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Hunan Broadcasting System, one of China’s largest television networks, has told the Financial Times it will reduce entertainment content and revamp its programming to comply with new government broadcasting standards. The network has outposts in Hong Kong and North America and is known for airing Super Girl, a version of UK’s Pop Idol.
The Indian government forced The Economist to use a sticker to conceal a map of Kashmir in the magazine. The magazine’s cover story, which utilised the map, was on the region’s border disputes. Nearly 30,000 censored issues were distributed in India. India has claimed Kashmir as its own but The Economist shows how regions of Kashmir are also held by Pakistan and China.
Last Friday, Index on Censorship editor Jo Glanville wrote here about the dubious adulation of Saudi Arabia at the Prague Bookfair:
The sponsor and guest of honour at the book fair this year is Saudi Arabia. Although there are a number of politically sensitive events taking place — such as a discussion on the Arab Spring and another on social change in Saudi culture — it is not enough to let anyone forget the Saudis dismal record on freedom of speech. The sponsorship of book fairs by authoritarian regimes is becoming a disturbing trend. China was guest of honour at the Frankfurt book fair in 2009, also highly controversial and to be repeated at the London book fair next year. Russia was the market focus country this year at the London book fair. (more…)
Last Friday, a newspaper editorial musing on the missing artist Ai Weiwei was blocked online. The editorial, which was appeared in the Southern Metropolis Daily, marked the third anniversary of the Sichuan earthquake, an event that Ai investigated. The Guardian translated part of the editorial that reflected on Ai and the deaths of schoolchildren in the disaster:
On the day of mourning we called them home and wished them peace. We gathered together all the human evidence of them we could. We read their names together … We did so much, and yet we did too little … We can but present the steel zodiac, offer up porcelain sunflower seeds, symbolic memorials to your lives once so tangible.
The sunflower seeds clearly refer to Ai’s ongoing installation at Tate Modern. David Bandurski, editor of China Media Project pointed out that in a bold move, one of China news portals, Tencent, had republished the editorial on their online editorial pages. But today (May 16) the editorial can no longer be found on the site.
Last night Lu Qing, Ai’s wife, was taken to an undisclosed location and allowed to see her husband. During the 15 minute conversation she received assurances that Ai has access to his diabetes medication and is receiving regular food and care. He wasn’t in handcuffs and despite the fact that prisoners are usually shaved he still has his signature beard.