Hampstead teacher: Leave those kids alone!

Pavan Amarahampstead-trash of London’s Camden New Journal has an astonishing story of a head teacher who reported a former pupil to the police, apparently because he student was becoming “more and more enchanted by anti-establishment ways of thinking”.

Jacques Szemalikowski, head at the Hampstead School in North London, said he was worried that A-Level student Kinnan Zaloom, 19, was  “developing into an anarchist” and that he was duty bound to report the teenager to the police for “extremism”. Szemalikowski also contacted Glasgow University, where Zaloom had applied to study, to warn them of his dangerous tendencies.

Szemalikowski told the CNJ:

I must do something. In the last year he has become more and more enchanted by anti-establishment ways of thinking and has even said that there is an inherent risk that every government is corrupt.

Zaloom set up a satirical blog called Hampstead Trash in February of this year. The blog has frequently criticised the way the school is run. Zaloom no longer writes for the blog, having finished school this summer, but it is kept up by current students. It is blocked on the school’s computers.

An editorial posted on the blog last night said in response to the head’s comments to the CNJ said:

You called us dangerous. You called Kinnan “a developing anarchist”. Regardless of Kinnan’s political views and whether he believes in it or not, agreeing with anarchism is not illegal. And we aren’t dangerous. We have never threatened to attack or harm anything or anyone. The only danger is to your ego. We aren’t a paramilitary, we aren’t fighting a dictator who will gas those who don’t agree. All we do is post a few jokes at the school’s expense, often about students and their habits, not at the staff themselves; then occasionally we criticise your and your SLT’s decisions, like the change from 8:40 to 8:35, or giving Sixth-formers late detentions.

Zaloom, who has been banned from the school grounds, told the CNJ: “[W]hat worries me is if I had been a year younger they said they would have expelled me halfway through my A-levels, and that means they would have been prepared to ruin my education because they didn’t like my thoughts.”

Szemalikowski confirmed that he would have excluded Zaloom in that circumstance.

If there’s one consolation to this story, it’s that the police have not been in touch with Zaloom to follow up on Szemalikowski allegations of anarchist extremism.

But it does raise serious questions; if Szemalikowski idea of dangerous anarchism is the notion that governments might be corrupt, how much thought policing is he willing to engage in. Will the young people of Hampstead, home of some of history’s greatest radicals, from Shelley, to Freud to Michael Foot, be allowed think for themselves anymore?

(HT @BrianWhelanHack)

Being a gay poet in Iran: ‘Writing on the edge of crisis’

Payam Feili (Photo: Nogaam)

Payam Feili (Photo: Nogaam)

Iran’s government has been increasing pressure on writers and artists over the past few years, but its heavy hand does not strike evenly.

Iranian poet Payam Feili, who is a gay man, is the victim of a brutal system. He was fired from his job, his translator’s house was ransacked, and the censors have shunned him.

Isolated in Iran, Feili has dedicated himself to writing. He says he lives among his ideas, a citizen of his mind: “I’m writing on the edge of crisis but I think I am doing fine. I’ve gotten used to life being full of tension, horror, disruption and crisis”.

Born in 1983, in Kermanshah, a city in western Iran, Feili has faced insurmountable obstacles as an author who, with pen as sword, is fighting back against social, cultural and political taboos. Despite the endorsement of renowned Iranian Simin Behbahani and the backing of one of Iran’s biggest publishers, Feili’s work has only once emerged from the Ministry of Culture and Islamic Guidance with a seal of approval.

Feili’s first book, ‘The Sun’s Platform’, was published in Iran in 2005, but dozens of other works submitted to the ministry have been refused publishing permission. Payam is blacklisted, not just for his words, but for his sexual orientation.

“They refused my books, one after the other, without any explanation. They have a blacklist of authors who are simply not allowed to publish anything. Even my apolitical non-religious works, works of pure poetry, were banned. There’s nothing scary about them, but the state authorities are afraid of everything”

Observing his sharply delicate words falling from the pages of history unread, Feili began publishing his books outside Iran, knowing all too well that he was endangering himself. Officers from the Ministry of Intelligence ransacked his translator’s house and threatened him, forcing him to sever ties with Feili. After gaining notoriety abroad, the company Feili had worked for fired him without good cause. With the odds stacked against him, Feili insists on exercising his right to freedom of speech.

“If you read my books, it’s obvious I have not succumbed to self-censorship. My poems are bold and fearless. I don’t allow anybody, not me, not others, not even the Ministry of Culture and Islamic Guidance to censor my books”

Many are hoping for Rouhani’s presidency to bring around the cultural thaw that characterised Khatami’s two terms. Feili has not been swept up by the wave of hope that has captured his peers.

“Nothing essential has changed. The structure is still the same. It’s a play, a comic and ugly performance. They’re relying on the naivety of people to be able to succeed”

Embittered by 30 years of living in exile within the borders of his country, as a homosexual, and as a writer that challenges the status quo, Feili is now dedicating his time to securing funding to translate his poetry for audiences outside Iran.

“I’ve learned a lot and I know what’s going on in Iran. I know that when my homosexual narrative is woven through my words and there is a Star of David on the cover of my book, the censors won’t even bother opening it to find out what is inside. I just want to be published. I know the audience outside Iran is different, but I just want to be heard”.


This article was reported by Nogaam, a publisher of Iranian books and authors that have been censored, banned or blacklisted. Nogaam relies on donations from readers to publish their books for free download on their website. Payam Feili’s book ‘White Field’ was first published in Persian by Nogaam in London in July 2013. The publisher is currently seeking support to help Payam translate his poems, and fulfil his simple goal of being heard.


I Will Grow, I Will Bear fruit … Figs (First Chapter)

ONE

I am twenty one. I am a homosexual. I like the afternoon sun.

My Apartment is in the outskirts of town. Near the wharf. In a place that is the realm of seashells, the realm of corals, adjacent to the eternal sorrow of the turtles.

My mother lives in the waters. In the remains of an old ship. On a bed of seaweed. Her hair blazes like a silver crown above her head. My mother is always naked. She visits me every now and then. At my apartment in the outskirts of town.

She first crosses the wharf. She floats in the scattered scents of the bazaar. Then she pays a visit to the crowd of fishermen in the seaside cafés. Among their wares, a hidden pearl. And she leaves them and heads for my bed. Of course, along this entire route, she is no less naked.

Poker; that is what I call him. He is my only friend. We met during military training. He is twenty-one. He likes the afternoon sun and he is not a homosexual.

I consider this a threat. I have never talked to anyone about my sexual inclination. In fact, I hide it. Even from my few sexual partners. With them, I pretend it is my first such experience.

My sexual partners are night prowlers. Strangers. Poker is not a night prowler. Poker is not a stranger. And this is chipping away at me from the inside!

Payam Feili

Translated from the Persian by Sara Khalili | This translation appears on Feili’s blog.


This article was originally published on 14 Aug, 2013 at indexoncensorship.org. Index on Censorship: The voice of free expression

The Multipolar Challenge to Free Expression

The current issue of Index on Censorship magazine features a special report on the shifting world power balance and the implications for freedom of expression.

“The multipolar world can be one where universal human rights and freedom of expression are kept firmly on the agenda, and increasingly respected, if these democracies hold themselves and each other to account — and are held to account — at home and internationally,” write Index CEO Kirsty Hughes and London School of Economics professor Saul Estrin.

The issue also looks at press freedom in Italy, Burma, Mexico, Columbia and India as well as violence against journalists and arrests of those who expose uncomfortable truths.  “Worldwide, on average only one in ten cases of murders of journalists ends in a conviction,” says Guy Berger, author of an article on the threats and dangers journalists encounter around the world. Instead of being reassured that the rule of law will be upheld, “the take-away lesson for everyone is: journalists can be killed with impunity”.


From the current issue
Global view: Who has freedom of expression? | The multipolar challenge to free expression | Censorship: The problem child of Burma’s dictatorship | News in monochrome: Journalism in India


Also in this issue:

  • John Lloyd on how party politics have skewed Italian journalism
  • Yavuz Baydar says Turkey’s media moguls must defend free speech
  • Htoo Lwin Myo tells what was it is like to work as a writer in Burma
  • Bharat Bhushan on “paid-for” news and the absence of marginal voices in the Indian media
  • Lawrence Freedman and Benedict Wilkinson on the opportunities — and limits — of online activism
  • A new play from Turkmenistani writer-in-exile Farid Tukhbatullin, whose wit offers a glimpse of life inside one of the world’s most closed and repressive countries.
  • Find out more here | Subscribe now

 

Did you know you can read the magazine on your iPhone/iPad? Download for FREE then upgrade to a 30 day subscription for only £1.79.

Adieu Ahmadinejad

August will mark the end of our time with Mahmoud Ahmadinejad, Iran’s president since 2005. His successor, moderate cleric Hassan Rohani, was announced as the winner of this year’s election over the weekend.

Demotix | VIEWpress Corp. Ahmadinejad, the Islamic Republic’s sixth president, brought along with him an aggressive foreign policy and a penchant for controversial statements — from
questioning the Holocaust, to denying the existence of homosexuality in Iran, to claiming that the United States developed HIV to profit from African nations.

His time in office has been marked with many arbitrary arrests and restrictions on freedom of expression. During his first term, 14 publications were shut down, including newspaper Sharvand Emrooz (Today’s Citizen), closed for using an image of the then newly-elected US President Barack Obama on its front cover.

His re-election in 2009 sparked popular protests that became known as the “Green movement”, as demonstrators alleging that the result was fraudulent filled the streets. They were met with a brutal crackdown.

The aftermath of the election brought a rise in attacks on journalists and press freedom, according to the Committee to Protect Journalists (CPJ). As of December 2012, the organisation reported 45 journalists in prison.

Iran has also gained a reputation for online censorship, named one of the “enemies of the internet” by Reporters Without Borders (RSF). In 2010, the country created a “Cyber Army” to police the web. Following the disputed 2009 election, Facebook was banned in Iran in the name of curbing social unrest. Also in 2009, the country formed the “Organised Crime Surveillance Centre”, which according to RSF, has been used to pursue netizens.

Ahmadinejad also leaves behind a legacy of cultural censorship. According to a 2011 report published by  information activists Small Media, Iran’s government “has become increasingly draconian in the imposition of restrictions and the implementation of new policies concerning the publication of books” following 2009’s election. Small media contend “there has been no other comparable era of such heavy-handed suppression since the instigation of the Islamic Republic in 1979.”

At the 2010 Tehran Book Fair, books approved published before 2007 were banned from being sold. Raha Zahedpour wrote for Index about this year’s fair:

“No one in the industry can anticipate what will and will not be allowed by Iran’s Ministry of Culture and Islamic Guidance. Completed projects wait for months to be reviewed by state censors and most are returned with a long list of “required modifications.”

Iran’s system of censorship, combined with international sanctions have “put the publishing industry under intense pressure” according to Zahedpour.

The country’s film industry has also been crippled by its censors: independent as well as pro-reform filmmakers face punishment or jail time, while films with a regime slant receive financial backing. Filmmaker Jafar Panahi, for example, received a six-year jail sentence for “colluding in the gathering and making of propaganda against the regime” in 2010, as well as a ban preventing him from making films or traveling abroad for 20 years.

It’s not known what the outgoing leader’s next steps will be: he could stand trial in November, following unspecified complaints brought against him by Parliament Speaker Ali Larijani, a conservative rival. But some believe that the 56-year-old will not leave the political arena easily.

Sara Yasin is an Editorial Assistant at Index. She tweets from @missyasin