Index pays tribute to Ukrainian journalist Victoria Roshchyna who has died in Russian detention

11 Oct 24 | News and features, Russia, Ukraine

The Ukrainian government has confirmed the death of journalist Victoria Roshchyna, who died during a prisoner swap in September. Free expression organisations, including Index on Censorship, are calling on Russia to disclose the circumstances in which the 27-year-old died.

According to Russian news outlet Mediazona, she died whilst being transferred from a prison in Taganrog, a city in the southwest of Russia near the Ukrainian border, to Moscow.

Petro Yatsenko, a Ukrainian government spokesperson for prisoner of war coordination, and Yaroslav Yurchyshyn, head of the Ukrainian parliament’s committee on freedom of speech, yesterday confirmed Roshchyna’s death. Her father has been notified of her death by the Russian authorities, according to Yurchyshyn.

Roshchyna wrote from the front line for several Ukrainian media outlets before she was seized by Russian forces in August 2023 whilst travelling to east Ukraine for a report. Her capture was confirmed by Russia in April 2024.

This was not the first time Roshchyna had been taken by the Russian forces in eastern Ukraine. In April 2022, Index published a powerful piece about her experience of being arrested while travelling from Zaporizhzhia to Mariupol. It is an exemplary piece of level-headed reporting. But it contains some chilling detail, including the moment when a member of the FSB, the Russian secret service, tells her: “If we bury you somewhere here, no one will ever find out. You will be lost forever.”

Index on Censorship will ensure that the memory of Victoria Roshchyna will never be lost.

Jemimah Steinfeld, chief executive of Index on Censorship, said: “The death in custody of any journalist is always gut-wrenching but especially so when it is one we have published. Victoria Roshchyna was a talented young journalist with her life ahead of her. We are proud to count her as an Index writer.

“Her death is a great loss, one that has shaken the Index team. It is also a stark reminder of the threat that Putin’s regime poses to freedoms more generally and to media freedom specifically, which has only increased several years into Russia’s full-scale invasion of Ukraine.

“We call for an immediate and thorough investigation into the cause of her death and for those responsible to be held accountable. And our thoughts go out to her family, friends and colleagues at this challenging time. May her memory be a blessing.”

Contents – The final cut: How cinema is being used to change the global narrative

19 Aug 24 | Burkina Faso, Canada, China, Germany, India, Iran, Magazine Contents, Malaysia, Nigeria, Pakistan, Palestine, Russia, Saudi Arabia, Turkey, Ukraine, United Kingdom, United States, Volume 53.02 Summer 2024

Contents

The Summer 2024 issue of Index looks at how cinema is used as a tool to help shape the global political narrative by investigating who controls what we see on the screen and why they want us to see it. We highlight examples from around the world of states censoring films that show them in a bad light and pushing narratives that help them to scrub up their reputation, as well as lending a voice to those who use cinema as a form of dissent. This issue provides a global perspective, with stories ranging from India to Nigeria to the US. Altogether, it provides us with an insight into the starring role that cinema plays in the world politics, both as a tool for oppressive regimes looking to stifle free expression and the brave dissidents fighting back.

Up Front

Lights, camera, (red)-action, by Sally Gimson: Index is going to the movies and exploring who determines what we see on screen

The Index, by Mark Stimpson: A glimpse at the world of free expression, including an election in Mozambique, an Iranian feminist podcaster and the 1960s TV show The Prisoner

Features

Banned: school librarians shushed over LGBT+ books, by Katie Dancey-Downs: An unlikely new battleground emerges in the fight for free speech

We’re not banned, but…, by Simon James Green: Authors are being caught up in the anti-LGBT+ backlash

The red pill problem, by Anmol Irfan: A group of muslim influencers are creating a misogynistic subculture online

Postcards from Putin’s prison, by Alexandra Domenech: The Russian teenager running an anti-war campaign from behind bars

The science of persecution, by Zofeen T Ebrahim: Even in death, a Pakistani scientist continues to be vilified for his faith

Cinema against the state, by Zahra Hankir: Artists in Lebanon are finding creative ways to resist oppression

First they came for the Greens, by Alessio Perrone, Darren Loucaides and Sam Edwards: Climate change isn’t the only threat facing environmentalists in Germany

Undercover freedom fund, by Gabija Steponenaite: Belarusian dissidents have a new weapon: cryptocurrency

A phantom act, by Danson Kahyana: Uganda’s anti-pornography law is restricting women’s freedom - and their mini skirts

Don’t say ‘gay’, by Ugonna-Ora Owoh: Queer Ghanaians are coming under fire from new anti-LGBT+ laws

Special Report: The final cut - how cinema is being used to change the global narrative

Money talks in Hollywood, by Karen Krizanovich: Out with the old and in with the new? Not on Hollywood’s watch

Strings attached, by JP O’Malley: Saudi Arabia’s booming film industry is the latest weapon in their soft power armoury

Filmmakers pull it out of the bag, by Shohini Chaudhuri: Iranian films are finding increasingly innovative ways to get around Islamic taboos

Edited out of existence, by Tilewa Kazeem: There’s no room for queer stories in Nollywood

Making movies to rule the world, by Jemimah Steinfeld: Author Erich Schwartzel describes how China’s imperfections are left on the cutting room floor

When the original is better than the remake, by Salil Tripathi: Can Bollywood escape from the Hindu nationalist narrative?

Selected screenings, by Maria Sorensen: The Russian filmmaker who is wanted by the Kremlin

A chronicle of censorship, by Martin Bright: A documentary on the Babyn Yar massacre faces an unlikely obstacle

Erdogan’s crucible by Kaya Genc: Election results bring renewed hope for Turkey’s imprisoned filmmakers

Race, royalty and religion - Malaysian cinema’s red lines, by Deborah Augustin: A behind the scenes look at a banned film in Malaysia

Comment

Join the exiled press club, by Can Dundar: A personalised insight into the challenges faced by journalists in exile

Freedoms lost in translation, by Banoo Zan: Supporting immigrant writers - one open mic poetry night at a time

Me Too’s two sides, by John Scott Lewinski: A lot has changed since the start of the #MeToo movement

We must keep holding the line, by Jemimah Steinfeld: When free speech is co-opted by extremists, tyrants are the only winners

Culture

It’s not normal, by Nazanin Zaghari-Ratcliffe: Toomaj Salehi’s life is at the mercy of the Iranian state, but they can’t kill his lyrics

No offence intended, by Kaya Genc: Warning: this short story may contain extremely inoffensive content

The unstilled voice of Gazan theatre, by Laura Silvia Battaglia: For some Palestinian actors, their characters’ lives have become a horrifying reality

Silent order, by Fujeena Abdul Kader, Upendar Gundala: The power of the church is being used to censor tales of India’s convents

Freedom of expression is the canary in the coalmine, by Mark Stimpson and Ruth Anderson: Our former CEO reflects on her four years spent at Index

Vladimir Kara-Murza: The dissident spirit of Russia

02 Aug 24 | Europe and Central Asia, Germany, News and features, Newsletters, Russia

There is a tendency to see Russia as a huge monolithic entity with a matching ideology. This is the expansionist, imperial Russia that poisons its enemies and kidnaps their children. It is the Russia of the gulags, of Putin, Stalin and the Tsars. But there is another Russia. It is the Russia of the eight brave students who stood in Red Square in 1968 to demonstrate against the invasion of Czechoslovakia and inspired the founders of this magazine. It the Russia of the dissidents of the 1970s and the reformers of the 1990s. It is the Russia of Pussy Riot, of Alexander Livintenko, Boris Nemtsov and Alexei Navalny.

This is the Russia of Vladmir Kara-Murza, the Russian activist, politician, journalist and historian released this week in a prisoner swap with Russian spies held in the West.

Much has been made of the detention and release of American journalist Evan Gershkovich – and rightly so. The Wall Street Journal reporter has become an important symbol of the fundamental values of a free media. It is to his eternal credit that his final request before release was an interview with Vladimir Putin. We also welcome the release of Alsu Kurmasheva, a Radio Free Europe/Radio Liberty journalist from the Tatar/Bashkir service.

But it is Vladimir Kara-Murza who most fully represents the dissident spirit of Russia that runs counter to the authoritarian tendency that has dominated the country for so much of its recent history.

He is often described simply as one of the fiercest opponents of Putin, But Kara-Murza is so much more than that. He is above all the keeper of the flame of the Russian dissident tradition. He, more than anyone, understands the power of this alternative version of Russian identity.

Supporters of Index interested in the subject should watch the four-part documentary series, They Chose Freedom, directed and presented by Kara-Murza in 2005. The film is edited by his wife Evgenia, who has led the campaign for his release. Two decades later it is still acts as a powerful reminder of the courage of those who spoke out against the Soviet system. It examines the roots of the dissident movement in the weekly poetry readings held in Mayakovsky Square in the 1950s. It includes interviews with the key players in the movement, including Vladminir Bukovsky, Anatoly Sharnsky and three of the participants of the Red Square demonstration of 1968, Pavel Litvinov, Natalya Gorbanevskaya and and Viktor Fainberg.

In April 2023, shortly before he was sentenced to 25 years for charges linked to his opposition to the war in Ukraine, Kara-Murza said: “I know the that the day will come when the darkness engulfing our country will clear. Our society will open its eyes and shudder when it realises what crimes were committed in its name.”.

The release comes after reports earlier this year that Kara-Murza had been transferred to a harsher prison regime and that his health was deteriorating.  An image shared on Telegram (see above) by fellow dissident Ilya Yashin, also released in the prisoner swap, show Kara-Murza this morning in Germany where they will hold a press conference later today. We await news that he and family will finally be able to welcome him back to Britain, which they have made their home.

Russia: Index welcomes release of Vladimir Kara-Murza and Evan Gershkovich from jail

01 Aug 24 | Europe and Central Asia, News and features, Russia, Statements

Index on Censorship welcomes the news that Vladimir Kara-Murza, a journalist, author, filmmaker and fierce Putin critic, and Wall Street Journal reporter Evan Gershkovich have today been released as part of a multi-country prisoner exchange including Russia and the USA. 

The prisoner swap, one of the largest ever, has taken place in Ankara under the auspices of the Turkish National Intelligence Agency and involves 26 people held in Russia, Belarus, the USA, Germany, Slovenia, Norway and Poland. The exchange follows private discussions between the intelligence services of Russia and the United States and is the largest such exchange in decades.

Index has long championed the causes of Kara-Murza and Gershkovich.

Kara-Murza, a British citizen and father of three, had been a tireless pro-democracy campaigner and a champion of legislation that has provided for human rights violators and corrupt officials around the world to be subject to asset freezes and visa bans (so-called Magnitsky Acts). Kara-Murza was sentenced to 25 years in prison in 2022; he was awarded the Václav Havel Human Rights Prize the same year. 

In mid-July, WSJ reporter Gershkovich was sentenced to 16 years in a high-security penal colony on espionage charges. He was arrested in March 2023 while on a reporting trip in the city of Yekaterinburg 1,600 km east of Moscow with prosecutors arguing that he worked for the US Central Intelligence Agency, claims which the journalist, his employer and the US government denied.

Jessica Ní Mhainín, Head of Policy and Campaigns at Index on Censorship, said, “In most of Europe, Kara-Murza is rightly lauded for his work in defence of human rights and was awarded the Václav Havel Human Rights Prize in 2022. During his time in detention, he was held in solitary confinement and has had access to medical treatment restricted despite suffering from polyneuropathy, a condition affecting his central nervous system, brought on by two failed poisonings by FSB agents in 2015 and 2017.”

Index on Censorship CEO Jemimah Steinfeld said: “Evan Gershkovich’s trial was held in secret and his conviction is widely regarded as politically motivated. Index will continue to stand up for press freedom both in Russia and in other countries worldwide. His release has come not a moment too soon but we will continue to fight for the release of reporters unjustly held in countries around the globe for doing their jobs."

Sasha Skochilenko, who was sentenced to a seven-year jail term for distributing anti-war leaflets in a Russian grocery store, and Alsu Kurmasheva, a Russian-American reporter for Radio Free Europe/Radio Liberty who was seized by Russian authorities on a trip to visit her mother and has been in prison since October, are among those have who also been released. Former US Marine Paul Whelan, who was sentenced to 16 years in prison in 2020 on espionage charges, has also been freed.

Vadim Krasikov, a colonel in Russia’s FSB intelligence service, who has been serving a life sentence in a German jail since 2019 for the murder in broad daylight in a Berlin park of dissident Zelimkhan Khangoshvili, is also part of the exchange.

For more information, please contact policy and campaigns manager Jessica Ní Mhainín on [email protected] or acting editor Sally Gimson on 07890 403338 or [email protected]