29 Jun 20 | News and features
[vc_row][vc_column][vc_single_image image=”114095″ img_size=”full” add_caption=”yes”][vc_column_text]The Covid-19 pandemic has been largely contained in Hong Kong, with only about a dozen community cases over the past two months and all imported cases detected and isolated upon arrival. I was beginning to allow myself to feel less depressed about the situation in the city, even though I continued to worry about how coronavirus was affecting the rest of the world. And then, in late May, Beijing announced the National Security Law for Hong Kong, bypassing the city’s Basic Law and Legislative Council.
The law came out of nowhere, with the stated targets of so-called secession, terrorism, subversion, and collusion with foreign governments. When did they start planning it? Who was involved in drafting it? How is it going to be implemented? It was a devastating day in Hong Kong when the news was released, and I am certain many were plunged into yet another emotional and psychological abyss. I myself felt angry, helpless and wistful for ‘simpler’ days when the news wouldn’t break your heart or make your blood boil on a daily basis.
If last year’s extradition bill, which was withdrawn in September after mass protests, didn’t drive people away, the national security law has already sufficiently frightened many to make plans to leave. Whatever confidence they might have had in the city’s democratic future has been crushed. Like a skull being smashed against the wall by the Chinese Communist Party. The opacity of the law, combined with the severe sentencing—the city’s sole delegate to the National People’s Congress Standing Committee Tam Yiu-chung has even suggested life sentences for some infractions—are making people relocate. Those who have no means to leave are like silent lambs under knives that can fall at any time.
The National Security Law is particularly chilling for the following reasons: the speed of its introduction; the top-down approach, which has completely disregarded the opinions of people here; the way it has been cloaked in secrecy for spurious reasons – not even Hong Kong’s puppet chief executive Carrie Lam has seen the text, and nobody will until it is passed. The lack of means for Hongkongers to express their views and push back—and the inevitability of the law being passed (although I have to admit I still harbour some naïve belief that some miracle might happen and reverse the situation). Most worryingly, there is the way a similar law has been used in mainland China to attack dissidents, including democracy advocates such as the late Nobel peace laureate Liu Xiaobo and human rights lawyers such as Wang Quanzhang, not to mention academics and labour activists who are not household names. I fear we only have the worst case scenarios to look forward to.
What we are witnessing is the rapid evisceration of “One Country, Two Systems”, the principle by which Hong Kong has been governed since the 1997 handover. By removing the legal firewall between the mainland and Hong Kong, Beijing is reneging on its pledges in the 1984 Sino-British Declaration. While Hongkongers have long come to distrust the Chinese government, this is the final betrayal, after their concerns voiced repeatedly in popular protests, and elections in 2016 and 2019, have been dismissed.
This also has implications for a world that is turning increasingly authoritarian. And China, with its overseas initiatives such as Belt and Road, is pulling other countries further into its ambit and dependency on it. The Chinese government does not hesitate to interfere in other countries, demanding publishers and organisers of events withdraw items that displease it, such as a recent photography exhibition in Belfast, where the Chinese consulate requested a photograph of the Tiananmen “Tank man” be removed (the request went unanswered). As China’s economic heft in other countries increases, such demands and interference will only become more common.
History has shown how precipitous change for the worse can be. Countries in the West and elsewhere have long accommodated China out of economic pragmatism; only now are many of them waking up to the dangers of appeasement. The Chinese Communist Party has no intention of yielding any power, either at home or abroad, and what it has done in Hong Kong with the National Security Law should be a wake-up call for countries everywhere.
Monday 29 June 2020[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
24 Jun 20 | Index in the Press
[vc_row][vc_column][vc_column_text]Deputy editor of Index on Censorship magazine Jemimah Steinfeld talks to The Telegraph’s James Cook and Sophie Yan about the impact of technology on China’s tendency towards censorship beyond its borders.
“China exports its censorship. This is something that will become more common if companies like Zoom don’t take a stand now. I say this because we have already seen it happening. This is not the first example.”
Read the full article here[/vc_column_text][/vc_column][/vc_row]
17 Jun 20 | Magazine, Magazine Contents, Volume 49.02 Summer 2020
[vc_row][vc_column][vc_custom_heading text=”With contributions from Katherine Parkinson, David Hare, Marina Lalovic, Geoff White and Timandra Harkness”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The Summer 2020 issue of Index on Censorship magazine looks at just how much of our privacy we are giving away right now. Covid-19 has occurred at a time when tech giants and autocrats have already been chipping away at our freedoms. Just how much privacy is left and how much will we now lose? This is a question people in Turkey are really concerned about, as many feel the home was the last refuge for them for privacy, but now contact tracing apps might rid them of that. It’s a similar case for those in China, and the journalist Tianyu M Fang speaks about his own, haphazard experience of using a contact tracing app there. We also have an article from Uganda on the government spies that are everywhere, plus tech experts talking about just how much power apps like Zoom and tech like drones have.
In our In Focus section, we interview journalists in Serbia, Hungary and Kashmir who are trying to report the truth in places where the truth can be as dangerous, if not more, than Covid-19. And we have an interview with and poet from the playwright David Hare.
We have a very special culture section in this issue. Three playwrights have written short plays for the magazine around the theme of pandemics. V (formerly Eve Ensler), the author of The Vagina Monologues, takes you to the aftermath of a nuclear disaster; Katherine Parkinson of The IT Crowd writes about online dating during quarantine; Lebanese playwright Lucien Bourjeily is inspired by recent events in his country in his chilling look at protest right now.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special Report”][vc_column_text]
Back-up plan by Timandra Harkness: Don’t blindly give away more freedoms than you sign up for in the name of tackling the epidemic. They’re hard to reclaim
The eyes of the storm by Issa Sikiti da Silva: Spies are on the streets of Uganda making sure everyone abides by Covid-19 rules. They’re spying on political opposition too. A dispatch from Kampala
Zooming in on privacy concerns by Adam Aiken: Video app Zoom is surging in popularity. In our rush to stay connected, we need to make security checks and not reveal more than we think
Seeing what’s around the corner by Richard Wingfield: Facial recognition technology may be used to create immunity “passports” and other ways of tracking our health status. Are we watching?
Don’t just drone on by Geoff White: If drones are being used to spy on people breaking quarantine rules, what else could they be used for? We investigate
Sending a red signal by Tianyu M Fang: When a contact tracing app went wrong a journalist was forced to stay in their home in China
The not so secret garden by Tom Hodgkinson: Better think twice before bathing naked in the backyard. It’s not just your neighbours that might be watching you. Where next for privacy?
Hackers paradise by Stephen Woodman: Hackers across Latin America are taking advantage of the current crisis to access people’s personal data. If not protected it could spell disaster
Italy’s bad internet connection by Alessio Perrone: Italians have one of the lowest levels of digital skills in Europe and are struggling to understand implications of the new pandemic world
Less than social media by Stefano Pozzebon: El Salvador’s new leader takes a leaf out of the Trump playbook to use Twitter to crush freedoms
Nowhere left to hide by Kaya Genç: Privacy has been eroded in Turkey for many years now. People fear that tackling Covid-19 might take away their last private free space
Open book? by Somak Ghoshal: In India, where people are forced to download a tracking app to get paid, journalists are worried about it also being used to access their contacts
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In Focus”][vc_column_text]
Knife-edge politics by Marina Lalovic: An interview with Serbian journalist Ana Lalic, who forced the Serbian government to do a U-Turn
Stage right (and wrong) by Jemimah Steinfeld: The playwright David Hare talks to Index about a very 21st century form of censorship on the stage. Plus a poem of Hare’s published for the first time
Inside story: Hungary’s media silence by Viktória Serdült: What’s it like working as a journalist under the new rules introduced by Hungary’s Viktor Orbán? How hard is it to report?
Life under lockdown: A Kashmiri Journalist by Bilal Hussain: A Kashmiri journalist speaks about the difficulties – personal and professional – of living in the state with an internet shutdown during lockdown
The truth will out by John Lloyd: Journalists need to challenge themselves and fight for media freedoms that are being eroded by autocrats and tech companies
Extremists use virus to curb opposition by Laura Silvia Battaglia: Covid-19 is being used by religious militia as a recruitment tool in Yemen and Iraq. Speaking out as a secular voice is even more challenging
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]
Masking the truth by V: The writer of The Vagina Monologues (formerly known as Eve Ensler) speaks to Index about attacks on the truth. Plus a new version of her play about living in a nuclear wasteland
Time out by Katherine Parkinson: The star of The IT Crowd discusses online dating and introduces her new play, written for Index, that looks at love and deception online
Life in action by Lucien Bourjeily: The Lebanese director talks to Index about how police brutality has increased in his country and how that informed the story of his new play, published here for the first time
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Index around the world”][vc_column_text]
Putting abuse on the map by Orna Herr: The coronavirus crisis has seen a huge rise in media attacks. Index has launched a map to track these
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]
Forced out of the closet by Jemimah Steinfeld: As people live out more of their lives online right now, our report highlights how LGBTQ dating apps can put people’s lives at risk
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Subscribe”][vc_column_text]In print, online, in your mailbox, on your iPad.
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SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Read”][vc_column_text]The playwright Arthur Miller wrote an essay for Index in 1978 entitled The Sin of Power. We reproduce it for the first time on our website and theatre director Nicholas Hytner responds to it in the magazine
READ HERE[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Listen”][vc_column_text]In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson talk to trans woman and activist Peppermint; San Diego photojournalist Ariana Drehsler and Index’s South Korean correspondent Steven Borowiec
LISTEN HERE[/vc_column_text][/vc_column][/vc_row]
16 Jun 20 | Magazine, Magazine Editions, Volume 49.02 Summer 2020
Journalist
Issa Sikiti da Silva is an award-winning freelance journalist who has traveled extensively across Africa. Born in Kinshasa, the capital of the Democratic Republic of Congo, he has lived in South Africa and worked as a foreign correspondent in West Africa. His work has been published in nearly 40 media outlets
Actor and playwright
Katherine Parkinson is a Bafta-award winning English actress. She has appeared in several television series, including The IT Crowd and Humans. She has also appeared in such films as How to Lose Friends & Alienate People and The Boat That Rocked, as well as on stage in various high profile West End shows. In 2019 Parkinson’s debut work as a playwright, Sitting, had its London premiere, after a month-long run at the Edinburgh Fringe
Playwright
David Hare is a playwright and film-maker. He has written over thirty stage plays which include Plenty and Pravda (with Howard Brenton). For film and television, he has written nearly thirty screenplays which include Licking Hitler, The Hours, The Reader and Denial. In a millennial poll of the greatest plays of the 20th century, five of the top 100 were his
