Despite making two award-winning documentaries, filmmaker Ashvin Kumar has faced difficulty having his films shown. Mahima Kaul reports on his battle with India’s Censor Board
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It’s not easy for cinema goers in China. Film censorship is hardly a new phenomenon under the communist regime, but following the heavy editing of two new films — Skyfall and Cloud Atlas — audiences have called for a reform to China’s censorship standards.
The latest James Bond film opened on 21 January after a two-month delay. 007 directors were keen to appease China’s strict censors, with arial shots of Shanghai filling the screens, but the film was still left with several significant and slightly awkward cuts.
Scenes involving prostitution and the shooting of a Chinese security guard have been removed, and subtitles were changed to hide references to torture by Chinese security forces. It’s not the first time the James Bond creators have felt the wrath of China’s film board — a reference to the Cold War was removed from Casino Royale in 2006. But German-produced film Cloud Atlas fared far worse at the hands of China’s censors when it was released on 31 January. Thirty eight minutes of the films total running time was slashed — comprising mostly of homosexual and heterosexual love scenes, but also including scenes the censors felt confused the plot.
— Skyfall is one of the many films to fall foul to film censorship in China
It takes a lot to win over China’s heavy handed censors. In a deal with Hollywood in February 2012, Chinese film censors agreed to approve 34 foreign films a year — rather than the previous 20. It symbolised a promising development for directors, who are increasingly motivated to break into China’s lucrative film market following a slump in box office sales in recent years.
But film makers are often willing to sacrifice free speech in favour of breaking into China’s market. Last year, Red Dawn directors replaced a Chinese army attack on the UK with North Korean soldiers just before its release, a move typical of Hollywood directors — who are often keen to include positive references to China to win over authorities. DreamWorks Animation had a similar idea, joining forces with Chinese producers to develop Kung Fu Panda 3 in time for its 2016 release.
All imported films have to go through China’s State Administration of Radio, Film and Television (SARFT), and few remain unscathed. Movies dealing with obscenity, religion, gambling, the supernatural and drinking, to name a few — are addressed with scrutiny by SARFT, meaning that many blockbusters are altered or refused entirely.
China has no motion picture rating system, meaning that all films must be suitable for family viewing. It doesn’t always explain some of the decisions for cinematic alteration though.
In 2010, James Cameron’s Avatar was pulled from some cinemas in its 2D form, amidst speculation that the film’s displacement and land eviction references would cause political unrest, or make people think about forced removal.
Following the 3D relaunch of another Cameron classic — Titanic — in April 2012, censors were quick to edit the film. The famous scene where Leonardo Di Caprio sketches a nude Kate Winslet is edited to show Winslet from the neck up alone. SARFT said in a statement that the measure was taken to avoid cinema goers attempting to reach out and caress Winslet’s three dimensional breasts.
China overtook Japan to become the world’s second largest film market last year, with a box office valued at $2 billion (£1.3 billion) in 2011 — and is expected to surpass the US’s by 2020. Hollywood has become entrapped in the hope of success in China, and the expansion hasn’t come without controversy. The Securities & Exchange Commission opened an investigation last year into allegations that US film studios newly established in China were secured through illegal payments to Chinese officials.
Much of the Chinese public are anti-propaganda and express their frustration at missing the whole truth — movie piracy is common and means objectors can usually find an illegal, uncensored copy of a desired film. Free speech and film go hand in hand and Hollywood has always been a staunch defender of the First Amendment. So It’s worrying that economic interests are increasingly foregoing freedom of expression.
A US military judge has ruled the government must dismantle a monitoring system which allowed censors to suspend the broadcast of hearings for Guantanamo prisoners suspected of planning the 9/11 attacks. Army Colonel James Pohl said on 31 January it was “the last time” a third party could decide whether the hearings would be broadcast. The closed-circuit broadcast feed was stopped for a few minutes during a 28 January pre-trial hearing of Khalid Sheikh Mohammed — alleged organiser of the 9/11 attacks — and four other defendants. It revealed for the first time that an unknown external force was listening in on the trial and censoring proceedings at will. The feed was cut when Mohammed’s lawyer David Nevin requested the preserve secret CIA prisons where the defendants had been held before being taken to Guantanamo. Pohl, who was unsure why the information was censored as it was public information, said he and the court security officer were the only ones allowed to halt the broadcast.
An investigation into protests in Burma in November 2012 has discovered that police forces used white phosphorus to disperse crowds, causing demonstrators severe burns. Police involvement left more than 100 Buddhist monks and other participants badly burned, injuries authorities said were caused by tear gas and smoke grenades. An analysis in a Bangkok laboratory concluded that the canisters, which were collected by lawyers after the protests, contained traces of white phosphorus.
Protestors had staged an occupation at Letpaduang copper mine for 11 days before police broke up the crowd. The report will be sent to a government appointed panel fronted by opposition leader Aung San Suu Kyi for review. White Phosphorus is typically used in war to create a smoke screen and its use against people has been disputed.
An Indian state has banned a film for 15 days following complaints that it was offensive to Muslims. Tamil Nadu state in southern India banned the action film Vishwaroopam — which was due to be released on 25 January — after concerns that protests outside cinemas could turn violent. Muslim groups said the film portrayed their faith in a negative light and were offended that the terrorist in the film was Muslim. Tamil Nadu’s Chief Minister Jayalalithaa Jayaram said the state didn’t have enough police to impose law and order outside the 500 cinemas it was set to play in. Film director and co-producer Kamal Haasan has appealed for the ban to be lifted in Tamil Nadu and is expected to hear a judgement by 6 February.
Naomi Campbell has won damages after the Telegraph falsely claimed she organised elephant polo matches
On 31 January, a 15-year-old girl in Iceland won the right to keep her birth name, despite authorities saying it wasn’t feminine enough. Reykjavik District Court allowed Blaer Bjarkardottir to hold on to her first name Blaer, meaning light breeze — a name her mother Bjork Eidsdottir gave her from birth, apparently unaware the name was on the government banned list. Icelandic authorities had originally rejected the name for being too masculine, referring to her only as “girl” in communication with officials. Iceland has official rules for what name a baby can be given. Names are supposed to fit with Icelandic grammatical rules and the alphabet. The ruling means the name can now be taken by girls across Iceland.
Naomi Campbell has accepted damages from The Daily Telegraph after she was falsely accused of organising an elephant polo match in India for her partner’s birthday. The newspaper had printed a story on 3 November 2012, alleging that Campbell arranged the tournament in Jodhpur for Vladimir Doronin’s 50th birthday celebrations. The model accepted an apology from the Telegraph, as well as “substantial” damages — although the figure has not been disclosed. Campbell’s lawyer Gideon Benaim said at London’s High Court that the “unfounded” claims had caused a “storm” of publicity in India after media outlets across the country republished the story.
China’s film censors have erased 13 minutes of footage from the new Men in Black film to remove the appearance of Chinese villains. Beijing’s censors have removed a scene showing an alien disguised as a Chinese restaurant worker, along with the appearance of a Chinese cashier girl who uses her long alien tongue to attack Will Smith’s character, Agent J. The final cut taken from the film involved Smith erasing the memories of a group of Chinese onlookers. One of the country’s newspapers speculated that the last scene had been removed as a statement on “internet censorship to maintain social stability”.