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It’s been 10 years since Russian investigative journalist Anna Politkovskaya was shot and killed. Writing in the latest Index on Censorship magazine, fellow Russian journalist Andrey Arkhangelsky reflects on her legacy and argues that the Russian press still faces a struggle to bring readers the full picture. An extract of his article is available below.
And, above, watch the video interview with Andrey Arkangelsky by Index’s assistant editor Ryan McChrystal about the challenges Russian journalists face today, and the impact of Politkovskaya’s killing on journalism.
On 7 October 2006, journalist Anna Politkovskaya was murdered in Moscow. Ten years on, the battle to publish investigative journalism in Russia is still being lost. When Polikovskaya died, there was speculation of government involvement, an international outcry and various posthumous awards for her investigative work. Yet in Russia there was no scandal, no mass protests. She was mostly deemed a “crazy loner”, one of a very rare breed of reporters who believed in press independence.
A decade later, we have a better understanding of Politkovskaya’s significance for Russian journalism. Like many of her generation, she was a product of the perestroika years of 1985-91, and remained faithful to its ideals in the years that followed, when a majority of her colleagues “tired of freedom”. In the 25 years after perestroika, neither freedom of speech nor other political freedoms have been much prized by the majority of citizens of this new Russia. In the 2000s, Politkovskaya’s stance was regarded as extreme. Who was there to fight against anyway? For what? The years of plenty were at their peak. Sooner or later economics would win and everything would sort itself out. Even liberals believed that.
It is important to understand the tradition to which Anna belonged. For her, being a journalist meant serving society, a tradition of self-sacrifice dating back to the 19th-century Russian intelligentsia. In the Soviet period this tradition was inherited by dissidents. In Russia, the line between journalism and social activism remains blurred, and not because Russian journalists are unprofessional, but because independence of the press has remained the ideal of rare characters such as Politkovskaya. There is no long-standing tradition of media independence. Each generation of journalists instinctively chooses between fusing completely with the state, which means producing propaganda and giving loyal support, or remaining steadfastly professional and inwardly dissident. Working as a journalist in Russia is not so much pursuing a profession as living an ethical, existential choice.
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On 7 October 2006 investigative journalist Anna Politkovskaya was shot and killed in her apartment building in Moscow. In the latest issue of Index on Censorship magazine, Russian journalist Andrey Arkhangelsky reflects on Politkovskaya’s legacy 10 years on and looks at the state of journalism in the country today.
Politkovskaya, who worked for newspaper Novaya Gazetta, was known for her investigative reporting, particularly looking into the atrocities committed by Russian armed forces in Chechnya, and her criticism of the Putin administration.
She was a recipient of an Index on Censorship Freedom of Expression Award in 2002.
Ahead of the anniversary of her death, Index has compiled a reading list of articles written for the magazine both by Politkovskaya and about her. The collection also includes articles exploring media freedom in Russia and why the deaths are Russian journalists seem to go unnoticed and uninvestigated.
From The Cadet Affair: the Disappeared
December 2010; vol. 39, 4: pp. 209-210.
In 2010 Index published this extract from Nothing But the Truth: Selected Dispatches, a collection of Politkovskaya’s best writings. In this piece, she writes about the disappeared in Chechnya.
January 2002; vol. 31, 1: pp. 30-34.
An interview with Politkovskaya who, at the time of publication, was living in Vienna, having been sent there for her own safety by Dmitry Muratov, editor-in-chief of Noveya Gazetta, after receiving threats from high-ranking officials who had been annoyed by her reports from Chechnya.
March 2012; vol. 41, 1: pp. 85-95.
Irena Maryniak considers the hidden network of relationships that continue to shape Russian society, undermine the rule of law and protect the status quo. In this article Maryniak highlights Politkovskaya’s concerns of the effects of the Kremlin’s reach and her work reporting on the atrocities inflicted on the Chechen population by the Russian armed forces and the Russian-backed administration of Akhmad Kadyrov.
November 2009; vol. 38, 4: pp. 44-58.
Maria Eismont talks to Dmitry Muratov, editor of the newspaper Novaya Gazeta, at which Politkovskaya spent seven years as a journalist, about his struggle for press freedom and justice in Russia.
November 2009; vol. 38, 4: pp. 31-43.
In this article Joel Simon, of the Committee to Protect Journalists, discusses how impunity is an urgent issue facing press freedom campaigners; and, after reflecting on Politkovskaya’s murder, outlines a roadmap for action
February 2008; vol. 37, 1: pp. 26-34.
Edward Lucas explains how during Putin’s presidency media freedom has moved from the imperfect to the moribund, in an adaption from his book The New Cold War: how the Kremlin menaces Russia and the West.
March 2012; vol. 41, 1: pp. 12-20.
Robert McCrum considers Index’s role in the history of the fight for free speech, from the oppression of the Cold War to censorship online; and highlights how Politkovskaya turned to Index for help in making the west understand the dangers Russian journalists face.
November 2005; vol. 34, 4: pp. 120-125.
Index interviews Politkovskaya at the Edinburgh Festival, in which she discusses the future of Russia.
“We lost journalism in Russia”
September 2015; vol. 44, 3: pp. 32-35.
Andrei Aliaksandrau examines the evolution of censorship in Russia, from Soviet institutions to today’s blend of influence and pressure.
December 2010; vol. 39, 4: pp. 17-23.
Carole Seymour-Jones celebrates the achievements of 50 years of fighting for authors’ freedoms and explains why there is so much more work to be done.
You can read Andrey Arkhangelsky’s article by subscribing to the magazine or taking out a digital subscription from anywhere in the world via Exact Editions (just £18* for the year). Each magazine sale helps Index on Censorship fight for free expression worldwide.
*Will be charged at local exchange rate outside the UK.
Magazines are also on sale in bookshops, including at the BFI and MagCulture in London, News from Nowhere in Liverpool and Home in Manchester; as well as on Amazon and iTunes. MagCulture will ship to anywhere in the world.
Freedom of Expression Awards 2016 from Index on Censorship on Vimeo.
A female journalist training reporters from within war-torn Syria, and a group busting online censorship in China are among this year’s Index on Censorship Freedom of Expression Awards winners.
The winners, announced on Wednesday evening at a gala ceremony in London, also included a Yemen-based street artist and campaigners from Pakistan battling internet clampdowns.
Awards are presented in four categories: arts, journalism, digital activism and campaigning. The winners were: Yemeni street artist Murad Subay (arts), Syrian journalist Zaina Erhaim (journalism), transparency advocates and circumventors of China’s “Great Firewall” GreatFire (digital activism) and the women-led digital rights campaigning group Bolo Bhi (campaigning).
“These winners are free speech heroes who deserve global recognition,” said Index on Censorship CEO Jodie Ginsberg. “They, like all of those nominated, face huge personal and political hurdles in their fight to ensure that others can express themselves freely.”
Drawn from a shortlist of 20, and more than 400 initial nominations, the winners were presented with their awards at a ceremony at The Unicorn Theatre, London, hosted by comedian Shazia Mirza. Music was provided by Serge Bambara – aka “Smockey” – a musician from Burkina Faso who won the inaugural Music in Exile Fellowship, presented in conjunction with the makers of award-winning documentary They Will Have to Kill Us First: Malian Music in Exile. The award was presented by Martyn Ware, founder member of the Human League and Heaven 17.
Actors, writers and musicians were among those celebrating with the winners. The guest list included actor Simon Callow, academic Kunle Olulode, and journalists Lindsey Hilsum, Matthew Parris and David Aaronovitch.
Winners were presented with a framed caricature of themselves created by Malaysian cartoonist Zulkiflee Anwar Haque (“Zunar”), who faces 43 years in jail on sedition charges for his cartoons lampooning the country’s prime minister and his wife.
Each of the award winners becomes part of the second cohort of Freedom of Expression Awards fellows. They join last year’s winners – Safa Al Ahmad (Journalism), Rafael Marques de Morais (Journalism), Amran Abdundi (Campaigning), Tamás Bodoky (Digital activism), Mouad “El Haqed” Belghouat (Arts) – as part of a world-class network of campaigners, activists and artists sharing best practices on tackling censorship threats internationally.
Through the fellowship, Index works with the winners – both during an intensive week in London and the rest of the awarding year – to provide longer term, structured support. The goal is to help winners maximise their impact, broaden their support and ensure they can continue to excel at fighting free expression threats on the ground.
Judges included human rights barrister Kirsty Brimelow QC; Bahraini campaigner Nabeel Rajab, a former Index award winner; pianist James Rhodes, whose own memoir was nearly banned last year; Nobel prize-winning author Wole Soyinka; tech entrepreneur Bindi Karia; and journalist Maria Teresa Ronderos, director of the Open Society Foundation’s independent journalism programme.
Ziyad Marar, global publishing director of Sage Publications, said: “Through working with Index for many years both as publisher of the magazine and sponsors of the awards ceremony, we at Sage are proud to support a truly outstanding organisation as they defend free expression around the world. Our warmest congratulations to everyone recognised tonight for their achievements and the inspiring example they set for us all.”
This is the 16th year of the Freedom of Expression Awards. Former winners include activist Malala Yousafzai, cartoonist Ali Ferzat, journalists Anna Politkovskaya and Fergal Keane, and human rights organisation Bahrain Center for Human Rights.
2016 Freedom of Expression Awards: The acceptance speeches
Bolo Bhi: “What’s important is the process, and that we keep at it”
Zaina Erhaim: “I want to give this award to the Syrians who are being terrorised”
GreatFire: “Technology has been used to censor online speech — and to circumvent this censorship”
Murad Subay: “I dedicate this award today to the unknown people who struggle to survive”
Smockey: “The people in Europe don’t know what the governments in Africa do.”
Syrian writer Razan Zaitouneh won the Anna Politkovskaya Raw in War Award in 2011. She addresses the Russian journalist, who’s assassination remains unsolved, about Marie Colvin, 2012 recipient, who was killed in Syria earlier this year
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