Risky business: Journalists around the world under direct attack

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The truth is in danger. Working with reporters and writers around the world, Index continually hears first-hand stories of the pressures of reporting, and of how journalists are too afraid to write or broadcast because of what might happen next.

In 2016 journalists are high-profile targets. They are no longer the gatekeepers to media coverage and the consequences have been terrible. Their security has been stripped away. Factions such as the Taliban and IS have found their own ways to push out their news, creating and publishing their own “stories” on blogs, YouTube and other social media. They no longer have to speak to journalists to tell their stories to a wider public. This has weakened journalists’ “value”, and the need to protect them. In this our 250th issue, we remember the threats writers faced when our magazine was set up in 1972 and hear from our reporters around the world who have some incredible and frightened stories to tell about pressures on them today.

Around 2,241 journalists were killed between 1996 and 2015, according to statistics compiled by Cardiff University and the International News Safety Institute. And in Colombia during 2015 104 journalists were receiving state protection, after being threatened.

In Yemen, considered by the Committee to Protect Journalists to be one of the deadliest countries to report from, only the extremely brave dare to report. And that number is dwindling fast. Our contacts tell us that the pressure on local journalists not to do their job is incredible. Journalists are kidnapped and released at will. Reporters for independent media are monitored. Printed publications have closed down. And most recently 10 journalists were arrested by Houthi militias. In that environment what price the news? The price that many journalists pay is their lives or their freedom. And not just in Yemen.

Syria, Mexico, Colombia, Afghanistan and Iraq, all appear in the top 10 of league tables for danger to journalists. In just the last few weeks National Public Radio’s photojournalist David Gilkey and colleague Zabihullah Tamanna were killed in Afghanistan as they went about their work in collecting information, and researching stories to tell the public what is happening in that war-blasted nation. One of our writers for this issue was a foreign correspondent in Afghanistan in 1990s and remembers how different it was then. Reporters could walk down the street and meet with the Taliban without fearing for their lives. Those days have gone. Christina Lamb, from London’s Sunday Times, tells Index, that it can even be difficult to be seen in a public place now. She was recently asked to move on from a coffee shop because the owners were worried she was drawing attention to the premises just by being there.

Physical violence is not the only way the news is being suppressed. In Eritrea, journalists are being silenced by pressure from one of the most secretive governments in the world. Those that work for state media do so with the knowledge that if they take a step wrong, and write a story that the government doesn’t like, they could be arrested or tortured.

In many countries around the world, journalists have lost their status as observers and now come under direct attack. In the not-too-distant past journalists would be on frontlines, able to report on what was happening, without being directly targeted.

So despite what others have described as “the blizzard of news media” in the world, it is becoming frighteningly difficult to find out what is happening in places where those in power would rather you didn’t know. Governments and armed groups are becoming more sophisticated at manipulating public attitudes, using all the modern conveniences of a connected world. Governments not only try to control journalists, but sometimes do everything to discredit them.

As George Orwell said: “In times of universal deceit, telling the truth is a revolutionary act.” Telling the truth is now being viewed by the powerful as a form of protest and rebellion against their strength.

We are living in a historical moment where leaders and their followers see the freedom to report as something that should be smothered, and asphyxiated, held down until it dies.

What we have seen in Syria is a deliberate stifling of news, making conditions impossibly dangerous for international media to cover, making local news media fear for their lives if they cover stories that make some powerful people uncomfortable. The bravest of the brave carry on against all the odds. But the forces against them are ruthless.

As Simon Cottle, Richard Sambrook and Nick Mosdell write in their upcoming book, Reporting Dangerously: Journalist Killings, Intimidation and Security: “The killing of journalists is clearly not only to shock but also to intimidate. As such it has become an effective way for groups and even governments to reduce scrutiny and accountability, and establish the space to pursue non-democratic means.”

In Turkey we are seeing the systematic crushing of the press by a government which appears to hate anyone who says anything it disagrees with, or reports on issues that it would rather were ignored. Journalists are under pressure, and so is the truth.

As our Turkey contributing editor Kaya Genç reports on page 64, many of Turkey’s most respected news outlets are closing down or being forced out of business. Secrets are no longer being aired and criticism is out of fashion. But mobs attacking newspaper buildings is not. Genç also believes that society is shifting and the public is being persuaded that they must pick sides, and that somehow media that publish stories they disagree with should not have a future.

That is not a future we would wish upon the world.

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[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”94291″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228208533353″][vc_custom_heading text=”Afghanistan in 1978-81″ font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228208533353|||”][vc_column_text]April 1982

Anthony Hyman looks at the changing fortunes of Afghan intellectuals over the past four or five years.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”94251″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228208533410″][vc_custom_heading text=”Colombia: a new beginning?” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228208533410|||”][vc_column_text]August 1982

Gabriel García Márquez and others who faced brutal government repression following the 1982 election.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”93979″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228408533703″][vc_custom_heading text=”Repression in Iraq and Syria” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228408533703|||”][vc_column_text]April 1983

An anonymous report from Amnesty point to torture, special courts and hundreds of executions in Iraq and Syria. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Danger in truth: truth in danger” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F05%2Fdanger-in-truth-truth-in-danger%2F|||”][vc_column_text]The summer 2016 issue of Index on Censorship magazine looks at why journalists around the world face increasing threats.

In the issue: articles by journalists Lindsey Hilsum and Jean-Paul Marthoz plus Stephen Grey. Special report on dangerous journalism, China’s most famous political cartoonist and the late Henning Mankell on colonialism in Africa.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”76282″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/05/danger-in-truth-truth-in-danger/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

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Contents: Danger in truth, truth in danger

[vc_row][vc_column][vc_custom_heading text=”Index on Censorship has dedicated its milestone 250th issue to exploring the increasing threats to reporters worldwide. Its special report, Truth in Danger, Danger in Truth: Journalists Under Fire and Under Pressure, is out now.”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

Highlights include Lindsey Hilsum, writing about her friend and colleague, the murdered war reporter Marie Colvin, and asking whether journalists should still be covering war zones. Stephen Grey looks at the difficulties of protecting sources in an era of mass surveillance. Valeria Costa-Kostritsky shows how Europe’s journalists are being silenced by accusations that their work threatens national security.

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Kaya Genç interviews Turkey’s threatened investigative journalists, and Steven Borowiec lifts the lid on the cosy relationships inside Japan’s press clubs. Plus, the inside track on what it is really like to be a local reporter in Syria and Eritrea. Also in this issue: the late Swedish crime writer Henning Mankell explores colonialism in Africa in an exclusive play extract; Jemimah Steinfeld interviews China’s most famous political cartoonist; Irene Caselli writes about the controversies and censorship of Latin America’s soap operas; and Norwegian musician Moddi tells how hate mail sparked an album of music that had been silenced.

The 250th cover is by Ben Jennings. Plus there are cartoons and illustrations by Martin Rowson, Brian John SpencerSam Darlow and Chinese cartoonist Rebel Pepper.

You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. It has produced 250 issues, with contributors including Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: DANGER IN TRUTH, TRUTH IN DANGER” css=”.vc_custom_1483444455583{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Journalists under fire and under pressure

Editorial: Risky business – Rachael Jolley  on why journalists around the world face increasing threats

Behind the lines – Lindsey Hilsum asks if reporters should still be heading into war zones

We are journalists, not terrorists – Valeria Costa-Kostritsky looks at how reporters around Europe are being silenced by accusations that their work threatens national security

Code of silence – Cristina Marconi shows how Italy’s press treads carefully between threats from the mafia and defamation laws from fascist times

Facing the front line – Laura Silvia Battaglia gives the inside track on safety training for Iraqi journalists

Giving up on the graft and the grind – Jean-Paul Marthoz says journalists are failing to cover difficult stories

Risking reputations – Fred Searle on how young UK writers fear “churnalism” will cost their jobs

Inside Syria’s war – Hazza Al-Adnan shows the extreme dangers faced by local reporters

Living in fear for reporting on terror – Ismail Einashe interviews a Kenyan journalist who has gone into hiding

The life of a state journalist in Eritrea – Abraham T. Zere on what it’s really like to work at a highly censored government newspaper

Smothering South African reporting –  Carien Du Plessis asks if racism accusations and Twitter mobs are being used to stop truthful coverage at election time

Writing with a bodyguard – Catalina Lobo-Guerrero explores Colombia’s state protection unit, which has supported journalists in danger for 16 years

Taliban warning ramps up risk to Kabul’s reporters – Caroline Lees recalls safer days working in Afghanistan and looks at journalists’ challenges today

Writers of wrongs – Steven Borowiec lifts the lid on cosy relationships inside Japan’s press clubs

The Arab Spring snaps back – Rohan Jayasekera assesses the state of the media after the revolution

Shooting the messengers – Duncan Tucker reports on the women investigating sex-trafficking in Mexico

Is your secret safe with me? – Stephen Grey looks at the difficulties of protecting sources in an age of mass surveillance

Stripsearch cartoon – Martin Rowson depicts a fat-cat politician quashing questions

Scoops and troops – Kaya Genç interviews Turkey’s struggling investigative reporters

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Rebel with a cause – Jemimah Steinfeld speaks to China’s most famous political cartoonist

Soap operas get whitewashed – Irene Caselli offers the lowdown on censorship and controversy in Latin America’s telenovelas

Are ad-blockers killing the media? – Speigel Online’s Matthias Streitz in a head-to-head debate with Privacy International’s Richard Tynan

Publishing protest, secrets and stories – Louis Blom-Cooper looks back on 250 issues of Index on Censorship magazine

Songs that sting – Norwegian musician Moddi explains how hate mail inspired his album of censored music

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

A world away from Wallander – An exclusive extract of a play by late Swedish crime writer Henning Mankell

“I’m not prepared to give up my words” – Norman Manea introduces Matei Visniec, a surreal Romanian play where rats rule and humans are forced to relinquish language

Posting into the future – An extract from Oleh Shynkarenko’s futuristic new novel, inspired by Facebook updates during Ukraine’s Maidan Square protests

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Index around the world: Josie Timms recaps the What A Liberty! youth project

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

The lost art of letters – Vicky Baker looks at the power of written correspondence and asks if email can ever be the same

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

Statement of solidarity with the Afghan media community following the attacks on Tolo TV

In response to the attacks on Tolo TV on 20 January, in which eight people have been killed and 30 others injured, we stand in solidarity with the Afghan media community. We condemn this and all other attacks on Afghanistan’s journalists unreservedly and applaud their courage to stand together undeterred by those who seek to silence them. We want to tell our colleagues throughout Afghanistan they are not alone; the international community is behind them. The journalists and media workers of Afghanistan are playing a leading role in working fearlessly to ensure that the voices of violent extremists do not dominate the news agenda. We remain ready to help them in this perilous endeavour.

Signed by (and including links to additional statements on the Tolo attack from these organizations),

Article 19, UK
Committee to Protect Journalists, USA
Free Press Unlimited, Netherlands
Index on Censorship, UK
Institute for War and Peace Reporting, UK
International Freedom of Expression Exchange (IFEX), Canada
International News Safety Institute UK
International Media Support, Denmark
International Press Institute, Austria
World Association of Newspapers, France
Open Society Foundations, Program on Independent Journalism, UK
Reporters Without Borders, France
Rory Peck Trust, UK

How Afghanistan’s female journalists are covering the stories no one else can

Last year, authorities in the east of Afghanistan decided to shut down a cemetery. The problem was that this particular cemetery was not just a final resting place; it had taken on a second function as a marketplace where women in the city could meet and trade. With the closure, the financial lifeline the women had created for themselves, was cut. There were some protests, the story was covered in a local newspaper, and that was it.

Afghan media has experienced a significant growth spurt over the past years. In 2000, the country was home to 15 news outlets; in 2014 the figure was just shy of 1,000. Hidden within these numbers is another slowly expanding subcategory. Of around 12,000 working journalists in Afghanistan today, some 2,000–2,500 are women, up from an estimated 1,000 in 2006. The truly vital role these women play in Afghan society is too often overlooked.

In a country where traditional cultural norms still hold significant sway, strict limitations on contact between the sexes continue to be enforced in many areas. As a result, there are spaces only female journalists have access to, grievances only female journalists can be told and important realities of women’s lives that only female journalists can report on. Where women media workers are few and far between, such stories — like in the case of the cemetery closure — go underreported, or are buried entirely.

“Covering and focusing on women’s issues is always my favourite, and when I produce programs and make reports on these issues, I really like it and think I’ve done something important,” Radio Sahar Station Manager Humaira Habib told Index. Radio Sahar is part of Parwana (butterfly), a network of radio stations dotted around Afghanistan, which focuses on stories that impact women and their rights and needs. And from the managerial to the executive level, they are all-female operations.

Habib says she made the decision to go into journalism in 2002, and was influenced by the plight of women under the Taliban. “I thought journalism was a good tool to reach to all the aims and goals, and to solve the problems and challenges of women. I think media plays a very important role in informing citizens,” she explained. “This was the reason I decided to study journalism.”

But while the long view seems to suggest the number of Habib’s female compatriots will continue to grow, serious challenges and setbacks remain the reality in the shorter term.

Part of the problem is that the same traditional norms that make female journalist’s contribution especially valuable, still present a significant barrier to many women joining the media industry. As reporter Zarghona Salihi told Radio Free Europe/Radio Liberty, journalism is widely viewed as “immoral work” that carries with it social stigma for women.

“Parents don’t permit their daughters to become journalists [in particular] because female journalists soon turn popular and that puts them in lots of troubles,” news radio host Haseena Ahmadi told Voice of America.

Another, more direct and overt challenge is the seemingly worsening security situation for media workers in general, and the particular threats faced by women. Since 2001, 49 journalists have been killed, and attacks went up 64 per cent from 2013 to 2014, according to a recent report from Human Rights Watch. What’s more, they face a multi-pronged assault — from the government and local authorities, as well as from war lords and the Taliban. Meanwhile, impunity for such crimes persists.

Women must deal with all this, and then some. “Female journalists face particularly formidable challenges. Social and cultural restrictions limit their mobility in urban as well as rural areas, and increase their vulnerability to threats and attacks, including sexual violence,” the Human Rights Watch report states. Since 2010, three female journalists have been killed, including 26-year old Palwasha Tokhi, stabbed to death outside her house in September last year. The Afghan Journalists Safety Committee says that “dozens have been intimidated to stop working”. In 2013, Shaffiqa Habibi, director of the Afghan Women Journalist Union, estimated that 300 professional female journalists had stopped working due to safety concerns.

“The big challenge that journalists face here is the security problem. That really hurts us,” agrees Habib. In 2004 she was threatened by authorities and told she could never again work as a journalist in the western province of Herat. But she fought back, and today continues to hold a senior role at a radio station in that province. As one young journalist told International Media Support: “I have been threatened by the Taliban, corrupt authorities, warlords and even the government. But none of these threats will ever stop me from what I do.”

The struggle, however, doesn’t end by challenging traditions and braving a volatile security situation. Female journalists in Afghanistan are also facing a problem familiar to women all over the world: they’re simply not getting the chances their male counterparts are. On this point, international media has failed Afghanistan’s women reporters. While Amie Ferris-Rotman was working as Reuters’ Afghanistan correspondent, she realised that none of the foreign news outlets hired Afghan female correspondents, in any capacity.

“I found this hypocritical,” she told Index. “We put out a plethora of stories on women’s rights and the awful hurdles Afghan women face, yet we did not take the extra step to hear their stories in a professional context.”

Pointing to the continued prevalence of separation between the genders, she argues that by not giving a platform to female Afghan journalists, we are missing the full story. The journalists, meanwhile, are denied good networks and professional opportunities to further their careers. To help rectify this situation, Ferris-Rotman has set up the Sahar Speaks programme, to offer training and mentoring by peers from around the world to Afghan female journalists, with the aim of helping them produce stories to be published by international outlets. As she has written about the project: “Imagine how rich and nuanced the other side of the Afghan story can be, if told by its own women, not by Afghan men or foreign reporters.”

Abdul Mujeeb Khalvatgar, the director of media freedom advocacy group Nai, which is behind the Parwana network, believes it to be very important that Afghanistan’s female reporter pool continues to grow. Certain topics, he explains, are still considered by some to be taboo for men to cover. He mentions literacy rates among women, violations against women and how women are treated both in rural and urban areas as examples of stories that “raised the need of having women journalists to report”.

Habib stresses the importance of increasing the number of female reporters outside the bigger cities, where many women’s issues that male journalists have limited access to, go uncovered. This is a “serious problem” she says, adding that “we need to train girls from those places to at least learn basic journalism to cooperate with local and national media”.

Despite the challenges, Khalvatgar, who has been nominated for an Index award for his media freedom campaigning in Afghanistan, is confident that there is enthusiasm among women to work in the sector. He points to his experience of visiting journalism schools and seeing a higher number of female than male students, as one indicator. “There are a lot of hopes and wishes among women to become journalists,” he says.

Afghanistan’s President Ashraf Ghani vowed during his 2014 election campaign to uphold freedom of expression and protect journalists against abuse. Whether he will stick to his promise down the line, so the enthusiasm Khalvatgar speaks about can truly be harnessed, remains to be seen. What is clear, is that without more women feeling encouraged and safe enough to join Habib and her colleagues in their work, important stories will continue to go untold.

This article was posted on March 6, 2015 at indexoncensorship.org