Belarus: Stop harassment of human rights defenders

Ambassador Extraordinary and Plenipotentiary of the Republic of Belarus
to the United Kingdom of Great Britain and Northern Ireland
Ambassador Extraordinary and Plenipotentiary of the Republic of Belarus
to Ireland with concurrent accreditation
Mr. Sergei Aleinik
6 Kensington Court, London W8 5DL
3 November 2014

APPEAL
Dear Mr. Aleinik,

Index on Censorship is alarmed by the news that a well-known human rights defender, Elena Tonkacheva, has had her permit to reside in Belarus canceled and may be deported from the country.

Elena Tonkacheva, Chairperson of the Board of the Legal Transformation Center, although being a citizen of the Russian Federation has permanently resided in Belarus since 1985, and for years has been engaged in educational, analytical and research work in the field of human rights. Ms Tonkacheva is a highly qualified expert in law and human rights; the organisation headed by her is one of the leading human rights NGOs in Belarus.

On 30 October 2014, Ms Tonkacheva was notified about the cancelation of her residence permit and on 5 November 2014 a decision will be made as to whether she is to be deported from Belarus. The formal reason for that are administrative breaches (insignificantly exceeding speed limit when driving).

However, the disproportionate measures used by the Belarusian authorities in this case give grounds to believe that these minor breaches are used solely as a pretext to punish Ms Tonkacheva for her principled position and long-term human rights work and either to stop or create considerable obstacles in her human rights activities.

In this connection, we appeal to the Belarusian authorities to:

− Repeal the decision to cancel Ms Tonkacheva’s residence permit and not to deport her from Belarus;

− Take effective measures to protect human rights defenders and provide them with a possibility to carry out their human rights activities without any obstacles, as stipulated in the UN Declaration on the Right and Responsibility of Individuals, Groups and Organs of Society to Promote and Protect Universally Recognized Human Rights and Fundamental Freedoms from 9 December 1998;

− Be guided by the recommendation of the UN Special Rapporteur on the situation of human rights in Belarus to “recognize the important role of human rights defenders, whether  individuals or members of civil society organizations, and guarantee the independence of civil society organizations and human rights defenders, enabling them to operate without
the fear of reprisal.”1

Sincerely,
Index on Censorship

1 A/69/307 Report of the Special Rapporteur on the situation of human rights in Belarus

CC.
President of the Republic of Belarus
Aliaksandr Lukashenka
Belarus, 220016, Minsk, K.Marks Str., 38
Fax + 375 17 226 06 10
E-mail: [email protected]

Minister of Internal Affairs of the Republic of Belarus
Ihar Shunevich
Belarus, 220030, Minsk, Gorodskoy Val Str., 4
Fax + 375-17-218-76-02
E-mail: [email protected]

Office of Citizenship and Migration Affairs
Main Internal Affairs Directorate of Minsk Municipal Executive Committee
Belarus, Minsk, Nezavisimost Ave, 48Б
Fax +375-17 331-81-6
E-mail: [email protected]

Department of Citizenship and Migration
Pervomajski District Office of Internal Affairs of Minsk
Belarus, Minsk, Belinski Str., 10
Fax+375-17-280-01-62

Padraig Reidy: Belarus’ dictator cannot bear the egalitarianism of the ice bucket challenge

(Photo: Okras/Wikimedia Commons)

(Photo: Okras/Wikimedia Commons)

Pity poor Dmitry Dayneko. The Belarusian teen recently completed the ice-bucket challenge, as millions like him have before, and posted the video of himself being drenched in cold water on social media. So far, so hilarious/tedious (depending on your view of the challenge), but, ultimately, quite harmless.

Except apparently it wasn’t. Dmitry and the friends who poured cold water over his head say they were summoned by local authorities and given a stern warning to behave themselves, apparently on the orders of the KGB in Minsk. The reason? Not the icy water itself, but Dmitry’s temerity in nominating Belarus’ president, Alexander Lukashenko, to do the challenge next.

Lukashenko, one feels, is not a man who does lighthearted fun. One cannot imagine him posting a selfie of himself holding a cocktail with an umbrella in it, hashtagged #YOLO. One cannot even begin to think what he’d wear on fancy dress day at Bestival. He’s probably weirdly competitive at bowling. He does not do Wii.

This does not make him an exceptional dictator. In the history of autocrats, I can’t think of a single one who was mainly in it for the laughs, unless it was fun of the crushing your enemies, seeing them driven before you, and hearing the lamentations of their women variety.

In journalist Ben Judah’s recent, acclaimed essay on the court of Vladimir Putin, he describes a lonesome, rigid emotionless figure, whose only apparent joy is ice hockey, which Judah says, Putin finds “graceful and manly and fun”. This is quite normal for a man of his age and geographical situation (Lukashenko has the same love for ice hockey). But there is a difference between “fun” and “funny”; playing sport is fun. It may even be more fun if your opponents are scared of you. What it is not, though, is funny.

Because dictatorships don’t — can’t — do funny. People can make great jokes about authoritarian regimes, certainly. Ben Lewis’s Hammer And Tickle details the jokes that got people through Soviet communism between 1917 and 1989, most of which revel in the jarring, depressing juxtaposition between Soviet promises of milk and honey and everyday reality (“What is the definition of capitalism?” “The exploitation of man by man” “And what is the definition of communism?” “The exact opposite”.)

But those within the regime, within The Party, never, ever find themselves funny, which is why the generals end up with such large hats.

A couple of years ago, a viral video spread of Belarusian soldiers putting on a display on the country’s Independence Day. It was synchronised, controlled, disciplined, and one the campest things I have ever seen — the Red Army choreographed by Busby Berkeley. But this would not for one moment have occurred to anyone in charge.

Funny doesn’t work for dictatorships because funny usually involves humanity, and vulnerability. This is the appeal of the viral ice bucket challenge video: not admiring the superhuman feat of standing still while freezing water cascades over you, but laughing at the apprehension beforehand, and the hopping and shouting and screaming in the moments afterwards.

In the hands of the likes of Putin or Lukashenko and their apparatchiks, the challenge would have to become a real feat of strength and endurance: somehow Vladimir Putin would invent colder iced water than everyone else did, and then have more of it poured on him than anyone thought possible. And it would be boring because he would not flinch. And then he would not nominate anyone else, because, well, where do you go after Vladimir Putin or Alexander Lukashenko? What man could equal such a task?

Andy Warhol once pointed out that in America, an odd consumer egalitarianism existed: “You can be watching TV and see Coca-Cola,” the artist said, “and you know that the president drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking.”

The same is true of viral phenomena like the ice bucket challenge, or the Harlem Shake before it (that meme aggravated the Azerbaijaini authorities so much that people were arrested for allegedly taking part in it). There’s no way of making throwing water over someone’s head much more than it is. The Harlem Shake effectively died when people started trying to make slicker or (shudder) sexier versions.

In spite of near-ubiquitous celebrity participation, an ice bucket challenge is an ice bucket challenge is an ice bucket challenge.

In spite of its claim to oversee a “social state” that works “for the sake of the people”, the Soviet nostalgist regime of Lukashenko cannot bear such egalitarianism.

This article was posted on 11 Sept 2014 at indexoncensorship.org

Belarus: Bialiatski is out of prison – but not entirely ‘free’

Ales Bialiatski was released from detention. (Photo: Andrei Aliaksandrau for Index on Censorship)

Ales Bialiatski was released from detention. (Photo: Andrei Aliaksandrau for Index on Censorship)

Ales Bialiatski, a Belarusian human rights defender, was released from prison on Saturday after almost three years behind bars on politically motivated charges.

“My release came as a surprise. I was not expecting anything like that. There was a usual routine check in the morning and they took me to work with other prisoners. But around 9 a.m. I was summoned to the prison director’s office, where they told me I am being released due to an amnesty,” Bialiatski said during the press conference in Minsk today.

Bialiatski, the chair of the Human Rights Centre Viasna and a vice president of the International Federation for Human Rights (FIDH), was arrested on 11 August 2011 in Minsk and later sentenced to 4.5 years in prison for alleged tax evasion. He did not admit guilt and stated the funds in his bank accounts abroad were in fact spent for activities of Viasna and supporting victims of human rights abuses in Belarus.

“I am not sorry for those three years I spent in prison. This is the price you pay for making Belarus a free and democratic country. If we want to improve our life and drag Belarus out of the swamp it has been in for 20 years already, we need to be active and not to be afraid of repressions civil society faces. I knew what I was in prison for, that is why it was easy for me emotionally,” Bialiatski said.

In fact, it was not always easy. “Political prisoners in Belarusian jails are kept in different conditions than other prisoners. For instance, no one was allowed to talk to me, even if it was a friendly chat about weather or football, a person who approached me could be punished by the prison authorities. That was just one of many examples of physiological pressure political prisoners face in jail,” he said, describing his time behind bars.

He symbolically crossed his name out of the list of Belarusian political prisoners on a campaigning T-shirt his colleagues wore while he was in jail.

“So, Bialiatski is out, but seven more are still there. Belarus has to become a country without political prisoners. I demand from the authorities to release all political prisoners and stop prosecuting people for their political views,” Bialiatski said.

Bialiatski expressed his gratitude to “tens of thousands of people” from Belarus and around the world who supported him during his time in prison and campaigned for his release. Bialiatski also said he is not going to leave the country and he is determined to continue his human rights work.

There will certainly be ground for that as Belarus continues to have a poor human rights record. Most commentators inside the country do not see Bialiatski’s release as a sign of any genuine improvement of the human rights situation, but merely a step of “good will” that can ensure possible renewal of a dialogue with the European Union.

“The EU is clearly looking for ways and platforms for a dialogue with Belarus. Europe certainly wants to decrease tensions in the region and stabilize the situation that was created because of Ukraine and its conflict with Russia. And it can be strategically important for the EU not to allow Belarus turn completely pro-Russian. The problem is the authorities of the country refuse to talk to the Belarusian civil society, and what we have started seeing is the West is ready to give in to the government of Belarus and ‘sacrifice’ participation of active NGOs in a possible dialogue. This will be a huge mistake. Lukashenko is going to deceive Europe once again, and we can see another clampdown on civil society of the country after the presidential elections of 2015,” Uladzimir Matskevich, a Belarusian methodologist and analyst, says.

“I am really happy Ales is out of prison – but I can hardly say he is ‘free’. We are all not free here. Bialiatski’s release is certainly great, but it does not signal any change. The authorities keep tight control over society. Dictators act this way; they need to show they are capable of strict punishment and mercy; they need to show acts of both time to time to manifest they are in charge. This is perhaps what we see with Ales’ release. The opposition is still too weak and disengaged to break through this vicious circle,” Matskevich said.

This article was published on June 23, 2014 at indexoncensorship.org

From Eurovision to ice hockey — how do we engage with dubious regimes?

Belarus' Teo, in the music video for his song Cheesecake (Image: Yury Dobrov/YouTube)

Eurovision contestant Teo, in the music video for this year’s Belarusian entry Cheesecake (Image: Yury Dobrov/YouTube)

If you want a Eurovision of the future, imagine a faux-dubstep bassline dropping on a human falsetto, forever. That was how it felt watching YouTube footage of this year’s entrants in the continent’s greatest song-and-dance-spectacle.

The Eurovision Song Contest, born of the same hope for the future and fear of the past as the European Union, is approaching its 50th year. And strangely, it’s doing quite well. In spite of fears that the competition would end up as an annual carve up between former Soviet states, recent years have in fact seen a fairly equal spread of winners throughout the member states of the European Broadcasting Union (who do not actually have to be in Europe; a fact often missed by anti-Zionists who somehow see a conspiracy in the fact that Israel is a regular entrant in the competition is that channels in countries such as Libya, Jordan and Morocco are also members of the EBU, and technically could enter if they wish. Morocco did, in 1980). Since 2000, the spread of winners between Western Europe, the former Soviet states, and the Balkans and Turkey have been pretty much even.

While some of the geopolitics will always be with us — Turkey and Azerbaijan united in their hatred of Armenia, Cyprus and Greece douze-pointsing each other at every opportunity — the once-derided contest has in fact functioned as a genuine competition. Year in, year out, the best song in the competition tends to win, while the laziest entrants, not taking the event seriously as a songwriting competition (yes, we’re looking at you, Britain), tend to fall behind and then complain that Europe doesn’t “get” pop music.

The best songs and singers triumph, by and large. But Eurovision still does have a political edge.

Take Tuesday’s semi-final in Copenhagen. Russia’s entry, Shine, performed by the Tolmachevy Sisters and described by Popbitch as sounding like “almost every Eurovision song you’ve ever imagined” contained some unintentionally ominous lines:

Living on the edge / closer to the crime / cross the line a step at a time

Add an “a” to the end of that “crime”, and you’ve got the Kremlin’s current foreign policy neatly summed up in a single stanza.

I am not suggesting that the Tolmachevys were sent out to justify Putin’s expansionism. Nonetheless, the Copenhagen crowd were keen that Russia should know what the world thought of its foreign policy and domestic human rights record: as it was announced that Russia had made Saturday’s grand final, the arena erupted in jeering. The dedicated Eurovision fan is clearly not just a poppet living in a fantasy world of camp. They are engaged with the world, and particularly the regressive policies of countries such as Russia, Azerbaijan and Belarus, perhaps more so than your average European.

When Sweden’s Loreen won the competition in Baku, capital of Azerbaijan, in 2012, she pledged to meet the country’s human rights activists. That same year, BBC commentator “Doctor Eurovision” (he actually is a doctor of Eurovision) made explicit references to Belarus’s disgraceful dictatorship, rather than simply giggle at the funny eastern Europeans.

This raises an interesting question about how we engage with dubious regimes.

Before the Baku Eurovision in 2012, there was some discussion over whether democratic countries should boycott the competition, sending a message to Aliyev’s regime.

“No,” Azerbaijani civil rights activists told Index on Censorship. “Let the world come and see Azerbaijan.” They felt that for most of the world, most of the time, they are citizens of a far away country of whom we know nothing. They wanted to take their chance while the world was looking. I think they got it right. As discussed last week, Azerbaijan is engaged in a massive international PR campaign, but to most people in the world since that Eurovision and the attention it raised for the country’s opposition, it has not been able to entirely disguise its atrocious record on free speech and other rights.

On Friday, the International Ice Hockey Federation’s world championship will open in Belarus. Though there was some discussion of boycotting that event, it has died down. Nonetheless, journalists from Europe and North America will be covering the event, and fans will travel too.

Belarus’s macho dictator Alexander Lukashenko is a keen ice hockey fan, and will be aiming to sweep up the glory of hosting a major international sporting event, not long after the country hosted the world track cycling championships in 2013.

Ice hockey fans and sports journalists are generally not the type of people who go in for Eurovision. But maybe they should try to take a leaf out of the Song Contest supporters book. Have a look at the country around them, learn a little about the politics, and spread the word about the side the dictators don’t want us to see.

Autocrats try to use these international competitions to control the world’s view of them. We should beat them at their own games.

This article was posted on May 8, 2014 at indexoncensorship.org

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