[vc_row][vc_column][vc_single_image image=”113272″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/indexawards20live/”][vc_column_text]A Russian artist currently under house arrest for her work on gender and sexual equality and one of the first free investigative journalism and fact-checking websites in Poland are among the winners of the 2020 Index on Censorship Freedom of Expression Awards. The winners, who were announced today on Twitter as part of a digital gala hosted by BBC presenter Timandra Harkness, also include a prominent lawyer fighting for the release of activists and journalists unlawfully detained in Turkey, a Bahraini activist living in exile in the UK and an Arab non-profit promoting digital rights of Palestinians.
Awards were presented in four categories: arts, campaigning, digital activism and journalism. The winners are: Russian artist Yulia Tsvetkova (arts); Turkish lawyer Veysel Ok and Bahraini activist Sayed Ahmed Alwadaei (campaigning); Arab Center for the Advancement of Social Media, also known as 7amleh (digital activism); and OKO Press (journalism).
Selected from hundreds of nominations from across the globe – a list of some of the most inspiring and courageous individuals and organisations operating today – the winners of the awards represent those who have had a significant impact fighting censorship. Now celebrating their twentieth year, previous recipients of the awards include activist Malala Yousafzai, Chinese author Ma Jian and journalists Anna Politkovskaya, Rafael Marques de Morais and Mimi Mefo.
“Today we acknowledge the winners of the Index 2020 awards as amazing people who do amazing things, while overcoming incredible challenges in difficult times. They fight for freedom of expression when others can’t,” said Rachael Jolley and Matt Townsend from Index on Censorship.
“This is the 20th year of the Index on Censorship awards, and we would also like to mark the winners of the previous ceremonies here today. It’s a highly unusual ceremony this year. We were forced to move online at the last minute, but it has meant that people from across the globe can join us today in noting the work that our winners 7amleh, Veysel Ok, Sayed Ahmed Alwadaei, Yulia Tsvetkova and OKO Press have done,” they added.
Each winner is now part of a year-long fellowship, which involves them working closely with Index who offer long-term, structured support. The goal is to help winners maximise their impact, broaden their support and ensure they can continue to excel at fighting censorship and free expression threats on the ground.
This year’s panel of judges included New York-based artist Molly Crabapple, award-winning Guardian journalist Amelia Gentleman and Cindy Gallop, founder of social sex video platform MakeLoveNotPorn. Speaking on the awards, Gallop said:
“I am in awe of all of the candidates we were asked to review for these awards and just blown away by what they are doing around the world. And I am thrilled that the Freedom of Expression Awards exist to celebrate that courage and those triumphs at a time when the need could not be greater.”
All of the winners spoke of how the awards had given them hope.
“It shows that our work has found support from the international community,” Ok said, while Nadim Nashif of 7amleh said the award would motivate them “to work more to advance digital rights and to achieve our vision of a safe, fair and free digital world”.
“The award pretty much reminds me that not everything is that bad. That there are still people who believe that [what I do] is important. For me, it changes pretty much everything. So thank you,” said Tsvetkova, who explained that over the last year she had received death threats and found it hard to focus on why what she was doing was important.
They also spoke about the greater challenges posed as a result of the coronavirus crisis. Alwadaei said:
“During the coronavirus crisis, I would like to pay tribute to those imprisoned in Bahrain for speaking out against the regime. This award is very special to me because my dear friend, Nabeel Rajab, was awarded this prize in 2012. Nabeel is currently serving 5 years in prison for criticising the government on Twitter.”
He added: “In these difficult times, it is more important than ever that freedom of speech is protected and that independent, critical voices are heard.”
But looking ahead OKO Press sounded a note of optimism:
“We believe the danger will wane, both epidemic and political. We will wake up in a healthier world.”[/vc_column_text][vc_single_image image=”113163″ img_size=”full” add_caption=”yes”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Winning in the Arts category was Yulia Tsvetkova, a Russian artist and activist promoting women’s well-being and LGBTQ awareness. Her work has brought about positive change in discussions towards body positivity and gender stereotypes in Russia. But this acclaim has also made her a target. In 2018 she began a campaign promoting body positivity which resulted in her being named a suspect in a criminal pornography distribution case. Tsvetkova, currently under house arrest, could face up to six years in prison if convicted. In March 2019, her youth arts festival was cancelled after officials accused Tsvetkova of illegally trying to hold a gay pride event under the guise of a youth theatre festival.
The award for Campaigning went to two individuals. The first is Veysel Ok. Ok is a prominent Turkish lawyer providing pro-bono legal support to journalists, activists and academics who have been subjected to intimidation, surveillance, smear campaigns and harassment. His work has been instrumental in the release of several unlawfully detained journalists and writers. Ok is one of the first to challenge the Turkish laws of accreditation which determine whether a journalist meets official requirements to do their job. As part of his work, he received a five month suspended sentence for criticising the independence of the Turkish judiciary. He has been subject to surveillance and harassment ever since.
The second winner in the Campaigning category is Sayed Ahmed Alwadaei, a Bahraini activist currently living in exile in the UK. He was forced to flee Bahrain in 2011 after being arrested for taking part in anti-government protests. The Bahraini government revoked his citizenship and launched a smear campaign labelling him a terrorist. As the director of advocacy at the Bahrain Institute for Rights and Democracy, his work has become a vital resource for international media and NGOs. One such case was the discovery that institutions supported by UK taxpayers have been implicated in torture and other human rights abuses. Despite the danger faced by him and his family, Alwadaei continues his work as a prominent critic of the Bahraini government.
The Journalism award and Digital Activism award both went to organisations doing invaluable work in the digital sphere. One of the first free investigative journalism and fact-checking websites in Poland, OKO Press picked up the journalism award. OKO investigate and evaluate statements made by politicians, monitor public spending and fight for access to public information. In so doing they’ve paved the way for other news sources to follow suit. This has contributed to a safer and stronger public sphere, fighting for immunity from government propaganda.
Their work also supports grassroots activism; crucial in Poland, a country which is sliding further and further into authoritarianism and censorship. Indeed, the environment in which they work is becoming increasingly hostile. Political polarisation, lack of transparency, suspicion, threats and withholding of information are common. In the face of this, OKO Press shows resilience and determination. As they said in their acceptance speech:
“We are honoured to receive the award, but also humbled but the fact that other nominees, from Hong Kong, Venezuela and Burundi are acting in much harder circumstances. Friends, we admire your courage, determination and quality of work.
Kaczyński is no Maduro, Nkurunziza, Putin, or Erdogan, but apparently he takes his inspiration from them. We are not a dictatorship yet, though we are close to the so-called electoral authoritarianism, where all forms of public scrutiny, besides the elections, are being suppressed.”
Finally, the Digital Activism award went to the Arab Center for the Advancement of Social Media, or 7amleh as they’re known, a non-profit organisation focused on protecting the human rights of Palestinians in the online space. As Israel increases online monitoring, Palestinians are taking to social media to express disdain. 7amleh’s work protecting online safety and digital rights has been crucial. Through capacity building, research, advocacy and campaigning, 7amleh works to ensure that policies and companies are complying with human rights and are working towards greater accountability. Their campaign work with NGOs has seen huge numbers of participants. They’ve worked towards amendments in the Palestinian Authority’s Cybercrimes Law, the development of the first Arabic Digital Security Manual and digital training being implemented into the Palestinian education system.
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[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]“In the Middle Ages people watched convicts getting quartered in public squares. Nowadays, on social media, they watch reporters as they live-tweet their ordeals: detention, physical attacks on the streets, losing their livelihoods,” said Turkish author and journalist Kaya Genç.
“For most Turks, watching journalists getting sacked or imprisoned or destroying each other’s careers became entertainment.”
The youth board are elected for six months, and meet once a month online over that period to discuss freedom of expression issues. They are based around the world.
Hana Meihan Davis, from Hong Kong, asked how Erdogan managed to strip Turkey of journalistic freedom. Genç explained that divisions have existed between political sects in the media for decades, which the current ruling party was then able to take advantage of.
“When Islamists were in trouble in the 1990s secularists supported court cases against them; when secularists were locked up some liberals applauded; when Kurds were imprisoned most journalists looked the other way. Now as most of their colleagues are sacked or locked up conservatives act as if all is normal,” said Genç, who is also a contributing editor to Index on Censorship magazine.
Amid this sense of apathy Erdogan moved to create “a small army of loyalists in the media” as other news sites and newspapers were closed down.
Davis followed up her question, asking if people realised what was happening at the time? This is a question often asked when we look back with hindsight at the gradual erosion of freedoms. Were people like a frog who doesn’t realise the temperature of his water is slowly being increased to boiling? Genç said some journalists saw the dangers.
“Reporters and editors declared their independence, or found new patrons, and they are producing excellent work away from the influence of state power. I’m sure they were aware of what was happening while they worked at titles now tamed and indirectly owned by the government.”
The landscape for journalists in Turkey today is rocky terrain. There is an acute awareness of the censorship laws that can be imposed, coupled with a determination to provide much needed accurate reporting.
From the UK, Saffiyah Khalique asked about the laws around “public sensitivities”, which can result in imprisonment for up to a year for disrespecting the beliefs of religious groups, insulting Turkishness and other such “offences”. Genç said they are used within society to silence political dissenters.
“Twitter trolls who present themselves as pro-government journalists use these unclear laws to put their enemies behind bars. If an artist, piano player or actor says something critical about the government, they go through their timeline, find something they find insulting, and ask the public prosecutor to step in.”
Despite this possibility of prosecution being ever around the corner, Genç said he does not feel unsafe or threatened as a journalist in Turkey. “I feel free”, he answered to a question from Emily Boyle, a dual citizen of the UK and Switzerland
Recognising the value of objectivity appears to be Genç’s lifeline. When Indian national Samarth Mishra asked what is the most difficult part of being a journalist in Turkey, Genç said: “The hardest thing for a writer reporting from Turkey is to remain objective. You can’t be bitter about the government. Readers can benefit from the cold heart of a writer who does her best to be objective in her reporting.”
He said: “Our job, as writers, is to hold people with power to account, not to promote this or that political leader, defend this or that political ideology, propagate for this or that country … When a writer inhibits a space where nobody can accuse her of partisanship, believe me the effect of her writing will be much greater.”
The Lion and the Nightingale, Genç’s latest book, was published recently. It takes the reader on a journey through modern Turkey while exploring its history, via interviews he conducted on the road. Egil Sturk, from Sweden, asked Genç if there were any questions he was hesitant to ask his interviewees.
Genç said: “I am hesitant to ask questions about people’s religious beliefs and fiery ideological commitments. I prefer to give them enough space to articulate themselves where the bizarre, the eerie appears like a diamond in a mine. When people feel safe they tell you the most amazing things. Like an analyst you need to just sit there and listen.”
In answer to a question from Aliyah Orr (UK) about the emotional impact of the interviews he was conducting, Genç said:
“The prison chronicle of my friend and colleague Murat Çelikkan … had the strongest emotional effect on me. We used to work together, behind adjacent desks, and his experience in prison was empowering and unsettling. His account of imprisonment was rich with detail and you could see a great writer disappearing into the story’s characters and particulars of his story.”
Faye Gear from Canada asked what is different about today’s landscape in terms of freedom of expression. To tackle the suppression of free speech, Genç said people must think for themselves.
“I grew up idolising individual thinkers and writers: Susan Sontag, Jacques Derrida, Chantal Mouffe, VS Naipaul,” said Genç. “Nowadays we are invited to subscribe to what seems to be the most forward-thinking tribe and then follow its leaders by liking and retweeting their political snippets.”
In the face of an atmosphere of censorship, Genç remains defiant. In answer to a question from Satyabhama Rajoria, from India, about the struggles he faces as a journalist and author, Genç said: “There is of course always the anxiety that comes with publishing your writing, but that is healthy. Bullies, from the left and the right, may take your sentences out of context but that, too, is something one can deal with.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”112300″ img_size=”full”][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”3″ grid_id=”vc_gid:1585828417099-e398f95f-d0bf-6″ taxonomies=”7355″][/vc_column][/vc_row]
[vc_row][vc_column][vc_custom_heading text=”With contributions from Ak Welsapar, Julian Baggini, Alison Flood, Jean-Paul Marthoz and Victoria Pavlova”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The Spring 2020 issue of Index on Censorship magazine looks at our own role in free speech violations. In this issue we talk to Swedish people who are willingly having microchips inserted under their skin. Noelle Mateer writes about living in China as her neighbours, and her landlord, embraced video surveillance cameras. The historian Tom Holland highlights the best examples from the past of people willing to self-censor. Jemimah Steinfeld discusses holding back from difficult conversations at the dinner table, alongside interviewing Helen Lewis on one of the most heated conversations of today. And Steven Borowiec asks why a North Korean is protesting against the current South Korean government. Plus Mark Frary tests the popular apps to see how much data you are knowingly – or unknowingly – giving away.
In our In Focus section, we sit down with different generations of people from Turkey and China and discuss with them what they can and cannot talk about today compared to the past. We also look at how as world demand for cocaine grows, journalists in Colombia are increasingly under threat. Finally, is internet browsing biased against LBGTQ stories? A special Index investigation.
Our culture section contains an exclusive short story from Libyan writer Najwa Bin Shatwan about an author changing her story to people please, as well as stories from Argentina and Bangladesh.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special Report”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Willingly watched by Noelle Mateer: Chinese people are installing their own video cameras as they believe losing privacy is a price they are willing to pay for enhanced safety
The big deal by Jean-Paul Marthoz: French journalists past and present have felt pressure to conform to the view of the tribe in their reporting
Don’t let them call the tune by Jeffrey Wasserstrom: A professor debates the moral questions about speaking at events sponsored by an organisation with links to the Chinese government
Chipping away at our privacy by Nathalie Rothschild: Swedes are having microchips inserted under their skin. What does that mean for their privacy?
How to ruin a good dinner party by Jemimah Steinfeld: We’re told not to discuss sex, politics and religion at the dinner table, but what happens to our free speech when we give in to that rule?
Sshh… No speaking out by Alison Flood: Historians Tom Holland, Mary Fulbrook, Serhii Plokhy and Daniel Beer discuss the people from the past who were guilty of complicity
Making foes out of friends by Steven Borowiec: North Korea’s grave human rights record is off the negotiation table in talks with South Korea. Why?
Nothing in life is free by Mark Frary: An investigation into how much information and privacy we are giving away on our phones
Not my turf by Jemimah Steinfeld: Helen Lewis argues that vitriol around the trans debate means only extreme voices are being heard
Stripsearch by Martin Rowson: You’ve just signed away your freedom to dream in private
Driven towards the exit by Victoria Pavlova: As Bulgarian media is bought up by those with ties to the government, journalists are being forced out of the industry
Silent majority by Stefano Pozzebon: A culture of fear has taken over Venezuela, where people are facing prison for being critical
Academically challenged by Kaya Genç: A Turkish academic who worried about publicly criticising the government hit a tipping point once her name was faked on a petition
Unhealthy market by Charlotte Middlehurst: As coronavirus affects China’s economy, will a weaker market mean international companies have more power to stand up for freedom of expression?
When silence is not enough by Julian Baggini: The philosopher ponders the dilemma of when you have to speak out and when it is OK not to[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In Focus”][vc_column_text]Generations apart by Kaya Genç and Karoline Kan: We sat down with Turkish and Chinese families to hear whether things really are that different between the generations when it comes to free speech
Crossing the line by Stephen Woodman: Cartels trading in cocaine are taking violent action to stop journalists reporting on them
A slap in the face by Alessio Perrone: Meet the Italian journalist who has had to fight over 126 lawsuits all aimed at silencing her
Con (census) by Jessica Ní Mhainín: Turns out national censuses are controversial, especially in the countries where information is most tightly controlled
The documentary Bolsonaro doesn’t want made by Rachael Jolley: Brazil’s president has pulled the plug on funding for the TV series Transversais. Why? We speak to the director and publish extracts from its pitch
Queer erasure by Andy Lee Roth and April Anderson: Internet browsing can be biased against LGBTQ people, new exclusive research shows[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]Up in smoke by Félix Bruzzone: A semi-autobiographical story from the son of two of Argentina’s disappeared
Between the gavel and the anvil by Najwa Bin Shatwan: A new short story about a Libyan author who starts changing her story to please neighbours
We could all disappear by Neamat Imam: The Bangladesh novelist on why his next book is about a famous writer who disappeared in the 1970s[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Index around the world”][vc_column_text]Demand points of view by Orna Herr: A new Index initiative has allowed people to debate about all of the issues we’re otherwise avoiding[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]Ticking the boxes by Jemimah Steinfeld: Voter turnout has never felt more important and has led to many new organisations setting out to encourage this. But they face many obstacles[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Subscribe”][vc_column_text]In print, online, in your mailbox, on your iPad.
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SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Read”][vc_column_text]The playwright Arthur Miller wrote an essay for Index in 1978 entitled The Sin of Power. We reproduce it for the first time on our website and theatre director Nicholas Hytner responds to it in the magazine
READ HERE[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Listen”][vc_column_text]In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson talk to trans woman and activist Peppermint; San Diego photojournalist Ariana Drehsler and Index’s South Korean correspondent Steven Borowiec
Émerson Maranhão is a Brazilian director and filmmaker, who has directed the short film Aqueles Dois, about two transgender men, amongst others
Najwa Bin Shatwan
Writer
An award-winning Libyan academic and writer, Najwa Bin Shatwan has written three novels, a collection of short stories, plays and contributions to anthologies
Tom Holland
Historian
Tom Holland is a writer and historian, who has published a range of bestselling books. He specialises in classical and medieval history
The Spring 2020 issue of Index on Censorship magazine looks at our own role in free speech violations. In this issue we talk to Swedish people who are willingly having microchips inserted under their skin. Noelle Mateer writes about living in China as her neighbours, and her landlord, embraced video surveillance cameras. The historian Tom Holland highlights the best examples from the past of people willing to self-censor. Jemimah Steinfeld discusses holding back from difficult conversations at the dinner table, alongside interviewing Helen Lewis on one of the most heated conversations of today. And Steven Borowiec asks why a North Korean is protesting against the current South Korean government. Plus Mark Frary tests the popular apps to see how much data you are knowingly – or unknowingly – giving away.
