“All this for a simple post on Facebook”

Samira Sabou

Nigerien journalist Samira Sabou, winner of Index on Censorship’s Freedom of Expression Awards 2021 in the journalism category, has been handed a one-month suspended prison sentence and a fine of 50,000 FCFA (around £65) for circulating an article on drugs trafficking in the country. The sentence was handed down by the courts despite her house being searched without a warrant and Sabou being questioned without a lawyer being present.

The article – Strange Days for Hashish Trafficking in Niger – reported on the trafficking of cannabis through West Africa to North Africa, and the seizure by Nigerien authorities of a large shipment, some of which later went missing.

“On 26 May 2021, I posted an article on drug trafficking in the country,” says Sabou. “The following day I was summoned by an individual who called me on the phone. He told me that he was from the anti-drug unit and that I must come immediately. He didn’t tell me why. I told him that I would first call my lawyer and I would get back to him. But I was told that if I did not show up immediately he would send agents to look for me.”

Within 30 minutes at least 10 people showed up at Sabou’s house to search it.

“After reminding them that they could not come to my home and search it without a warrant, there was a fight,” she says. “They handcuffed my husband and took his phone to prevent him from calling my lawyer. They also confiscated my phone maybe because I had posted on social media about what was happening. In the face of legal harassment against me, it has become a habit of mine to make society my witness through Facebook posts.”

“Later that day police officers from the Central Office for the Repression of Illicit Trafficking in Narcotic Drugs (OCRTIS) came to take me in for questioning. They begged my husband to let me go with them, still without a warrant, and without my lawyer. And all this for a simple post on Facebook. I am neither a murderer nor a drug dealer, let alone a fugitive. I am a simple journalist!”

Sabou was taken against her will to the OCRTIS premises and interrogated. Following this, OCRTIS filed a complaint against Sabou for indirect defamation  and she was summoned on 6 June to the Directorate of the Judicial Police (DPJ).

“At this stage I would like to point out that no responsible and ethical judge would agree to proceed given that the complainant (OCRTIS) had me forced from my home, without a warrant, and had questioned me without a lawyer. It is outrageous, completely senseless in a country of  ‘rights’. And all this for sharing a post on Facebook!” she says.

On 9 September Sabou appeared before the Tribunal de Grande Instance Hors Classe in Niamey, where she was prosecuted for “defamation” and “diffusing information to disrupt public order” under the cyber crime law of 2019.

However on 27 December 2021, ORCTIS withdrew its complaint but her prosecution did not stop there.

“The public prosecutor’s office did not honour its part of the agreement and instead of dropping charges, asked for a conviction. On 3 January this year I was found guilty of defamation. I received a one-month suspended prison sentence and a fine of 50,000 FCFA. My colleague Moussa Aksar was also found guilty, with a two-month suspended sentence and a fine of 100,000 FCFA.”

It is not the first time Sabou has had brushes with the authorities.

In June 2020, she was arrested and charged with defamation in connection with a Facebook post highlighting corruption, specifically possible overbilling by the country’s defence ministry. She spent over a month in detention before eventually being discharged and released.

Sabou says, “The most incredible thing about this affair is that we are not the only Nigerien journalists, citizens and media to have shared the article. But we are the only ones to have been punished by the justice system in such an extreme way. It is very clear that this is all part of a broader campaign of harassment against me and the work that I do, a campaign to silence me.”

“We need more courageous writers in theatre,” says leading Turkish playwright

Death threats targeting a playwright who has become the target of the Turkish government; self-censorship that messes with your thoughts and changes how a play is written – these were just two things that were discussed as part of the launch this week of the winter issue of Index on Censorship magazine, Playing With Fire: How theatre is resisting the oppressor. In this new issue, writers, playwrights and actors discuss how the world of theatre is facing and confronting censorship around the globe. As reflected in the magazine and at the event, which was held on Monday, the theatre world still has the strength to bring people together, despite censorship.

The launch event specifically focused on Turkey and featured a conversation between the playwright Meltem Arikan and the writer Kaya Genç. The conversation was led by Kate Maltby, critic, columnist, scholar and deputy chair of Index on Censorship’s Board of Trustees.

Arikan told the audience that her first experience of censorship dates back to 2004, when her novel Yeter Tenimi Acıtmayın (Stop Hurting my Flesh) was banned by the Committee to Protect Minors from Obscene Publications.

“I protested a lot and nobody joined me. Before my book was banned, people loved watching me on television. I was openly talking about women. Now I can see that censorship is a similar problem all around the world, not only in Turkey,” said the Turkish and Welsh author who was short-listed for the Freedom of Expression Award in 2014 by Index. Arikan’s play Mi Minor was accused by the Turkish authorities as provoking the Gezi Park protests in 2013. She says that after Mi Minor was performed, she received death and rape threats constantly:  “If you are a woman they focus more on your gender.”

The production of Meltem Arikan’s Mi Minör play.

Censorship also restrains people’s ideas, almost like putting an ideological filter inside someone’s brain.

“Self-censorship affects the tone of your writing, including the adjectives you use. I started writing in English for Index, which gave me a great amount of liberty,” said Genç, a journalist who lives in Istanbul and is a contributing editor for the magazine. 

Genç told everyone watching the event that Turkish theatre was flourishing when Mi Minör’s play came out, although most of the plays were about torture and Turkish prisons in the 1980s, instead of contemporary Turkey.

“It’s very important that people like Meltem speak out. I see forced exile in Turkey as a tragedy,” he continued.

In Arikan’s words, she had to give up on Turkey. Today, she feels at peace with that decision.

“In Wales I feel I found my home. I’m so happy here. When I came here, at first I tried to give up on writing, but I couldn’t. There is a difference of attitude in the United Kingdom.”

She said: “We need more courageous writers in theatre.”

Maltby, who has written a piece for this edition on Belarus Free Theatre, said that one thing that clearly comes to mind when she thinks about theatre and dissent is theatre’s power to bring people together

“It’s a unique moment where there are a bunch of people who have never met before, but are suddenly physically inhabiting the same space, even in the social media landscape,” she said.

Playing With Fire: How theatre is resisting the oppressor, is out next week. Click here for information on how to read it. 

Climate of fear: The silencing of the planet’s indigenous peoples

FEATURING

Whistleblowers: The lifeblood of democracy

Index’s new issue of the magazine looks at the importance of whistleblowers in upholding our democracies.

Featured are stories such as the case of Reality Winner, written by her sister Brittany. Despite being released from prison, the former intelligence analyst is still unable to speak out after she revealed documents that showed attempted Russian interference in US elections.

Playwright Tom Stoppard speaks to Sarah Sands about his life and new play title ‘Leopoldstatd’ and, 50 years on from the Pentagon Papers, the “original whistleblower” Daniel Ellsberg speaks to Index .

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FEATURING

Daniel Ellsberg

Daniel Ellsberg

Daniels Ellsberg is a former US Government contractor who worked for Rand Corporation and exposed the country’s long-term involvement in Vietnam through the release of the Pentagon Papers in 1971.

Nerma Jelacic

Nerma Jelacic

Nerma Jelacic works for the Commission for International Justice and Accountability, which gathers war crimes evidence during ongoing conflicts.

Sir Tom Stoppard

Sir Tom Stoppard

Sir Tom Stoppard is a Czech-born British playwright and screenwriter who’s written for radio, stage and television.

IN THIS ISSUE

Why journalists need emergency safe havens

Journalists tell Index how a new type of visa is vital to protect lives and stop media censorship. Rachael Jolley reports

Spinning bomb: Fighting the disinformation war

Nerma Jelacic argues revisionists are manipulating free speech defenders

Speaking for my silenced sister Reality Winner

Winner, a US Air Force veteran, has just been released after being imprisoned for exposing secret papers about Russian interference in the US elections

Daniel Ellsberg: The original whistleblower

The man who leaked the Pentagon Papers, which revealed the extent of US involvement in Vietnam during five presidencies , speaks to Index

Are we becoming Hungary-lite?

Jolyon Rubinstein fears a British legislative agenda that could stifle protest, satire and the very foundations of democracy

Contents – Whistleblowers: the lifeblood of democracy

Index's new issue of the magazine looks at the importance of whistleblowers in upholding our democracies. Featured are stories such as the case of Reality Winner, written by her sister Brittany. Despite being released from prison, the former intelligence analyst is...