‘People are scared to come, but we want writers, journalists and artists to visit’

Sofia Chelyiak spoke to Index after a long day of work. As curator of the Lviv BookForum, which runs from 5-8 October, the last few weeks of preparation are a very busy time. The final touches to festival logistics and programming would alone occupy the thoughts of anybody, but Chelyiak lives in Lviv, the largest city in Western Ukraine. The war with Russia presents challenges for her own personal safety and are a constant consideration.

“In general it’s fine, but we’re a few kilometres from the battlefields, and Russian missiles can reach most places in Ukraine,” she told Index.

“A few months ago, some missiles fell close to the city centre. Some days it can be more dangerous, others are fine.”

First held in 1994, the Lviv BookForum was originally a way to promote Ukrainian literature three years after the country gained independence following the collapse of the Soviet Union. Now it is the biggest literature event in Ukraine, with a mix of speakers including acclaimed Ukrainian writers and world-renowned literary figures. Since last year it has been in collaboration with Hay Festival. International Booker prize nominee Andrey Kurkov (who has written for Index since the early 90s) and US bestselling writer Jonathan Franzen will both speak this year.

Apart from a handful of online speakers, the event will be in-person (though can be live-streamed) after being fully online in 2022. With the conflict ever-present in the background, how does Chelyiak deal with the challenges?

“We must think of things like “do we have enough generators if we lose electricity,” or “if we’re being shelled, will we have internet access?” We’ll actually hand out maps of bomb shelters if people need a safe place,” she said.

“People are scared to come, but we want writers, journalists and artists to visit. Life here is interesting to say the least. We want people to see what we’re going through, it’s a miracle country.”

As per its origins as a way to promote Ukraine culture and literature, Chelyiak says this year there will be “a fascinating event entitled Freedom of Thoughts Vs Indoctrination, where the discussion will focus on Russia’s attempt to destroy our identity and voice en-masse, and how they will try and do that.”

Other events will also focus on the role Ukraine can have in helping people re-read Russian literature through a lens that takes the current conflict into account, and Ukraine’s role as a post-colonial ruled country at war.

One difference to the festival this year will be the absence of Victoria Amelina, about whom John Sweeney, a speaker at this year’s forum, wrote here for Index. A long-time supporter and attendee of the Forum, Amelina was a writer and poet who became a war crimes researcher during the conflict. She was wounded in a Russian missile attack in Kramatorsk in eastern Ukraine on 27 June and died of her injuries four days later, aged 37. She was working with Truth Hounds, an organisation that documents violations of international humanitarian law, when she died.

“We aim to commemorate her throughout the event as she was known for fighting for justice for Ukrainian women,” Chelyiak said.

“We won’t read her poems, but we decided to spotlight women Victoria was close to, to highlight her work. She will be missed.”

Information and links to the events at the 2023 Lviv BookForum can be found here.

Contents – Express yourself: Overcoming neurodiversity stereotypes

Contents

The Summer 2023 issue of Index looks at neurodiversity, the term coined in the late 1990s to identify and promote the positives of variation in human thinking which has become more widely used in the past few years. Are old stereotypes still rife? Has the perception of neurodiversity improved? If not, was this because of censorship? Using neurodivergent voices, we wanted to know about this in a global context.

The majority of the articles are written by neurodivergent people, as we wanted to put their voices front and centre. Many said they did have more of a voice, awareness had shot up and the word “neurodiversity” empowered and welcomed a growth in onscreen representation. However, at the same time it was clear that conversations around neurodiversity were playing out along society’s current fault-lines and were far from immune.

Up Front

Mind matters, by Jemimah Seinfeld: The term neurodiversity has positively challenged how we approach our minds. Has it done enough?

The Index, by Mark Frary: The latest in free expression news, from an explainer on Sudan to a cha-cha-cha starring Meghan and King Charles.

Features

Bars can't stop a bestseller, by Kaya Genç: Fiction is finding its way out of a Turkish prison, says former presidential hopeful and bestselling writer
Selahattin Demirtaş.

Don't mention femicide, by Chris Havler-Barrett: Murdered women are an inconvenience for Mexico’s president.

This is no joke, by Qian Gong and Jian Xu: The treatment of China’s comedians is no laughing matter.

Silent Disco, by Andrew Mambondiyani: Politicians are purging playlists in Zimbabwe, and musicians are speaking out.

When the Russians came, by Alina Smutko, Taras Ibragimov and Aliona Savchuk: The view from inside occupied Crimea, through the cameras of photographers banned by the Kremlin.

The language of war and peace, by JP O’Malley: Kremlin-declared “Russophobe foreign agent and traitor” Mikhail Shishkin lays out the impossible choices for Russians.

Writer's block, by Stacey Tsui: Hong Kong’s journalists are making themselves heard, thanks to blockchain technology.

The Russians risking it all, by Katie Dancey-Downs: Forced to sing songs and labelled as extremists, anti-war Russians are finding creative ways to take a stand.

The 'truth' is in the tea, by Jemimah Steinfeld: Spilling the tea on a London venue, which found itself in hot water due to a far-right speaker.

Waiting for China's tap on the shoulder, by Chu Yang: However far they travel, there’s no safe haven for journalists and academics who criticise China.

When the old fox walks the tightrope, by Danson Kahyana: An interview with Stella Nyanzi on Uganda’s latest anti-LGBTQ+ law.

Would the media lie to you?, by Ali Latifi: Fake news is flourishing in Afghanistan, in ways people might not expect.

Britain's Holocaust island, by Martin Bright: Confronting Britain’s painful secret, and why we must acknowledge what happened on Nazi-occupied Alderney.

The thorn in Vietnam's civil society side, by Thiện Việt: Thiện Việt: Responding to mass suppression with well-organised disruption.

Special Report: Express yoruself: Overcoming neurodiversity stereotypes

Not a slur, by Nick Ransom: What’s in a word? Exploring representation, and the power of the term “neurodiversity” to divide or unite.

Sit down, shut up, by Katharine P Beals: The speech of autistic non-speakers is being hijacked.

Fake it till you break it, by Morgan Barbour: Social media influencers are putting dissociative identity disorder in the spotlight, but some are accused of faking it.

Weaponising difference, by Simone Dias Marques: Ableist slurs in Brazil are equating neurodivergence with criminality.

Autism on screen is gonna be okay, by Katie Dancey-Downs: The Rain Man days are over. Everything’s Gonna Be Okay star Lillian Carrier digs into autism on screen.

Raising Malaysia's roof, by Francis Clarke: In a comedy club in Malaysia’s capital stand up is where people open up, says comedian Juliana Heng.

Living in the Shadows, by Ashley Gjøvik: When successful camouflage has a lasting impact.

Nigeria's crucible, by Ugonna-Ora Owoh: Between silence and lack of understanding, Nigeria’s neurodiverse are being mistreated.

My autism is not a lie, by Meltem Arikan: An autism diagnosis at 52 liberated a dissident playwright, but there’s no space for her truth in Turkey.

Comment

Lived experience, to a point, by Julian Baggini: When it comes to cultural debates, whose expertise carries the most weight?

France: On the road to illiberalism? by Jean-Paul Marthoz: Waving au revoir to the right to criticise.

Monitoring terrorists, gangs - and historians, by Andrew Lownie: The researcher topping the watchlist on his majesty’s secret service.

We are all dissidents, by Ruth Anderson: Calls to disassociate from certain dissidents due to their country of birth are toxic and must be challenged.

Culture

Manuscripts don't burn, by Rebecca Ruth Gould: Honouring the writers silenced by execution in Georgia, and unmuzzling their voices.

Obscenely familiar, by Marc Nash: A book arguing for legalised homosexuality is the spark for a fiction rooted in true events.

A truly graphic tale, by Taha Siddiqui and Zofeen T Ebrahim: A new graphic novel lays bare life on Pakistan’s kill list, finding atheism and a blasphemous tattoo.

A censored day? by Kaya Genç: Unravelling the questions that plague the censor, in a new short story from the Turkish author.

Poetry's peacebuilding tentacles, by Natasha Tripney: Literature has proven its powers of peace over the last decade in Kosovo.

Palestine: I still have hope, by Bassem Eid: Turning to Israel and Palestine, where an activist believes the international community is complicit in the conflict.

Death of a storyteller

They shot the children’s poet in the head. Two bullets from a Makharov, the Russian army handgun, his grave identified, his voice stilled. Until, that is, Victoria Amelina turned up at the Izium home of the murdered poet, Volodymyr Vakulenko. Gentle, calm, dogged, Victoria had stopped work as a novelist to become a war crimes investigator, her mission to listen to Ukraine’s bereaved: “That it is not like ‘this happened’ and nobody asks them about it.”

She found Vakulenko’s father, crushed by grief, and over the course of a long conversation, his memory unlocked and he said that his son had told him that he had buried his diary near the cherry tree in the family’s garden. They dug and dug.

Nothing.

And then Victoria, on impulse, opened up the earth a little distance from the tree and they found the dead poet’s diary, wrapped in water-proof plastic, breaking the silence. The diary told of Russian occupation, of a tank squatting outside in the street, the creeping sense of dread, his arrest, release – and then they came for him one last time. But not before he had buried his words by the cherry tree.

Victoria understood that the best stories are the ones that power and money do not want told. That was last year.

In late June Victoria was sitting outside on the terrace at the Ria pizza restaurant in Kramatorsk, about thirty miles from Bakhmut. The Ria is an institution, a sweet hiding hole where journalists, aid workers, soldiers and local families unwind from the horrors of the frontline. Driven by my fixer in Ukraine, Dima Kovalchuk, Victoria was escorting Colombian journalists, Héctor Abad, Sergio Jaramillo and Catalina Gómez around the war zone. Victoria was doing her best to shine a light on the Kremlin’s dark nonsense. Too many people in the global south have bought into the Russian lie but not these South Americans.

Dima told me: “the awning above is see-through and I saw a shadow overhead, it was the missile, then this intense explosion.”

Jaramillo explained to the Financial Times: “I was sitting right next to Victoria. We had just finished a day in the field, talking to people about the Russian invasion. As the food was brought to us, I bent down to pick up a napkin and, at that moment, the missile struck. Victoria, who had been sitting upright, was badly hit at the back of the neck… the whole room fell to pieces and time stopped.”

Dima said that Victoria never recovered from her head injury. The rest of the team were lightly injured. Thirteen people died, including two fourteen-year-old twins; fifty people were injured. Firing a cruise missile at a pizza restaurant packed with civilians was yet another Russian war crime.

Victoria was born in Lviv, moved to Canada when she was a teenager, worked in IT, got bored with that and became a full-time writer. Her first novel, Fall Syndrome, was about the Maidan revolution, her second, Dom’s Dream Kingdom, established her international reputation. She won the Joseph Conrad Literary Award and was short-listed for the European Union Prize for Literature. Before the big war she set up a literary festival in New York, a village not far from Bakhmut, and a second in Kramatorsk. Her poetry was spare and bleak:

Sirens

Air-raid sirens across the country

It feels like everyone is brought out

For execution

But only one person gets targeted

Usually the one at the edge

This time not you; all clear

I met Victoria once, at a café in Kyiv, this spring. She recognised my silly orange hat and we talked about working together, one day, on a war crimes investigation but our schedules didn’t work out and that never happened. There was a still beauty about her spirit that is haunting, an echo from a friend, calling out the big lie.

I cannot believe they have silenced her.

I cannot believe that she is dead.

Seeking the real story of Prigozhin’s challenge to Putin

Last week’s mutiny by Yevgeny Prigozhin, the leader of the mercenary Wagner Group, provided a challenge to established western media outlets, such was the speed of the advance by the man known as Putin’s chef towards Moscow and the lack of verifiable information coming out of Russia. The subsequent accommodation between Prigozhin and Putin, apparently brokered by the Belarus leader Alyaksandr Lukashenska, has left even the most seasoned neo-Kremlinologists scratching their heads.

Step forward the Russian dissidents and independent news services. Index has been privileged to work with the opposition to Putin since long before the war in Ukraine and it was good to see them coming into their own last week. Here are some of our recommendations for those who want to stay abreast of the fast-moving and often baffling developments in Russia. Kevin Rothrock (@KevinRothrock), the managing editor of the English-language version of the independent online site Meduza, kept his Twitter feed consistently updated during the coup-that-never-was. Where others were breathless and over-excited, Rothrock was calm and measured. His colleague Lilya Yapparova (@lilia_yapparova) provided detailed analysis on the future of Prigozhin from sources inside the Russian military and the Wagner Group itself. Yapparova’s far-reaching investigation looks into what Wagner forces might contribute to Belarusian military capacity and the organisation’s operations in Africa and Syria. She also looks into Wagner’s finances in Russia, its continued recruitment for the war in Ukraine and internet trolling operations. Yapporova quotes the work of Dossier Center, a media outlet connected to the British-based Putin opponent Mikhail Khodorkovsksy, which tracks criminals associated with the Russian president. Khodorkovsky himself was active on his Telegram channel throughout the mutiny and accessible to non-Russian speakers through the messaging app’s translate function. Controversially he urged Russians to support Prigozhin's coup. His view was that anything would be better than Putin. The Russian billionaire later concluded that the outcome of Prigozhin’s operation was not important. “The very fact that this happened is a powerful blow to Putin after which he will be perceived differently by millions.”

Doxa, the publication founded by students opposed by Putin and now outlawed by the regime, continues to do a good job of aggregating news from reliable sources. This week it included a report from The Bell, founded by Russian financial journalist Elizaveta Osetinskaya, suggesting that Prigozhin’s troll factory companies have been paralysed following raids after the uprising and were looking for a new owner. Osetinskaya, a former editor of Russian Forbes magazine, was declared a foreign agent after condemning the invasion of Ukraine.

In a new development this week, Novaya Gazeta, the independent Russian news outlet whose editor Dmitry Muratov won the Nobel Peace Prize in 2021, was put on the Kremlin’s list of “undesirable” organisations. This makes it a crime for the publication, now based in Latvia, to operate in Russia. It is also now illegal for Russians to engage with the publication or share its content online.

OVD-Info, the human rights project which won the 2022 Index on Censorship campaigning award, decided not to provide a running commentary of events and stuck to its mission of reporting on arrests of regime opponents. In his weekly newsletter Dan Storyev, English editor of OVD-Info, wrote: “Russia has had a busy few days as I am sure we all know. This newsletter is not for military analysis so I won’t cover Prigozhin’s manoeuvres here — but it’s important to remember, that in the end, it is going to be ordinary Russians, Russian civil society who would bear the brunt of any violence that a coup, or a paranoid preventive crackdown could unleash.”

If there is one thing that unites all the outlets mentioned here (beyond their undoubted courage), it is the care they take in the sourcing of all information they publish. In the post-truth world of Putin’s Russia, facts are precious commodities.