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For the last 22 years Index on Censorship has been proud to host the annual Freedom of Expression Awards. It’s an opportunity to celebrate the brave artists, journalists and campaigners from around the world who fight for freedom of expression in the most challenging of circumstances. There are some truly incredible nominees for the awards this year, who more than ever, are challenging the repressive regimes they live under to fight for the rights of ordinary people.
2023 has seen the continuation of Russia’s war on Ukraine with its horrific consequences for the people of Ukraine and the severe repression for those speaking out against the war in Russia. The CCP in China continues to repress journalists, particularly those who attempt to uncover the crimes against the Uyghur people, and activists and protesters for women’s rights in Iran and Afghanistan face vicious attacks from the authorities.
The shortlisted candidates for the Arts award are Visual Rebellion, a platform for sharing the work of photographers, filmmakers, and artists documenting the protests in Myanmar; Iranian rapper Toomaj Salehi, who sings about injustice and the abuse of civil society by the authorities, for which he has been imprisoned; and Ukrainians, curator Maria Lanko and artist Pavlo Makov, who have worked to protect Ukrainian art in the face of Russian war crimes.
The shortlisted candidates for the Campaigning award are Matiullah Wesa from Afghanistan who has worked to ensure all children, but especially girls, have access to education and educational materials; Russian student Olesya Krivtsova who has publicly opposed Russia’s war on Ukraine and has fled the country to avoid up to 10 years’ imprisonment; the Xinjiang Victim’s Database, which records the incarceration and persecution of the Uyghur population in Xinjiang province; and the Africa Human Rights Network which works to support and protect human rights defenders across the Great Lakes region of Africa.
And the shortlisted candidates for the Journalism award are Bilan Media, Somalia’s first women-only media organisation and newsroom; Mohammed Zubair, co-founder of the Indian fact-checking platform Alt News which has led to threats after challenging misinformation; and Afghan Mortaza Behboudi, in exile in France, who continues to travel to Afghanistan every month to work with different media outlets to ensure the voices of Afghans are heard.
The Freedom of Expression Awards are a time to remind ourselves of the importance of freedom of expression and to commit ourselves to protecting our own freedom of expression. It is easily lost but hard fought for. We must not forget that.
It is incredibly dangerous to be a journalist in Somalia. In 2022, Somalia topped the Committee to Protect Journalists’ Global Impunity Index for the eighth year running. Journalists are a specific target of militant Islamist groups, especially Al Shabaab, and are regularly shot, imprisoned and physically harmed by the authorities and other powerful groups. Women face a range of other significant threats that prevent many from being able to work safely. In a society where women are marginalised and in a country where huge swathes of territory are controlled by groups linked to Al Qaeda and Islamic State, Bilan Media believed the only way female journalists can fight censorship and find a degree of freedom of expression was to set up the country’s only all-women media house. In addition to distributing their films and reports on Somali TV, radio and websites, they have established partnerships with international media outlets, such as The Guardian, BBC and El Pais.
As a career for women in Somalia, journalism is considered to be “the bottom of the pile”. This perception shaped how Bilan approached the type of journalism they focused on. In order to reduce verbal and sexual harassment and the threat of physical attack, Bilan decided to work as “Mobile Journalists” where they use mobile phones and other small equipment for their reporting so they are less visible to a hostile public and could escape the scene quickly if needed.
Bilan focuses on stories that are not represented in the broader media coverage in Somalia. These include stories about people living with HIV/AIDS, girls who have recently undergone Female Genital Mutilation (FGM); orphans who were abandoned when their orphanage closed due to the COVID-19 pandemic only to return with babies of their own after being raped or forced into temporary marriages; female opioid addicts; the mistreatment of people living with albinism; underage girls sold into marriage and young children forced into hard labour to earn money for their families.
Mohammed Zubair and others decided to found AltNews.in, a portal dedicated to busting fake news to address flaws in the Indian media ecosystem, such as overt political pressure on media outlets and opaque methods by which government funding was awarded to media outlets. Alt News’ goal was to dismantle propaganda networks in a manner that could be used by other publishers. Alt News’ approach focuses on political fact-checking to scrutinise claims made by political parties, leaders and other persons in positions of authority; debunking social media rumours; and examining media misinformation and bias.
Alt News aims to foster a stronger and more vibrant media environment by amplifying dissenting voices and creating barriers to prevent mis/disinformation from spreading. As a result, the outlet has faced considerable social, litigious and political pressure to halt their work. Using both his personal twitter account, as well as the outlet’s website, Mohammed Zubair and his colleagues have reported on inter-communal violence in India, the actions of vigilante groups, as well as the use of social media platforms to amplify hate speech.
In June 2022, following a tweet exposing a national spokesperson of the BJP making hateful and Islamophobic utterances on national TV, Mohammed Zubair was arrested by the Delhi and Uttar Pradesh state police. Based on an earlier satirical tweet posted in 2018 and reported by another user, Zubair was charged with "promoting enmity between different groups on grounds of religion, race, place of birth, residence, language, etc." and “deliberate and malicious acts, intended to outrage religious feelings of any class by insulting its religion or religious beliefs”. It has been reported that whenever Zubair was granted bail on one case another FIR (or First Information Report) would be lodged against him. This led to six FIRs being lodged against Zubair, resulting in him being caught in a 24 day cycle of arrest, bail and re-arrest. The following month, the Indian Supreme Court granted Zubair bail and ordered his release, as there was no justification for keeping him in custody.
Matiullah Wesa established Pen Path in 2009 to campaign for greater access to education for boys and girls in Afghanistan. In this role, Wesa visited 34 provinces of the country and almost all districts. Pen Path’s first step was to re-open closed schools, after The Taliban had previously shut them down in the remote villages of Afghanistan. Prior to The Taliban’s takeover, Pen Path acted as mediator between the government and the Taliban, while also encouraging local elders to collaborate with them to re-open those schools. It is estimated by Pen Path that their team, to date, has re-opened more than a hundred schools and established a number of new schools across the country.
To date, Pen Path has also provided stationery and children’s books to approximately 300,000 children. Pen Path also established 39 libraries in rural areas to provide access to books for the general public (especially women who could not go to school due to restrictions).
To further extend the reach of education across Afghanistan, Pen Path launched a programme of mobile classes delivered via a specially designed motorbike fitted with a computer screen and speakers, as well as a bookcase, teaching materials and a mobile library.
On 27 March 2023, Matiullah Wesa was arbitrarily arrested by the Taliban’s General Directorate of Intelligence (GDI), while returning from evening prayer. The day after his arrest, the GDI raided his house and confiscated his personal mobile and laptop. On 29 March, the Taliban spokesperson confirmed his arrest, accusing him of illegal activities. His family have not been allowed to visit him and there has been no avenue to challenge the legality of his detention.
Over the first year of the Russian invasion of Ukraine, Olesya organised partisan anti-war actions in her small town of Arkhangelsk. This included posting anti-war leaflets and posting anti-war messages on her blog and the chat rooms set up for students based at her university. Olesya took the risks to do this to “counter Russian propaganda and promote alternative information about the war in Ukraine among students and other residents of my city.”
As a result of these acts, Krivtsova was placed under house arrest in January, and banned from using the internet on the charges of discrediting the Russian army and justifying terrorism. It has been reported that her classmates reported her to the authorities after taking screenshots of her anti-war messages. She was also added to the country’s official list of terrorists and extremists. Due to the severity of the charges, she faced up to 10 years in prison. In March 2023, Olesya uploaded a video of her cutting off her monitoring tag and she fled Russia for Lithuania.
The Database aims to make Xinjiang and the mass-incarceration policies taking place there as transparent and accessible for the world at large as possible. This is done primarily by documenting the individual victims and their situations in as much detail as available data allow. In addition to this, they maintain a number of side databases, such as monitoring the facilities where victims are held, the villages/neighbourhoods they come from, the individuals in the government/police linked to their detentions, and the collection/translation of various primary-source materials, such as eyewitness accounts or government/police/court records.
The Database serves as a free-to-use tool for researchers, journalists, and advocates. Additionally, it provides several specific tools to the public: an ID search that allows 10,000s of internal and public documents held by the database to be searched for information about specific people, a name translator to convert Chinese pinyin versions to more appropriate Turkic versions (e.g. Memet instead of Maimaiti), and a translation bank that combines the Database’s 10 in-house dictionaries to assist with translation of Xinjiang-related texts.
The main goal of AHRN is to promote and protect the work of Human Rights Defenders, including activists, bloggers, journalists, feminists, environmental defenders and many others. This work includes advocating for and protecting HRD at risk. It does this through its protection programme and shelter city scheme, which started in 2017 with the launch of the Dar es Salaam Shelter City which is a regional temporary relocation program for at-risk HRDs operation in the African Great Lakes Region. In 2019, this scheme was expanded after the launch of the shelter city Benin to provide temporary relocation to at-risk human rights defenders from Central and west African countries especially those from Francophone countries. As well as direct support, AHRN also facilitates engagement between HRDs in Africa to share capacity building expertise, exchange experience and foster stronger relationships of support and solidarity.
The organisation also provides a platform to more than 175 grassroots civil society organisations that have proven capacity to implement human rights projects in Africa. As a result, AHRN has been able to establish a platform of local HRDs who have decided to organise themselves to improve their working environment and security. This networked approach has defined AHRN’s work. In 2021, they created the YADA Network (Young African Defenders in Action) following a workshop attended by young people from 18 African countries. While it is present in 18 countries, the AHRN’s goal is to extend the Network to 30 countries by the end of 2023. They also created Africanactivists.com, which is a specialised social media platform for HRDs to connect with others and share information in real time.
Music has always occupied an important place in Afghan society, serving as a medium of expression, storytelling and a celebration of cultural identity. For decades, Afghan musicians have also played a vital role in providing solace to our war-torn nation. But the situation has completely changed since the return of the Taliban to power. Musicians are one of the most severely affected of the many sections of Afghan society by Taliban rule. A once vibrant community of artists is now facing repression. Like other art forms, the Taliban consider music un-Islamic as per their strict interpretation of Islam. The lives of musicians are endangered, their livelihoods and artistic freedom deprived.
Artists who survived and worked covertly during the previous stint of Taliban rule from 1996 to 2001 were aware of the dark future that awaited them and were haunted by old memories. When the Kabul fell on 15 August 2021 many musicians fled. Rashid Khan, one of the famous musicians based in Kabul, told us that on the second night after the fall of Kabul, he got a call from the security guard of his studio to tell him that people with guns had entered the office, broke all the instruments and set them on fire. They enquired about him before leaving and the incident terrified Khan. The next day he escaped to Pakistan with his family.
The Artistic Freedom Initiative, which helps with the resettlement of international artists who are persecuted or censored, in the past two years has received more than 3,000 requests from Afghan artists for relocation.
For those who remained the attacks started immediately and grew and grew. Just a couple of days into the Taliban’s regime they brutally killed a famous folklore singer. On 27 August 2021, Fawad Andarabi was murdered at home.
Restrictions were put in place surrounding live performances, public gatherings and entertainment venues. The music industry came to a halt. Many had to retrain, if they could. One of those is a singer named Abdul Qadir, who has started working as a motorcycle mechanic.
The ministry of vice and virtue banned music on the national broadcasting network. All entertainment channels on television and radio were no longer allowed to play any music. Today they are only allowed to play the Naghmas/Taranas (patriotic and nationalist songs) of the Taliban, which are “songs” with slogans and without any actual music. They’re designed to promote the ideology of the Taliban, glorify the leaders of the Taliban and romanticise their achievements.
The Afghanistan National Institute of Music was closed. The centre’s director, Ahmed Sarmast, says we are witnessing the end of great musical heritage and we agree.
Once a famous spot for music and entertainment in Kabul, Sar e chowk has now been turned into a regular market with no sign or remnants of music anywhere. The market used to be full of shops selling musical instruments. It had small studios where artists, musicians and singers would gather to make songs, create music and entertain people. That is now all gone and instead people sell fruit and vegetables.
In attempts to completely eradicate music from society, it is even banned during weddings. What happens to those who ignore the ban? In October 2021 people with guns entered a wedding ceremony in Nangahar where music was playing. They tried to break the loud speaker. When guests resisted, the armed people fired at them, killing two and injuring 10.
In a recent attack the Taliban confiscated musical instruments in the west province of Herat on 30 July 2023 and set them on fire.
These are just some examples in an endless list.
In these testing times, the international community must not forget Afghan musicians and artists. While providing humanitarian aid and evacuation to all vulnerable populations, there is a dire need to extend support to the artistic community as well. Collaborative efforts with international arts organisations, cultural exchanges and virtual platforms can offer a lifeline to Afghan musicians, allowing them to continue their craft and share their talent with the world.