25 Jun 12 | Middle East and North Africa, Tunisia
The Monastir appeal court has upheld a primary verdict in Tunisia’s Muhammad cartoon case.
In March, Jabeur Mejri and Ghazi Beji were sentenced to 7-and-a-half years in prison over the publishing of caricatures of the prophet Muhammad , and books criticising Islam. Mejri appealed the verdict, but Beji, who was sentenced in absentia fled to Europe.
Defence lawyer Ahmed Msalmi described today’s ruling as “severe”, and “incompatible with human rights”. “Such a severe verdict can be considered a form of torture,” Mslami told AFP.
“The defendant suffers from behaviour disorders, and there are also social conditions that need to be take into account”, he added.
The court had previously refused the defence team’s request to examine Mejri’s mental state.
25 Jun 12 | Middle East and North Africa
PRESS RELEASE
The International Freedom of Expression Exchange Tunisia Monitoring Group (IFEX-TMG), a coalition of 21 IFEX members [including Index on Censorship], is alarmed by the recent attacks in Tunisia on freedom of expression, in particular against artistic expression, in the name of religion.
On 10 June 2012, three ultra-conservative Islamists (reportedly two men and a woman), who were accompanied by a bailiff and a lawyer, toured the Palais El-Abdellia, an art gallery in Tunis, taking part in the Printemps des Arts modern contemporary art fair. The group demanded that the organisers take down two artworks which they claimed were offensive to Islam.
When their request was denied, the Islamists returned later that night with a large number of supporters and broke into the exhibition from the rear walls, burned the painting of Faten Gaddass, and tore to pieces two linen artworks, one by Mohamed Ben Slama, and the second by a French artist.
On 12 June, the Tunisian Ministry of Culture decided to temporarily close the gallery, after violent reactions in several Tunisian cities, including the capital Tunis. Ennahda ruling party claimed that some of the artworks were provocative and that they violated the “principles of Islam and the holy beliefs of Tunisian people.”
Furthermore, the Tunisian Minister of Culture, Mehdi Mabrouk, declared that some of the artworks exhibited at Printemps des Arts do in fact violate Islamic holy symbols, which the artists deny. He has also said that some of these artworks are now under investigation. After acknowledging the provocative role of art, on the morning of 14 June, Mabrouk told Radio Shems FM that six works deemed to be “provocative” had been confiscated.
At a press conference held on 12 June, the Minister announced that the government would likely present a bill to the National Constituent Assembly which would allow criminal charges to be brought against anyone who offends “the sacred.” Blasphemy laws are a clear violation of freedom of expression and would present a serious setback to human rights in Tunisia, say IFEX-TMG members.
Previously, on 27 May, Salafist groups attacked the playwright Rajab Al-Maqary in El Kef city. He subsequently suffered serious injuries after being beaten severely on his head and chest. He is still receiving treatment in a Tunis hospital.
IFEX-TMG strongly condemns the increasing use of violence against artists and writers by ultra-conservative groups. IFEX-TMG is particularly concerned about the closure of the exhibition in the Printemps des Arts gallery by the Ministry of Culture, rather than the guaranteeing of a safe environment in which artists can work freely, without threats or censorship.
IFEX-TMG members are additionally concerned about the ongoing detention of Tunisian blogger Jabeur Ben Abdallah Mejri, who was sentenced to seven and a half years’ imprisonment for publishing writings alleged to be offensive to Islam. Mejri’s appeal was held on 24 May and was adjourned. According to his lawyer, the new date has not been set yet. IFEX- TMG calls for his immediate release.
“It is disturbing that those entrusted to promote and defend freedom of expression in Tunisia would side with the dictates of radical groups that resort to violence and destruction to impose their views. The IFEX-TMG calls on the government to take robust steps to protect the right to free expression, so that citizens can enjoy this fundamental right without fear of retribution,” says Virginie Jouan, Chair of the IFEX-TMG.
For more information:
IFEX Tunisia Monitoring Group
Virginie Jouan, Chair
on behalf of the World Association of Newspapers and News Publishers (WAN-IFRA)
jouanvirginie (@) gmail.com
Facebook.com/IFEXTMG
Twitter: @IFEXTMG
Arabic Network for Human Rights Information
ARTICLE 19
Bahrain Center for Human Rights
Cairo Institute for Human Rights Studies
Canadian Journalists for Free Expression
Cartoonists Rights Network International
Egyptian Organization for Human Rights
Freedom House
Index on Censorship
International Federation of Journalists
International Federation of Library Associations and Institutions
International Press Institute
International Publishers Association
Journaliste en danger (JED)
Maharat Foundation (Skills Foundation)
Media Institute of Southern Africa
Norwegian PEN
World Association of Community Radio Broadcasters (AMARC)
World Association of Newspapers and News Publishers (WAN-IFRA)
World Press Freedom Committee
Writers in Prison Committee, PEN International
This press release is also available in French and Arabic
13 Jun 12 | Middle East and North Africa, Tunisia
On 12 June, the Tunisian Ministry of Culture decided to temporarily close Palais El-Abdelia, where the controversial Pritemps des Arts fair’s closing ceremony took place last Sunday. On the night of 10 June, ultra-conservative Islamists attacked the gallery, claiming that it exhibited artworks offensive to Islam.
During a press conference, the Tunisian culture minister, Mehdi Mabrouk, said that some of the artworks exhibited at Printemps des Arts did transgress Islamic holy symbols — something the fair’s artists deny. He also said that some of these artworks are now under investigation.
“In art, there is provocation. Art sometimes provokes, and this is its role. But there is a red line which separates provocation and the assault on sacred symbols”, said the minister.
After acknowledging the provocative role of art, Mabrouk told Radio Shems FM on the morning of 14 June that six works deemed to be “provocative” had been confiscated.
“There were not art works assaulting sacred symbols, unless Salafis are considered sacred,” said Amor Ghedasmi, the secretary general for Syndicate for Plastic Artists, also speaking on Radio Shems FM. The fair did contain several works criticising Salafis, who advocate for a hardline interpretation of Islam.
He denied that the exhibition featured a work of art depicting the prophet Mohammed. Pictorial representations of prophets and god are considered forbidden in Sunni Islam.
Ghedasmi also offered his own interpretation of a controversial work of art, in which the phrase “Glorious is Allah” is spelled out in ants. “The work illustrates a boy bearing a back bag. It symbolises the heavy burden of education and discipline. Ants are also known to be hard-working, and disciplined too”, he said.
“I ask the ministries of culture and religious affairs to show us the artworks [which they described as offensive to Islam] and also give us their interpretations,” he added.
The Tunisian Ministry of Culture is planning to lodge a complaint against the fair’s organisers for “assaulting the feelings of the fair’s visitors”. Palais El-Abdelia will stay closed until a committee to oversee it is formed.
13 Jun 12 | Middle East and North Africa, Tunisia
Journalist and activist Ramzi Bettaieb ended a 15-day hunger strike yesterday.
Three other activists and bloggers, Azyz Amami, Houcem Hajlaoui and Emine M’tiraoui, who went on hunger strike in solidarity with Bettaieb have also ended their action.
Bettaieb, who works for the blogger’s collective Nawaat, went on hunger strike to highlight the lack of transparency in a crucial case being tried in front of a military court. On 21 May, the military authorities confiscated two of Bettaieb’s cameras as he tried to cover trials at the Military Tribunal of El Kef in the investigation of the murder of protesters during the 2011 Tunisian revolution
Tunisian journalists’ video coverage of court hearings is currently restricted to three minutes inside court rooms and Bettaieb accuses the military of deliberately preventing journalists from documenting what Nawaat has described as “the most important trials of Tunisia’s modern history”.
Bettaieb has now his cameras back, and the support of Tunisia’s constituent assembly, which pledged to look into his demands of lifting the restrictions on journalists and activists seeking to cover the court hearings in the martyrs’ case.
Bettaieb has also demanded the case be tried instead by an independent judicial structure instead of miltary judges.
“Our bodies’ powers are limited, but our determination is unlimited,” Bettaieb said at a press conference.
