The Netherlands: Journalists stand up against online sexual harassment

[vc_row][vc_column][vc_column_text]

Dutch journalists launched a campaign to pressure advertisers into reconsidering advertising on sites that denigrate women.

Dutch journalists launched a campaign to pressure advertisers into reconsidering advertising on sites that denigrate women.

A petition urging advertisers to withdraw their ads from provocative right-wing blog GeenStijl, shook up The Netherlands last month. About 150 women journalists and celebrities signed an open letter after a post that lead to a storm of sexual harassment and rape threats towards a female journalist. A few large companies and government institutions have so far pulled out their adverts.

The first time Loes Reijmer’s picture appeared on the front page of GeenStijl, in March 2017, she had just written a piece for her newspaper De Volkskrant about the reasons behind and the consequences of online sexual harassment of women.

In the article, she explained how blogs and social media groups are increasingly harassing women, for example by posting nude photos without their consent. She mentioned GeenStijl as the one Dutch example of a website thriving on sexist, racist and humiliating content.

GeenStijl, a popular and controversial website owned by Telegraaf Media Group, was quick to answer to Reijmer’s critical article. The next day her headshot appeared on the front page, accompanied by the text: ‘This is Loes Reijmer. Would you do her?’ A storm of sexist comments followed, including rape threats.

In April, daily NRC-columnist Rosanne Herzberger added fuel to the fire by writing a column questioning GeenStijl’s credibility. She went one step further and urged GeenStijl’s advertisers, some of the biggest companies in the country, to rethink spending their money on the site.

“The question is, which companies are making content like this possible?” Herzberger wrote. She mentioned companies like TUI travels, McDonald’s, Renault, Rabobank, Dutch theme park De Efteling and even the Dutch tax service and the Ministry of Defense.

GeenStijl has a reach of 1.2 million unique viewers per month, which makes it one of the biggest online media outlets in the country. Its videoblog Dumpert.nl has an even wider reach, 2.2 million views per month.

“Humiliating women is big business,” Herzberger stated firmly. Her column was widely spread and shared on social media, and lead to many companies to actually reconsider their advertising choices.

A couple of days later GeenStijl reposted the picture of Loes Reijmer with now the text: “Would you do her? Tell us how!”, followed by even more threatening comments by GeenStijl readers.

This is when dailies Volkskrant and NRC joined forces and published an open letter addressed to the advertisers. “Dear advertisers,” it read. “You are paying for a website where sexism and racism is the norm, not the exception.” About 150 women, from celebrities to journalists, signed the letter.

The campaign was inspired by the American organisation Sleeping Giant that keeps track of companies whose adverts appear on the alt-right website Bartbreit.

Journalists in The Netherlands are increasingly experiencing harassment and threats, a recently published investigation by the Dutch Union for Journalists (NVJ) showed. More than half (61 percent) of all (638) questioned Dutch journalists have been threatened physically or via social media at some point in their career, 22 percent even on a monthly basis. Amnesty International called the Dutch numbers “worrying”.

Volkskrant’s own ombudswoman, Annieke Kranenberg, believes it is a worrying trend. In an op-ed in De Volkskrant she stated that being a target of sexual intimidation and threats online could lead to self-censorship.

She asked several Volkskrant journalists about their experiences and many admitted they are suffering from self-censorship. “I always expect to receive negative comments, but the comments on GeenStijl are the worst, the most hateful you can get,” one journalist, who remained anonymous, told her. “The reality is that I do think twice before I write about something sensitive.”

Even the journalists that don’t have experience with self-censorship find themselves obstructed in doing their jobs. When they have been smeared by GeenStijl, they notice the articles in which they have been portrait negatively, keep coming up in the search engines. “I’m bothered by that,” one journalist said. “People Google your name before they say yes to an interview request.”

Online harassment against female journalists and women, in general, is not just a problem in The Netherlands, ombudswoman Annieke Kranenberg argued. “Worldwide it has an effect on press freedom,” she wrote. She referred to an essay by the American journalist Amanda Hess in 2014: Why women aren’t welcome on the internet. The amounts of sexist and threatening messages women receive online “are an assault on women’s careers, their psychological bandwidth, and their freedom to live online,” Hess stated.

OSCE’s media freedom spokesperson Dunja Mijatovic published a report on the topic in 2015. She concluded that female journalists are disproportionately affected by online hate speech. Mijatovic recommended that media companies themselves could play a role in changing this discourse by working on better on equality on the work floor. Media companies should also publicly stand up more against online hate speech, and they must ensure psychological and legal support for their journalists, Mijatovic argued.

GeenStijl has fired back to the open letter. They argue that dailies De Volkskrant and NRC have crossed a line by publishing such a threat and that by doing so they are themselves restricting freedom of expression.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle”][vc_column][vc_single_image image=”91122″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/05/stand-up-for-satire/”][/vc_column][/vc_row]

Turkey: Pro-government newspapers rewarded with state-sponsored advertising

[vc_row][vc_column][vc_custom_heading text=”Imprisoned journalists make headlines, but the Turkish government has a more insidious method for controlling the media, researchers BURAK BILGEHAN ÖZPEK and BAŞAK YAVCAN argue in an unpublished report excerpted in the winter edition of Index on Censorship magazine” font_container=”tag:p|font_size:24|text_align:left” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row full_width=”stretch_row_content_no_spaces”][vc_column][vc_single_image image=”84920″ img_size=”full” alignment=”center”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

Advertising is the latest way for the Turkish government to lean on the media to stop critical stories going into the press, according to unpublished research.

The large advertising budgets of state-controlled Turkish industries like banks, telecoms companies and Turkish Airlines are being used by the government to develop a financial grip over newspapers and control what they report.

Patterns of advertising during 2015 suggest that newspapers which do not toe the government line, or are hostile, are being starved of those revenues.

For instance, Sabah, a newspaper particularly sympathetic to the government, received more than 20% of the advertising budget of the state-controlled bank Halk Bank, while the independent Hürriyet received only 2.9%, despite both having a similar circulation.

Government-controlled telecoms company Turkcell also favoured Sabah by giving it 9.4% of its advertising, while Hürriyet took just 3.1%.

The situation was similar for another state-controlled telecoms company, Turk Telekom: Sabah received more than twice Hürriyet’s share of their total advertising.

Their research found that any paper critical of the government – those associated with the social democratic movement, liberalism, Kemalism, nationalism, Islamism – was either discriminated against, or excluded entirely, when it came to crucial advertising revenue.

 

Table: Daily newspapers’ share of advertising from part-public firms in 2015

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

Burak Bilgehan Özpek is an associate professor and Başak Yavcan is an assistant professor in the department of political science and international relations at TOBB University of Economics and Technology in Ankara. This is an extract of their article from the winter 2016 issue of Index on Censorship magazine, which is based on their as-yet unpublished research into press freedom in Turkey. The magazine article can be read in full for free on Sage Journals until 31 January 2017.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Fashion Rules” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F12%2Ffashion-rules%2F|||”][vc_column_text]The winter 2016 issue of Index on Censorship magazine looks at fashion and how people both express freedom through what they wear.

In the issue: interviews with Lily Cole, Paulo Scott and Daphne Selfe, articles by novelists Linda Grant and Maggie Alderson plus Eliza Vitri Handayani on why punks are persecuted in Indonesia.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”82377″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”http://www.indexoncensorship.org/2016/12/fashion-rules/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

Subscription options from £18.

Every subscriber helps support Index on Censorship’s projects around the world.

SUBSCRIBE NOW[/vc_column_text][/vc_column][/vc_row]

How to stay anonymous online

[vc_row][vc_column][vc_column_text]

CREDIT: ra2studio / Shutterstock

CREDIT: ra2studio / Shutterstock

Securing your connection

Activists in countries where the web is heavily censored and internet traffic is closely monitored know that using a virtual private network or VPN is essential for remaining invisible.

A VPN is like a pair of curtains on a house: people know you are in but cannot see what you are doing. This is achieved by creating an encrypted tunnel via a private host, often in another country, through which your internet data flows. This means that anyone monitoring web traffic to find out persons of interest is unable to do so. However, the very fact that you are using a VPN may raise eyebrows.

An increasing number of VPNs promise truly anonymous access and do not log any of your activity, such as ExpressVPN and Anonymizer. However, access to some VPN providers is blocked in some countries and their accessibility is always changeable.

Know your onions

One of the internet’s strengths is also one of its weaknesses, at least as far as privacy is concerned. Traffic passes over the internet in data packets, each of which may take a different route between sender and recipient, hopping between computer nodes along the way. This makes the network resilient to physical attack – since there is no fixed connection between the endpoints – but also helps to identify the sender. Packets contain information on both the sender’s and recipient’s IP address so if you need anonymity, this is a fatal flaw.

“Onion” routing offers more privacy. In this, data packets are wrapped in layers of encryption, similar to the layers of an onion. At each node, a layer of encryption is removed, revealing where the packet is to go next, the benefit being that the node only knows the address details of the preceding and succeeding nodes and not the entire chain.

Using onion routing is not as complicated as it may sound. In the mid-1990s, US naval researchers created a browser called TOR, short for The Onion Routing project, based on the concept and offered it to anyone under a free licence.

Accessing the dark web with the Tor browser is a powerful method of hiding identity but is not foolproof. There are a number of documented techniques for exploiting weaknesses and some people believe that some security agencies use these to monitor traffic.

Put the trackers off your scent

Every time you visit a popular website, traces of your activity are carefully collected and sifted, often by snippets of code that come from other parts of the web. A browser add-on called Ghostery (ghostery.com) can show you just how prevalent this is. Firing up Ghostery on a recent visit to The Los Angeles Times website turned up 102 snippets of code designed to track web activity, ranging from well-known names such as Facebook and Google but also lesser known names such as Audience Science and Criteo.

While some of this tracking has legitimate uses, such as to personalise what you see on a site or to tailor the ads that appear, some trackers, particularly in countries where there are lax or no rules about such things, are working hard to identify you.

The problem is that trackers can work out who you are by jigsaw identification. Imagine you have visited a few places on the web, including reading an online article in a banned publication and then flicking through a controversial discussion forum. A third-party tracker used for serving ads can now learn about this behaviour. If you then subsequently log into another site, such as a social network, that includes your identity, this information can suddenly be linked together. Open-source browser extensions such as Disconnect (disconnect.me) offer a way to disable such trackers.

Use the secure web

A growing number of popular websites force visitors to connect to them securely. You can tell which ones because their addresses begin with https rather than http. Using https means that the website you are visiting will be authenticated and that your communications with the site are encrypted, stopping so-called man-in-the-middle attacks – where a malicious person sits between two people who believe they are communicating directly with each other and alters what is being communicated. Google, as well as using https for both Gmail and search, is also encouraging other websites to adopt it by boosting such sites up the search rankings.

Rather than remembering to check you are using https all the time, some people employ a browser extension created by the Electronic Frontier Foundation and the Tor Project called HTTPS Everywhere  to do it for them. It is available for Chrome, Firefox and Opera and forces browsers to user https versions of sites where available.

Hide your fingerprints

Traditional identification methods on the web rely on things like IP addresses and cookies, but some organisations employ far more sophisticated techniques, such as browser fingerprinting. When you visit a site, the browser may share information on your default language and any add-ons and fonts you have installed. This may sound innocuous, but this combination of settings may be unique to you and, while not letting others know who you are, can be used to associate your web history with your browser’s fingerprint. You can see how poorly you are protected by visiting panopticlick.eff.org.

One way to try to avoid this is to use a commonly used browser set-up, such as Chrome running on Windows 10 and only common add-ins activated and the default range of fonts. Turning off Javascript can also help but also makes many sites unusable. You can also install the EFF’s Privacy Badger browser add-on to thwart invisible trackers.

Mark Frary is a journalist and co-author of You Call This The Future?: The Greatest Inventions Sci-Fi Imagined and Science Promised (Chicago Review Press, 2008)

This article is  from the Autumn issue of Index on Censorship Magazine. You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”90642″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220008536724″][vc_custom_heading text=”Anonymous now” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064220008536724|||”][vc_column_text]

May 2000

Surfing through cyberspace leaves a trail of clues to your identity. Online privacy can be had but it doesn’t come easy, reports Yaman Akdeniz.

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89179″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220701738651″][vc_custom_heading text=”Evasion tactics” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064220701738651|||”][vc_column_text]

November 2007

Nart Villeneuve provides an overview of how journalists and bloggers around the world are protecting themselves from censorship.

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89164″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422010363345″][vc_custom_heading text=”Tools of the trade” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422010363345|||”][vc_column_text]

March 2010

As filtering becomes increasingly commonplace, Roger Dingledine reviews the options for beating online censorship.

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”The unnamed” font_container=”tag:p|font_size:24|text_align:left” link=”url:%20https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F09%2Ffree-to-air%2F|||”][vc_column_text]The autumn 2016 Index on Censorship magazine explores topics on anonymity through a range of in-depth features, interviews and illustrations from around the world.

With: Valerie Plame Wilson, Ananya Azad, Hilary Mantel[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”80570″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/11/the-unnamed/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

Subscription options from £18 or just £1.49 in the App Store for a digital issue.

Every subscriber helps support Index on Censorship’s projects around the world.

SUBSCRIBE NOW[/vc_column_text][/vc_column][/vc_row]

Macedonia: Government advertising undermines role of journalism

macedonia

The successor nations to the former Yugoslavia are among the most difficult places for journalists to work in Europe, a fact borne out by the latest quarterly report from Index on Censorship’s Mapping Media Freedom project. In the case of Macedonia there have been 35 verified incidents since the project began in May 2014.

Journalists have been subjected to verbal threats, online trolling, intimidation and physical assaults against their person and property. But another issue afflicting Macedonia’s 200 media outlets is more insidious: government advertising budgets of €30-40 million that warp the market and act as a constraint on media outlets and journalists alike.

“The outlets compete in a small, distorted market, covering around 2 million citizens, where they cannot survive financially unless they align their interests with the governing parties and politically-connected large businesses,” according to November 2014 report from the Association of Journalists of Macedonia (ZNM) report.

Since 2009, when the European Commission Progress Report first criticised the use of government advertising as a tool “to undermine editorial independence”, media freedom in Macedonia has become more openly discussed.

According to a report published by the government, between 2012 and the end of the first quarter of 2014, ruling parties spent about €18 million on 27 government media campaigns. It spent €6.6 million in 2012, €7.2 million in 2013 and almost €4 million in the first six months of 2014. To date, the report was the only time that the government released information about public money spent on promotional or awareness-raising advertisements.

Most government-funded advertisements are aimed at informing citizens about the benefits of reforms, encouraging innovation and entrepreneurialism and promoting family values. In a statement on state ads, ZNM said: “Government campaigns have nothing to do with the public interest and are pure political propaganda of the government paid by public funds.”

“The government claims that campaigns are implemented in order to inform citizens about the importance and significance of specific policies and measures,” ZNM wrote. In effect, the organisation said, Macedonia’s government uses taxpayer money to tell citizens that its efforts have been successful, whether or not the reforms have actually succeeded.

After criticism from Brussels, the Macedonian government temporarily halted state-funded campaigns, and, as Balkan Insight reported, this will last “until the authorities agree on tighter rules for spending public funds on ads”. Unpaid public service announcements were not affected by the order.

The 2014 annual report examining the broadcast market from the Macedonian Agency for Audio and Audiovisual Media Services did not include a breakdown on government advertising spending, a departure from previous years. The 2012 report showed that the government had been the largest single source of ad budgets, outpacing telecommunication firms, Proctor & Gamble and Coca Cola. The government slipped to become the second largest advertiser, according to the .

A study conducted by ZNM examined the €18 million spent on advertising by the government since 2012. According to the report, the largest slice of the advertising buys were directed to pro-government media outlets “creating even more robust political-clientelistic and corrupt links between the government and the media”.

Another organisation, Media Integrity Matters, found that the government’s role in the advertising marketplace was deleterious. “These phenomena have prevented the media from performing their basic democratic role – to serve the public interest and citizens” the organisation wrote in its report, which recommended that media finances be transparent and monitored by independent bodies.


 

Mapping Media Freedom


Click on the bubbles to view reports or double-click to zoom in on specific regions. The full site can be accessed at https://mappingmediafreedom.org/