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In our autumn 2020 podcast we speak with Hong Kong-based journalist Oliver Farry, who discusses the crackdown on pro-democracy demonstrations in the region, which was once a beacon of free expression. And New York-based journalist Michella Oré tells us why, even if Donald Trump doesn’t win a second presidential term, his stint in The White House has sparked a fire in the USA which will be hard to put out. Also Jemimah Steinfeld and Orna Herr from the Index editorial team discuss their favourite articles from the new magazine.
Print copies of the magazine are available via print subscription or digital subscription through Exact Editions. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
Publisher Ursula Owen recounts her grandparents’ escape from Nazi Germany to Ireland via London.
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Ursula Owen was a founding director of Virago Press in 1974 and later joint managing director. In the 1990s, she became a director of the Paul Hamlyn Fund, cultural policy adviser to the British Labour Party and chief executive of Index on Censorship.
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Rachael Jolley, editor of Index on Censorship magazine, Sally Gimson, deputy editor, and Tracey Bagshaw, journalist and magazine contributor — with special help from editorial assistant Lewis Jennings — were live on air at Resonance FM on 21 January to discuss the latest issue which takes a special look at why different societies stop people discussing the most significant events in life.
In China, as Karoline Kan reports, women were forced for many years to have just one child and now they are being pushed to have two, but it is not something to talk about. In South Korea Steven Borowiec finds men have taken to social media to condemn a new film adaptation of a novel about motherhood. Irene Caselli describes the consequences in Latin America of preventing discussion about contraception and sexually transmitted infections. Joan McFadden digs into attitudes to gay marriage in the Hebrides, where she grew up, and interviews the Presbyterian minister who demonstrated against Lewis Pride. We have an original play from Syrian dramatist Liwaa Yazji about fear and violent death. While flash fiction writer Neema Komba imagines a Tanzanian bride challenging the marriage committee over her wedding cake. Finally, Nobel-prize-winning author Svetlana Alexievich tells us that she is sanguine about the mortal dangers of chronicling and criticising post-Soviet Russia.
Print copies of the magazine are available on Amazon, or you can take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpetine Gallery and MagCulture (all London), News from Nowhere (Liverpool). Red Lion Books (Colchester) and Home (Manchester). Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
The Winter 2018 podcast can also be found on iTunes.[/vc_column_text][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1548431570319-1f2dca2e-e6db-5″ taxonomies=”30752″][/vc_column][/vc_row]
[vc_row][vc_column][vc_single_image image=”104667″ img_size=”full” add_caption=”yes”][vc_column_text]“I found it empowering to be told I couldn’t talk about something,” said Gabby Edlin, founder of Bloody Good Period, on the stigmatisation of periods at the launch of the winter 2018 edition of Index on Censorship magazine.
The issue, on the theme of birth, marriage and death, investigates what we are afraid to talk about and why. Whether it’s contraception misconceptions in Latin America, prejudice against interracial marriages in South Africa, or genocides around the world, a plethora of countries and topics were featured in this special report.
Taking place at Foyles’ flagship store in Charing Cross, London, which was once the world’s largest bookshop, Edlin was joined by award-winning author Emilie Pine, author of Notes to Self, and Xinran, the internationally best-selling author of The Good Women of China who also introduced the first women’s call-in radio show in China. The panel was chaired by Rachael Jolley, editor of Index on Censorship magazine.
Edlin raised the taboo of period poverty, highlighting an unsettling scene in the Bafta-winning film I, Daniel Blake, in which a woman is caught stealing sanitary products and propositioned sex by a security guard in return for her freedom.
She said: “That was the moment that a lot of people woke up to the idea that, of course, women can’t afford this if they can’t afford everything else. But, everyone has experienced not having the product when you need it. It’s absolutely universal, it’s not just women living in poverty, it’s not just asylum seekers. Every single woman who has menstruated knows what it’s like to go without.”[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”104670″ img_size=”full” add_caption=”yes”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”104668″ img_size=”full” add_caption=”yes”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”104669″ img_size=”full” add_caption=”yes”][/vc_column_inner][/vc_row_inner][vc_column_text]Xinran explained the pain of the controversial one-child policy in China: “Countryside women came to the city and realised girls have equal rights but in the countryside, the mother had to kill their daughters or give them away. Still now no-one talks about it.”
However, family policy is changing. “The Chinese published a new stamp because this year is a pig year – with a parent with three babies – that is a signal to a parent that it’s not one child, not two children, it is free now.”
“We think that we are now such an open, liberal society and you can say anything you want on Twitter, but actually we’re still very, very closed and we talk about things without really talking about them,” said Pine, whose Notes to Self breaks down the taboo of miscarriages and sexual violence.
“This woman, who I had never met before, came up to me and said, ‘I had a miscarriage two months ago and nobody knows’, and then just walked away. She walked away I think from having said it as well and from the need to say it. We need to tell our stories.”
For more information on the winter issue, click here. Find out why we find it impossible to talk about birth, death and marriage, according to Rachael Jolley. The winter podcast is also available on iTunes and SoundCloud.[/vc_column_text][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1547210035015-71572e6c-f63e-3″ taxonomies=”8957″][/vc_column][/vc_row]