Index relies entirely on the support of donors and readers to do its work.
Help us keep amplifying censored voices today.
[vc_row][vc_column][vc_column_text]
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]“In the Middle Ages people watched convicts getting quartered in public squares. Nowadays, on social media, they watch reporters as they live-tweet their ordeals: detention, physical attacks on the streets, losing their livelihoods,” said Turkish author and journalist Kaya Genç.
“For most Turks, watching journalists getting sacked or imprisoned or destroying each other’s careers became entertainment.”
Genç spoke to Index to answer questions posed by the Index youth advisory board about life as a journalist in Turkey under President Recep Tayyip Erdogan, and his latest book, The Lion and the Nightingale: A Journey Through Modern Turkey.
The youth board are elected for six months, and meet once a month online over that period to discuss freedom of expression issues. They are based around the world.
Hana Meihan Davis, from Hong Kong, asked how Erdogan managed to strip Turkey of journalistic freedom. Genç explained that divisions have existed between political sects in the media for decades, which the current ruling party was then able to take advantage of.
“When Islamists were in trouble in the 1990s secularists supported court cases against them; when secularists were locked up some liberals applauded; when Kurds were imprisoned most journalists looked the other way. Now as most of their colleagues are sacked or locked up conservatives act as if all is normal,” said Genç, who is also a contributing editor to Index on Censorship magazine.
Amid this sense of apathy Erdogan moved to create “a small army of loyalists in the media” as other news sites and newspapers were closed down.
Davis followed up her question, asking if people realised what was happening at the time? This is a question often asked when we look back with hindsight at the gradual erosion of freedoms. Were people like a frog who doesn’t realise the temperature of his water is slowly being increased to boiling? Genç said some journalists saw the dangers.
“Reporters and editors declared their independence, or found new patrons, and they are producing excellent work away from the influence of state power. I’m sure they were aware of what was happening while they worked at titles now tamed and indirectly owned by the government.”
The landscape for journalists in Turkey today is rocky terrain. There is an acute awareness of the censorship laws that can be imposed, coupled with a determination to provide much needed accurate reporting.
From the UK, Saffiyah Khalique asked about the laws around “public sensitivities”, which can result in imprisonment for up to a year for disrespecting the beliefs of religious groups, insulting Turkishness and other such “offences”. Genç said they are used within society to silence political dissenters.
“Twitter trolls who present themselves as pro-government journalists use these unclear laws to put their enemies behind bars. If an artist, piano player or actor says something critical about the government, they go through their timeline, find something they find insulting, and ask the public prosecutor to step in.”
Despite this possibility of prosecution being ever around the corner, Genç said he does not feel unsafe or threatened as a journalist in Turkey. “I feel free”, he answered to a question from Emily Boyle, a dual citizen of the UK and Switzerland
Recognising the value of objectivity appears to be Genç’s lifeline. When Indian national Samarth Mishra asked what is the most difficult part of being a journalist in Turkey, Genç said: “The hardest thing for a writer reporting from Turkey is to remain objective. You can’t be bitter about the government. Readers can benefit from the cold heart of a writer who does her best to be objective in her reporting.”
He said: “Our job, as writers, is to hold people with power to account, not to promote this or that political leader, defend this or that political ideology, propagate for this or that country … When a writer inhibits a space where nobody can accuse her of partisanship, believe me the effect of her writing will be much greater.”
The Lion and the Nightingale, Genç’s latest book, was published recently. It takes the reader on a journey through modern Turkey while exploring its history, via interviews he conducted on the road. Egil Sturk, from Sweden, asked Genç if there were any questions he was hesitant to ask his interviewees.
Genç said: “I am hesitant to ask questions about people’s religious beliefs and fiery ideological commitments. I prefer to give them enough space to articulate themselves where the bizarre, the eerie appears like a diamond in a mine. When people feel safe they tell you the most amazing things. Like an analyst you need to just sit there and listen.”
In answer to a question from Aliyah Orr (UK) about the emotional impact of the interviews he was conducting, Genç said:
“The prison chronicle of my friend and colleague Murat Çelikkan … had the strongest emotional effect on me. We used to work together, behind adjacent desks, and his experience in prison was empowering and unsettling. His account of imprisonment was rich with detail and you could see a great writer disappearing into the story’s characters and particulars of his story.”
Faye Gear from Canada asked what is different about today’s landscape in terms of freedom of expression. To tackle the suppression of free speech, Genç said people must think for themselves.
“I grew up idolising individual thinkers and writers: Susan Sontag, Jacques Derrida, Chantal Mouffe, VS Naipaul,” said Genç. “Nowadays we are invited to subscribe to what seems to be the most forward-thinking tribe and then follow its leaders by liking and retweeting their political snippets.”
In the face of an atmosphere of censorship, Genç remains defiant. In answer to a question from Satyabhama Rajoria, from India, about the struggles he faces as a journalist and author, Genç said: “There is of course always the anxiety that comes with publishing your writing, but that is healthy. Bullies, from the left and the right, may take your sentences out of context but that, too, is something one can deal with.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”112300″ img_size=”full”][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”3″ grid_id=”vc_gid:1585828417099-e398f95f-d0bf-6″ taxonomies=”7355″][/vc_column][/vc_row]
FEATURING
Director
Writer
An award-winning Libyan academic and writer, Najwa Bin Shatwan has written three novels, a collection of short stories, plays and contributions to anthologies
Historian
Tom Holland is a writer and historian, who has published a range of bestselling books. He specialises in classical and medieval history
“The assertion that ‘I believe in free speech, but . . .’ has become depressingly familiar,” said Index on Censorship chief executive Jodie Ginsberg in the Thunderer column in The Times today.
[vc_row][vc_column][vc_single_image image=”111830″ img_size=”full” add_caption=”yes”][vc_column_text]“When I talk about what’s happening in Saudi Arabia, I liken it to a really abusive relationship. First they [the state] gaslight you, they try to convince you that you’re not being abused, that this actually is for your own protection, for your best interests. Then when that doesn’t work out, then they beat you up and… when you escape from them they hunt you down and kill you,” said Safa Al Ahmad, award-winning Saudi Arabian journalist, at the launch of the winter 2019 issue of Index on Censorship magazine.
The issue is on the techniques that macho leaders around the world are using to stifle dissent, democracy and discussion, and how people are fighting back. From Brazilian President Jair Bolsonaro ranting against and disparaging media to Hungary’s Prime Minister Viktor Orbán using a rhetoric of family values to deny the LGBT community and others the same rights as “traditional” nuclear families, the magazine takes a global view.
Al Ahmad was joined for a panel discussion, held at Google HQ in London, with bestselling Chinese novelist Xiaolu Guo, Hungarian activist Dóra Papp and satirist and author Rob Sears. The panel was chaired by Rachael Jolley, editor-in-chief of Index on Censorship magazine.
Each panellist was invited to discuss a world leader. Al Ahmad opened with her striking analogy of abusive relationships to discuss Crown Prince of Saudi Arabia Mohammed bin Salman. She highlighted that her analogy was not an exaggeration, citing women’s rights campaigners who have ended up dead or in prison. “I think the feminist movement in Saudi must have been the most frightening for the state,” she said, explaining the lengths the state has gone to in order to silence women.
Al Ahmad also remarked on the absolutist relationship the Saudi state has with the media: “We [Saudi Arabia] have inventing the rulebook on shutting down dissent of any sort, so the state owns all the media. There is no independent media whatsoever to shut buyout – they already own it.”
Papp observed that Orbán has not locked up or killed dissenters “yet”, but that he is at the stage of attempting to create a sense of discord amongst Hungarians, thereby preventing unified protest. She said: “What this kind of leadership from Orbán is really pro in is… making the nation believe that they have to stay divided in order to protect their own identities and their own values.”
Family values is part of the rhetoric of Orbán’s government, which “concludes in a list of disadvantages for LGBT groups, for single mothers, for anyone who is thinking outside the box”. Papp, a successful campaigner, said that we need to be really cautious and not let this narrative divide people.
Guo, discussing China’s president Xi Jinping, spoke about the importance of a dominating personality in a “strongman” leader in order to control the narrative of a country. She said of Xi: “He has an extremely tough way of dealing with internal turmoil but also a very interesting and mysterious way of dealing with international conflict.” She also commented that tension between Xi and US President Donald Trump seems to be bringing about a cold war that “we thought had disappeared 20 years ago”.
A discussion about macho men would not be complete without a dissection of the presidency of Trump, which Sears did by observing how Trump stifles free expression, not by killing journalists, but by setting the media agenda. Sears highlighted two of Trump’s oratory traits: “One is that he is basically impossible to ignore and the other is that he is basically impossible to engage with.”
He explains that Trump’s repeated use of outrageous, implausible (think “build the wall” and “lock her up”) but clear images forces the media to report on them. He said: “You [journalists] can’t help but respond to them and make them the focus of attention, meaning that it’s tricky for other topics to make it into the highest levels of conversation.”
“I’m sure every politician finds the right language for that purpose. UK Prime Minister Boris Johnson cleary does and some of the other leaders we’ve talked about do as well… I don’t know if they are deliberate methods… but I do think that it’s been extremely effective against a decent, fruitful public debate in the states and worldwide.”
Click here to read more about the current magazine
Listen to Rachael Jolley and deputy editor of the magazine, Jemimah Steinfeld, discuss the current issue on Resonance radio here [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]