Pianist James Rhodes and 2016 Freedom of Expression Arts Award winner Murad Subay (Photo: Elina Kansikas for Index on Censorship)
Artist Murad Subay uses his country’s streets as a canvas to protest Yemen’s war, institutionalised corruption and forced “disappearings”. Since beginning a street art protest in 2011 Subay has launched five campaigns to promote peace and encourage discussion of sensitive political issues. All his painting is done in public during the day and he encourages fellow Yemenis to get involved. Subay has often been targeted by the authorities, painting over his works or restricting him from painting further.
I am honoured to be here with all of you today and for that, I would like to thank Index on Censorship for giving me this award, for believing in me and for acknowledging our work back home.
I want to thank my friends who join me every time I paint the walls of the streets and who share with me the same concerns over the issues that are really important. I also want to thank the good people of Yemen who have always supported us and who were the spirit of every campaign I launched to paint in the streets.
I would like to take this opportunity tonight to shed light on one of the biggest concerns for me and for many Yemenis. As many of you know, Yemen is going through one of the hardest times in its history, with the outbreak of internal and regional armed conflicts. Yemenis suffered greatly even before these conflicts broke out, and they’re going through this alone, but it seems that the heavy losses that Yemenis endure every day isn’t enough yet to capture the interest of the international community and media.
I dedicate this award today to the unknown people who struggle to survive, and I do not talk about those who are fighting the war with their weapons. Rather, I talk about every person who suffers a serious injury, who lost a family member or a loved one, who lost their home, school and job and who struggles to keep their family alive when they were starved to death. Those women, men and children are the real heroes that we should all bow to in respect for moving on and holding on to life.
Therefore, for the world’s presidents, kings and leaders who misused their power, it is true that you might never be tried, but you should know that you are leaving behind a dirty legacy in the time when you should concentrate on the real issues that face humanity, rather than throwing mindless wars and engaging the world in killing one another.
Again, I thank Index on Censorship and all its team for this award, and I thank you all for listening to me sharing my concern with you. Let’s hope for peace to prevail in Yemen as soon as it can be.
Thank you.
Theatre director Nadia Latif, 2016 Freedom of Expression Arts Award Murad Subay and pianist James Rhodes (Photo: Elina Kansikas for Index on Censorship)
Indonesian comedian Sakdiyah Ma’ruf, a nominee for the 2016 Index on Censorship Freedom of Expression Award for arts, was born to conservative Muslim family in Java and went on to become one of very few female stand-up comedians in the country to appear on national TV.
British comedian Shazia Mirza, the host of this year’s awards, talks to her about tackling no-go subjects, trying to win family approval, and how the stand-up scene is growing for women in Indonesia.
Sakdiyah Ma’ruf (left) and Shazia Mirza (right)
SHAZIA: Have your parents come to watch you do stand-up?
SAKDIYAH: My parents came to one of my shows once. It was in 2012 in one of the biggest theatres in Jakarta. I invited them to the show because it was held in a “dignified” building. I wanted to help my parents, and especially my dad, see that I was doing a “dignified” job.
I was very nervous. It was a full house. But I didn’t care whether the audience liked me or not, as long as I could get at least silent approval from my dad.
Since the show, my dad has supported me in my career as a comedian – not fully perhaps – but from this moment on, he knew that stand-up was something I did and would continue to do – in addition to the other “real jobs” I have.
I remember my parents saying they were pretty nervous about how the audience would respond to me. Perhaps my dad thought he could accept what I was doing if I gained approval from at least half of the audience.
The truth is that it isn’t always easy to get out of the house to perform. In June 2015 I was invited to open for a good friend of mine who is one of the biggest stand-up comics in Indonesia. He called me in April for the gig and it took me almost a month just to craft the right sentence to ask for my dad’s permission to perform.
SHAZIA: Do you say exactly what you want to? Or do you think: “No I can’t say that, people might get upset”
SAKDIYAH: The truth is that I rarely say exactly what I want to. I mean, can you imagine expressing all those voices in your head to the audience?
I say what I believe in; what I have experienced; what I am concerned about; what I like; what I don’t like; what I’m angry about… For me, comedy is always about telling the truth. You can’t be genuinely funny without being completely honest with yourself and your audience.
But I do self-censor, I self-censor all the time! I’m not afraid to talk about taboo topics like religion, race relation, a bit of sex etc – but only if it helps me to be honest with myself and my audience to be honest with themselves. I make sure I craft my jokes on these topics in a way that is truly funny; otherwise I’ll just sound like another girl complaining about how unfair life is.
I also make sure I’m being fair. I fact-check before I talk about something, so that I don’t just make things worse.
SHAZIA: Are you the only woman in Indonesia doing stand-up?
SAKDIYAH: No, of course not. I was the first, but the number is now growing. Every year there are new female stand-up comics performing on TV or participating in competitions.
SHAZIA: Do you feel pressure to talk about “heavy” subjects, like Islamophobia and terrorism, in your comedy? Or do you prefer to talk about lighter things sometimes – like shopping, dating, going on holidays.
SAKDIYAH: I want to talk about the issues that matter to me, things I can relate to, things that are part of who I am and what I have experienced.
I love talking about Muslims and the way they practice and interpret their religion. I talk about Islamophobia, violence towards women, the idea and construction of femininity and masculinity, my ethnicity.
Yeah, sometimes I feel such pressure to talk about “heavy” topics, but for what it’s worth, I think there is no such thing as a “light” topic in comedy. With a great comedian, even jokes about a refrigerator can bring new insights on humanity.
And I guess this is what is so beautiful about comedy: it helps us get to know who we are who others are as well. Every individual has multiple identities. I have been perceived as this Muslim girl fighting against fundamentalism through her comedy. While this is true, I do not want to just be seen as some kind of a “comedy jihadist” fighting against fundamentalists. I have layers to my identity, just like everybody else.
SHAZIA: Do you receive letters and emails from people who have seen your performances? What kind of things do they say? What do women say?
SAKDIYAH: Yes, I do. A woman once asked me whether I am a “true” Muslim. Perhaps she considered my jokes too daring or inappropriate for a Muslim woman to tell. She asked me all these questions about whether I really wear the hijab every day and whether I pray five times a day.
I like getting these kinds of responses. I feel like these people genuinely care about me or at least about Muslim women in general.
