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Ever since Galileo Galilei faced the Roman inquisition in the 17th century for proving that the Earth went round the sun, scientists have risked being ruthlessly silenced. People are threatened by new discoveries, and especially ones that go against their political ideologies or religious beliefs. The Autumn 2024 issue of Index examines how scientists to this day still face censorship, as in many places around the world, adherence to ideology stands in the way of scientific progress. We demonstrate how such nations crack down on scientific advancement, and lend a voice to those who face punishment for their scientific achievements. Reports from as far as China and India, to the UK, USA, and many in between make up this issue as we put scientific freedom under the microscope.
When ideology enters the equation: Sally Gimson
Just who is silencing scientists?
The Index: Mark Stimpson
A tour around the world of free expression, including a focus on unrest in Venezuela
A vote for a level playing field: Clemence Manyukwe
In Mozambique’s upcoming election, the main challenger is banned
Whistling the tune of ‘terrorism’: Nedim Türfent
Speaking Kurdish, singing in Kurdish, even dancing to Kurdish tunes: do it in Turkey and be prepared for oppression
Running low on everything: Amy Booth
The economy is in trouble in Bolivia, and so is press freedom
A dictatorship in the making: Robert Kituyi
Kenya’s journalists and protesters are standing up for democracy, and facing brutal violence
Leave nobody in silence: Jana Paliashchuk
Activists will not let Belarus’s political prisoners be forgotten
A city’s limits: Francis Clarke
The Hillsborough disaster still haunts Liverpool, with local sensitivities leading to a recent event cancellation
History on the cutting room floor: Thiện Việt
The Sympathizer is the latest victim of Vietnam’s heavy-handed censors
Fog of war masks descent into authoritarianism: Ben Lynfield
As independent media is eroded, is it too late for democracy in Israel?
Movement for the missing: Anmol Irfan, Zofeen T Ebrahim
Amid rising persecution in Pakistan, Baloch women speak up about forced disappearances
Mental manipulation: Alexandra Domenech
The treatment of dissidents in Russia now includes punitive psychiatry
The Fight for India’s Media Freedom: Angana Chakrabarti, Amir Abbas, Ravish Kumar
Abuse of power, violence and a stifling political environment – daily challenges for journalists in India
A black, green and red flag to repression: Mehran Firdous
The pro-Palestine march in Kashmir that became a target for authorities
Choked by ideology: Murong Xuecun, Kasim Abdurehim Kashgar
In China, science is served with a side of propaganda
Scriptures over science: Salil Tripathi
When it comes to scientific advancement in India, Hindu mythology is taking priority
A catalyst for corruption: Pouria Nazemi
The deadly world of scientific censorship in Iran
Tainted scientists: Katie Dancey-Downs
Questioning animal testing is a top taboo
Death and minor details: Danson Kahyana
For pathologists in Uganda the message is clear: don’t name the poison
The dangers of boycotting Russian science: JP O’Malley
Being anti-war doesn’t stop Russian scientists getting removed from the equation
Putting politics above scientific truth: Dana Willbanks
Science is under threat in the USA, and here’s the evidence
The science of purges: Kaya Genç
In Turkey, “terrorist” labels are hindering scientists
The fight for science: Mark Stimpson
Pseudoscience-buster Simon Singh reflects on whether the truth will out in today’s libellous landscape
On the brink: Jo-Ann Mort
This November, will US citizens vote for freedoms?
Bad sport: Daisy Ruddock
When it comes to state-sponsored doping, Russia gets the gold medal
Anything is possible: Martin Bright
The legacy of the fall of the Iron Curtain, 35 years later
Judging judges: Jemimah Steinfeld
Media mogul Jimmy Lai remains behind bars in Hong Kong, and a British judge bears part of the responsibility
The good, the bad and the beautiful: Boris Akunin, Sally Gimson
The celebrated author on how to tell a story, and an exclusive new translation
Song for Stardust: Jessica Ní Mhainín, Christy Moore
Celebrating the folk song that told the truth about an Irish tragedy, and was banned
Put down that book!: Katie Dancey-Downs, Allison Brackeen Brown, Aixa Avila-Mendoza
Two US teachers take their Banned Books Week celebrations into the world of poetry
Keeping Litvinenko’s voice alive: Marina Litvinenko
The activist and widow of poisoned Russian dissident Alexander Litvinenko has the last word
The Summer 2024 issue of Index looks at how cinema is used as a tool to help shape the global political narrative by investigating who controls what we see on the screen and why they want us to see it. We highlight examples from around the world of states censoring films that show them in a bad light and pushing narratives that help them to scrub up their reputation, as well as lending a voice to those who use cinema as a form of dissent. This issue provides a global perspective, with stories ranging from India to Nigeria to the US. Altogether, it provides us with an insight into the starring role that cinema plays in the world politics, both as a tool for oppressive regimes looking to stifle free expression and the brave dissidents fighting back.
Lights, camera, (red)-action, by Sally Gimson: Index is going to the movies and exploring who determines what we see on screen
The Index, by Mark Stimpson: A glimpse at the world of free expression, including an election in Mozambique, an Iranian feminist podcaster and the 1960s TV show The Prisoner
Banned: school librarians shushed over LGBT+ books, by Katie Dancey-Downs: An unlikely new battleground emerges in the fight for free speech
We’re not banned, but…, by Simon James Green: Authors are being caught up in the anti-LGBT+ backlash
The red pill problem, by Anmol Irfan: A group of muslim influencers are creating a misogynistic subculture online
Postcards from Putin’s prison, by Alexandra Domenech: The Russian teenager running an anti-war campaign from behind bars
The science of persecution, by Zofeen T Ebrahim: Even in death, a Pakistani scientist continues to be vilified for his faith
Cinema against the state, by Zahra Hankir: Artists in Lebanon are finding creative ways to resist oppression
First they came for the Greens, by Alessio Perrone, Darren Loucaides and Sam Edwards: Climate change isn’t the only threat facing environmentalists in Germany
Undercover freedom fund, by Gabija Steponenaite: Belarusian dissidents have a new weapon: cryptocurrency
A phantom act, by Danson Kahyana: Uganda’s anti-pornography law is restricting women’s freedom - and their mini skirts
Don’t say ‘gay’, by Ugonna-Ora Owoh: Queer Ghanaians are coming under fire from new anti-LGBT+ laws
Money talks in Hollywood, by Karen Krizanovich: Out with the old and in with the new? Not on Hollywood’s watch
Strings attached, by JP O’Malley: Saudi Arabia’s booming film industry is the latest weapon in their soft power armoury
Filmmakers pull it out of the bag, by Shohini Chaudhuri: Iranian films are finding increasingly innovative ways to get around Islamic taboos
Edited out of existence, by Tilewa Kazeem: There’s no room for queer stories in Nollywood
Making movies to rule the world, by Jemimah Steinfeld: Author Erich Schwartzel describes how China’s imperfections are left on the cutting room floor
When the original is better than the remake, by Salil Tripathi: Can Bollywood escape from the Hindu nationalist narrative?
Selected screenings, by Maria Sorensen: The Russian filmmaker who is wanted by the Kremlin
A chronicle of censorship, by Martin Bright: A documentary on the Babyn Yar massacre faces an unlikely obstacle
Erdogan’s crucible by Kaya Genc: Election results bring renewed hope for Turkey’s imprisoned filmmakers
Race, royalty and religion - Malaysian cinema’s red lines, by Deborah Augustin: A behind the scenes look at a banned film in Malaysia
Join the exiled press club, by Can Dundar: A personalised insight into the challenges faced by journalists in exile
Freedoms lost in translation, by Banoo Zan: Supporting immigrant writers - one open mic poetry night at a time
Me Too’s two sides, by John Scott Lewinski: A lot has changed since the start of the #MeToo movement
We must keep holding the line, by Jemimah Steinfeld: When free speech is co-opted by extremists, tyrants are the only winners
It’s not normal, by Nazanin Zaghari-Ratcliffe: Toomaj Salehi’s life is at the mercy of the Iranian state, but they can’t kill his lyrics
No offence intended, by Kaya Genc: Warning: this short story may contain extremely inoffensive content
The unstilled voice of Gazan theatre, by Laura Silvia Battaglia: For some Palestinian actors, their characters’ lives have become a horrifying reality
Silent order, by Fujeena Abdul Kader, Upendar Gundala: The power of the church is being used to censor tales of India’s convents
Freedom of expression is the canary in the coalmine, by Mark Stimpson and Ruth Anderson: Our former CEO reflects on her four years spent at Index
If Rizal van Geyzel’s life has felt like a comedic farce recently, it’s best physically exemplified by the black paint that was splattered not across the door of his comedy club, but of the bank next door.
“They vandalised the wrong door! The bank’s CCTV picked it up. If you are going to throw paint over a door, at least pick the right one,” he laughs.
Van Geyzel is a Malaysian comedian who was the co-owner of the now closed Crackhouse Comedy Club in Kuala Lumpur, the site of the intended paint job. Days before the protest in July 2022, old clips of his stand-up were uploaded onto social media, a move which landed him in court, changed his life and inspired his recent show, Arrested.
“There were three videos overall. In one, I made a joke that despite having a Chinese father, I am what you would call a “privileged Malaysian”, those with government benefits usually entitled to people born to Malay heritage, which I also am.”
These videos were then investigated by police, and van Geyzel was arrested on suspicion of sedition. Spending the night in a jail, he quickly found himself hauled into Kuala Lumpur’s Cyber Crime Court, where sedition was replaced with charges under Section 233 of the Communications and Multimedia Act 1998. The act criminalises "improper use of network facilities or network services” and can result in a maximum fine of 50,000 Malaysian ringgits ($10,000) or imprisonment, or both. He plead not guilty to all charges and was allowed bail set at 12,000 ringgits ($2,500) with one surety.
“It was such a hassle. It was hard because comedy is my sole income. I’m a single father, and my father was clinically ill,” van Geyzel said. His passport was taken by the court, which he had to request if he had shows in other countries.
After a court mix up, further indicative of the farce-like element of his experience, he was also banned from social media for three months. “The judge said I just couldn’t post anything about the ongoing case, but the official court documents stated I couldn’t post on social media period. It took three months to resolve,” he said.
Looking for positives though, van Geyzel laughs about the ban: “I have to say, not going online then was a peaceful time in my life!”
Section 233 of the Communications and Multimedia Act 1998 has its critics, who believe it’s being used to target writers, performers and the public in general for expressing their views on social media and in the press. Making it an offence to create ‘offensive’ material that could make its way online and ‘annoy’ viewers means the act is too open to interpretation, according to the Malaysian writer, poet, and former President of PEN Malaysia, Bernice Chauly.
She said: “It is so broad that any Malaysian can make a police report because they are ‘annoyed’, regardless of whether they are the intended recipient. There is no legal definition of what ‘annoyed’ means.
“It is very disturbing that this provision is being used to silence dissenting voices in a punitive manner…and to target writers and others whose views are critical of those in power.”
Van Geyzel doesn’t speak about the act directly, but believes it’s had a negative effect on the comedy circuit in the country. While he feels comedians in Malaysia are comfortable making jokes about themes such as religious and race issues within the confines of a comedy club, the problem is when people start to record on mobile phones.
“The only paranoia or danger we should feel is what is put online,” he said. “People like to record and post on social media during a show, and this is where it gets dangerous because you don’t know which part they are recording. Fellow comedians will ask what we think about each other’s routines, because things can so easily be taken out of context.”
In July 2023, van Geyzel pleaded guilty to one charge of Section 233 of the Communications and Multimedia Act 1998, for the “privileged Malaysian” joke, and was fined 8,000 ringgits ($1,700). As a result, he faced no conviction record and no further court proceedings.
Why did he plead guilty if he thinks he did nothing wrong?
“I had to view it as a very expensive parking ticket as I couldn’t deal with the court proceedings anymore, and I faced no criminal record. I also wanted my passport to be free!”
Van Geyzel took the positives from his experience and decided to tell his story in a new stand-up show. Arrested is performed around Malaysia, and in August ran at the Edinburgh Fringe Festival where he enjoyed anonymity as a performer, unlike at home.
“In Edinburgh people had no idea of the situation, so I could easily talk about my comedy club being shut down, vandalised, how I was investigated for sedition, then picked up by the coppers, put in lockup for a night and had charges in court, all for jokes that appeared online.
“But then I also talked about how my government perceives stand-up comedy to be a dysfunctional Western import, you know, like democracy, and how easy it is for comedy and freedom of speech to come under attack. It does sound very heavy, but it is a fun show. “Come see how I got arrested for comedy!””
Van Geyzel’s case was so prominent in comedic circles that other comedians under fire for jokes contacted him for advice such as Jocelyn Chia, a Singaporean American comedian. She was heavily criticised online after a video went viral featuring a joke about Singaporean and Malaysian relations, as well as the missing Malaysia Airlines Flight 370. What did van Geyzel say to Chia?
“She asked if she should apologise. Despite what happened to me I said don’t, wait it out, in a few days people will move on to the next thing. Though I have a friend who ‘liked’ the video Chia was in, and he then got heavily abused online.
“When it comes to stand-up you should be able to joke about whatever you want, it’s proper freedom of speech. Unfortunately, though, once it’s online it’s out of your hands.”
For more articles about comedy and comedians under attack, read our new issue Having the last laugh here
The Summer 2023 issue of Index looks at neurodiversity, the term coined in the late 1990s to identify and promote the positives of variation in human thinking which has become more widely used in the past few years. Are old stereotypes still rife? Has the perception of neurodiversity improved? If not, was this because of censorship? Using neurodivergent voices, we wanted to know about this in a global context.
The majority of the articles are written by neurodivergent people, as we wanted to put their voices front and centre. Many said they did have more of a voice, awareness had shot up and the word “neurodiversity” empowered and welcomed a growth in onscreen representation. However, at the same time it was clear that conversations around neurodiversity were playing out along society’s current fault-lines and were far from immune.
Mind matters, by Jemimah Seinfeld: The term neurodiversity has positively challenged how we approach our minds. Has it done enough?
The Index, by Mark Frary: The latest in free expression news, from an explainer on Sudan to a cha-cha-cha starring Meghan and King Charles.
Bars can't stop a bestseller, by Kaya Genç: Fiction is finding its way out of a Turkish prison, says former presidential hopeful and bestselling writer
Selahattin Demirtaş.
Don't mention femicide, by Chris Havler-Barrett: Murdered women are an inconvenience for Mexico’s president.
This is no joke, by Qian Gong and Jian Xu: The treatment of China’s comedians is no laughing matter.
Silent Disco, by Andrew Mambondiyani: Politicians are purging playlists in Zimbabwe, and musicians are speaking out.
When the Russians came, by Alina Smutko, Taras Ibragimov and Aliona Savchuk: The view from inside occupied Crimea, through the cameras of photographers banned by the Kremlin.
The language of war and peace, by JP O’Malley: Kremlin-declared “Russophobe foreign agent and traitor” Mikhail Shishkin lays out the impossible choices for Russians.
Writer's block, by Stacey Tsui: Hong Kong’s journalists are making themselves heard, thanks to blockchain technology.
The Russians risking it all, by Katie Dancey-Downs: Forced to sing songs and labelled as extremists, anti-war Russians are finding creative ways to take a stand.
The 'truth' is in the tea, by Jemimah Steinfeld: Spilling the tea on a London venue, which found itself in hot water due to a far-right speaker.
Waiting for China's tap on the shoulder, by Chu Yang: However far they travel, there’s no safe haven for journalists and academics who criticise China.
When the old fox walks the tightrope, by Danson Kahyana: An interview with Stella Nyanzi on Uganda’s latest anti-LGBTQ+ law.
Would the media lie to you?, by Ali Latifi: Fake news is flourishing in Afghanistan, in ways people might not expect.
Britain's Holocaust island, by Martin Bright: Confronting Britain’s painful secret, and why we must acknowledge what happened on Nazi-occupied Alderney.
The thorn in Vietnam's civil society side, by Thiện Việt: Thiện Việt: Responding to mass suppression with well-organised disruption.
Not a slur, by Nick Ransom: What’s in a word? Exploring representation, and the power of the term “neurodiversity” to divide or unite.
Sit down, shut up, by Katharine P Beals: The speech of autistic non-speakers is being hijacked.
Fake it till you break it, by Morgan Barbour: Social media influencers are putting dissociative identity disorder in the spotlight, but some are accused of faking it.
Weaponising difference, by Simone Dias Marques: Ableist slurs in Brazil are equating neurodivergence with criminality.
Autism on screen is gonna be okay, by Katie Dancey-Downs: The Rain Man days are over. Everything’s Gonna Be Okay star Lillian Carrier digs into autism on screen.
Raising Malaysia's roof, by Francis Clarke: In a comedy club in Malaysia’s capital stand up is where people open up, says comedian Juliana Heng.
Living in the Shadows, by Ashley Gjøvik: When successful camouflage has a lasting impact.
Nigeria's crucible, by Ugonna-Ora Owoh: Between silence and lack of understanding, Nigeria’s neurodiverse are being mistreated.
My autism is not a lie, by Meltem Arikan: An autism diagnosis at 52 liberated a dissident playwright, but there’s no space for her truth in Turkey.
Lived experience, to a point, by Julian Baggini: When it comes to cultural debates, whose expertise carries the most weight?
France: On the road to illiberalism? by Jean-Paul Marthoz: Waving au revoir to the right to criticise.
Monitoring terrorists, gangs - and historians, by Andrew Lownie: The researcher topping the watchlist on his majesty’s secret service.
We are all dissidents, by Ruth Anderson: Calls to disassociate from certain dissidents due to their country of birth are toxic and must be challenged.
Manuscripts don't burn, by Rebecca Ruth Gould: Honouring the writers silenced by execution in Georgia, and unmuzzling their voices.
Obscenely familiar, by Marc Nash: A book arguing for legalised homosexuality is the spark for a fiction rooted in true events.
A truly graphic tale, by Taha Siddiqui and Zofeen T Ebrahim: A new graphic novel lays bare life on Pakistan’s kill list, finding atheism and a blasphemous tattoo.
A censored day? by Kaya Genç: Unravelling the questions that plague the censor, in a new short story from the Turkish author.
Poetry's peacebuilding tentacles, by Natasha Tripney: Literature has proven its powers of peace over the last decade in Kosovo.
Palestine: I still have hope, by Bassem Eid: Turning to Israel and Palestine, where an activist believes the international community is complicit in the conflict.