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Poetic Pilgrimage formed in 2002 when Muneera Williams and Sukina Owen-Douglas met at secondary school in Bristol, where they were part of a choir. Their love of music brought them together, but it was Williams, who was a DJ at a pirate radio station, who started Owen-Douglas on the path of hip hop by introducing her to artists such as Mos Def, Talib Kweli, Nas and Slum Village.
Following their conversion to Islam 11 years ago, Poetic Pilgrimage continued to make music despite facing criticism by those who considered their music to be haram, or forbidden by Islamic law. The pair now use their music as a tool to tackle all kinds of prejudices.
Poetic Pilgrimage will be performing at The Power of Hip Hop on 9 July. The event, co-organised by Index on Censorship, will explore the influence of hip-hop culture on social change in a global context. Performers include the inaugural Music in Exile Fellow Smockey, plus Zambezi News, Shhorai and Jason Nichols.
Index caught up with Poetic Pilgrimage ahead of the event to find out what it is like to be female and Muslim in the UK hip-hop scene.
Also read:
– Colombian rapper Shhorai: “Can you imagine a society in which women have no voice?”
– Zambezi News: Satire leaves “a lot of ruffled feathers in its wake”
– Jason Nichols: Debunking “old tropes” through hip hop
A conference followed by a day of performance to consider hip hop’s role in revolutionary social, political and economic movements across the world.
Each youth advisory board sits for six months, has the chance to participate in monthly Google Hangout On Air discussions about current freedom of expression issues from around the world and the opportunity to write blog posts on Index’s website.
What is the Youth Advisory Board?
The youth board is a specially selected group of young people aged 16-25 who will advise and inform Index on Censorship’s work, support our ambition to fight for free expression around the world and ensure our engagement with issues with tomorrow’s leaders.
Why does Index have a youth board?
Index on Censorship is committed to fighting censorship not only now, but also in future generations, and we want to ensure that the realities and challenges experienced by young people in today’s world are properly reflected in our work.
Index is also aware that there are many who would like to commit some or all of their professional lives to fighting for human rights and the youth board is our way of supporting the broadest range of young people to develop their voice, find paths to freely expressing it and potential future employment in the human rights, media and arts sectors.
What does the youth board do?
Board members meet once a month via Google Hangout to discuss the most pressing freedom of expression issues. During th meeting members will be given a monthly task to complete. There are also opportunities to get involved with events such as debates and workshops for our work with young people as well as as our annual Freedom of Expression Awards and Index magazine launches.
How do people get on the youth board?
Each youth board will sit for a six month term. Current board members are invited to reapply up to one time. The board will be selected by Index on Censorship in an open and transparent manner and in accordance with our commitment to promoting diversity. We usually recruit for board members during May and November each year. Follow @IndexCensorship on Twitter or subscribe to our Facebook feed to watch for the announcements.
Why join the Index on Censorship Youth Advisory Board?
You will be associated with a media and human rights organisation and have the opportunity to discuss issues you feel strongly about with Index and peers from around the world. At each board meeting, we will also give you the chance to speak to someone senior within Index or the media/human rights/arts sectors, helping you to develop your knowledge and extend your personal networks. You’ll also be featured on our website.
Index on Censorship recently appointed a new youth advisory board who attend monthly online meetings to discuss current freedom of expression issues and complete related tasks. As their first assignments they were asked to provide a short bio to introduce themselves, along with a photograph of them holding a quotation highlighting what free expression means to them.
Simon Engelkes
I am from Berlin, Germany, where I study political science at Free University Berlin. I have worked as an intern with Reporters Without Borders and RTL Television, which made me passionate about the importance of freedom of speech.
I believe that freedom of expression forms an important cornerstone of any effective democracy. Journalists and bloggers must live without fear and without interference from state or economic interests. Unfortunately, this is not the case. Journalists, authors and everyday citizens are imprisoned or killed by radicals, state agencies or drug cartels. Raif Badawi, James Foley, Khadija Ismayilova, Avijit Roy – the list is endless.
We need to remind ourselves and the powerful of today, that freedom of expression as well as freedom of information are basic human rights, which we have to defend at all costs.
Mariana Cunha e Melo
I am from Rio de Janeiro, Brazil. I graduated from law school in Rio and I have a degree from New York University School of Law. My family has taught me about the dangers of censorship and dictatorship, so I have always been interested in studying civil rights. This was the main reason I decided to study law.
I grew up listening to stories about the media censorship in Brazil during the military dictatorship. The fight against the ghost of state censorship has always sounded very natural to me – and, I believe, to all my generation. When I finished law school I found out that the new villain my generation has to face is the censorship based on constitutional values. The argument has changed, but the censorship is not all that different. So I decided to dedicate my academic and my professional life as a lawyer to fight all sorts of institutionalised censorship in Brazil.
Ephraim Kenyanito
I was born and raised in Kenya, and I am currently working as the sub-Saharan Africa policy analyst at Access Now, an international organisation that defends and extends the digital rights of users at risk around the world. My role involves working on the connection between internet policy and human rights in African Union member countries. I am an affiliate at the Internet Policy Observatory (IPO) at the Center for Global Communication Studies, University of Pennsylvania. I also currently serve as a member of the UN Secretary General’s Multi-stakeholder Advisory Group on internet governance.
The reason why I have always been passionate about protecting the open internet is that it is a cornerstone for advancing free speech in the post-millennium era and there is a great need to build common ground around a public interest-oriented approach to internet governance.
Emily Wright
I grew up in Portugal, and I am now based between London and Bogotá, Colombia. I am a freelance filmmaker and journalist. Working in documentary production and community-based, participatory journalism informed a growing interest in journalistic practices, freedom of expression and access to information.
I believe that one of the greatest threats to freedom of expression is the flagrant violation of civil liberties under the banner of national security. The war on terror, underscored by Bush’s declaration “You’re either for us or against us”, has collapsed the middle ground, suppressing any struggles that challenge that statement. Freedom of expression has become a pretext for silencing those who have the least access to it; those who do not fall in line with the global order’s supposed defence of freedom against barbarism and obscurantism.
Mark Crawford
I’m originally from Birmingham, and now a postgraduate student at University College London, specialising in Russian and post-Soviet politics. This has inevitably educated me on the pressures exerted upon freedom of expression in Russia, whose suffocated and disenfranchised opposition journalists I am currently investigating.
Hostility to free expression has become a staple of my university life. Rather than developing a coherent set of ideologies to challenge toxic values in the open, it has become mainstream for students of the most privileged universities in the world to veto them on behalf of everyone else, no-platforming and deriding free speech.
I am convinced that there is no point fighting for an egalitarian society if any monopolies over truth are permitted. Freedom of speech is, therefore, something I am keen to promote in whatever small way I can.
Madeleine Stone
My home is in south-east London but I spend most of my time in York, studying for my bachelor’s degree in English and related literature. I am currently the co-chair of York PEN, the University of York’s branch of English PEN, and a founding member of the Antione Collective, a human rights-focused theatre company.
Studying literature from across the globe has introduced me to issues of freedom and censorship, and the devastating effects censorship can have on national progress. Freedom of expression on campuses is hugely important to me as a student and it is currently under threat. Well-meaning individuals are shutting down the open debate that is vital to academic institutions. The only way to fight harmful ideas is to engage them head-on and destroy them through academic debate, not to ban them.
Layli Foroudi
I am a journalist and student currently studying for a MPhil in race, ethnicity and conflict at Trinity College Dublin. It was studying literary works from the Soviet period during my undergraduate degree in Russian and French at University College London that initially highlighted the issue of censorship for me. The quote I selected, “manuscripts don’t burn”, is from the book Master and Margarita by Russian author Mikhail Bulgakov. He wrote about the hardship that many writers faced as they had to adjust their own writing in accordance with the authority, as well as the fact that not all that is written can be taken to be true.
I think that these themes are very relevant today. Whether people are censored or self-censor out of fear of punishment or of being wrong, limiting freedom of expression results in loss of debate, of exchange and of creativity. Being denied freedom of expression is being denied the right to participation in society.
Ian Morse
I have been involved in journalism since I began studying at Lafayette College, Pennsylvania, USA, and have been engaged in press freedom and reporting in three countries since then. I studied in Turkey last spring, where I interviewed and wrote about journalists and press freedom. It motivated me to begin researching and writing on my own about these topics. Now, as I study for a semester in Cambridge in the UK, I continue to talk about and advocate for free speech and press.
I find it absolutely amazing the power words and information can have in a society. It becomes then extremely damaging to realise that some things cannot be published because they conflict with those in power. Free speech is now becoming a hot topic around the world, particularly among youth, and it makes it all the more important to be able to approach freedom of expression critically and objectively.
“When I went to the Loaded offices with hairy legs they told me to get out and that I could never be on the cover of the magazine because apparently I’d made an effort with my nails but not my legs,” said comedian Shazia Mirza, at the launch of the latest taboo-themed issue of Index on Censorship magazine.
Do taboos still exist in society today? Are taboo subjects still brushed under the carpet instead of being faced head on? Is comedy a perfect platform to tackle these issues? These were just some of the questions discussed during the evening of discussion and debate.
Chaired by Index on Censorship chief executive Jodie Ginsberg, panellists included Kunle Olulode, director of campaigning charity Voice4Change England, writer and political consultant Max Wind-Cowie, plus comedians Grainne Maguire and Mirza.
The night kicked off with a fast and furious comedy performance from Michele Moran, filled with tales of taboos and secrets.
Wind-Cowie told the audience at the Royal Vauxhall Tavern of his surprise when people reacted to Rupert Murdoch and Jerry Hall’s marriage with jokes and disgust at the thought of older people having sex.
He said: “I think it’s a bit sad because I hope to be an older person one day, and I hope that the older person that I will become will be allowed to have sex with someone. And I hope that when we are having sex they won’t be looking at me and thinking ‘my God you’ve got disgusting’. So I think it’s wrong that it’s something we all laugh at so much.”
Maguire joked to the audience that mental illness was a requirement as a comedian but agreed there was still a lot of stigma around mental health.
“In certain careers you’re supposed to be macho and mental illness is still seen as a sign of weakness. I just think that’s really depressing and sad. I think you should be allowed to be vulnerable, but I don’t think were there yet,” she said.
The panel moved to discussing whether suicide and grief were taboo in different societies. Mirza said: “Some Muslims believe that suicide is wonderful. You blow yourself up and go into the afterlife where there are virgins and wine. So it may be terrible in the West but to Muslims suicide is great, and we talk about it all the time.”
Olulode told the audience how for him the last taboo was racism. “In terms of race, there’s a lot of discussion about the discrimination and the attitudes towards black people, but we rarely discuss the construction of what it is to be white.”
He said: “There’s an old left-wing saying: ‘Nothing is alien to me.’ And that idea of investigating every aspect of humanity seems to have become lost along the way. The contestation of ideas in society today is more about protecting people from being exposed to difficult subjects or ideas than actually tackling them head on.”
The evening was rounded off with a lively taboo disco set from DJ Bamboo.