21 Dec 11 | Uncategorized
Following criticism over the removal of Palestinian artist Larissa Sansour from the short list of the Lacoste Elysee prize, Lacoste announced today their decision to cancel participation and support to the Elysée Prize on the account of the situation, and in order to “avoid any misunderstanding.”
The Musée de l’Elysée also announced today that they have decided to suspend the competition, based on “the private partner’s wish to exclude Larissa Sansour.” They also added that they “reaffirm” their support for Sansour, for “the artistic quality of her work and her dedication.”
The museum said that their decision reaffirms “commitment” to their “fundamental values,” and said that the decision to suspend the prize is in line with their history of defending “artists, their work, freedom of the arts and of speech.”
While the Musée de l’Elysée is placing responsibility on the shoulders of Lacoste, the fashion brand said that both Lacoste and the Musée de l’Elysée “felt that the work at hand did not belong in the theme of joie de vivre (happiness).” Lacoste also added that the decision was only made known to Sansour after making an agreement with the museum.
Lacoste said that Sansour’s work did not fit the criteria for the prize, but the museum said that nominees “had carte blanche to interpret the theme in which ever way they favoured, in a direct or indirect manner, with authenticity or irony, based upon their existing or as an entirely new creation.”
While both statements confirmed the approval of Sansour from the beginning, the objection to her work remains unclear. Lacoste denies implications that she was excluded “on political grounds,” but that it was merely a prize to “promote young photographers and provide them with an opportunity to increase their visibility.”
While both organisations claim to have suspended the competition, it is unclear as to whether or not this was a joint decision.
21 Dec 11 | Uncategorized
Lacoste has refuted claims that the work of Palestinian artist Larissa Sansour was removed from the shortlist for the Lacoste Elsee prize based on her work being too “pro-Palestinian” as she has claimed.
Lacoste told Index that the work was removed from the shortlist “because it didn’t correspond to the theme of the 2011 edition” which was “joie de vivre” and said that they “regret the political interpretation” of their decision.
Soren Lind, husband and assistant of Sansour, denied that this was the case and said Sansour had received “nothing but praise” for her work.
Nominees for the prize were told in an email that even though the museum was teaming up with Lacoste, it was not an “advertising campaign” and gave the nominees “total artistic freedom” in interpreting the theme. Lind said that the artists were told that they “didn’t have to take [the theme] literally.”
The question of violating the rules was new to Lind. According to him, “nothing in communications prior had anything saying that she doesn’t meet the requirements.” Messages exchanged between Musée de l’Elysée and Sansour also contradict the reasoning offered by Lacoste. In a message notifying Sansour of her removal from the list, a representative from the museum said that “the decision was taken by Lacoste” and that the museum had defended her work.
Lind also mentioned that the director of the museum, Sam Stourdzé, told him in a phone conversation that while the “piece is not anti-Israeli, he still felt it was too political.”
Steering clear of political themes has been a point of conflict in the past, Lind said. One of last year’s finalists, Camila Rodrigo Grana also created debate with her work, which showed a bootleg vendor in Lima selling counterfeit Lacoste polo shirts, which also could be interpreted politically. Lind said that although concerns were voiced, the committee “ended up allowing the project” rather than pulling her from the nomination list.
Lind pointed out that officials were censoring artists and “expecting them to be compliant.” The museum, which has offered to display Sansour’s work separately, attempted to convince her to sign a statement stating that she “decided to pursue other opportunities.”
Index has also attempted to contact the Musée de l’Elysée, but has not yet had a response.
20 Dec 11 | Index Index, minipost
Virgin Media’s electronic programme guide took offence at a range of inoffensive words at the weekend. Alfred Hitchcock became Alfred Hitchc**k, as Jarvis C**ker was subject to the same treatment. A**enal and Charles D**kens were also deemed too offensive for viewers. A Virgin Media spokesperson told the Guardian: “Over the weekend a temporarily over-zealous profanity checker took offence at certain programme titles. The altered titles have been swiftly an*lysed and we’re fixing any remaining glitches.” Viewers were quick to notice, posting pictures of the c**k up online.
20 Dec 11 | Index Index, minipost
An advertising company in Jerusalem has refused to carry ads campaigning for women’s equality on their buses. Cnaan Advertising, the company responsible for adverts on buses rejected the advert campaign as they believe the buses will be vandalised by orthodox extremists . Cnaan Advertising demanded a financial guarantee of almost £8,500 from Yerushalmim, the movement responsible for the campaign, to run the adverts. In 2008, adverts featuring Yerushalmim head Rachel Azaria appeared on buses as part of her run for a seat on the city council, but since then, women have rarely appeared on bus advertisements.
