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Ever since Galileo Galilei faced the Roman inquisition in the 17th century for proving that the Earth went round the sun, scientists have risked being ruthlessly silenced. People are threatened by new discoveries, and especially ones that go against their political ideologies or religious beliefs. The Autumn 2024 issue of Index examines how scientists to this day still face censorship, as in many places around the world, adherence to ideology stands in the way of scientific progress. We demonstrate how such nations crack down on scientific advancement, and lend a voice to those who face punishment for their scientific achievements. Reports from as far as China and India, to the UK, USA, and many in between make up this issue as we put scientific freedom under the microscope.
When ideology enters the equation: Sally Gimson
Just who is silencing scientists?
The Index: Mark Stimpson
A tour around the world of free expression, including a focus on unrest in Venezuela
A vote for a level playing field: Clemence Manyukwe
In Mozambique’s upcoming election, the main challenger is banned
Whistling the tune of ‘terrorism’: Nedim Türfent
Speaking Kurdish, singing in Kurdish, even dancing to Kurdish tunes: do it in Turkey and be prepared for oppression
Running low on everything: Amy Booth
The economy is in trouble in Bolivia, and so is press freedom
A dictatorship in the making: Robert Kituyi
Kenya’s journalists and protesters are standing up for democracy, and facing brutal violence
Leave nobody in silence: Jana Paliashchuk
Activists will not let Belarus’s political prisoners be forgotten
A city’s limits: Francis Clarke
The Hillsborough disaster still haunts Liverpool, with local sensitivities leading to a recent event cancellation
History on the cutting room floor: Thiện Việt
The Sympathizer is the latest victim of Vietnam’s heavy-handed censors
Fog of war masks descent into authoritarianism: Ben Lynfield
As independent media is eroded, is it too late for democracy in Israel?
Movement for the missing: Anmol Irfan, Zofeen T Ebrahim
Amid rising persecution in Pakistan, Baloch women speak up about forced disappearances
Mental manipulation: Alexandra Domenech
The treatment of dissidents in Russia now includes punitive psychiatry
The Fight for India’s Media Freedom: Angana Chakrabarti, Amir Abbas, Ravish Kumar
Abuse of power, violence and a stifling political environment – daily challenges for journalists in India
A black, green and red flag to repression: Mehran Firdous
The pro-Palestine march in Kashmir that became a target for authorities
Choked by ideology: Murong Xuecun, Kasim Abdurehim Kashgar
In China, science is served with a side of propaganda
Scriptures over science: Salil Tripathi
When it comes to scientific advancement in India, Hindu mythology is taking priority
A catalyst for corruption: Pouria Nazemi
The deadly world of scientific censorship in Iran
Tainted scientists: Katie Dancey-Downs
Questioning animal testing is a top taboo
Death and minor details: Danson Kahyana
For pathologists in Uganda the message is clear: don’t name the poison
The dangers of boycotting Russian science: JP O’Malley
Being anti-war doesn’t stop Russian scientists getting removed from the equation
Putting politics above scientific truth: Dana Willbanks
Science is under threat in the USA, and here’s the evidence
The science of purges: Kaya Genç
In Turkey, “terrorist” labels are hindering scientists
The fight for science: Mark Stimpson
Pseudoscience-buster Simon Singh reflects on whether the truth will out in today’s libellous landscape
On the brink: Jo-Ann Mort
This November, will US citizens vote for freedoms?
Bad sport: Daisy Ruddock
When it comes to state-sponsored doping, Russia gets the gold medal
Anything is possible: Martin Bright
The legacy of the fall of the Iron Curtain, 35 years later
Judging judges: Jemimah Steinfeld
Media mogul Jimmy Lai remains behind bars in Hong Kong, and a British judge bears part of the responsibility
The good, the bad and the beautiful: Boris Akunin, Sally Gimson
The celebrated author on how to tell a story, and an exclusive new translation
Song for Stardust: Jessica Ní Mhainín, Christy Moore
Celebrating the folk song that told the truth about an Irish tragedy, and was banned
Put down that book!: Katie Dancey-Downs, Allison Brackeen Brown, Aixa Avila-Mendoza
Two US teachers take their Banned Books Week celebrations into the world of poetry
Keeping Litvinenko’s voice alive: Marina Litvinenko
The activist and widow of poisoned Russian dissident Alexander Litvinenko has the last word
The Summer 2024 issue of Index looks at how cinema is used as a tool to help shape the global political narrative by investigating who controls what we see on the screen and why they want us to see it. We highlight examples from around the world of states censoring films that show them in a bad light and pushing narratives that help them to scrub up their reputation, as well as lending a voice to those who use cinema as a form of dissent. This issue provides a global perspective, with stories ranging from India to Nigeria to the US. Altogether, it provides us with an insight into the starring role that cinema plays in the world politics, both as a tool for oppressive regimes looking to stifle free expression and the brave dissidents fighting back.
Lights, camera, (red)-action, by Sally Gimson: Index is going to the movies and exploring who determines what we see on screen
The Index, by Mark Stimpson: A glimpse at the world of free expression, including an election in Mozambique, an Iranian feminist podcaster and the 1960s TV show The Prisoner
Banned: school librarians shushed over LGBT+ books, by Katie Dancey-Downs: An unlikely new battleground emerges in the fight for free speech
We’re not banned, but…, by Simon James Green: Authors are being caught up in the anti-LGBT+ backlash
The red pill problem, by Anmol Irfan: A group of muslim influencers are creating a misogynistic subculture online
Postcards from Putin’s prison, by Alexandra Domenech: The Russian teenager running an anti-war campaign from behind bars
The science of persecution, by Zofeen T Ebrahim: Even in death, a Pakistani scientist continues to be vilified for his faith
Cinema against the state, by Zahra Hankir: Artists in Lebanon are finding creative ways to resist oppression
First they came for the Greens, by Alessio Perrone, Darren Loucaides and Sam Edwards: Climate change isn’t the only threat facing environmentalists in Germany
Undercover freedom fund, by Gabija Steponenaite: Belarusian dissidents have a new weapon: cryptocurrency
A phantom act, by Danson Kahyana: Uganda’s anti-pornography law is restricting women’s freedom - and their mini skirts
Don’t say ‘gay’, by Ugonna-Ora Owoh: Queer Ghanaians are coming under fire from new anti-LGBT+ laws
Money talks in Hollywood, by Karen Krizanovich: Out with the old and in with the new? Not on Hollywood’s watch
Strings attached, by JP O’Malley: Saudi Arabia’s booming film industry is the latest weapon in their soft power armoury
Filmmakers pull it out of the bag, by Shohini Chaudhuri: Iranian films are finding increasingly innovative ways to get around Islamic taboos
Edited out of existence, by Tilewa Kazeem: There’s no room for queer stories in Nollywood
Making movies to rule the world, by Jemimah Steinfeld: Author Erich Schwartzel describes how China’s imperfections are left on the cutting room floor
When the original is better than the remake, by Salil Tripathi: Can Bollywood escape from the Hindu nationalist narrative?
Selected screenings, by Maria Sorensen: The Russian filmmaker who is wanted by the Kremlin
A chronicle of censorship, by Martin Bright: A documentary on the Babyn Yar massacre faces an unlikely obstacle
Erdogan’s crucible by Kaya Genc: Election results bring renewed hope for Turkey’s imprisoned filmmakers
Race, royalty and religion - Malaysian cinema’s red lines, by Deborah Augustin: A behind the scenes look at a banned film in Malaysia
Join the exiled press club, by Can Dundar: A personalised insight into the challenges faced by journalists in exile
Freedoms lost in translation, by Banoo Zan: Supporting immigrant writers - one open mic poetry night at a time
Me Too’s two sides, by John Scott Lewinski: A lot has changed since the start of the #MeToo movement
We must keep holding the line, by Jemimah Steinfeld: When free speech is co-opted by extremists, tyrants are the only winners
It’s not normal, by Nazanin Zaghari-Ratcliffe: Toomaj Salehi’s life is at the mercy of the Iranian state, but they can’t kill his lyrics
No offence intended, by Kaya Genc: Warning: this short story may contain extremely inoffensive content
The unstilled voice of Gazan theatre, by Laura Silvia Battaglia: For some Palestinian actors, their characters’ lives have become a horrifying reality
Silent order, by Fujeena Abdul Kader, Upendar Gundala: The power of the church is being used to censor tales of India’s convents
Freedom of expression is the canary in the coalmine, by Mark Stimpson and Ruth Anderson: Our former CEO reflects on her four years spent at Index
The first time Gharidah Farooqi became a target of tech-facilitated gender-based violence (TFGBV) was in 2014. She was working as a reporter at Samaa, a private Pakistani television channel, and covering cricketer-turned politician Imran Khan’s anti-government protest that set off from the eastern city of Lahore in Punjab province to the country’s capital, Islamabad.
“I was there 24/7 on the ground and would go to the hotel just to take a few hours of rest,” she told Index.
“My morphed photos from the field coverage were posted on social media along with sexist and vulgar comments,” recalled Farooqi, who is currently working as a senior anchor at GTV, another private Pakistani TV channel.
“For the longest of time, I ignored it, but not in [my] wildest imagination had I foreseen a Frankenstein in the making,” said Farooqi, adding that people were not used to seeing a woman reporter in the field.
“For them it was just shughal [making fun] of me,” she said.
A decade later, the attacks have not stopped. In fact, they have taken on an even uglier and more dangerous shape through generative artificial intelligence (AI), which uses models to create new content.
“Generative AI is making TFGBV even more difficult to address,” explained Nighat Dad, a lawyer and internet activist who runs the not-for-profit organisation Digital Rights Foundation (DRF), which helps Pakistanis fight against online harassment.
She said that this technology gives the creator power to change the original image, text, audio or video very quickly, in a way that makes it hard to identify whether it is an original or a deepfake, terming it “photoshopping in a more sophisticated manner”.
For Farooqi, “the period between the calm and chaos” is so short, she barely gets any respite. Along with the organised campaign by political parties’ supporters, there is a daily barrage of abuse on her social media pages, she said, adding: “It is not mere trolling; trolling is a very harmless word compared to what I’m facing.”
She’s not the only one to have had a taste of this form of violence.
“The prime targets are of course women, although a few men have also been targeted,” said Farooqi. Many have reached out to her, “mostly for emotional support” and to ask her how to seek legal help.
In her experience, female colleagues have always supported each other, and supported her in particular, for which she says she’s “eternally grateful”.
“Gharidah faces [more] attacks than any other journalist,” said Dad, who is constantly being contacted for help by women journalists.
The DRF has a helpline and a resource kit that offers a list of places offering help. Between January and November 2023, 22 female and 14 male journalists reached out to DRF with complaints including blasphemy accusations, abusive messages, bullying, blackmailing, censorship, defamation, GBV, impersonation, online stalking, phishing, sexual harassment and threats of physical violence.
While Farooqi has learnt to navigate the legal mechanisms and lodge complaints, not everyone will be as astute in warding off cyber harassment.
The Prevention of Electronic Crimes Act 2016 “carves out certain offences such as morphing of pictures or videos etc., which is done using tech tools”, according to Farieha Aziz, a cybercrime expert and co-founder of Bolo Bhi, an advocacy forum for digital rights.
But the “manner in which online harassment cases are executed and dealt with, despite complaints being lodged and arrests being made, remains problematic due to a lack of priority by the Federal Investigation Agency [FIA]. Either these women do not hear back or there is no progress on complaints they've made, at various stages of the case,” Aziz said.
After filing complaints eight times, Farooqi said, it was only on her most recent complaint (made last month), that any action was taken by the FIA when her personal details – her home address and her telephone number – were made public.
“I started getting anonymous calls and messages threatening me with rape and even death warnings. It was the first time that the agency took swift action and got the posts deleted,” she said.
The Karachi-based Centre of Excellence in Journalism has produced a safety kit for women journalists “on how to protect themselves and where and how to report,” Aziz told Index, adding that they also provide counselling.
“There has been pervasive and persistent online harassment, sexualised and otherwise gendered disinformation faced by women journalists in Pakistan, with many being threatened with physical assault and offline violence. We’ve witnessed multiple incidents of female journalists' private information being leaked online with what we can say are well-planned and directed efforts to silence them and [which] resulted in stalking and offline harassment,” said a statement by the Pakistan-based Network of Journalists for Digital Rights earlier this month, condemning the use of TFGBV and generative AI to attack female journalists.
Farooqi considers generative AI as yet another weapon to silence and subdue women journalists. Claiming to be a woman with “nerves of steel”, she said she has to be thick-skinned to be able to survive these attacks. To keep sane, she advises people to never engage with attackers.
The media in Pakistan, a 240-million strong nation, has seldom been free ever since it removed its colonial shackles from the British Raj in 1947. Spates of draconian laws to curb the press were imposed in the three martial law periods, as well as during the democratic governments, spanning the 77-year life of this South Asian nation. These attacks reached new heights in recent weeks, as Pakistan voted in a tense general election. Critical voices from press and civil society were strangled. The military establishment tried to control the media narrative, while internet blackouts became commonplace. And yet despite this, Pakistan Tehreek-e-Insaf (PTI) backed independent candidates bagged the largest number of seats in the national and provincial assemblies, in an upset for the military establishment.
“This is peoples’ reaction against the actions,” Mazhar Abbas, a senior award-winning journalist and anchor, told Index. “This is an eye-opener for those who think the suppression could serve their purpose.”
Independent candidates backed by the PTI, the party of Imran Khan, won 93 seats in Pakistan’s National Assembly or lower house of 264 seats, but will not be allowed to form a government as they were forced to run as individuals. Parties of thrice-prime minister Nawaz Sharif secured 75 seats followed by the Pakistani Peoples Party (PPP) with 54 seats. Given these votes the most likely outcome is a coalition government.
“This is a people’s rebellion against the establishment that keeps curbing the media to promote parties of their own choices,” Aziz Sanghur, a senior journalist and author, said. "This is the 21st century and the age of IT, we must not forget."
Facing fierce clampdowns on their social media accounts, as well as attempts to impede their election campaigns, the contesting candidates had to be on their toes. They managed to outmanoeuvre the censorship through a variety of means including using all of the social media platforms to their advantage.
“Our social media and IT team kept struggling against the closure of data services and our social media accounts, [by] creating VPN connections and using other means,” Yasir Baloch, a PTI candidate for the Sindh provincial assembly told Index.
Members of his constituency extended their help to Baloch.
“On the election day when data service and mobile phone service was switched off, the people in our constituency volunteered to give our team access to their home wi-fi connections. That was a huge favour for us,” he said.
Conventional canvassing methods also had to be re-assessed.
“We managed to hold our meetings [within] the compound wall instead of open places as we had to face the police crackdowns on our rallies,” he said. “We carried our campaign door to door and women played a leading role.”
But it will be hard for Pakistan to establish media freedoms.
“There have been many draconian laws that governed the media and press, but this time ‘invisible’ hands unleashed gagging censorship, which is unprecedented,” said Tauseef Ahmed Khan, a professor and author of several books on Pakistani media and a media practitioner.
Khan was referring to the constant interventions from the powerful military establishment. Many journalists working for the national television channels spoke to Index on the condition of anonymity. They confirmed the practice of daily intervention by the media wing of the military, known as Inter Services Public Relations or ISPR.
“When they [dictated to] us the news packages in the beginning, I predicted that the days were not far off and that they would dictate the whole rundown,” said a senior journalist, who works with Geo TV, the country’s top private television channel.
“My fears came true as now we get dictation from ISPR on a daily basis, with the advice that the news must be broadcast without attribution,” he said.
Empirical surveys with senior journalists at many independent news channels confirmed this, including ARY, Neo News, Abb Takk, Aaj TV, Hum TV, 92 News, KTN, Express TV, 24 News and Dawn News. These are all top-ranking television channels, watched widely across Pakistan.
“We are obliged to run that news to protect our job,” one journalist said.
The party that won the last general election and was in power from 2018 until 2022 remained a pivotal target of the censorship. Imran Khan, the former cricketer turned politician, led his PTI party. Coming into power for the first time in 2018, Khan had a strong backing from the military establishment, a channel that inherently matters more than popular votes in the country. Catalysing the military support, Khan made full use of censorship and media clampdowns to suppress independent journalists as well as political opponents. Legal cases were registered against media houses, journalists and social media commentators for raising voices against his policies and political discourse.
“Khan in fact torpedoed the financial structure of the media industry, [which] was a fatal blow to the free press,” Tauseef Ahmed Khan said.
Geo News, the most influential TV channel in the country which was critical of Imran Khan and supportive of Nawaz Sharif, was cast out of government sponsored advertisements in 2020, the biggest source of revenue to the industry. It was taken off air in different cities and parts of the country, including the cantonment areas, administered by the military.
But the tables turned when Khan was ousted in 2022 in a no-confidence vote after a fallout with the military. He was jailed for corruption, and later for leaking state secrets.
Tit-for-tat censorship ensued under the new under-the-radar sanctions. Khan’s party was declared proscribed and naming it or Khan on television channels was banned by the military-backed coalition government of the Pakistan Democratic Movement.
No let-up was seen in censorship by the care-taker government appointed in August 2023, which only had a mandate to hold general elections in Pakistan. The caretaker government under Prime Minister Anwar ul Haq Kakar took more stringent measures to black out Khan and his party from the mainstream media.
The undeclared news boycott of Khan’s party continued until the election day on 8 February 2024, while its supporters ran a robust campaign on social media. His party was denied the opportunity to contest the election under the pretext of the party’s failure to hold intra-party elections, a constitutional prerequisite for a political party to become eligible for general election participation.
Frustrating the party’s social media ‘warriors’, the authorities clamped down by switching off internet networks countrywide repeatedly over recent years, usually targeting social media or messaging services.
“Curbing internet access during elections strikes at democracy’s heart, betraying human rights,” Surfshark, a media watchdog said in a statement.
On the very day of elections on 8 February, a complete shutdown of mobile services crippled journalists in the field who were covering the elections. The Pakistan Telecommunication Authority, the state-regulator, said it had decided to do so in view of the worsening law and order situation.
“The decision to suspend telecommunications and mobile internet services on election day is a blunt attack on the rights to freedom of expression and peaceful assembly,” Amnesty International reacted.
The failures of the mainstream media alarms media pundits, who see an ominous trend in the coming weeks.
“This is very unfortunate that the mainstream media seem to have lost its credibility against the social media in the country,” said Sohail Sangi, a veteran journalist, who has served imprisonment in dictatorial regimes for raising his voice for press freedom.
It is feared that propaganda will replace factual news.
“We know that on social media, largely unauthentic info goes viral and its impact is huge,” Tauseef Ahmed Khan said.
“This might transform the media landscape in the country if things are not fixed.”