New Egyptian film tackles HIV stigma

Until a little over a year ago, 29-year-old Karim (not his real name ) was happy and carefree. He had a good job, a stable income and many caring friends. Then he discovered he was HIV positive and his life changed entirely.

“It is as if I am living a nightmare. I constantly worry that someone will find out that I am living with HIV. I cannot bear the thought of being rejected by my family and friends,” says Karim.

Karim’s fear of being stigmatised and isolated is greater than his fear of death, he tells me. He is also plagued by a sense of guilt and has chosen to keep his HIV status a secret.

Low self esteem and fear of rejection are common sentiments shared by Egyptians living with HIV. Out of an estimated 11,000 people in Egypt living with HIV and AIDS, only five hundred are seeking treatment , according to UN reports. And none has publicly disclosed their status .

In the last decade, there has been a 268 per cent increase in HIV cases in Egypt, which UNAIDS Egypt refers to as an “epidemic growth” but which is also partly owed to efforts by the National AIDS Programme to improve HIV testing and reporting. Most transmissions occur sexually with the main mode being heterosexual (nearly 50 per cent.) Girls and women are particularly vulnerable due to their lower socioeconomic status , high illiteracy rates and weak access to prevention and services The widespread stigma associated with HIV is another barrier to ensuring access to prevention, care and treatment especially for high risk groups including streetchildren, sex workers, refugees and prisoners.

A new film currently showing in cinemas across Egypt is a pioneering attempt to change people’s attitudes and help lift the stigma associated with HIV and AIDS.

Giving the virus a human face may help clear misconceptions about HIV /AIDS and eliminate people’s fear of the virus, says Wessam el Beih, UNAIDS Country Coordinator, Egypt.

The film Asmaa is based on a true story of a middle-aged Egyptian woman living with HIV. The real life character died some years ago after doctors refused to perform a gall bladder surgery she so badly needed and which may have saved her life. It is a story about injustice but also one of courage and hope depicting the discrimination faced by Asmaa who eventualy overcomes her fear and stands up for her right to health care .

Tunisian actress Hend Sabry, who plays the lead role, hopes the film will encourage more people living with HIV to speak out and seek treatment. Sabry also hopes the media will put HIV/AIDS and other human rights issues as a priority on their agenda to help clear the misconceptions.

Sabry has campaigned vigorously for the rights of people living with HIV through her participation in forums and TV spots to raise public awareness.

El Beih blames the media for the ignorance and fear adding that”Egyptian media , especially the film industry has for years propagated misinformation and portrayed biased views about people living with HIV.”

Reinforcing stereotypes of people living with HIV has led to prejudice and discrimination against those living with HIV adding to the risk of increased infections.

Amr Salama, script writer and director of Asmaa says the film is timely as it is being screened in post-revolutionary Egypt.

“The fear barrier has been broken. We have to capitalise on that and recapture the spirit of the revolution. Egyptians are on the streets demanding social justice and equality. Discrimination against those living with HIV/AIDS is a form of injustice.”

Salama, who has met many Egyptians living with HIV and heard their stories of suffering, sought to highlight the injustice they face and hoped that that would promote greater tolerance and compassion within the society. Salama was keen on showing the anger and emotional intensity he himself felt when speaking to the people living with HIV.

“What these people have to go through is unacceptable. The culture has become intolerant to the extent that the stigma exists even among those living with the virus themselves, ” he says.

In one scene, a man living with HIV who had shown interest in Asmaa walks away from her after she appears on TV to publicly announce that she is HIV positive.

The film was the brainchild of Egyptians living with HIV who had hoped to show their real life experiences in drama. “We thought that by identifying with us, people would overcome their fear and that this would help us gain acceptance,” says Karim. He and others infected with the virus were involved in the making of the film helping the cast give a factual portrayal of their experiences and daily struggles.

Karim was in the theatre when the film premiered in Cairo recently and was pleased with the enthusiastic response from the audience, which was made up mostly of  media representatives, UN agencies, NGOs and medics.

“The film will go a long way in empowering people living with HIV and altering public perceptions,” stated Sawsan el Sheikh, who chairs the Egyptian AIDS Society.

The film has received rave reviews after being screened at a number of major international film festivals with one critic saying the “mix of drama and real life experiences and the humanitarian message of the film will directly touch people’s hearts and is likely to make a huge difference effecting positive social change.”

‘A Separation’ and a new form of censorship in film

Tomorrow, the Cinema Office of Iran’s Ministry of Culture and Islamic Guidance must decide on the country’s submission for the Best Foreign Language Film for the 2012 Oscars. The obvious choice would be A Separation, director Asghar Frahadi’s latest film that screened worldwide this year with overwhelming success. In An Iranian Movie ‘Masterpiece’…And why it may not make it to the Oscars, Ali Chenar presents the convoluted issues and politics at play, exposing a whole new dimension to censorship of film in Iran.

Of course the impact on any artist attempting to pursue their work in this industry is manifold. This month saw the US release of the controversial Circumstance (winner of Sundance Audience Award 2011), a film exploring lesbian love in Iran, and director Maryam Keshavarz felt compelled to make a “goodbye” trip to the country as soon as the work was complete, on the clear understanding that she would become a target of the regime once it was released. The official trailer ends with “Let no love fall victim to circumstance. Freedom is a human right.” And circumstance is exactly what filmmakers must constantly overcome — in the choices that they make and the reality that ensues.

Award-winning director Jafar Panahi under house arrest since December 2010, with an imposed 20-year ban on making films, has bravely played with the limitations of this ban by collaborating on This Is Not A Film, a film poignantly showing the banality of Panahi’s life under house arrest. The film was smuggled out of Iran on a USB pen and screened at Cannes this year. The reels keep turning.

Was the decision to ban Human Centipede 2 correct in law?

So is the British Board of Film Censors quite within the law when it comes to banning — or rather, not passing — Human Centipede 2 for release to dvd?

In the old days (pre-1984) this would have been a simple question of whether that film, or bits of it were “obscene” according to the Obscene Publications Act 1959. There are problems with that, though. Items are obscene (and therefore not to be published or distributed) if they “tend to deprave or corrupt”. (more…)

China indie film festival cancels itself

With Ai Weiwei still missing in action, and dozens of other government undesirables, such as activists and rights lawyers also disappearing, it’s no wonder that the director of the Songzhuang Documentary Film Festival got cold feet.

Zhu Rikun told Chinese rag, The Global Times, that they had canceled the event, which was scheduled for early next month, because: “The overall situation was tense, and we had received a lot of pressure. We worried that the films to be shown would meet some problems in this environment and decided to cancel it.”

He did not elaborate on the referred to pressures.

UNCUT got in touch with an independent filmmaker who was planning on attending the festival. He asked us not to use his name.

“Although I had a feeling that it would be cancelled, I was still surprised when they actually did it,” he said, expressing disappointment.

I think it’s down to ideology. They don’t like people with diverging viewpoints coming together and watching these kinds of films. And neither do they want to let those people who have diverging viewpoints express their ideas.

The Global Times went on to cite an organizer for the festival as saying none of the films that were due to be shown were sensitive and most of them had already been shown at a festival in southern China in March this year.
This would have been the eighth incarnation of the festival which was started in 2003. It is held in the outskirts of Beijing in an artists’ district, a popular haunt for “sensitive” events.

The China Gay and Lesbian Film Festival is hoping to show a season of films in June. It remains to be seen if they will feel confident enough to go ahead.