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Today’s 21st anniversary of the Tiananmen Square massacre has not passed without controversy.
This cartoon, published on Tuesday in the Southern Metropolis Daily was pulled from the newspaper’s website after it started attracting online interest. The image was part of a series commemorating International Children’s Day but it clearly references Tank Man, the lone protester who stood in front of a column of tanks, now the emblematic image of the massacre.
This is a brave move for the Guangdong-based newspaper, which has reputation for being one of the most independent news outlets in mainland China. However the decision to run the print edition and pull the online one has raised questions; was the cartoons publication a mistake — perhaps an overworked editor missed the underlying symbolism — or was the paper simply forced to pull the online version due to government pressure? So far, the Southern Metropolis Daily has declined to comment on the situation.
Elsewhere the authorities have kept tight control around the physical domains of Tiananmen Square and Beijing; on the geography-based social networking website foursquare.com users have staged online vigils, “checking in” to the virtual Tiananmen Square in a show of solidarity. In response, the Chinese government today blocked access to the website from mainland China. Around the world, protests have taken place in cities such as Hong Kong and Tokyo, where one of the original student demonstrators, Wu’er Kaixi, was arrested for trespassing on the Chinese Embassy. Wu’er, an activist of Uighur descent currently lives in exile in Taiwan.
In a strange twist, it was announced today that the June 4th diaries of China’s premier at the time, Li Peng, will be published this month. Secrecy still surrounds the decision to use the military to crush the student-led protests, and the Chinese government still refuses to publish verifiable figures for the number of injured or killed civilians during the protests. Although doubts have been cast on the book’s authenticity, the diaries are rumoured to provide an insight into senior officials thinking during the crisis and background into how government decisions were reached, including the deployment of martial force in the Square. In one of the passages, Li Peng is quoted as saying he will “sacrifice” his life in order to prevent another Cultural Revolution from occurring. If the book turns out to be genuine, it could be the government’s attempt to justify its actions 21 years ago.
A high school near the city of Shigatse in Tibet has banned teachers and pupils from having “separatist” ringtones on their mobile phones after they were ruled “unhealthy” by local education officials. A list of 27 popular Tibetan songs was posted on the school website, and anyone caught in possession of them was warned they would be “severely dealt with”.
It’s been a busy month for China’s central propaganda department (CPD).
In April, the Qinghai earthquake exposed tensions between Tibetans and the Chinese authorities. The disaster, just weeks prior to the Shanghai Expo, seemed likely to steal the limelight away from the celebrated international event. More recently the CPD’s skills have been tested by a spate of school attacks, the department responded with a press freedom clampdown, it banned reporters from interviewing the parents of the dead and injured schoolchildren. Also on the CPD’s growing list of media concerns this month were the state visit of North Korea‘s leader Kim Jong-il and last week’s China-US Human Rights Dialogue.
Faced with a possible outbreak of negative publicity, the CPD have been issuing internal “directives” on a near daily basis, the orders specify what stories news agencies can publish, how to publish them, and how to control and monitor the public discussions. Luckily for us, so widespread are these directives that there is a Chinese blog, the Ministry of Truth, dedicated to leaking these press guidelines for all to see.
Excerpts from some of the directives have been translated into English by China Digital:
17 May – Regarding sentencing of Taixing school attacker; “only use Xinhua sources for pronouncement of first sentence, do not report death sentence, not not promote any other similar news items.”
14 May – Report “China-US Human Rights Dialogue” correctly, do not put related news on the front page, close comment sections.
12 May – [Shaanxi stabbings] …only publish the general draft from Xinhua, do not use information from other sources; do not place it in a prominent position; do not exhibit it for a long time; close the news commentary function.
11 May – News about Internet in Xinjiang must all use draft of media in Xinjiang, do not promote, do not hype.
30 April – [Shanghai Expo] … all media need to use reports from Xinhua or other central committee media; no other media should do its own reporting; no following or stopping leaders for interviews
29 April – [Taixing stabbings] … do not send reporters for interviews… Do not put it on the highlights section or on the front page. Do not give it a large title. Do not attach photos.
For more information about the Ministry of Truth, read this China Digital article.
A new report highlights the way China targeted Tibetan intellectuals and artists in response to Tibet’s spring 2008 protests writes Kate Saunders
There has been a vibrant literary and cultural resurgence in Tibet since spring 2008, when protests against Chinese government policy and in support of the Dalai Lama swept across the plateau.
A new generation of Tibetan intellectuals, often fluent in Chinese and familiar with digital technology, are daring to refute China’s official narrative. Their critiques are among the most wide-ranging indictments of Chinese policy in Tibet for 50 years.
In response, there is a deepening crackdown by the Chinese government against Tibetan writers, bloggers, artists, and other intellectuals in the public sphere. For the first time since the Cultural Revolution, writers, intellectuals, singers and artists in Tibet are being systematically targeted for their work, and almost every expression of Tibetan identity can be accused of being “reactionary” or “splittist”. Tashi Dhondup, a popular singer from Amdo (now Qinghai), , is in a labour camp as a result of singing songs referring to Tibetans’ grief at the killings of March 2008. Kunchok Tsephel, the founder of a website promoting Tibetan culture, was sentenced to 15 years in prison in November. Bloggers, artists and other intellectuals, including an artist who taught the Tibetan language to nomad children, have ‘disappeared’.
Although less well-known outside China than high-profile Chinese dissidents such as Liu Xiaobo and Hu Jia, many of the intellectuals named are famous among Tibetans, and are also enduring long prison terms for peaceful expression. Their concerns about restrictions and repression mirror those of their Chinese counterparts.
A new list is now available at www.savetibet.org detailing the cases of more than 50 Tibetans, including 13 writers, involved in the arts and public sphere who are either in prison, have been ‘disappeared’ or have faced torture or harassment due to expressing their views.
Since March 2008, the Chinese government has blocked news of the arrests, torture, disappearances and killings that have taken place across Tibet. The dangers faced by Tibetans who seek to describe the situation on the ground or simply express their views to the outside world have dramatically increased.
Among those named in the International Campaign for Tibet’s report are Tibetans sentenced to long prison terms for simply speaking about the crackdown via email or on the telephone. The penalties attached to these cases indicate a zero tolerance policy that is counter to China’s obligations to free speech under its own law and international human rights law.
Kate Saunders works for the International Campaign for Tibet