the idea that it was not a gender issue but rather a matter of human safety were allowed to spread.  

Another illustration of where it starts to move into murkier waters is the well-known case of Zhou Xiaoxuan (better known as Xianzi) accusing Zhu Jun, a host from the state broadcaster CCTV, of sexual harassment. This case did spark widespread feminist discussions and helped launch the #MeToo movement in China. But the #MeToo term itself was promptly banned on social media (which led to a series of other terms to try and bypass the censors), Xianzi was suspended from Weibo and the court case ruled against her, symbolising a setback for China’s feminist movement.

The Chinese-US novelist Geling Yan was also silenced on Chinese social media because she voiced her anger in 2022 about the Xuzhou chained woman incident, where a woman was trafficked before being chained to a wall for years, continuously raped and gave birth to eight children. Yan called Xi Jinping “a human trafficker” in one interview. Directing her anger to the top was not appreciated. Her essays were removed from social media, she was blocked and her name was even removed from a Zhang Yimou film based on one of her novels. 

So how can we make sense of the fact that some discussion of feminism is allowed while some discussion is not? Essentially feminist debate faces censorship once it starts to attract public attention, challenge the ruling power and has the potential to move to offline collective action. As one activist and member of the civic group BCome, who acted in the feminist theatre play Our Vaginas, OurSelves, has said:

“The censorship machine is most concerned with the potential of offline gathering and organised collective action. As made evident in ‘the Xuzhou chained woman incident’, Wuyi was just an ordinary netizen who had no previous activist records, and she got arrested only because she took the action of going to the actual place and investigating the incident herself.”

Due to the action-oriented nature of her work, the actor-turned-activist suffered from constant harassment from state security agents, and her phone which was registered in China, was traced and tapped.

This also helps explain the swift action around Chinese tennis player Peng Shuai, who accused a top Chinese official of sexual harassment. Shuai has largely disappeared from the public space since she spoke out. While what she did didn’t necessarily fit into the box of collective action, like the Feminist Five's actions, Peng still went after a top official. As this Index article highlights, China has space for people to accuse low-level officials but not those at the top and Peng learnt the hard way. 

Another issue that feminists now face is China’s low birthrate, which fell for the seventh year in a row in 2023. Fear is that censorship of feminism will increase as an growing number of Chinese feminists now hold negative views on marriage and childbearing. This is especially true for those identified as “radical feminists”, who are strongly against heteronormative marriage and childbearing. Many believe this was the reason behind the overnight crackdown on eight radical feminist groups in 2021 on Douban, with the officially stated reason being that they “consisted of extremism and radical political ideology”.

One episode of the critically acclaimed feminist podcast Seahorse planet, which discussed resisting the tradition of unconditionally obeying one’s parents, was similarly censored as filial piety is seen as the bedrock of the Chinese patriarchal order – which demands an increasing birthrate. On the flipside you have labels like "leftover women", a negative term that gained traction from 2006 to essentially try and shame women into getting married, which continues to be used on one form or another. Ultimately it’s expedient for the government to pressure Chinese women into having children and they'll ramp up rhetoric that helps that, while curtailing conversations advocating the opposite. 

So is the topic of feminism free to discuss in China? Yes, so long as it's not oriented towards collective-action, it leaves the ruling power of the party-state untouched and doesn’t threaten the birthrate, which doesn’t really leave much to discuss at all, except perhaps sanitary pads and lipstick.