It’s been 10 years since Russian investigative journalist Anna Politkovskaya was shot and killed. Writing in the latest Index on Censorship magazine, fellow Russian journalist Andrey Arkhangelsky reflects on her legacy and argues that the Russian press still faces a struggle to bring readers the full picture. An extract of his article is available below.
And, above, watch the video interview with Andrey Arkangelsky by Index’s assistant editor Ryan McChrystal about the challenges Russian journalists face today, and the impact of Politkovskaya’s killing on journalism.
On 7 October 2006, journalist Anna Politkovskaya was murdered in Moscow. Ten years on, the battle to publish investigative journalism in Russia is still being lost. When Polikovskaya died, there was speculation of government involvement, an international outcry and various posthumous awards for her investigative work. Yet in Russia there was no scandal, no mass protests. She was mostly deemed a “crazy loner”, one of a very rare breed of reporters who believed in press independence.
A decade later, we have a better understanding of Politkovskaya’s significance for Russian journalism. Like many of her generation, she was a product of the perestroika years of 1985-91, and remained faithful to its ideals in the years that followed, when a majority of her colleagues “tired of freedom”. In the 25 years after perestroika, neither freedom of speech nor other political freedoms have been much prized by the majority of citizens of this new Russia. In the 2000s, Politkovskaya’s stance was regarded as extreme. Who was there to fight against anyway? For what? The years of plenty were at their peak. Sooner or later economics would win and everything would sort itself out. Even liberals believed that.
It is important to understand the tradition to which Anna belonged. For her, being a journalist meant serving society, a tradition of self-sacrifice dating back to the 19th-century Russian intelligentsia. In the Soviet period this tradition was inherited by dissidents. In Russia, the line between journalism and social activism remains blurred, and not because Russian journalists are unprofessional, but because independence of the press has remained the ideal of rare characters such as Politkovskaya. There is no long-standing tradition of media independence. Each generation of journalists instinctively chooses between fusing completely with the state, which means producing propaganda and giving loyal support, or remaining steadfastly professional and inwardly dissident. Working as a journalist in Russia is not so much pursuing a profession as living an ethical, existential choice.
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Copies of the magazine are on sale at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
A man lays flowers near the picture of murdered journalist Anna Politkovskaya, during a rally in Moscow, Russia, 7 October 2009. CREDIT: EPA / Alamy Stock Photo
On 7 October 2006 investigative journalist Anna Politkovskaya was shot and killed in her apartment building in Moscow. In the latest issue of Index on Censorship magazine, Russian journalist Andrey Arkhangelsky reflects on Politkovskaya’s legacy 10 years on and looks at the state of journalism in the country today.
Politkovskaya, who worked for newspaper Novaya Gazetta, was known for her investigative reporting, particularly looking into the atrocities committed by Russian armed forces in Chechnya, and her criticism of the Putin administration.
She was a recipient of an Index on Censorship Freedom of Expression Award in 2002.
Ahead of the anniversary of her death, Index has compiled a reading list of articles written for the magazine both by Politkovskaya and about her. The collection also includes articles exploring media freedom in Russia and why the deaths are Russian journalists seem to go unnoticed and uninvestigated.
From The Cadet Affair: the Disappeared; an extract, written by Anna Politkovskaya, was published in the winter 2010 issue of Index on Censorship magazine
In 2010 Index published this extract from Nothing But the Truth: Selected Dispatches, a collection of Politkovskaya’s best writings. In this piece, she writes about the disappeared in Chechnya.
An interview with Politkovskaya who, at the time of publication, was living in Vienna, having been sent there for her own safety by Dmitry Muratov, editor-in-chief of Noveya Gazetta, after receiving threats from high-ranking officials who had been annoyed by her reports from Chechnya.
Irena Maryniak considers the hidden network of relationships that continue to shape Russian society, undermine the rule of law and protect the status quo. In this article Maryniak highlights Politkovskaya’s concerns of the effects of the Kremlin’s reach and her work reporting on the atrocities inflicted on the Chechen population by the Russian armed forces and the Russian-backed administration of Akhmad Kadyrov.
Grit in the engine by Robert McCrum, in the 40 year anniversary issue of Index on Censorship magazine.
Maria Eismont talks to Dmitry Muratov, editor of the newspaper Novaya Gazeta, at which Politkovskaya spent seven years as a journalist, about his struggle for press freedom and justice in Russia.
In this article Joel Simon, of the Committee to Protect Journalists, discusses how impunity is an urgent issue facing press freedom campaigners; and, after reflecting on Politkovskaya’s murder, outlines a roadmap for action
Edward Lucas explains how during Putin’s presidency media freedom has moved from the imperfect to the moribund, in an adaption from his book The New Cold War: how the Kremlin menaces Russia and the West.
Into the Future; Index interviews Anna Politkovskaya in the winter 2005 issue of Index on Censorship magazine.
Robert McCrum considers Index’s role in the history of the fight for free speech, from the oppression of the Cold War to censorship online; and highlights how Politkovskaya turned to Index for help in making the west understand the dangers Russian journalists face.
Carole Seymour-Jones celebrates the achievements of 50 years of fighting for authors’ freedoms and explains why there is so much more work to be done.
You can read Andrey Arkhangelsky’s article by subscribing to the magazine or taking out a digital subscription from anywhere in the world via Exact Editions (just £18* for the year). Each magazine sale helps Index on Censorship fight for free expression worldwide.
*Will be charged at local exchange rate outside the UK.
Magazines are also on sale in bookshops, including at the BFI and MagCulture in London, News from Nowhere in Liverpool and Home in Manchester; as well as on Amazon and iTunes. MagCulture will ship to anywhere in the world.
Each week, Index on Censorship’s Mapping Media Freedom project verifies threats, violations and limitations faced by the media throughout the European Union and neighbouring countries. Here are five recent reports that give us cause for concern.
The right-wing National Front (FN) party of France held its summer conference in Fréjus earlier this month. On 16 September the party refused to allow access to the independent media website Mediapart and the Quotidien television programme. The party has denied access to Mediapart in the past due to its critical reporting on the party.
Journalists’ societies of Radio France, le Monde, le Figaro, Libération, le Parisien, les Echos, Courrier International, AEF, France 2, France 3, TF1, Itélé/Canal+ denounced the ban and said they hoped it would not happen again. The FN has refused to grant access to journalists in the past despite this being against the law.
Regardless of the party’s attempt to keep Mediapart from the summer conference, the website claims they hired a freelance writer to cover the event.
Vladimir Romensky was removed by police from a Russian polling station on 18 September. Romensky is a reporter for the independent television channel Dozhd and was sent to the polling station to investigate potential voter fraud. He was responding to rumors that ballot stuffing had occurred at the site.
When Romensky attempted to enter he was approached by a man who refused to introduce himself and did not allow Romensky or his camera crew to access the polling station. A nearby police officer then intervened and demanded to see Romensky’s documents. Despite having all the necessary documents for his camera crew and himself, the police officer called armed guards and pushed the crew out of the station.
Dmitry Korotkov, a reporter for the Russian news site Fontanka, was arrested in St Petersburg on 18 September while investigating voter fraud.
Korotkov was looking into information about carousel voting, which occurs when an organised group of voters travels to different voting districts to repeatedly vote, even though they are not registered in that district. Fontanka discovered that voters were given four ballots at a certain polling station after revealing a special stamp on their passports to polling officials.
Korotkov was able to obtain the passport stamp and received four ballots at the designated polling station even though he was not registered in the specific district. In response, the polling official offered for him to sign as another voter.
Korotkov revealed to the polling official who he was and the fraud that was occurring. The official promised to investigate the situation and called the police, however Korotkov was detained instead. They charged him with illegally obtaining ballot papers.
At around 2am on 19 September, crime reporter Dina Kleanthous’ car was set on fire by an unknown arsonist.
Kleanthous is a reporter for the online news site Reporter Online. She believes the act is not personal, but a response to her work. Kleanthous had recently been receiving threats regarding a story she was covering.
Hilal Mammadov, the editor-in-chief of the independent newspaper Tolyshi Sado, was summoned by police on 19 September. The newspaper covers the ethnic minority of Talysh in Azerbaijan.
Mammadov is a former political prisoner, sentenced to five years in prison in 2013 on spurious charges of “illegal selling of drugs”, “high treason”, and “incitement to national, racial, social, and religious hatred and hostility”. Mammadov was pardoned in March 2016.
After being summoned on 19 September, Mammadov claims the police asked him whether he was a part of a “secret opposition“ and he was forced to give the names of his family to the officials.
[vc_row][vc_column][vc_custom_heading text=”Does anonymity need to be defended? Contributors include Hilary Mantel, Can Dündar, Valerie Plame Wilson, Julian Baggini, Alejandro Jodorowsky and Maria Stepanova “][vc_row_inner][vc_column_inner width=”1/2”][vc_column_text]
The latest issue of Index on Censorship explores anonymity through a range of in-depth features, interviews and illustrations from around the world. The special report looks at the pros and cons of masking identities from the perspective of a variety of players, from online trolls to intelligence agencies, whistleblowers, activists, artists, journalists, bloggers and fixers.
Former CIA agent Valerie Plame Wilson writes on the damage done when her cover was blown, journalist John Lloyd looks at how terrorist attacks have affected surveillance needs worldwide, Bangladeshi blogger Ananya Azad explains why he was forced into exile after violent attacks on secular writers, philosopher Julian Baggini looks at the power of literary aliases through the ages, Edward Lucas shares The Economist’s perspective on keeping its writers unnamed, John Crace imagines a meeting at Trolls Anonymous, and Caroline Lees looks at how local journalists, or fixers, can be endangered, or even killed, when they are revealed to be working with foreign news companies. There are are also features on how Turkish artists moonlight under pseudonyms to stay safe, how Chinese artists are being forced to exhibit their works in secret, and an interview with Los Angeles street artist Skid Robot.
Outside of the themed report, this issue also has a thoughtful essay by novelist Hilary Mantel, called Blot, Erase, Delete, about the importance of committing to your words, whether you’re a student, an author, or a politician campaigner in the Brexit referendum. Andrey Arkhangelsky looks back at the last 10 years of Russian journalism, in the decade after the murder of investigative reporter Anna Politkovskaya. Uzbek writer Hamid Ismailov looks at how metaphor has taken over post-Soviet literature and prevented it tackling reality head-on. Plus there is poetry from Chilean-French director Alejandro Jodorowsky and Russian writer Maria Stepanova, plus new fiction from Turkey and Egypt, via Kaya Genç and Basma Abdel Aziz.
There is art work from Molly Crabapple, Martin Rowson, Ben Jennings, Rebel Pepper, Eva Bee, Brian John Spencer and Sam Darlow.
You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.
Anonymity: worth defending, by Rachael Jolley: False names can be used by the unscrupulous but the right to anonymity needs to be defended
Under the wires, by Caroline Lees : A look at local “fixers”, who help foreign correspondents on the ground, can face death threats and accusations of being spies after working for international media
Art attack, by Jemimah Steinfeld: Ai Weiwei and other artists have increased the popularity of Chinese art, but censorship has followed
Naming names, by Suhrith Parthasarathy: India has promised to crack down on online trolls, but the right to anonymity is also threatened
Secrets and spies, by Valerie Plame Wilson: The former CIA officer on why intelligence agents need to operate undercover, and on the damage done when her cover was blown in a Bush administration scandal
Undercover artist, by Jan Fox: Los Angeles street artist Skid Robot explains why his down-and-out murals never carry his real name
A meeting at Trolls Anonymous, by John Crace: A humorous sketch imagining what would happen if vicious online commentators met face to face
Whose name is on the frame? By Kaya Genç: Why artists in Turkey have adopted alter egos to hide their more political and provocative works
Spooks and sceptics, by John Lloyd: After a series of worldwide terrorist attacks, the public must decide what surveillance it is willing to accept
Privacy and encryption, by Bethany Horne: An interview with human rights researcher Jennifer Schulte on how she protects herself in the field
“I have a name”, by Ananya Azad: A Bangladeshi blogger speaks out on why he made his identity known and how this put his life in danger
The smear factor, by Rupert Myers: The power of anonymous allegations to affect democracy, justice and the political system
Stripsearch cartoon, by Martin Rowson: When a whistleblower gets caught …
Signing off, by Julian Baggini: From Kierkegaard to JK Rowling, a look at the history of literary pen names and their impact
The Snowden effect, by Charlie Smith: Three years after Edward Snowden’s mass-surveillance leaks, does the public care how they are watched?
Leave no trace, by Mark Frary: Five ways to increase your privacy when browsing online
Goodbye to the byline, by Edward Lucas: A senior editor at The Economist explains why the publication does not name its writers in print
What’s your emergency? By Jason DaPonte: How online threats can lead to armed police at your door
Yakety yak (don’t hate back), by Sean Vannata: How a social network promising anonymity for users backtracked after being banned on US campuses
Blot, erase, delete, by Hilary Mantel: How the author found her voice and why all writers should resist the urge to change their past words
Murder in Moscow: Anna’s legacy, by Andrey Arkhangelsky: Ten years after investigative reporter Anna Politkovskaya was killed, where is Russian journalism today?
Writing in riddles, byHamid Ismailov: Too much metaphor has restricted post-Soviet literature
Owners of our own words, by Irene Caselli: Aftermath of a brutal attack on an Argentinian newspaper
Sackings, South Africa and silence, by Natasha Joseph: What is the future for public broadcasting in southern Africa after the sackings of SABC reporters?
“Journalists must not feel alone”, by Can Dündar: An exiled Turkish editor on the need to collaborate internationally so investigations can cross borders
Global view, by Jodie Ginsberg: Europe’s right-to-be-forgotten law pushed to new extremes after a Belgian court rules that individuals can force newspapers to edit archive articles
Index around the world, by Josie Timms: Rounding up Index’s recent work, from a hip-hop conference to the latest from Mapping Media Freedom
What ever happened to Luther Blissett? By Vicky Baker: How Italian activists took the name of an unsuspecting English footballer, and still use it today
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
