Anonymity: worth defending

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Autumn 2016 magazine cover

Autumn 2016 magazine cover

Anonymity is out of fashion. There are plenty of critics who want it banned on social media. It’s part of a harmful armoury of abuse, they argue.

Certainly, social media use seems to be doing its best to feed this argument. There are those anonymous trolls who sent vile verbal attacks to writers such as US author Lindy West. She was confronted by someone who actually set up a fake Twitter account under the name of her dead father.

Anonymity has been used in other ways by the unscrupulous. Earlier this year, a free messaging app called Kik was the method two young men used to get in touch with a 13-year-old girl, with whom they made friends online and then invited her to meet. They were later charged with her murder. Participants who use Kik to chat do not have to register their real names or phone numbers, according to a report on the court case in the New York Times, which cited other current cases linked to Kik activity including using it to send child pornography.

So why do we need anonymity?  Why does it matter? Why don’t we just ban it or make it illegal if it can be used for all these harmful purposes? Anonymity is an integral part of our freedom of expression. For many people it is a valuable way of allowing them to speak. It protects from danger, and it allows those who wouldn’t be able to speak or write to get the words out.

“If anonymity wasn’t allowed any more, then I wouldn’t use social media,” a 14-year-old told me over the kitchen table a few weeks ago. He uses forums on the website Reddit to have debates about politics and religion, where he wants to express his view “without people underestimating my age”.

Anonymity to this teenager is something that works for him; lets him operate in discussions where he wants to try out his arguments and gain experience in debates. Anonymity means no one judges who he is or his right to join in.

For others, using a fake or pen name adds a different layer of security.  Writers for this magazine worry about their personal safety and sometimes ask for their names not to be carried on articles they write.  In the current issue, an activist who works helping people find ways around China’s great internet wall is one of our authors who can’t divulge his name because of the work he does.

Throughout history journalists have worked with sources who want to see important information exposed, but do not want their own identity to be made public. Look at the Watergate exposé or the Boston Globe investigation into child sex abuse by priests. Anonymous sources can provide essential evidence that helps keep an investigation on track.

That right, to keep sources private, has been the source of court actions against journalists through the years. And those who choose to work with journalists, often rely on that long held practice.

Pen names, pseudonyms, fake identities have all have been used for admirable and understandable purposes over the centuries: to protect someone’s life; to blow a whistle on a crime; for a woman to get published at a period when only men did so, and on and on. Those who fought for democracy, the right to protest  and other rights, often had operate under the wire, out of the searching eyes of those who sought to stop them. Thomas Paine, who wrote the famous pamphlet Common Sense “Addressed to Inhabitants of America”, advocating the independence of the 13 states from Britain, first published his words in 1776 anonymously.

From the early days of Index on Censorship, when writing was being smuggled across borders and out of authoritarian countries, the need for anonymity was paramount.

Over the years it has been argued that anonymity is a vital component in the machinery of freedom of expression. In the USA, the American Civil Liberties Union argues that anonymity is a First Amendment right, given in the Constitution. As far back as 1996, a legal case was taken in Georgia, USA, to restrict users from using pseudonyms on the internet.

Today, in India, the world’s largest democracy, there are discussions about making anonymity unlawful. Our article by lawyer and writer Suhrith Parthasarathy considers why if minister Maneka Gandhi does go ahead with plans to remove anonymity on Twitter it could have ramifications for other forms of writing. As Anja Kovacs of the Internet Democracy Project told Index, “democracy virtually demands anonymity. It’s crucial for both the protection of privacy rights and the right to freedom of expression”.

We must make sure that new systems aimed at tackling crime do not relinquish our right to anonymity. Anonymity matters, let’s remember it has a role to play.

Order your full-colour print copy of our anonymity magazine special here, or take out a digital subscription from anywhere in the world via Exact Editions (just £18* for the year). Each magazine sale helps Index on Censorship fight for free expression worldwide.

*Will be charged at local exchange rate outside the UK.

Copies will be available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Carlton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

The full contents of the magazine can be read here.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”89160″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422011400799″][vc_custom_heading text=”Going local” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422011400799|||”][vc_column_text]March 2011

If the US’s internet freedom agenda is going to be effective, it must start by supporting grassroots activists on their own terms, says Ivan Sigal.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89073″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422013512242″][vc_custom_heading text=”On the ground” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422013512242|||”][vc_column_text]December 2013

Attacked by the government and the populist press alike, political bloggers and Twitter users in Greece struggle to make their voices heard.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89161″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422011409641″][vc_custom_heading text=”Meet the trolls” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422011409641|||”][vc_column_text]June 2011

Whitney Phillips reports on a loose community of anarchic and anonymous people is testing the limits of free speech on the internet.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”The unnamed” font_container=”tag:p|font_size:24|text_align:left” link=”url:%20https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F09%2Ffree-to-air%2F|||”][vc_column_text]The autumn 2016 Index on Censorship magazine explores topics on anonymity through a range of in-depth features, interviews and illustrations from around the world.

With: Valerie Plame Wilson, Ananya Azad, Hilary Mantel[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”80570″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/11/the-unnamed/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

Subscription options from £18 or just £1.49 in the App Store for a digital issue.

Every subscriber helps support Index on Censorship’s projects around the world.

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Contents: The unnamed

[vc_row][vc_column][vc_custom_heading text=”Does anonymity need to be defended? Contributors include Hilary Mantel, Can Dündar, Valerie Plame Wilson, Julian Baggini, Alejandro Jodorowsky and Maria Stepanova “][vc_row_inner][vc_column_inner width=”1/2”][vc_column_text]

The latest issue of Index on Censorship explores anonymity through a range of in-depth features, interviews and illustrations from around the world. The special report looks at the pros and cons of masking identities from the perspective of a variety of players, from online trolls to intelligence agencies, whistleblowers, activists, artists, journalists, bloggers and fixers.

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Former CIA agent Valerie Plame Wilson writes on the damage done when her cover was blown, journalist John Lloyd looks at how terrorist attacks have affected surveillance needs worldwide, Bangladeshi blogger Ananya Azad explains why he was forced into exile after violent attacks on secular writers, philosopher Julian Baggini looks at the power of literary aliases through the ages, Edward Lucas shares The Economist’s perspective on keeping its writers unnamed, John Crace imagines a meeting at Trolls Anonymous, and Caroline Lees looks at how local journalists, or fixers, can be endangered, or even killed, when they are revealed to be working with foreign news companies. There are are also features on how Turkish artists moonlight under pseudonyms to stay safe, how Chinese artists are being forced to exhibit their works in secret, and an interview with Los Angeles street artist Skid Robot.

Outside of the themed report, this issue also has a thoughtful essay by novelist Hilary Mantel, called Blot, Erase, Delete, about the importance of committing to your words, whether you’re a student, an author, or a politician campaigner in the Brexit referendum. Andrey Arkhangelsky looks back at the last 10 years of Russian journalism, in the decade after the murder of investigative reporter Anna Politkovskaya. Uzbek writer Hamid Ismailov looks at how metaphor has taken over post-Soviet literature and prevented it tackling reality head-on. Plus there is poetry from Chilean-French director Alejandro Jodorowsky and Russian writer Maria Stepanova, plus new fiction from Turkey and Egypt, via Kaya Genç and Basma Abdel Aziz.

There is art work from Molly Crabapple, Martin Rowson, Ben Jennings, Rebel Pepper, Eva Bee, Brian John Spencer and Sam Darlow.

You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: THE UNNAMED” css=”.vc_custom_1483445324823{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Does anonymity need to be defended?

Anonymity: worth defending, by Rachael Jolley: False names can be used by the unscrupulous but the right to anonymity needs to be defended

Under the wires, by Caroline Lees : A look at local “fixers”, who help foreign correspondents on the ground, can face death threats and accusations of being spies after working for international media

Art attack, by Jemimah Steinfeld: Ai Weiwei and other artists have increased the popularity of Chinese art, but censorship has followed

Naming names, by Suhrith Parthasarathy: India has promised to crack down on online trolls, but the right to anonymity is also threatened

Secrets and spies, by Valerie Plame Wilson: The former CIA officer on why intelligence agents need to operate undercover, and on the damage done when her cover was blown in a Bush administration scandal

Undercover artist, by Jan Fox: Los Angeles street artist Skid Robot explains why his down-and-out murals never carry his real name

A meeting at Trolls Anonymous, by John Crace: A humorous sketch imagining what would happen if vicious online commentators met face to face

Whose name is on the frame? By Kaya Genç: Why artists in Turkey have adopted alter egos to hide their more political and provocative works

Spooks and sceptics, by John Lloyd: After a series of worldwide terrorist attacks, the public must decide what surveillance it is willing to accept

Privacy and encryption, by Bethany Horne: An interview with human rights researcher Jennifer Schulte on how she protects herself in the field

“I have a name”, by Ananya Azad: A Bangladeshi blogger speaks out on why he made his identity known and how this put his life in danger

The smear factor, by Rupert Myers: The power of anonymous allegations to affect democracy, justice and the political system

Stripsearch cartoon, by Martin Rowson: When a whistleblower gets caught …

Signing off, by Julian Baggini: From Kierkegaard to JK Rowling, a look at the history of literary pen names and their impact

The Snowden effect, by Charlie Smith: Three years after Edward Snowden’s mass-surveillance leaks, does the public care how they are watched?

Leave no trace, by Mark Frary: Five ways to increase your privacy when browsing online

Goodbye to the byline, by Edward Lucas: A senior editor at The Economist explains why the publication does not name its writers in print

What’s your emergency? By Jason DaPonte: How online threats can lead to armed police at your door

Yakety yak (don’t hate back), by Sean Vannata: How a social network promising anonymity for users backtracked after being banned on US campuses

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Blot, erase, delete, by Hilary Mantel: How the author found her voice and why all writers should resist the urge to change their past words

Murder in Moscow: Anna’s legacy, by Andrey Arkhangelsky: Ten years after investigative reporter Anna Politkovskaya was killed, where is Russian journalism today?

Writing in riddles, by Hamid Ismailov: Too much metaphor has restricted post-Soviet literature

Owners of our own words, by Irene Caselli: Aftermath of a brutal attack on an Argentinian newspaper

Sackings, South Africa and silence, by Natasha Joseph: What is the future for public broadcasting in southern Africa after the sackings of SABC reporters?

“Journalists must not feel alone”, by Can Dündar: An exiled Turkish editor on the need to collaborate internationally so investigations can cross borders

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Bottled-up messages, by Basma Abdel Aziz: A short story from Egypt about a woman feeling trapped. Interview with the author by Charlotte Bailey

Muscovite memories, by Maria Stepanova: A poem inspired by the last decade in Putin’s Russia

Silence is not golden, by Alejandro Jodorowsky: An exclusive translation of the Chilean-French film director’s poem What One Must Not Silence

Write man for the job, by Kaya Genç: A new short story about a failed writer who gets a job policing the words of dissidents in Turkey

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Global view, by Jodie Ginsberg: Europe’s right-to-be-forgotten law pushed to new extremes after a Belgian court rules that individuals can force newspapers to edit archive articles

Index around the world, by
 Josie Timms: Rounding up Index’s recent work, from a hip-hop conference to the latest from Mapping Media Freedom

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

What ever happened to Luther Blissett? By Vicky Baker: How Italian activists took the name of an unsuspecting English footballer, and still use it today

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1483444808560-b79f752f-ec25-7″ taxonomies=”8927″ exclude=”80882″][/vc_column][/vc_row]

Coming soon: Index on Censorship magazine’s anonymity issue

magazine-cover-autumn2016-620

Autumn’s anonymity cover by Ben Jennings

The forthcoming issue of Index on Censorship magazine explores anonymity through a range of in-depth features, interviews and illustrations from around the world. The special report looks at the pros and cons of masking identities from the perspective of a variety of players, from online trolls to intelligence agencies, whistleblowers, activists, artists, journalists, bloggers and fixers. Contributors include former CIA agent Valerie Plame Wilson, journalist John Lloyd, Bangladeshi blogger Ananya Azad and philosopher Julian Baggini,

Outside of the themed report, this issue also has a thoughtful essay by novelist Hilary Mantel, called Blot, Erase, Delete, illustrated by Molly CrabappleAndrey Arkhangelsky looks back at the last 10 years of Russian journalism. Uzbek writer Hamid Ismailov explores how metaphor has taken over post-Soviet literature and prevented it tackling reality head-on. There is also poetry from Chilean-French director Alejandro Jodorowsky and Russian writer Maria Stepanova, plus new fiction from Turkey and Egypt, via Kaya Genç and Basma Abdel Aziz.

You can pre-order your copy here, or take out a digital subscription via Exact Editions. Copies will be available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Carlton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.