Jean-Paul Marthoz: Fake news and the new kingdom of lies

[vc_row][vc_column][vc_column_text]Veteran Belgian journalist and author of Terrorism and the Media, Jean-Paul Marthoz delivered the following remarks on 5 December 2017 at a round-table debate in the European Parliament hosted by MEPs Barbara Spinelli and Curzio Maltes:

Democracy, journalism and literacy in the era of post-truth

Democracy, journalism and literacy in the era of post-truth

Everything has been said on fake news. Since the word ‘post-truth’ was chosen as the word of the year in 2016 by the Oxford dictionary there is not one day without an evocation of the ‘new kingdom of lies’.

Fake news however, as it is currently understood, is not any kind of lie. It is a deliberately mendacious or misleading information, specifically designed to have a disrupting impact (on society, geopolitics, etc.) and to become viral in the media and on social networks.

The word has taken on an eminently political connotation with Donald Trump’s 2016 campaign. The unexpected candidate of the Republican Party turned it into a brand, not only by filling his speeches and tweets with approximative or even false facts but also by accusing quality media of being the ones producing fake news.

The word has taken on a strategic dimension with accusations of Russia’s intervention in the US electoral campaign. In the current remodeling of the world, fake news is part of strategies of influence and belongs to the arsenal of asymmetrical warfare.

Migration has been none of the privileged targets of these rogue concepts of information. During his campaign Donald Trump lambasted Mexican ‘bad hombres’. The Brexit campaign was polluted from end to end by made-up stories on Syrian refugees and Polish plumbers.

Migrations have always lead to fabrications and exaggerations. Before the word fake news even appeared, many media, UK tabloids in particular, exploited the vein, with extravagant headlines on migrants. It was a banal case of media sensationalism. Today however the theme of migrations is used strategically in order to sow confusion within European countries and to support populist movements who, nearly everywhere in Europe, question the foundations and values inscribed in EU treaties. It is one of the most efficient levers of populism and far right extremism.

Such strategy benefits from an exceptional soundboard in social networks. These are not only used by millions of citizens who intervene, sometimes wisely, sometimes through their hat, in information flows and public debates, but also by organized, and at times even robotised, groups who pursue a deliberate policy of occupation and agitation on the social networks.

Some have made disinformation a business, like these Macedonian kids who had their moment of fun when they informed about the Pope’s endorsement of Donald Trump, leading to millions of clicks and thousands of dollars of ad money. But this is an epiphenomenon, an anecdote, when compared with the political strategies that have been put in place.

Fake news is a direct attack against the democratic ethos. It aims at polluting the agora, leading, in Matthew D’Ancona’s words in his book Post Truth (Ebury Press, 2017, p. 2) to ‘the infectious spread of pernicious relativism disguised as legitimate skepticism’.

The labelling of prestigious media as ‘fake news’ outlets by those who are the major emitters of fake news is part of a determined attack against the system of checks and balances which define and protect liberal democracy. The purpose is to delegitimize the ‘elites’, the ‘Establishment’. It is to weaken counter-powers and in particular legacy media which in the US case constitute one of the brakes on the impulsive matamorism of Donald Trump. In Germany too, attacks against the « lying press », a reminiscence from the Nazi years, or in France, the denigration of ‘merdia’ and ‘presstitute’ have a strategic aim: to discredit those who decode and denounce the lies of surging populist leaders and movements.

Fake news is also a revealer of our societies and their drifts. It is part of a digital universe which is at the same time fascinating and destabilizing. Words like phishing, spoofing, hacking, filter bubbles, testify to the anxiety which corrodes a digitalized world that cannot just be candidly described as liberating and empowering.

Fake news also reveals the state of opinion. It measures its knowledge and critical sense, or the lack of it. Post truth, writes the Oxford Dictionary, means that ‘objective facts are less influential in shaping public opinion than appeals to emotion and personal belief’. One of the problems lies in the fact that part of public opinion does not seem to care about lies from personalities that it supports. Fact-ckecking bumps into a wall of mistrust and dogmas which the unquestionable presentation of verified facts cannot shake.

Much more fundamentally, as EU Commissioner Mariya Gabriel in charge of digital economy and society, said in an interview with Le Soir, ‘disinformation is also a political and a societal problem. Our societies’ vulnerabilities open the doors to disinformation. I am referring to unequalities, social fractures, mistrust in society and the rejection of elites’.

How can we explain the resurgence, especially among the young, of conspirationism, of an attraction for suspicious explanation of events? This phenomenon is the barometer of a loss of trust in institutions and not only in the education system and the media. It should lead to reflecting on the profound reasons of such disorientation and disarray. ‘Is not fake news a symptom rather than a cause of our crumbling democracies?’, asked François-Bernard Huyghe, founder of the Observatoire géostratégique de l’information en ligne (Paris).

Fake news also exposes the vulnerabilities and failings of our media system. In fact it should seriously alert us about significant developments in a sector which is crucial to democracy. The malaise which has gripped legacy media, deprived of a business model, the migration of a great part of the audience, the youth in particular, towards platforms like Facebook, threaten a media system which remains a crucial element in the democratic accountability process.

The focus on fake news, to the extent that it is described as information disseminated by adversaires or enemies, entails another risk: intolerance towards sources of information or opinions which we don’t like or find inconvenient.

RT and Sputnik news, for instance, are undoubtedly state media, of an authoritarian state, Russia, which has suffocated freedom of expression internally. They are undoubtedly tools of Russia’s strategy of influence with regard to the West. But should they be targeted by special measures aimed at excluding them from the democratic agora? Let us remember that authoritarian states, like terrorist or far right organizations, endeavor systematically to demonstrate that liberal democracy is a sham, a thin veneer covering a system of domination and exploitation. Banning them would be entering into a trap. The risk of witch hunts is never far away.

The rigorous assessment of the reach of fake news is a precondition to any reasoned and efficient response. Studies disagree on the place and the real impact of fake news. Their mode of production, their strategies of dissemination and the way they are received should be thoroughly and serenely studied.

The appeal to the responsibilisation of digital platforms appears evident. Some governments have put pressure on Facebook, Twitter, YouTube, Google and others to push them to police what remains their private domain and to excise the most extreme forms of disinformation. But there is a limit and a danger: converting these platforms in private censors, beyond the norms and guarantees of the rule of law. In September 2017, for instance, the World Socialist Website, a trotskyist media, estimated to have lost 70% of its search engine-led traffic because of a change introduced in April by Google.

Such risks imply a need to seriously question the hegemony of these platforms, which is, as much as or even more than fake news, a threat for democracy.

Fact-checking has become a household word in journalism. It is surprising that it is sometimes presented a specialized form of journalism where it should be a banal, obvious, element of all forms of journalism. It is undoubtedly more necessary today because of the bulk and the speed of information but if the purpose is to convince the gullible, it might not be efficient since it is being practiced mostly by these ‘stenographers of power’  who are accused by populists of ‘hiding the truth’.

Media literacy is again without doubt a crucial element. Most of the public does not master the media codes. It does not acknowledge the silos of certainties in which it encloses itself. Such media education, however, must cover all the media, even the video games, and should start very soon, with young children. And it must be part of a more comprehensive approach to education as such, of a permanent learning system and process which in all its expressions develops critical thinking, judgment and openness to diverse opinions. To scotch media literacy programs on failing or dogmatic schools will be vain.

Support to public interest media seems likewise essential. Now, in many European countries, public service broadcasting is on the defensive, when it does adopt itself populist practices which contradict their proclaimed values. However when they are well-conceived and protective of freedom, independence and pluralism, such support to media (public or private) « in the public interest » can really promote experiences and initiatives which go against the trends of disinformation and trivialization. Such measures should not benefit only legacy media but also to the web where the most decisive battles for the formation for public opinion are being fought.

Finally the fear of fake news should not become obsessive. It should not sub-estimate the capacity of citizens to identify falseness nor the capacity of journalism to renew itself, as has been demonstrated by the ICIJ (International consortium of investigative journalism) with its groundbreaking forms of collaborative transnational journalism projects.

It should not ‘relativise’ either the imperative for democracies not to over-react and the urgency to stay faithful to their most essential principles.

It has become banal to quote Benjamin Franklin’s famous (and contested) phrase: ‘those who would give up essential liberty, to purchase a little temporary safety, deserve neither liberty nor safety’. It has become banal to quote it because the temptation to give in to censorship or control is increasingly present.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1513269834820-b5b02dbd-a0e2-0″ taxonomies=”8996″][/vc_column][/vc_row]

Index at Wilderness: The Fake News Quiz

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Join free speech fanatics Index on Censorship for a quiz show with a difference: the Fake News Show. Try to separate fact from fiction with the help of panellists including:

  • Jolyon Rubinstein, News Roast comedian
  • James Ball, special correspondent, BuzzFeed UK and author of “Post-Truth: How Bullshit Conquered The World”
  • Kiri Kankhwende, journalist and political columnist
  • Tim Telling, editor, The Daily Mash

Do you know your alternative facts from your economic truths or your strategic misrepresentation from your terminological inexactitude? Now is the time to find out with this light-hearted look at the news, the stories that make the news and the people who make it up.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

When: Saturday 5 August 2017, 2:30pm
Where: Wilderness Festival
Tickets: More information here

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#IndexAwards2003: Fergal Keane, Outstanding Commitment to Journalism Integrity

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Fergal Keane is a journalist who made his name as a war reporter at the end of millennium, covering conflicts from Congo and Rwanda to Kosovo. In 2003, the Index on Censorship recognised his efforts with their award for Outstanding Commitment to Journalism Integrity. It wasn’t Keane’s first award, and it wasn’t his last either. On top of his Orwell Prize (1996) and Amnesty International Press Award (1993) and Television Prize (1994), his OBE and his BAFTA (both from 1997), Keane has since added a Sony Gold award in 2009, for his inspiring Radio 4 series ‘Taking a Stand’, and the Ireland Funds Literary Award in 2015.

In 2004, following decades in the profession, Keane made the decision to stop entering active war zones. “I couldn’t justify potentially robbing my children of a father,” he told the Daily Telegraph in 2010. “I couldn’t do it anymore.” But despite a slight career shift, Keene continues his commitment to journalism and justice just as fervently. He is now a special correspondent for the BBC, still writing and broadcasting on topics like the refugee crisis, the Yemen conflict and the South Sudan civil war – though sometimes from afar – as well as often being dispatched to the latest scenes of terrorism in Europe, whether France, Belgium or Germany. Wherever he is, he retains an insight and awareness of historical context that few can match.

Beyond the BBC, he is also the author of several well-received books and in 2011 he received an honorary degree from the University of Liverpool, where he is now three years into a Professorial Fellowship. He is part of the university’s Institute of Irish Studies, teaching students on the Understanding Conflict masters programme.

Speaking to the university’s website in 2015, Fergal criticised the “endlessly reductive” mainstream press and urged his students to “always challenge your opinions with facts, every day of your life. You will only know what your opinions are worth if they are taken out of the box and subjected to the most severe tests. Facts, facts, facts.”

Not all Keane’s work is confined to journalism, however. In 2005, he founded Msaada, an NGO dedicated to assisting Rwandans – and Rwandan society – to recover from the 1994 genocide, through meaningful, income-generating projects. It continues to support such projects today.

Samuel Earle is a member of Index on Censorship’s Youth Advisory Board. He is a freelance writer and recent masters graduate from the London School of Economics and Political Science, where he studied Political Theory. He lives in Paris.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_single_image image=”85476″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/11/awards-2017/”][/vc_column][vc_column width=”1/2″][vc_column_text]

Index on Censorship Freedom of Expression Awards

Seventeen years of celebrating the courage and creativity of some of the world’s greatest journalists, artists, campaigners and digital activists

2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1492505799978-a5ad6490-9f12-5″ taxonomies=”4881, 8935″][/vc_column][/vc_row]

Editorial: Fact-filled future?

[vc_row full_width=”stretch_row” full_height=”yes” css=”.vc_custom_1491319101960{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2017/04/Cover-slider.jpg?id=88947) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”The “now” generation’s thirst for instant news is squeezing out good journalism.
We need an attitude change to secure its survival” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

THIS WORLD HAS never been in more need of good, well-researched journalism. It is tempting to write the words “old-fashioned” here too. And if by old-fashioned, what is meant is detailed, neutral, in-depth and well thought-out writing, then old-fashioned is what is called for.

Around the world there are squeezes from all directions, stifling what the public is allowed to know, and what it is allowed to say or write. From government pressure to mafia threats, from commercial agencies to reputation- damaging (ro)bots, the right to speak and report is under huge pressure.

And good journalism must be there to unmask those threats. With the rise of the words “fake news” comes a spirit that seems to think that I can apply this phrase to anything I disagree with. So the epithet “fake news” was out of its box and being used to try to disarm reporters and to undermine public belief both in research, experts, truth and often journalism.

So, this is a time for journalists and journalism to step up and do a really excellent, thorough job of discovering and publishing the news: that’s not a news broadcast or publication that is just a hodgepodge of opinions based on very little research; nor a news story that has so much spin in it it’s hard to discern any actual facts. There are those that might argue that the media has been through a pretty unimpressive period in the past 10 years, with some valiant exceptions. The line between the news and opinion pages has become increasingly hard to distinguish. So, it might be less than surprising that the public might have lost faith in news sources.

Social media has played a massive part in this. Hysterical opinion goes down a storm, instantly shared across platforms; while well-argued journalism, with more facts than screeching, tends to stay in its box, unread. And, of course, there are signs that attention spans are melting away. So not only does every item have to be now, now, now, but we can only be bothered to read the first line, or look at the picture.

Sadly, research from Stanford University shows young people are gathering their “news” from social media without bothering even to click through on a link. They also have trouble discerning the difference between a social media-placed advertising feature and a news story from a well-established news media company. So shareable opinion has become king, and news has melted away and merged into a hybrid of what it once was.

But journalists need to take back the news wherever they can, and re-establish it as a well-researched, investigated piece of information, not an outpouring of ill-informed thoughts. And the public has to take some responsibility too. We need to be capable of a bit more dissection and scepticism when we see stories, rather than swallowing them whole without thinking.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”Hysterical opinion goes down a
storm, instantly shared across
platforms; while well-argued
journalism, with more facts
than screeching, tends to stay in
its box, unread” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

As our seasoned journalists explain in our Decoding the News special, everyone should be aware of techniques and tools to stop them being taken in, at least most of the time. Meanwhile, journalists are doing some really strong investigations.

As we go to press the BBC was broadcasting a story about truck drivers in the supply chain for furniture company Ikea, who were being paid less than the minimum wage, and being forced to live in their vehicles. They were drivers from Romania but working in Denmark, where they should have been paid according to Danish laws. The journalist was on the road talking to lorry drivers to find the story. Stories like these are hard to dispute, because the journalist has evidence to stand up the allegations.

Over in the Maldives, journalist Zaheena Rasheed, shortlisted for an Index journalism award this year (see page 37), is reporting about what is happening in the south Asian island country, despite a climate of fear. And in other countries, remarkable reporters continue to make extraordinary efforts to get news out, despite dangerous conditions.

There are some signs that the world is starting to realise it needs good journalism. The New York Times saw a growth of 41,000 subscriptions in the week immediately after the election of President Trump. Sales of satire and news magazine Private Eye recently hit their highest level ever with 287,334 copies sold for one issue. Reports from Poland suggest a surge in sales of independent weekly Tygodnik Powszechny (see our report on page 69). This in a country that is seeing its media freedom fall down global charts. Jeremy Leslie, creative director of magazine- only shop Magculture in London, said he is seeing an upward tick in the sales of magazines “with serious intent”.

“More people are making [magazines with that type of content] and more people are buying it,” he told Index on Censorship.

Is this a sign that some members of the public are learning at last that if they want journalism that tells them something they don’t know (and isn’t made up), they just might have to pay for it? Only time will tell. Otherwise, the survival of journalism looks fraught with danger.

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Rachael Jolley is the editor of Index on Censorship magazine. She recently won the editor of the year (special interest) at British Society of Magazine Editors’ 2016 awards

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”80566″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422015605737″][vc_custom_heading text=”A matter of facts: fact-checking’s rise” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422015605737|||”][vc_column_text]September 2015

Vicky Baker looks at the rise of fact-checking organisations being used to combat misinformation, from the UK to Argentina and South Africa.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”80569″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422016657017″][vc_custom_heading text=”Giving up on the graft and the grind” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422016657017|||”][vc_column_text]June 2016

European journalist Jean-Paul Marthoz argues that journalists are failing to investigate the detailed, difficult stories, fearing for their careers.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90839″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/030642209702600315″][vc_custom_heading text=”In quest of journalism” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F030642209702600315|||”][vc_column_text]May 1997

Jay Rosen looks at public journalism, asserting that the journalist’s duty is to serve the community and not following professional codes.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”The Big Squeeze” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fmagazine|||”][vc_column_text]The spring 2017 issue of Index on Censorship magazine looks at multi-directional squeezes on freedom of speech around the world.

Also in the issue: newly translated fiction from Karim Miské, columns from Spitting Image creator Roger Law and former UK attorney general Dominic Grieve, and a special focus on Poland.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”88788″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/magazine”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

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