Contents – The battle for Ukraine: Artists, journalists and dissidents respond

The summer issue of Index magazine concentrated its efforts on the developing situation between Russia and Ukraine and consequential effects around Europe and the world.

We decided to give voice to journalists, artists and dissidents who chose to respond to this ruthless war. At the same time, we didn’t forget other attacks on freedoms that haven’t been covered around the globe as much as they should.[/vc_column_text][vc_custom_heading text=”Up front”][vc_column_text]Joining Ukraine’s battle for freedom, by Jemimah Steinfeld: We must stand with the bold and brave against Putin.

The Index: A global tour of free expression, departing from the poll booth and arriving at the journalists reporting under Taliban rule.[/vc_column_text][vc_custom_heading text=”Features”][vc_column_text]Fifty years of pride and prejudice, by Peter Tatchell: Following the rise and
corporate fall of London’s march for LGBT rights, will grassroots voices rise again?

India’s meaty issue, by Aishwarya Jagani: When a burger comes with a side of oppression.

Cartoon, by Ben Jennings: Art imitates life, caveman style.

My three years of hell in an Uyghur ‘re-education’ camp, by Gulbahar Hatiwaj and Rahima Mahmut: As the world stays silent, hear the truth from inside China’s brutal concentration camps.

One step ahead of the game, by Chen Dan: Media criticism of the Chinese government is all part of the power play.

Welcome to the kingdom of impunity, by Michael Deibert: The landscape is dangerous for journalists in Haiti. Murders and kidnappings are a daily risk.

Politically corrected? By Issa Sikiti da Silva: The banned words the Kenyan
government doesn’t want to hear in this election year.[/vc_column_text][vc_custom_heading text=”Special report: The battle for Ukraine”][vc_column_text]Losing battle for truth in Russian lecture halls, by Ilya Matveev: The war has put a new strain on academic freedom. A Russian lecturer laments his lost classroom.

Don’t be afraid to say two plus two is four, by Mark Frary and Alla Gutnikova: As a convicted student journalist speaks out for freedom, do Russian dissidents once again face the gulag?

Emotional baggage, by Slavenka Drakulic: How it feels to pack up a life in Ukraine and become a refugee.

Back to the future, by Martin Bright: The world has been turned
upside down for Ukrainian reporters, and this is their new landscape.

On not being shot, by John Sweeney: Amidst the Kremlin-wrought
wreckage, do we need a new era of journalism?

Russia’s trojan horse moves closer to Europe, by Viktória Serdult: In Hungary, Putin’s right-hand man and Europe’s right-wing firebrand wins again.

Turkey’s newfound russophilia, by Kaya Genç: Putinism is seeping into Turkey, and it spells trouble for future freedoms.

Divided by age and a tv screen, by Hanna Komar: How do you make sure your
family see the truth when they’re blinded by Kremlin propaganda? A Belarus activist speaks out.

Culture in the cross hairs, by Andrey Kurkov: Decades after Soviet rule, Ukrainian culture is once again under threat, as are the lives behind the creative expression.

Bordering on media control, by Kseniya Tarasevich: False information about
Ukraine finds fertile breeding ground in Poland.

Treat tragedies of the Ukraine war with dignity, by Olesya Khromeychuk: The grieving hearts left behind when death becomes news fodder.

Worth a gamble, by Jemimah Steinfeld: When telling the truth is a crime, turn to a criminal spam operation.[/vc_column_text][vc_custom_heading text=”Comment”][vc_column_text]

Cancelling Russian culture is today’s moral imperative, by Marina Pesenti: Putin is using culture to extend his reach. We must say a hard no to this soft power play.

Cancel Putin, not culture, by Maria Sorenson: Banning Russian artists assumes
that they are all collaborators of the Russian state and goes against artistic freedoms.

Beware the ‘civilisation’ battle, by Emily Couch: Why Europe must reject
anti-Asian racism to fully stand with Ukraine.

The silent minority, by Ruth Smeeth: A tribute to those whose work never saw the light of day.[/vc_column_text][vc_custom_heading text=”Culture”][vc_column_text]‘The light is no longer the light it used to be’, by Lyuba Yakimchuk: The poet on children being indoctrinated and the elderly disorientated in Russia-occupied Ukraine.

A cassandra worth heeding, by Dominic Cavendish: Murdered Russian journalist
Anna Politkovskaya, whose dispatches from Chechnya should be put in the spotlight.

Poetic injustice, by Stephen Komarnyckyj: History is repeating itself
on the pages penned by Ukrainian writers.

Banking on Russia’s poetic spirit, by Maria Bloshteyn and Yulia Fridman: A “piggy bank” of Russian poetry is fighting on the right side of Putin’s war.

Metaphors and madness, by Eduardo Halfon: In Guatemala, truth is best expressed through fiction.

Metal shows its mettle, by Guilherme Osinski: A heavy metal band labelled
“satanic” by Iran is free from prison and taking back the microphone.

America’s coming crucible, by Jo-Ann Mort: Women in the USA might soon be in the dark about their own bodies.

The battle for Ukraine: Artists, journalists and dissidents respond

In the summer 2022 issue of Index on Censorship, people across the spectrum talk about the corrosive effect of the war in Ukraine on freedoms. Viktoria Sedult, a journalist in Hungary, writes about how Europe’s most right-wing leader, Prime Minister Viktor Orbán, used fears of being embroiled in the war to secure a resounding electoral victory. Hanna Komar, an activist from Belarus, tells how she is desperately trying to challenge her parents on the lies they see on their TV. We give space to Ukrainian writers and artists, with a moving essay from Andrey Kurkov on how today, as in the past, Russia is trying to erase Ukraine’s culture, and a discussion with the poet Lyuba Yumichuk on children in Donbas being fed an alternative history. We publish the court statement from student journalist Alla Gutnikova, one of the Doxa Four sentenced to two years’ “correctional labour” in April, alongside an interview with her. Ilya Matveev, a Russian academic, writes about the incredibly difficult environment in his St Petersburg classroom, which eventually led him to flee. And we spotlight the amazing ways people are fighting back.

?

FEATURING

Andrey Kurkov

Andrey Kurkov

Author

Andrey Kurkov is an Ukrainian author who has written about 20 documentary, fiction and TV movie scripts and also 19 novels, including the bestseller Death and the Penguin. Read More

Andrey Kurkov

Author
Andrey Kurkov

Andrey Kurkov

Author

Andrey Kurkov is an Ukrainian author who has written about 20 documentary, fiction and TV movie scripts and also 19 novels, including the bestseller Death and the Penguin. 

Peter Tatchell

Peter Tatchell

Human rights campaigner

Peter Tatchell is the director of human rights organisation the Peter Tatchell Foundation and highly acknowledged for his work with the LGBT movement.

Peter Tatchell

Human rights campaigner
Peter Tatchell

Peter Tatchell

Human rights campaigner

Peter Tatchell is the director of human rights organisation the Peter Tatchell Foundation and highly acknowledged for his work with the LGBT movement.

Rahima Mahmut

Rahima Mahmut

Artist and Activist

Rahima Mahmut is the director of the World Uyghur Congress (UK) and Adviser to the Inter-Parliamentary Alliance on China.

Rahima Mahmut

Artist and Activist
Rahima Mahmut

Rahima Mahmut

Artist and Activist

Rahima Mahmut is the director of the World Uyghur Congress (UK) and Adviser to the Inter-Parliamentary Alliance on China.

IN THIS ISSUE

Fifty years of Pride and prejudice

Pride started as a way to give voice to the silenced, but it lost its way. Ahead of its 50th anniversary, a new protest movement has emerged

Cancelling Russian culture is today’s moral imperative

Putin has used Russian culture to further his aims. Promoting it today risks furthering his agenda, writes Marina Pesenti

Contents – The battle for Ukraine: Artists, journalists and dissidents respond

The summer issue of Index magazine concentrated its efforts on the developing situation between Russia and Ukraine and consequential effects around Europe and the world. We decided to give voice to journalists, artists and dissidents who chose to respond to this...

Cancel Putin, not culture

Artists must unite in their opposition to authoritarian regimes and there should be an end to the blanket boycott of Russian culture

Whistleblowers: The lifeblood of democracy

FEATURING

How farmers’ protests in India are being used to silence the media

[vc_row][vc_column][vc_column_text]

Farmers protesting/Randeep Maddoke/WikiCommons

Farmers protesting/Randeep Maddoke/WikiCommons

India is currently witnessing one of its longest and largest ever expressions of dissent. Farmers - protesting three laws passed in September by the central government - have been camping at the borders of the national capital since 26 November last year, challenging the powers in New Delhi.

The protests would seem, on the surface, to show that India is functioning as a democracy with the freedom of individuals to protest. It is therefore ironic that at least seven journalists have been booked for reporting on the events that have transpired during the clashes between police and authorities.

On 29 January , six prominent journalists - Rajdeep Sardesai, Mrinal Pande, Zafar Agha, Vinod Jose, Paresh Nath and Anant Nath - were booked by Uttar Pradesh and Madhya Pradesh police under charges of sedition, criminal conspiracy and promoting enmity.

A day later, freelance journalist Mandeep Punia, who was on a project for The Caravan magazine, was detained by the Delhi police, a few hours after he went live on Facebook and reported on how stones were pelted at the farmers at Singhu border, even as security personnel looked on. He has since been granted bail.

Based on eyewitness testimony during a rally by the protesting farmers on Republic Day, 26 January, when India celebrates the 1950 entry into force of its Constitution, The Caravan reported that a man was killed after being shot by the Delhi police. Sardesai, Pande and Agha’s tweets echoed the testimony.

Police have vehemently denied shooting the farmer, which they claim is backed up by an autopsy report. However, the man’s family has refused to accept the Delhi police’s claim. “The doctor even told me that even though he had seen the bullet injury, he can do nothing as his hands are tied,” the farmer’s grandfather told Indian news website The Wire.

Siddharth Varadarajan, founding editor of The Wire, was booked by the Uttar Pradesh police for tweeting the police report of the incident.

While the controversy around the farmer’s death is far from settled, the government’s decision to go after these journalists is only the latest episode of its effort to gag the voices that have dared to question it.

The question arises, why would the central government of the largest democracy in the world choose to take these steps? This was answered by the secretary general of the Press Club of India during a meeting organised to protest the intimidation of journalists covering the protests.

“The government is sending a message that while on paper we’re a democracy, we are behaving like several undemocratic states of the world,” Anand Kumar Sahay said.

The statement encompasses almost everything that journalists in India, who are not toeing the line yet, deal with as they try to speak truth to powerful authorities. India lies 142nd on Reporters Without Borders’ world press freedom rankings.

RSF says: “Ever since the general elections in the spring of 2019, won overwhelmingly by Prime Minister Narendra Modi’s Bharatiya Janata Party, pressure on the media to toe the Hindu nationalist government’s line has increased.”

That a large number of journalists are being booked, arrested or assaulted for doing their job just around these farmers' protest tells a worrying story. A more thorough examination of the cases, with focus on the organisations that these journalists represent and the ideology that they support, will show whether Modi is targeting just the critical media or journalism as a whole.

There are also more covert ways in which the far-right party that governs the Indian state has told news establishments to not speak out against them if they want to preserve their business.

The mainstream news organisations in the country typically function on an advertisement-based revenue model. While this has helped in keeping the cost of the national dailies low, it has also made them dependent on large corporations and the government, the two biggest advertisers in newspapers.

As expected, the government has not missed the opportunity to milk this dependency and has led many media organisations to indulge in self-censorship and push the government agenda forward, particularly during the Covid pandemic when government advertising has increased.

While there is ample evidence of censorship by the Indian government on independent news websites like Newslaundry, it was also hinted at by the Modi in an interview with prominent English daily The Indian Express, in the run-up to Assembly Elections 2019.

In the article, Modi talks about the PM-KISAN income support or 'dole' scheme for farmers and compares this with payments received by other sectors from the government, such as publishing.

“I give advertisements to the Indian Express. It doesn’t benefit me, but is it a dole? Advertisements to newspapers may fit into a description of dole,” Modi said.

Media organisations are therefore on a warning by the government.

The close government scrutiny had also become clear back in 2018, when anchor Punya Prasun Bajpai was forced out from ABP News.

In a detailed account of the reasons behind his departure, Bajpai described how the channel’s proprietor had told him to avoid mentioning Modi’s name in the context of any criticism of the government.

Bajpai also described a 200-member monitoring team that was involved in observing news channels resulting in directives that would be sent to editors about what should be showed and how.

These “commandments”, which were reserved for TV news and large national dailies until 2019, have now reached the digital versions of these conventional news organisations. The only journalistic outfits who have dared to critically examine this government’s rule operate as digital platforms. The government is thus looking to “regulate” their work as well.

Censorship of content that is consumed by millions has not existed before on this scale.

But it has now permeated the Indian media to such an extent that freshers starting work in media are being told to “ride the tide” and “reserve their optimism” for when the political environment is less volatile.

 

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title="You may also like to read" category_id="5656"][/vc_column][/vc_row]