How Egypt is stifling its film industry

11 Oct 12 | Egypt

It’s been nearly two years since the mass uprising that toppled President Hosni Mubarak, but Egypt’s film makers are still plagued by censorship they say is stifling their creativity. Religion and sex remain high on the censors’ list of “taboo issues” as a tide of conservatism sweeps the country under Islamist rule. The recent rejection by the censorship committee of film maker Amr Salama’s script for a film on sectarianism recently stirred a new wave of controversy, fuelling fears of further restrictions on free expression under new Islamist President Mohamed Morsi. Seeking to allay the concerns, Egypt’s newly appointed Minister of Culture Saber Arab has given the green light for Salama’s script, affirming that “no changes are needed”.

Egyptian Film maker Amr Salama

Salama’s new film features a Coptic Christian adolescent seeking acceptance from his classmates after being transferred to a public school. Belonging to a different social class, he initially finds it difficult to fit in and decides against revealing his faith for fear of further discrimination. The barriers of class and religion are finally overcome however, as the boy succeeds in winning over his classmates, earning their friendship and respect. It is a story about tolerance and identity, depicting a teenage boy’s struggle to gain approval and overcome social and religious differences.

Arab’s nod of approval for the film came after Salama publicly criticised the restrictions imposed by censors in a televised interview on an independent satellite channel. The Head of the Censorship Committee, Sayed Khattab, meanwhile defended the committee’s decision to ban the film . In a live telephone call to the TV channel, he insisted it was “brutal to show a child being mistreated for his faith”. The committee had earlier cited “incitement to discrimination against Egypt’s minority Christian population” as a reason for the boycott. It had requested that Salama alter the script to focus on class rather than religious differences. The censors also claimed that the script was fiercely critical of Egypt’s educational system, portraying it in bad light. Under Egypt’s censorship laws, film makers are still required to get their screenplay approved before the shooting of the film, which then has to be viewed by censors who decide if it is fit for screening.

In a post on Twitter, Salama stated that he would not make the requested changes but would “keep the original script as is”. In an interview with a local daily, he said his lawyers had advised him against altering the script, saying it was his “legal right to express himself freely”. The real reason for the censors’ rejection of the script, he alleged, was the film’s acknowledgement of discrimination against Copts in Egypt. “The fact is discrimination still exists,” Salama noted. “It is not a figment of my imagination.”

Egypt’s Christians (who make up an estimated 12 to 15 per cent of the population) often complained of discrimination under  President Mubarak. They needed a presidential decree to build or repair churches and said they were not appointed to senior positions in state institutions. Their situation, however, has further deteriorated following the rise of Islamists to power. In the transitional post-Mubarak period, churches have been torched by extremists and many Christian families have left the country to settle abroad, fearing their freedom and their lives were at risk.

In his inaugural speech shortly after his appointment, Egypt’s first democratically-elected President, Mohamed Morsi — who hails from the Muslim Brotherhood — had promised to be a leader for all Egyptians. He had also vowed to appoint a Christian Vice President. Bowing under pressure from the ultra-conservative Salafists, he has instead appointed a Christian Presidential aide — a position that some Christians have said is “largely symbolic and designed to fill a quota of Christians on the President’s advisory team.”

Christian Minelli | Demotix

Coptic Christian women wait in line to vote in the first presidential election after Mubarak’s fall

The forced evacuation of Copts from their homes in Dahshur, a village on the outskirts of Giza, and more recently from the North Sinai border town of Rafah (after Christians received threats from extremists ) has fuelled Christians’ fears they were being targeted for their faith in the “new” Egypt. More recently, two Coptic children — aged 9 and 10 — in the Southern Egyptian region of Beni Sweif were jailed for blasphemy but were released days later after the charges against them were dropped. Meanwhile, Alber Saber, a Computer Science graduate and a Copt-turned-atheist remains behind bars pending an investigation after being accused of allegedly posting the anti-Islam film “Innocence of Muslims” on a Facebook page he administers. His trial for contempt of religion has been postponed to October 17.

Egyptian filmmakers and others working in the film industry are meanwhile becoming increasingly worried that their freedom of expression may be curtailed under Islamist rule. Many are speaking out against censorship. “Egypt’s censorship laws remain unchanged,” lamented cinematographer Kamal Abdel Aziz, who heads the National Cinema Center. “Censors should watch films only to determine whether they fall into an unrestricted age category or a restricted one,” he told Index, adding that he looks forward to the day when all censorship is abolished.

The tight censorship isn’t the only concern. A verbal attack on Egyptian actress Elham Shaheen by an ultra-conservative Salafist Sheikh has fuelled fears that Islamists were using methods of intimidation similar to those used in the nineties to force bellydancers and artistes to quit the profession. The Sheikh criticised Shaheen on his show on the conservative TV channel El Hafez, saying she was “cursed and would never go to Heaven”. The insult triggered an outcry from artists and liberals who, considering an attack on art and culture, expressed solidarity with Shaheen in both the traditional media and on social media networks. Shaheen has filed a lawsuit against the Sheikh.

Salama too is threatening to file a lawsuit if the Minister of Culture rescinds on his promise to lift the ban off his film. He said he was “waiting to see if Islamists really encourage freedom of expression as they claim.”

Journalist Shahira Amin resigned from her post as deputy head of state-run Nile TV in February 2011. Read why she resigned from the  “propaganda machine” here.

Burma: Film festival to test promised freedom

01 Jan 12 | Asia and Pacific

Burma’s democracy movement leader Aung San Suu Kyi, film director Min Htin Ko Ko Gyi, and former political prisoner and comedian Maung Thura aka Zarganar are pushing the boundaries of prevalent state censorship in the Arts of Freedom Film Festival in Rangoon, which began on 31 December will continue to 4 Jan.

In a bid to open the gates on artistic expression, Burmese citizens regardless of age, qualifications and location were invited to submit a short film on the theme of “freedom.” More than 180 films were submitted, despite the refusal of state-owned newspapers to carry the announcement, according to Min Htin Ko Ko Gyi, a poet and filmmaker and one of the organisers of the festival. The comedian Zarganar, who was released from prison in October is also another organiser of the festival, which is also sponsored by the well-known Burmese democracy campaigner Aung San Suu Kyi. All three will be a part of the panel of judges.

Min Htin Ko Ko Gyi told Index that “it is the first time” for a festival with the theme of freedom to take place in Burma. He said that the organisers “did not ask for permission from the authority,” but they are using the festival to test “the limit of the state,” because they “want to know how much freedom will the state allow.”

Under the country’s Television and Video Act 1996, all videos, with the expection of family recordings, must go through the Video Censor Board before distribution and screening for the public. Failure to comply may result in fines, imprisonment of up to three years and confiscation of property. The law stipulates that members of the Board shall consist of two representatives from the Myanmar Motion Pictures Enterprise, a number of representatives from government’s organizations and “suitable citizens”. The Information Ministry has the sole authority to form, appoint and dismiss member(s) of the Board.

In early December, Minister of Information and Culture and former army general Kyaw Hsan reportedly said in a meeting with executives of the Myanmar Motion Picture Organization, the Board and professionals of movie industry that the censorship regime for press and motion pictures will be gradually relaxed. He also announced plans to allow the Chinese film industry and other international players to invest in the country’s movie sector. The move is yet another in a series of changes by the military-backed government in 2011 to move towards democratisation, and the United States and European Union have responded with cautious optimism.

However, despite claims of relaxed censorship laws, the Board reportedly seized some submissions sent via post from overseas. Organisers also faced challenges downloading overseas entries submitted online due to slow internet service in Burma. Still, the films have been well received and one of the short films has become a viral hit on YouTube and Vimeo. The 18-minute short entitled, “Ban that Scene!” is film director Htun Zaw Win’s humorous look at the country’s video censors.

Htun Zaw Win, aka Wyne brought together veteran actors to play censors preoccupied with protecting their positions. He critiques the gluttonous and corrupt officials with scenes showing them ordering meals from high-scale restaurants before a vetting session, at the expense of filmmakers. In another scene, the censors brawl over disagreements about which scenes should be cut from the film during a screening, and eventually decide to cut all disputed scenes. The lone censor who favoured the film was intimidated and drowned out by the disagreements of his colleagues.

“I tried to portray the state of censorship as realistically as possible in the most polite manner. What actually happens is much worse,” Wyne told Index. “The present tight censorship suffocates creativity in the movie industry.”

Wyne, who has been in the industry for 22 years, said on Radio Free Asia Burmese Service on 27 December that the government should not censor the film if it is serious about democratisation. He admitted was unsure of the consequences for making the film. “If our country is really democratising as the government said, then bad practices of the censorship system should be changed too.”

According to Min Htin Ko Ko Gyi the festival started with interviews with filmmakers on 31 December, screenings of selected submissions from 1 Jan onwards, and an award ceremony on the country’s Independence Day on 4 Jan. “We don’t know how the authority will react. But we just have to do it.”

China: Tighter film censorship plans in place

15 Dec 11 | Index Index, minipost

The Chinese government is planning to tighten its already strict film censorship rules. A proposal from the State Council, released on their website earlier today, is part of a draft law which proposes to ban anti-government sentiments and messages of religious fanaticism from the cinema screen. If passed, the bill, which comes during a box-office boom in China, will increase the number of banned subjects in Chinese cinema to 13. Another proposed ban could also prevent any film from “promoting” illegal drugs or terrorist activity.