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A major new global ranking index tracking the state of free expression published today (Wednesday, 25 January) by Index on Censorship sees the UK ranked as only “partially open” in every key area measured.
In the overall rankings, the UK fell below countries including Australia, Israel, Costa Rica, Chile, Jamaica and Japan. European neighbours such as Austria, Belgium, France, Germany and Denmark also all rank higher than the UK.
The Index Index, developed by Index on Censorship and experts in machine learning and journalism at Liverpool John Moores University (LJMU), uses innovative machine learning techniques to map the free expression landscape across the globe, giving a country-by-country view of the state of free expression across academic, digital and media/press freedoms.
Key findings include:
The countries with the highest ranking (“open”) on the overall Index are clustered around western Europe and Australasia – Australia, Austria, Belgium, Costa Rica, Denmark, Estonia, Finland, Germany, Ireland, Latvia, Lithuania, Netherlands, New Zealand, Norway, Portugal, Sweden and Switzerland.
The UK and USA join countries such as Botswana, Czechia, Greece, Moldova, Panama, Romania, South Africa and Tunisia ranked as “partially open”.
The poorest performing countries across all metrics, ranked as “closed”, are Bahrain, Belarus, Burma/Myanmar, China, Cuba, Equatorial Guinea, Eritrea, Eswatini, Laos, Nicaragua, North Korea, Saudi Arabia, South Sudan, Syria, Turkmenistan, United Arab Emirates and Yemen.
Countries such as China, Russia, Saudi Arabia and United Arab Emirates performed poorly in the Index Index but are embedded in key international mechanisms including G20 and the UN Security Council.
Ruth Anderson, Index on Censorship CEO, said:
“The launch of the new Index Index is a landmark moment in how we track freedom of expression in key areas across the world. Index on Censorship and the team at Liverpool John Moores University have developed a rankings system that provides a unique insight into the freedom of expression landscape in every country for which data is available.
“The findings of the pilot project are illuminating, surprising and concerning in equal measure. The United Kingdom ranking may well raise some eyebrows, though is not entirely unexpected. Index on Censorship’s recent work on issues as diverse as Chinese Communist Party influence in the art world through to the chilling effect of the UK Government’s Online Safety Bill all point to backward steps for a country that has long viewed itself as a bastion of freedom of expression.
“On a global scale, the Index Index shines a light once again on those countries such as China, Russia, Saudi Arabia and United Arab Emirates with considerable influence on international bodies and mechanisms – but with barely any protections for freedom of expression across the digital, academic and media spheres.”
Nik Williams, Index on Censorship policy and campaigns officer, said:
“With global threats to free expression growing, developing an accurate country-by-country view of threats to academic, digital and media freedom is the first necessary step towards identifying what needs to change. With gaps in current data sets, it is hoped that future ‘Index Index’ rankings will have further country-level data that can be verified and shared with partners and policy-makers.
“As the ‘Index Index’ grows and develops beyond this pilot year, it will not only map threats to free expression but also where we need to focus our efforts to ensure that academics, artists, writers, journalists, campaigners and civil society do not suffer in silence.”
Steve Harrison, LJMU senior lecturer in journalism, said:
“Journalists need credible and authoritative sources of information to counter the glut of dis-information and downright untruths which we’re being bombarded with these days. The Index Index is one such source, and LJMU is proud to have played our part in developing it.
“We hope it becomes a useful tool for journalists investigating censorship, as well as a learning resource for students. Journalism has been defined as providing information someone, somewhere wants suppressed – the Index Index goes some way to living up to that definition.”
Happy New Year!
I think we can all agree, regardless of where we live, that 2022 was a tumultuous year. There was seemingly a new crisis every day. Totalitarian regimes moving against their populations became increasingly normal, from Iran to China. The ongoing rise (and occasional fall) of populist politics. The Russian invasion of Ukraine. The rise of energy and food costs and the impact on some of the world’s poorest. The attempted murder of Sir Salman Rushdie. And to be parochial just for a moment, complete political insanity in the UK.
I really hoped that 2023 would mark the end, or at least a pause, of that wonderful Chinese saying – we live in interesting times. Even for just a few months I had dreamed of a period of calm, of quiet, of dullness. Or at least a few weeks so we could all catch up on life and enjoy the world we live in, rather than being anxious at turning on the news.
It is only the sixth day of the year and my wish for calm has already been broken. This week we have seen political dysfunction in the USA; Belarus has commenced trials against many of their high-profile detainees who were arrested during the demonstrations against Lukashenka; there have been deadly riots in Mexico and the news is filled with the gloom of Covid (and China’s censoring of news on it), flu and inflation. It’s day six…
We knew that this year would see significant world events, as the impact of the war in Ukraine continues to be felt. But China is also likely to seek to exploit this global diplomatic distraction for their own nefarious wants. And of course the protests in Iran, Afghanistan, South Sudan and Mexico continue apace – even as they evolve.
Index will remain busy in the months ahead as we seek to shine a spotlight on the actions of totalitarian regimes and make sure that you hear from the people behind the headlines. From the women now banned from attending university in Afghanistan, from the democracy activists imprisoned in Belarus, from the Rohingya mothers held in camps as they flee Myanmar, from the journalists who fight to be heard and stay alive in Mexico. Index will keep providing a platform for the persecuted, so they can tell their stories and you can hear them.
Happy New Year in these interesting times.
The exhibition Seeing Auschwitz, which opened recently in South Kensington, London, focuses on the images which play a large part in our collective perception of the Holocaust. What makes the images in this exhibition unique is that they were predominantly taken by the perpetrators of the Holocaust.
A focus of the exhibition is to try and humanise these images. Blown up large, we are invited to study the small detail for any stories we can see. A farewell embrace, children laughing, a gaze up to the sky.
The pictures in the exhibition were taken over a three-month period in 1944. The clear, more polished photos taken by the Nazis are juxtaposed by a section of the exhibition which shows several snatched photos taken by the Sonderkommando (work units made up of death camp prisoners). One of the photos (it’s not known how they accessed a camera) shows a group of women being forced naked, a hurried snapshot of terror. Drawings made after the war by one of the Sonderkommando gives an insight into the horror of the gas chambers.
One interesting photo is taken by neither perpetrator nor victim. The image, taken by a 14-year-old boy from his bedroom window, shows inmates from Dachau on a death march through his village. It places the horrors of the concentration camp, very rarely, in a normal, suburban setting.
The exhibition reminds us that, with around two million visitors per year, Auschwitz itself isn’t the only place we can understand what happened there. It can also be ‘seen’ in the void - the absence of large Jewish populations, common in towns and cities throughout Europe before the Second World War, which signifies whole generations of people who will never be born.
Attempts to destroy evidence of the Holocaust by the Nazis failed overall. Aside from antisemitic and right-wing conspiracy theorists, the world is clear about what the Holocaust was, and who the perpetrators were.
Similar efforts to bear witness to atrocities continue today. In March 2022, at least 458 people were killed in and around the town of Bucha in Ukraine by the invading Russian Army, which Russia’s UN envoy denied and claimed was a ‘staged provocation’. Journalists and civilians alike collected evidence to prove that was a falsehood. Elsewhere it is not so easy. In a chilling echo of the Holocaust, around five years ago there were reports that China was building internment camps for its Uyghur population, a mainly Muslim ethnic minority living in the far north western region of the country. The Chinese Foreign Ministry publicly denied there was a genocide in 2021; reporters are rarely allowed into the region where the genocide is taking place and when they are, they are often followed and/or their press trips tightly controlled. Those who have left the region are subject to harassment and intimidation, as we reported in our Banned by Beijing report. Still, a growing network of brave individuals are speaking out, journalists are working hard to obtain information and a clear picture of what is taking place is emerging.
Like Sydney Silverman did in 1942, it’s important for organisations like Index on Censorship to pressure those in power to take action against human rights abuses, to support those who are on the frontlines of gathering information and to also fight back against denial in spite of evidence. In an age of misinformation and disinformation, the fear is that evidence of atrocities, like the Bucha and Uyghur genocides, become distorted from the side of the perpetrator. Seeing Auschwitz reminds us to look deeper into what we’re viewing.