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It’s not easy for cinema goers in China. Film censorship is hardly a new phenomenon under the communist regime, but following the heavy editing of two new films — Skyfall and Cloud Atlas — audiences have called for a reform to China’s censorship standards.
The latest James Bond film opened on 21 January after a two-month delay. 007 directors were keen to appease China’s strict censors, with arial shots of Shanghai filling the screens, but the film was still left with several significant and slightly awkward cuts.
Scenes involving prostitution and the shooting of a Chinese security guard have been removed, and subtitles were changed to hide references to torture by Chinese security forces. It’s not the first time the James Bond creators have felt the wrath of China’s film board — a reference to the Cold War was removed from Casino Royale in 2006. But German-produced film Cloud Atlas fared far worse at the hands of China’s censors when it was released on 31 January. Thirty eight minutes of the films total running time was slashed — comprising mostly of homosexual and heterosexual love scenes, but also including scenes the censors felt confused the plot.
It takes a lot to win over China’s heavy handed censors. In a deal with Hollywood in February 2012, Chinese film censors agreed to approve 34 foreign films a year — rather than the previous 20. It symbolised a promising development for directors, who are increasingly motivated to break into China’s lucrative film market following a slump in box office sales in recent years.
But film makers are often willing to sacrifice free speech in favour of breaking into China’s market. Last year, Red Dawn directors replaced a Chinese army attack on the UK with North Korean soldiers just before its release, a move typical of Hollywood directors — who are often keen to include positive references to China to win over authorities. DreamWorks Animation had a similar idea, joining forces with Chinese producers to develop Kung Fu Panda 3 in time for its 2016 release.
All imported films have to go through China’s State Administration of Radio, Film and Television (SARFT), and few remain unscathed. Movies dealing with obscenity, religion, gambling, the supernatural and drinking, to name a few — are addressed with scrutiny by SARFT, meaning that many blockbusters are altered or refused entirely.
China has no motion picture rating system, meaning that all films must be suitable for family viewing. It doesn’t always explain some of the decisions for cinematic alteration though.
In 2010, James Cameron’s Avatar was pulled from some cinemas in its 2D form, amidst speculation that the film’s displacement and land eviction references would cause political unrest, or make people think about forced removal.
Following the 3D relaunch of another Cameron classic — Titanic — in April 2012, censors were quick to edit the film. The famous scene where Leonardo Di Caprio sketches a nude Kate Winslet is edited to show Winslet from the neck up alone. SARFT said in a statement that the measure was taken to avoid cinema goers attempting to reach out and caress Winslet’s three dimensional breasts.
China overtook Japan to become the world’s second largest film market last year, with a box office valued at $2 billion (£1.3 billion) in 2011 — and is expected to surpass the US’s by 2020. Hollywood has become entrapped in the hope of success in China, and the expansion hasn’t come without controversy. The Securities & Exchange Commission opened an investigation last year into allegations that US film studios newly established in China were secured through illegal payments to Chinese officials.
Much of the Chinese public are anti-propaganda and express their frustration at missing the whole truth — movie piracy is common and means objectors can usually find an illegal, uncensored copy of a desired film. Free speech and film go hand in hand and Hollywood has always been a staunch defender of the First Amendment. So It’s worrying that economic interests are increasingly foregoing freedom of expression.
Chinese communist party newspaper The People’s Daily has today denied allegations that China hacked into the computer systems of various US media outlets. The state-run newspaper denied that officials had hacked The New York Times and The Wall Street Journal, also refuting claims from The Washington Post that it had been targeted. The People’s Daily said that the national security allegations from the US were a cover-up for imposing economic sanctions on China. The Obama administration will reportedly address the attacks as an economic threat in a National Intelligence Estimate report, meaning the US can impose sanctions in China in response. Concern has been mounting in America that China has been responsible for a series of sustained cyber attacks on government agencies, US companies and media outlets — a US congressional report last year named China “the most threatening actor in cyberspace”.
A french journalist researching prostitution and human trafficking in Cambodia has had a seven year jail sentence in absentia upheld under prostitution charges. Daniel Lainé was charged by Phnom Penh City Court on 29 January for soliciting prostitutes and issued with a “red notice” by Interpol following a request from the court, banning him from reporting anywhere outside of France. Lainé had originally been sentenced in 2010 after being caught secretly filming a prostitute without permission, a charge the journalist denies. The charges are thought to be linked to Lainé’s 2003 documentary exposing sex tourism in Cambodia and are allegedly supported by a written witness statement from someone who never appeared in court during the case. Lainé is a filmmaker for Tony Comiti Productions and was winner of a World Press Photo award in 1991.
On 1 February, a film maker accused the Italian government of censorship for calling off the screening of his film for being too political. Bill Emmott, former editor of the Economist, was due to show his documentary Girlfriend in a Coma on 13 February at the National Museum of the 21st Century Arts, but the organisers were contacted on 1 February to say that the ministry of culture had ordered the event to be postponed ahead of the parliamentary elections on 24 February. Emmott, who’s film takes a critical look at Italy and the problems it faces, said there is a culture of denial in the country. The film has already been screened in several European countries and the US and is expected to remain postponed until the elections are over.
An appeals court in the Philippines has upheld a decision to pursue a libel case and issue of arrest warrants against a minor and five other people for online defamation charges made on 13 March 2012. A teenage blogger was accused of posting defamatory comments on Celine Quanico’s blog on 6 April 2008, along with Justine Dimaano, Francesa Vanessa Fugen, Anthony Jay Foronda, Roberto Armando Hidalgo and Danielle Vicaldo. Quanico said that Dimaano had posted a Yahoo messenger conversation titled “meet my backstabber friend”, but had changed the alleged victim’s name — who was 16 at the time of the alleged offence. Other insults posted on the site included “bitch”, “ugly”, “loser” and “liar”. The Cyber Crime Prevention Act went into effect on 3 October in the Philippines, after it was suspended following calls to remove the law from constitution.
Chain sandwich store Pret A Manger has withdrawn a new “Virgin Mary” brand of crisps from shelves following religious complaints. The bloody mary cocktail flavoured crisps had been introduced last week, but prompted complaints, including from Catholic groups that the brand was offensive to Jesus’ mother. The company said it removed the product to avoid further offence after noting the “strength of feeling” behind the few complaints they received. The unsold crisps will be donated to homeless charities across the country. Among the complainants was The Reverend Nick Donnelly, deacon of the Diocese of Lancaster, who said after Pret removed the product that the incident taught the Catholic community how to defend their faith in the future.
Index on Censorship’s conference Taking the Offensive, held at London’s Southbank Centre highlighted how artistic freedom in the UK is under threat. The conference focused on how arts organisations support artistic freedom especially when controversy is arises.
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A woman who said she was raped by state security forces and the journalist who interviewed her were charged by police on 29 January in Somalia. Journalist Abdiaziz Abdinur Ibrahim could face four years imprisonment for insulting a government body and two years for inducing false evidence. Abdiaziz has been charged with insulting a government body, simulating a criminal offence and making a false accusation. The alleged rape victim’s husband and two others who introduced her to the journalist were charged with assisting her to secure a profit for the rape allegation and assisting her to evade investigation. The sentences are five and four year terms respectively. The next hearing will be held on 2 February. Abdiaziz had interviewed the woman on 8 January after she said she was raped by soldiers at a displaced persons camp in Mogadishu. He was detained by the Central Investigations Department of the police two days later.
The New York Times has claimed it was hacked by Chinese officials over a period of four months. The attacks are thought to have come from hackers connected to the military in a possible retaliation to a series of stories run by the newspaper — alluding to the vast wealth accumulated by premier of the state council Wen Jiabao. The hackers entered into the Times’s systems, accessing information on the personal computers of 53 employees, including China correspondents. Mandiant, an internet security company hired by the newspaper on 7 November, said the attacks were likely to have been part of a spy campaign, after discovering that the computers used for the attacks were the same used for Chinese military attacks on US military contractors in the past. Hackers began attacking the Times on 13 September, around the time the Wen Jiabao story was in its final pre-publishing stages.
A former policeman in the Ukraine has been sentenced to life in prison for the murder of an investigative journalist, it was reported on 30 January. Oleksiy Pukache was the fourth person to be charged with the murder of Georgiy Gongadze, after his dismembered body was discovered in 2000. The other three were sentenced to 12 and 13 years. As Pukache was sentenced, he announced that equal blame for the murder should be placed on the country’s former president Leonid Kuchma and then presidential chief of staff Volodymyr Lytvyn.
Gongadze’s headless body was found in the woods six weeks after he was kidnapped in Kiev — a case which caused huge demonstrations and helped prompt the 2004 Orange Revolution. A lawsuit taken out against Kuchma in March 2011 was dismissed when prosecutors deemed it unlawful.
A Chinese man who was sent to a labour camp for making a joke about politician Bo Xilai has received minor damages after his compensation appeal was rejected. Fang Hong was sentenced to re-education for a year in 2011 for posting a poem online mocking the disgraced politician and his then police chief Wang Lijun. Chongqing’s Dianjiang county court rejected Fang’s request for around £37,400 in psychological damages, instead offering him just over £5,800, as well as rejecting his appeal for a public apology. This was the first known case of officials compensating for Bo-era abuses. Fang said he would ask his lawyers about appealing the ruling, but critics said his initial appeal was rejected to prevent a stream of further claims. Fang was freed in 2012 following the fall of Bo — whose wife Gu Kailai was convicted of the murder of British Businessman Neil Heywood in November 2011.
An art exhibition in Japan depicting cannibalism and Sadomasochism has prompted a debate over artistic freedom of expression. Aida Makoto’s Monument for Nothing exhibition at the Mori Art Museum in Tokyo on 29 January caused protests from Japanese organisation People Against Pornography and Sexual Violence, who wrote to museum director Nanjo Fumio to demand Makoto’s work be removed. Some of the artists pieces, depicted a giant blender filled with naked women, as well as Japanese pensioners playing croquet with severed heads. Makoto is said to use pornography to prompt people to look beneath Japan’s calm exterior and examine the darker elements of Japanese culture.