26 Apr 24 | Iran, News and features, Statements
Artists at Risk Connection (ARC), PEN America, and Index on Censorship strongly condemn the death sentence imposed on Iranian rapper and human rights defender Toomaj Salehi for “spreading corruption on Earth” issued by a revolutionary court in Tehran on Wednesday, April 24, 2024. Salehi now faces possible execution, as his lawyer plans to appeal the sentence.
On 22 April 2024, Toomaj Salehi’s lawyers were notified that Branch 1 of the Isfahan Revolutionary Court sentenced him to death on the charges of “participating in rebelling against state,” “gathering and colluding against national security,” “propaganda against state,” and “inciting riot.” Based on this decision, the charges amount to “corruption on earth,” which is punishable by the death penalty under the Islamic Penal Code. The ruling also includes a two-year travel ban, a two-year ban on practicing art, and mandatory participation in a “behavior management and knowledge skill” organized by the Isfahan Province Judiciary Courthouse.
“Salehi’s death sentence is an outrageous attack on human rights and free expression. We condemn this abhorrent act of the Revolutionary Court and demand the immediate release of Salehi, who has suffered constant persecution at the hands of the Iranian authorities since 2022,” said Julie Trébault, director of Artists at Risk Connection. “Artists like Salehi, who use their creativity to express dissent against draconian and unjust measures by authoritarian regimes, must be safeguarded from such deliberate violence in recognition of the universal and fundamental right to free expression and artistic freedom. We stand in solidarity with Salehi and other prisoners of conscience who remain detained and persecuted for championing artistic freedom and human rights.”
Salehi was arrested in October 2022 after publicly backing the mass protest movement triggered by the killing of Mahsa Amini by Iranian security forces following her arrest for allegedly improperly wearing her hijab. He had released rap songs and social media posts in support of the protests and criticizing the government. Salehi was sentenced to six years in prison but was freed on bail on November 18, 2023, after having spent 252 days in solitary detention. Upon his release, he appeared in a video in which he talked about suffering torture while in detention and was rearrested two weeks later.
In January 2024, Salehi was sentenced by Iranian authorities to one year of imprisonment. Additionally, his passport had been annulled for two years and was required to mandatorily participate in a behavioral management course.
Salehi’s charges and death sentence from the Iranian revolutionary court are in stark contradiction to the earlier verdict announced by Iran’s Supreme Court in November 2023, when it confirmed that it had identified “flaws in the original sentence” and ordered his release. Branch 1 of the Isfahan Revolutionary Court has dismissed the Supreme Court’s earlier ruling as an “advisory opinion” and added two more charges, which carry the death penalty.
Since the beginning of 2024, ARC notes the escalation in persecution and imprisonment of several Iranian artists and musicians. Earlier this week, ARC, PEN America, Cartooning for Peace, Cartoonists Rights, and Freedom Cartoonists Foundation condemned the arrest and mistreatment of Iranian cartoonist Atena Farghadani, calling for her immediate release. Iranian musicians, including rapper Vafa Ahmadpour (known as Vafadar), Saman Yasin, a Kurdish rapper, and Grammy award-winning Shervin Hajipour, have received sentences including imprisonment and travel bans.
PEN America’s Freedom To Write Index reported the jailing of at least 57 writers for their work in 2022, making Iran the second-highest jailer of writers in the world. On December 10, 2023, imprisoned Iranian writer, human rights activist, and 2023 PEN/Barbey Freedom To Write awardee Narges Mohammadi was honored with the Nobel Peace Prize in absentia. PEN America and ARC continue to demand her immediate release.
In 2023, Toomaj Salehi was Index on Censorship’s Freedom of Expression Award winner in the Arts category.
26 Apr 24 | Iran, News and features, Newsletters, United States
Yes! Yes Sir! Life is normal
A labourer’s annual wage is worth a dinner abroad
Yes! Of course, Sir! Life is normal
We don’t dare say otherwise, in case we get in trouble
These are the opening lines of Toomaj Salehi’s song Normal. Salehi did dare to say otherwise though and for that he did get in trouble. On Wednesday an Iranian revolutionary court sentenced him to death. The charge was “corruption on earth”. The only thing corrupt is Iran’s regime.
For those unfamiliar with Salehi, he is a well-known Iranian hip-hop artist whose lyrics are infused with references to the human rights situation in Iran. He was an outspoken supporter of the Woman, Life, Freedom movement. Last year, Index awarded Salehi a Freedom of Expression award in the Arts category. Salehi donated his cash prize to victims of recent floods in Iran.
Because of his advocacy Salehi has faced continuous judicial harassment, including arrest and imprisonment. He has been in and out of prison since 2021. A moment of respite came in November 2023 when Iran’s Supreme Court struck down Salehi’s six-year prison sentence. The respite was short-lived. Just days after he was released from prison Salehi was rearrested upon uploading a video to YouTube documenting his treatment while in detention.
On 18 April 2024, Branch 1 of Isfahan’s Revolutionary Court held a new trial for Salehi where the court ultimately convicted Salehi and sentenced him to death. His lawyer alleged that the ruling had significant legal errors, including contradicting the Supreme Court verdict. He said that they will appeal the verdict. They only have 20 days.
Index has been in close contact with his family, as well as lawyers and other organisations who work in our field. We are shocked by the barbarity of this decision (please read our CEO Ruth Anderson’s article on what he means to us more personally here), as well as heartened by how the international community has pulled together. If you are on social media and have not yet engaged with his case, we have a small favour to ask – do please post about Salehi and use the hashtag #FreeToomaj. Making noise might not change the outcome of the case but we know that solidarity can have a huge impact on the emotional wellbeing of dissidents and their families.
Salehi’s case is top of the Index priority list. Still, we have been keeping a close eye on the USA, where academic freedom, free assembly and broader First Amendment rights are being put to the test. While we have seen instances of hate speech directed towards Jewish students – vile and unjustifiable – the overall picture being painted is one of police overreach and brutality. There are too many disturbing scenes by now but let me highlight one – a CNN video of Professor Caroline Fohlin from Emory University in Atlanta being hurled to the ground and handcuffed. She had simply asked the police “What are you doing?” after she came across the violent arrest of a protester on campus.
There are immediate concerns for free speech here. Beyond these are two longer term ones. Firstly that this is part of a broader pattern of less tolerance towards protest across the world. We’ve seen it in the UK in the form of legislation restricting where and how people can protest, which has also led to an overzealous police force who arrest campaigners before their protests even start. Secondly that this will provide perfect justification for Trump, should he be re-elected, to further crack down on rights. “Look”, he’ll say, “Biden’s administration did it too”.
We’ve read a lot of good, thoughtful articles this week about the protests, such as this from Slate talking to Columbia students about the situation on the ground, this from Robert Reich on the free speech implications (he argues universities should actively encourage debate and disagreement) and this from Sam Kahn on what it feels like to be Jewish in the USA right now (he takes issue with what he terms a “nothing-to-see-here je ne sais quoi” approach to the protests). We also had an NYU professor, Susie Linfield, commenting late last year here. Do take a read. It feels slightly like wading through treacle right now – it’s easy to get stuck on one argument and then stuck on a totally different one. So we should take a step back and that step back for me came from the Gazan-American Ahmed Fouad Alkhatib when he commented on what was happening at the University of Texas Austin:
“Regardless of what you think of pro-Palestine protesters, attacking students (and a cameraman) during a peaceful assembly is shameful and wrong. This will inspire even more protests and further inflame a really difficult and an impossible situation. Absent acts of violence, harassment, or destruction of property, students have a right to freedom of expression. We cannot lose sight of that.”
Whether in the USA or Iran we stand by peaceful protesters and we will always call out those who seek to silence them.
26 Apr 24 | Iran, News and features, Opinion, Ruth's blog
We are devastated.
At Index we work with and for dissidents every day. And while we always work without fear or favour, some of the people we work become part of the Index family. Over the last year an Iranian rapper has managed to do just that. And this week we have learned that the totalitarian regime that runs Iran has sentenced him to death – his crime, using his voice, his art, to challenge the status quo and defend those whose voices were not as powerful.
In the realm of hip-hop, where words are wielded like weapons and beats serve as battlegrounds for social justice, Toomaj Salehi emerged as a voice of defiance against oppression in Iran. A lyrical maestro and an unwavering advocate for the rights of Iranian women, Toomaj has created music that transcends mere entertainment – it became a lifeline for those silenced by the iron grip of authority.
Last year, we recognised Toomaj with the Index on Censorship Freedom of Expression Art Award, a recognition of his unwavering commitment to using his craft as a weapon against injustice. However, we couldn’t celebrate with Toomaj in person, for he was imprisoned for using his voice.
As I write, Toomaj languishes in jail, condemned to endure the darkness of imprisonment for the unfathomable crime of “corruption on earth”. His sentence, however, is not now only a term behind bars (as appalling as that was); as of this week it is now a death sentence. If his appeal fails, it seems all too possible that Toomaj will be murdered by the Iranian regime within a matter of weeks.
Toomaj’s journey as an artist has been one fraught with danger and defiance. Despite facing previous arrests and intimidation tactics, he refused to be muzzled, using his music as a conduit for truth in a landscape dominated by lies. His verses reverberated with the echoes of injustice, shining a spotlight on the abuses perpetrated by the Iranian authorities.
In the wake of the tragic death of Jina “Mahsa” Amini, Toomaj’s resolve only hardened. He lent his voice to the chorus of protest, amplifying the cries for justice that reverberated through the streets. However, his outspokenness proved to be his undoing, as he found himself ensnared by the tendrils of repression.
His arrest was not merely a bureaucratic formality but a violent crackdown on dissent. Toomaj was subjected to the horror of torture until a fake confession was coerced, a desperate attempt to stifle his message of resistance.
The plight of Toomaj Salehi serves as a stark and horrifying reminder of the harsh realities faced by artists in repressive regimes. In Iran, where creativity is stifled and dissent is met with brutality, the act of speaking out becomes an act of defiance in itself. Toomaj’s music, once a beacon of hope for the oppressed, now stands as a testament to the cost of resistance.
In the coming days the team at Index will be doing everything it can to raise awareness of Toomaj’s case. Together we must harness all the tools at our disposal to reverse the unjust death sentence imposed upon him and work tirelessly to secure his release. We need your help to amplify his voice and stand in solidarity with him, for his struggle is not his alone — it is a rallying cry for all those who believe in the power of music, art, and human rights.
And Toomaj now needs our help.
19 Apr 24 | Iran, News and features
While Iran and Israel continue to provoke each other in the aftermath of the 7 October attacks by Hamas, there are concerns that the fate of protesters in Iran, particularly those that started after the murder in custody of Jina ‘Mahsa’ Amini, are being forgotten as the Iranian leadership cracks down.
“Governments often utilise external conflicts to divert attention from domestic issues,” says exiled Iranian film-maker Vahid Zarezadeh. “In Iran, while the government addresses threats from abroad, it simultaneously intensifies its grip on civil liberties at home, particularly targeting women’s freedoms. This approach helps consolidate power internally by rallying nationalistic sentiments while suppressing dissent.”
Zarezadeh, who made the documentary White Torture in collaboration with the jailed 2023 Nobel Peace Prize winner Narges Mohammadi and Gelareh Kakavand, says, “Given the complexities of the current events in Iran and the ongoing regional tensions, it’s crucial to understand the multifaceted nature of the strife affecting the nation, particularly its impact on women and civil society. As Iran navigates its ongoing conflict with Israel, another critical issue persists domestically: the war against women in the streets of Tehran and other cities. This battle is intensifying with new legislative measures concerning the hijab, marking the beginning of a renewed phase of systematic suppression.”
Last September, Iran’s parliament passed a bill with a huge majority that meant that refusing to wear a hijab, either in person or even on video on social media, was considered as nudity. The bill allows for jail sentences of up to ten years for those who fail to adhere to the new measures. Iranian businesses that “promote or allow immoral behaviour”, including not wearing the hijab, are also targeted by the bill.
Zarezadeh says that pressure from the Iranian authorities on protest and dissent has increased markedly.
“A stringent crackdown on dissent has emerged, characterised by the systematic suppression of women and civil activists,” he says. “While the massive protests have lessened in visibility due to severe governmental crackdowns, underlying discontent remains. The fear of reprisal, particularly the death penalty, has tempered the public’s willingness to protest as openly as before.”
Even with the new stricter laws on dress code, he says that resistance against the compulsory hijab continues as a symbol of wider discontent with systemic gender-based restrictions.
“Despite the risks, including severe penalties such as the death penalty, the spirit of dissent still simmers, manifesting in smaller, yet persistent protests,” he says.
The resistance is still being kept alive through social media, and X in particular, where the hashtag #جنگ_علیه_زنان (“war against women”) has gained traction. Its widespread usage serves as a barometer for the internal sentiment against the current regime’s policies.
Videos showing women being violent attacked in broad daylight by the morality police and being thrown into the backs of vans are being widely shared using the hashtag, such as this:
Many women human rights defenders and activists have been thrown in prison, and face dire conditions with no adequate medical or sanitary provisions.
“A poignant example is Bahareh Hedayat, a prominent student activist who was temporarily released for medical treatment due to uterine cancer but has since been returned to prison,” says Zarezdeh. “Such cases underscore the severe and deteriorating conditions faced by women behind bars.”
One powerful symbol in the protests over the last two years were the actions of schoolgirls in protesting against the restrictions on women.
However, young protesters, including many schoolgirls, have since faced detention and other forms of intimidation. Detailed follow-ups on their situations are scant due to restrictions on information flow within the country.
The fate of the Iranian woman climber Elnaz Rekabi is also far from clear. Rekabi competed in a climbing tournament in South Korea in 2022 without a hijab.
“After her act of defiance by competing without a hijab, Elnaz Rekabi faced both support and significant pressure upon her return to Iran,” says Zarezdeh
When she flew home from South Korea, Rekabi said that her hijab had fallen off inadvertently. Her family’s villa in Iran was subsequently demolished, seemingly in punishment.
Zarezdeh says, “The full extent of Rekabi’s current situation remains unclear with concerns about her freedom and well-being continuing to linger.”
There continues to be a hunger for reform despite the crackdown. “The initial surge in hope for a potential regime change has been dampened by the forceful response from the authorities,” says Zarezadeh. “However, the desire for reform and change persists among various sectors of the society.”
