Contents – The long reach: How authoritarian countries are silencing critics abroad

Contents

The Spring 2024 issue of Index looks at how authoritarian states are bypassing borders in order to clamp down on dissidents who have fled their home state. In this issue we investigate the forms that transnational repression can take, as well as highlighting examples of those who have been harassed, threatened or silenced by the long arm of the state.

The writers in this issue offer a range of perspectives from countries all over the world, with stories from Turkey to Eritrea to India providing a global view of how states operate when it comes to suppressing dissidents abroad. These experiences serve as a warning that borders no longer come with a guarantee of safety for those targeted by oppressive regimes.

 

Up Front

Border control, by Jemimah Steinfeld: There's no safe place for the world's dissidents. World leaders need to act.

The Index, by Mark Frary: A glimpse at the world of free expression, featuring Indian elections, Predator spyware and a Bahraini hunger strike.

Features

Just passing through, by Eduardo Halfon: A guided tour through Guatemala's crime traps.

Exporting the American playbook, by Amy Fallon: The culture wars are finding new ground in Canada, where the freedom to read is the latest battle.

The couple and the king, by Clemence Manyukwe: Tanele Maseko saw her activist husband killed in front of her eyes, but it has not stopped her fight for democracy.

Obrador's parting gift, by Chris Havler-Barrett: Journalists are free to report in Mexico, as long as it's what the president wants to hear.

Silencing the faithful, by Simone Dias Marques: Brazil's religious minorities are under attack.

The anti-abortion roadshow, by Rebecca L Root: The USA's most controversial new export could be a campaign against reproductive rights.

The woman taking on the trolls, by Daisy Ruddock: Tackling disinformation has left Marianna Spring a victim of trolling, even by Elon Musk.

Broken news, by Mehran Firdous: The founder of The Kashmir Walla reels from his time in prison and the banning of his news outlet.

Who can we trust?, by Kimberley Brown: Organised crime and corruption have turned once peaceful Ecuador into a reporter's nightmare.

The cost of being green, by Thien Viet: Vietnam's environmental activists are mysteriously all being locked up on tax charges.

Who is the real enemy?, by Raphael Rashid: Where North Korea is concerned, poetry can go too far - according to South Korea.

The law, when it suits him, by JP O'Malley: Donald Trump could be making prison cells great again.

Special Report: The long reach - how authoritarian countries are silencing critics abroad

Nowhere is safe, by Alexander Dukalskis: Introducing the new and improved ways that autocracies silence their overseas critics.

Welcome to the dictator's playground, by Kaya Genç: When it comes to safeguarding immigrant dissidents, Turkey has a bad reputation.

The overseas repressors who are evading the spotlight, by Emily Couch: It's not all Russia, China and Saudi Arabia. Central Asian governments are reaching across borders too.

Everything everywhere all at once, by Daisy Ruddock: It's both quantity and quality when it comes to how states attack dissent abroad.

A fatal game of international hide and seek, by Danson Kahyana: After leaving Eritrea, one writer lives in constants fear of being kidnapped or killed.

Our principles are not for sale, by Jirapreeya Saeboo: The Thai student publisher who told China to keep their cash bribe.

Refused a passport, by Sally Gimson: A lesson from Belarus in how to obstruct your critics.

Be nice, or you're not coming in, by Salil Tripathi: Is the murder of a Sikh activist in Canada the latest in India's cross-border control.

An agency for those denied agency, by Amy Fallon: The Sikh Press Association's members are no strangers to receiving death threats.

Always looking behind, by Zhou Fengsuo and Nathan Law: If you're a Tiananmen protest leader or the face of Hong Kong's democracy movement, China is always watching.

Putting Interpol on notice, by Tommy Greene: For dissidents who find themselves on Red Notice, it's all about location, location, location

Living in Russia's shadow, by Irina Babloyan, Andrei Soldatov and Kirill Martynov: Three Russian journalists in exile outline why paranoia around their safety is justified.

Comment

Solidarity, Assange-style, by Martin Bright: Our editor-at-large on his own experience working with Assange.

Challenging words, by Emma Briant: An academic on what to do around the weaponisation of words.

Good, bad and everything that's in between, by Ruth Anderson: New threats to free speech call for new approaches.

Culture

Ukraine's disappearing ink, by Victoria Amelina and Stephen Komarnyckyj: One of several Ukrainian writers killed in Russia's war, Amelina's words live on.

One-way ticket to freedom?, by Ghanem Al Masarir and Jemimah Steinfeld: A dissident has the last laugh on Saudi, when we publish his skit.

The show must go on, by Katie Dancey-Downs, Yahya Marei and Bahaa Eldin Ibdah: In the midst of war Palestine's Freedom Theatre still deliver cultural resistance, some of which is published here.

Fight for life - and language, by William Yang: Uyghur linguists are doing everything they can to keep their culture alive.

Freedom is very fragile, by Mark Frary and Oleksandra Matviichuk: The winner of the 2022 Nobel Peace Prize on looking beyond the Nuremberg Trials lens.

Love in the time of dissent

This week marked another Valentine’s Day and the world was abuzz with expressions of love and affection. Yet, amidst the sea of roses and chocolates, there lies a stark reality for many: the agony of separation from loved ones. For dissidents around the globe, this pain is not merely a matter of distance; it is the consequence of standing against tyranny - for speaking truth to power.

As CEO of Index on Censorship, I have witnessed the bravery of individuals who dare to challenge oppression, knowing full well the risks they face. We need to remember this every day - but this week, Valentine's week, there is a responsibility on all of us to recognise their sacrifice and the profound commitment that drives them to advocate for change and to continue their struggle against tyrants - in spite of the personal cost for them and their loved ones.

One example is Russian activist and thorn-in-Putin's-side Alexei Navalny, whose death in a penal colony has been reported today. In 2020, Navalny fell into a coma after suspected poisoning with the nerve agent novichok and was taken to Germany for treatment. The poisoning was widely believed to have been ordered by Putin and suspicion about his death has immediately turned to the Russian president.

To the surprise of many, in 2021 Navalny returned to Russia with his wife, Yulia Navalnaya. He was immediately arrested on a variety of trumped-up charges. At the time of his death, he was serving a 19-year sentence. Navalny and his wife have been apart ever since their return to Russia, with her husband sent to a series of penal colonies, each more hideous than the last. Appearing at the 2023 Oscars when the Navalny documentary about her husband won the best documentary award, Navalnaya said in an emotional speech "Alexei, I’m dreaming of the day when you will be free and our country will be free. Stay strong, my love."

Love was what sustained them during their enforced separation. In what turned out to be his last post on Instagram, Navalny wrote: "Babe, we have everything like in a song: cities between us, airport runway lights, blue blizzards and thousands of kilometres. But I feel you are near me every second, and I love you more and more ❤️".
 
 

Another example is Andrei Aliaksandrau and his partner Irina Zlobina. Andrei, a former member of the Index team and a Belarusian journalist and human rights defender, has dedicated his life to exposing the truth and holding those in power accountable. However, his commitment to freedom of expression has come at a personal great cost. In November 2020, Andrei was arrested by Belarusian authorities in a crackdown on dissent following the disputed presidential election. Since then, he has been detained, facing trumped-up charges and enduring harsh conditions behind bars.

Irina too was arrested and sentenced on similar charges. Now they find themselves separated by Lukashenka in different prisons in Belarus.

For Andrei and Irina, Valentine's Day serves as a painful reminder of their separation. While the world celebrates love, they are forced to endure the anguish of being torn apart by injustice.

These are just two examples among thousands of others. A reminder that there are many different manifestations of love is Tamara Davila, whose heartbreaking ordeal underscores the intersection of love and dissent in the face of authoritarian oppression. Deported from Nicaragua to the United States for daring to speak out against the government, Tamara's enforced separation from her daughter and wider family serves as a chilling example of how the Nicaraguan authorities wield love as a weapon against dissenters. Despite the government's attempts to silence her, Tamara's enduring love for her family fuels her resolve to continue fighting for justice and freedom, demonstrating the profound power of love in the face of adversity. Her story serves as a stark reminder that even in the darkest of times, love remains an unyielding force that empowers individuals to stand up for what is right, no matter the cost.

These stories encapsulate the intersection of love and dissent—a powerful force that transcends borders and inspires change. Despite the physical distance separating dissidents and their partners and families, their love fuels their resilience, reminding us all of the inherent connection between personal relationships and the broader struggle for human rights.

This Valentine's week, let us honour the courage of individuals like Alexei and Yulia, Andrei and Irina, and Tamara and her daughter by amplifying their voices and demanding justice. Let us stand in solidarity with all those who sacrifice their freedom for the sake of truth and justice. And let us never forget that love, in all its forms, has the power to overcome even the most formidable obstacles.

In the spirit of Valentine's Day, let us reaffirm our commitment to love and dissent, recognising that they are not mutually exclusive but rather intertwined in the fight for a more just and free world.

Joke’s on Lukashenka speaking rubbish Belarusian. Or is it?

An American tells a Russian that the United States is so free he can stand in front of the White House and yell, “To hell with Ronald Reagan.’’ The Russian replies: “That’s nothing. We also have freedom of speech! I can stand in front of the Kremlin and yell, ‘To hell with Ronald Reagan,’ too.’’

Most would not associate Belarus, known in Western media for its authoritarian regime, with comedy. And it’s true that the current situation is indeed more tragic than comical. Satirical accounts on Twitter and Instagram sharing jokes and memes get designated as “extremist” and a simple like or subscription can land you in jail.

However, this is where humour has an important role and dates back to a longstanding political tradition in the Soviet Union where satire and jokes were ways to bypass censorship, serve as an antidote to official propaganda and generally not let the reality around you get you down.

Probably the best-known book of political satire in the Soviet Union was Mikhail Bulgakov’s The Master and Margarita, published only after the author’s death in 1966 and promptly banned, which cast Stalin in the role of the devil. As Viv Groskop wrote in her excellent re-reading of classical literature called The Anna Karenina Fix:

“I sometimes wonder if The Master and Margarita explains many people’s indifference to politics and current affairs. They are deeply cynical, for reasons explored fully in this novel. Bulgakov describes a society where nothing is as it seems. People lie routinely. People who do not deserve them receive rewards. You can be declared insane simply for wanting to write fiction. The Master and Margarita is, ultimately, a huge study in cognitive dissonance. It’s about a state of mind where nothing adds up and yet you must act as if it does. Often, the only way to survive in that state is to tune out.”

Similarly, in 1980 the Czech-French novelist Milan Kundera said: “I learned the value of humour during the time of Stalinist terror. I could always recognise a person who was not a Stalinist, a person whom I needn’t fear, by the way he smiled. A sense of humour was a trustworthy sign of recognition. Ever since, I have been terrified by a world that is losing its sense of humour.”
In the Soviet Union Brezhnev jokes were especially popular, making fun of his stumbling, often incoherent speech, public mishaps and penchant for kissing other political leaders on the mouth.

Often he was made fun of as a totally useless leader. Take this joke that circulated at the time:

Lenin proved that even female cooks could manage a country.
Stalin proved that just one person could manage a country.
Khrushchev proved that a fool could manage a country.
Brezhnev proved that a country doesn’t need to be managed at all.

Or this:

With Lenin, it was like being in a tunnel: You‘re surrounded by darkness, but there’s light ahead. With Stalin, it was like being on a bus: One person is driving, half the people on the bus are sitting [“sitting” in Russian having a secondary meaning of doing time in prison] and the other half are quaking with fear. With Khrushchev, it was like at a circus: One person is talking, and everyone else is laughing. With Brezhnev, it was like at the movies: Everyone’s just waiting for the film to end.

This tradition has certainly continued in Belarus with Alyaksandr Lukashenka, who likes to refer to himself as “bat’ka” in Belarusian or a “father of the nation”. People mock him both for his poor knowledge of Belarusian, which he uses in combination with Russian, and his wannabe macho appearances and pronouncements.

One of the most well-known Belarusian stand-up comics, Slava Komissarenko, went viral and became famous overnight when he made fun of Lukashenka’s Rambo-like appearance with a gun at the height of the 2020 protests, ready to defend the presidential palace from completely peaceful protesters who were just standing there. Lukashenka made a ‘heroic’ dash from the helicopter and then brandished guns, which he waived at the protesters before hurriedly disappearing inside flanked by security. Numerous memes emerged after to spoof the moment.

Komissarenko had himself joked about Lukashenka already, back in 2015. These often innocent barbs were still considered dangerous enough for state television to cut them out. Back then, for example, he said: “Recently we had presidential elections. Surprising, isn’t it? The fact that there are elections. Everyone thought it is a lifetime job. He got 85.3 %. I think he can do better. But it’s not his last time, only fifth.”

After his 2020 stand-up authorities evoked his licence (“I know from where the only dislike under my YouTube video came from,” he joked.) Later he was forced to leave the country. First he went to Kyiv and when the war started on to Warsaw where he is based now along with other politically critical comedians. It’s from there they run their shows. Komissarenko’s Instagram account is followed by more than 670,000 people and his YouTube videos routinely gather millions of views and likes.

Another humorous X/Twitter account that recently caught the attention of authorities, who again deemed it “extremist”, is “Sad Kolya”, under the @sadmikalai handle. It impersonates Lukashenka’s son Kolya, who tweets about his daddy and the misfortune of being his son. “Papa called Prigozhin who assured him that he had been killed” one of the recent ones reads. Another: “I hope my dad runs out before my passport.”

During the protests it was a great source of comfort and relief to read these humorous one-liners. The avatar on the account has both Belarusian and Ukrainian flags in solidarity with Ukraine, and the cover photo features a real photo of Kolya standing between Putin and Lukashenka.

When the war started in Ukraine some of the memes that got incredibly popular made fun of Lukashenka and the statement he made on state TV, where he promised to show everyone “where Belarus was going to be attacked from” by Ukraine. One meme put him in various situations endlessly repeating this phrase to everyone’s exasperation. Another meme looked like a screenshot from a WhatsApp chat with the avatar of Lukashenka texting in the middle of the night as if to his girlfriend. “Are you asleep? Just wanted to show you where Belarus was going to be attacked from”.

The Belarusian stand-up scene is now mostly active in Warsaw and Vilnius, with occasional tours abroad. In Belarus those who stayed (about 30 stand-up comics) cannot talk about politics at all and the material needs to be sent to the Ministry of Culture for approval before the show. They stick to safer topics of dating and other things that make living under dictatorship more or less bearable. But the politics still can sneak in. Just recently Komissarenko himself unexpectedly became the subject of jokes when some details about his new wife’s saucy past were revealed.
“I feel for you” wrote one of the commentators on social media. “My friend recently married a guy and it turned out he likes Shaman [a nationalist Russian singer loved by the Kremlin]. So remember it could have been much worse!!!”

How censorship wins

Januskevic Publishing House opened for business in Belarus in 2014 with the aim of publishing history books. The initial euphoria of launching a business passed very quickly.

At first, issues related to the publishing industry more broadly. It became clear that you can’t live in Belarus only publishing history books – diversification of production was required. So we diversified into e-books and then to the publication of fiction, translations from foreign languages and children’s books. We did have some good years. Between 2017 and 2022 we developed quickly. We even founded our own online bookshop. Our mission always was to make books that are interesting to the reader. We had a broad slogan: We make books that you want to read.

But after the re-election of long-time Belarus president Alyaksandr Lukashenka in 2020 and his subsequent violet crackdown on protests, and after Russia’s invasion of Ukraine in 2022, the troubles started. In literally three days we were kicked out of the office that had served us as a showroom and a pickup point for books. We were left without a home.

We soon managed to open a fully-fledged bookshop that would serve us as an office at the same time. Except the expulsion from our original office was not some spontaneous decision. It was a deliberate signal. On the day of the opening of the Knihauka bookshop on 16 May 2022, propagandists from state mass media outlets and officers from HUBAZiK (Main Directorate for Combating Organized Crime and Corruption) turned up. The HUBAZiK said that extremist literature was being sold in our bookshop and, with a prosecutor`s approval, they checked all the books in the shop and seized 15 items. Why these specific ones? I’m not entirely sure, although there was a certain theme through them. They were all by Belarusian authors, all history or nonfiction and some children’s books, like Iosif Brodsky’s book The Ballad of the Tugboat.

In an even worse twist bookshop employee Nasta Karnatskaya and I were arrested. I spent 28 days in jail – three terms for three court rulings – and Nasta spent 23 days in jail. This is the only case where somebody was apprehended and imprisoned for distributing books.

While it was challenging before, the radicalisation of the government’s actions against culture, and against the publishing business in particular, gained speed after Russia’s attack on Ukraine

After being released, I realised that the publishing house could no longer work as it had. There was the external pressure that manifested itself in these arrests, as well as other pressures: literally the day after the closing of the bookshop, for the first time in Belarus’ history, the celebrated fiction book The Dogs of Europe by Alhierd Bacharevič, which was published by us and turned into a play staged throughout the world, was deemed “extremist material”. This was a very bad sign. We were moving towards a point where the publishing house itself could be recognised as extremist. I knew then that it was dangerous to stay in Belarus. It was becoming too dangerous to make books. And so we left Belarus and opened up shop in Poland.

It was definitely the right decision. Our publishing license was revoked from us in early January 2023. This was carried out by a court for the first time in Belarus` history according to the provisions of the Law of the Republic of Belarus On Publishing, with the reason given that we had systematically published literature which later was included in the list of extremist materials. To date, four books by our publishing house have been recognised as extremist.

The treatment we received was part of a systemic attack against the independent publishing sector in Belarus. It was not only us who were targeted. Other Belarusian publishing houses were and are victims. Haliyafy, for example, was forced to initiate bankruptcy proceedings. Knihazbor, despite its attempt to remain on its feet and resume its activities, was also forced to close. Today it’s impossible to work freely and to define one’s own publishing policy in Belarus.

In January 2023, we were stripped of our publishing licence. Since then, we have been not allowed to publish books in Belarus.

Following this, on 20 January I set up a fully-fledged publishing house functioning as a Polish legal entity. Since then we have published more than 20 books in Belarusian and we mail books to Belarus. You could argue that our forced relocation from Belarus to Poland has been successful.

But while I still have a licence to distribute books in Belarus and I could sell those I published earlier, almost no one takes them for sale because I have a black mark. These are the consequences of total fear in a society.

Of those publishers who left Belarus, no others continue publishing. They’re now engaged in other businesses: some have switched to writing, for example.

New publishing houses have appeared in Belarus and are managed by new people. Those who remain in Belarus are not publishing books with any strong social implications. I see that when something appears it is "neutral" literature or aimed at children. Those who suffered repression have left their businesses because there are simply no opportunities for their activities in Belarus. Either you have to work in line with the government policy, or you just don’t work.

While it was challenging before, the radicalisation of the government’s actions against culture, and against the publishing business in particular, gained speed after Russia’s attack on Ukraine. Now all kinds of barriers have disappeared for Belarus authorities in the last year – they simply do what they want.

As for wholesale deliveries of foreign publishing houses to networks of booksellers in Belarus, there have been none at all from anywhere except Russia.

Indeed, since February 2022 Belarus has become part of the "Russian World", a part of the cultural policy which turns Belarus into a Western province of Russia. The prospects for the development of Belarusian culture, the Belarusian language and the Belarusian book industry under Lukashenka are very grim. It will be an imitation, paint-by-numbers culture based on folklore and ethnography. Nothing more, I’m afraid.

A first English translation of a new short story, "Punitive Squad", by Alhierd Bacharevič, is published in the winter edition of Index on Censorship. This article first appeared in The Bookseller.