Freedom of expression and disabilities

What does freedom of expression mean for someone with a disability?

The United Nations’ Convention on the Rights of Persons with Disabilities was adopted in 2006, and has now been signed by 82 countries. The convention amongst the document’s 50 articles, there is one that specifically guarantees disabled persons the right to freedom of expression:

States Parties shall take all appropriate measures to ensure that persons with disabilities can exercise the right to freedom of expression and opinion, including the freedom to seek, receive and impart information and ideas on an equal basis with others and through all forms of communication of their choice, as defined in article 2 of the present Convention, including by:

a) Providing information intended for the general public to persons with disabilities in accessible formats and technologies appropriate to different kinds of disabilities in a timely manner and without additional cost;

b) Accepting and facilitating the use of sign languages, Braille, augmentative and alternative communication, and all other accessible means, modes and formats of communication of their choice by persons with disabilities in official interactions;

c) Urging private entities that provide services to the general public, including through the Internet, to provide information and services in accessible and usable formats for persons with disabilities;

d) Encouraging the mass media, including providers of information through the Internet, to make their services accessible to persons with disabilities;

e) Recognizing and promoting the use of sign languages.

 

The United Kingdom is one of the countries that has ratified the convention, and statistics on media literacy for disabled persons in the UK shows just how important it is to increase access to information across different channels. According to the UK regulator Ofcom, 64 per cent of disabled persons use television as a source of news, and are more likely than their able-bodied counterparts to rely on one source for news.

According to Jo Roach, who has worked with people with learning disabilities for over 30 years, freedom of expression hinges on having equipment and support workers who can “understand the person’s needs”. Roach says that the support worker is key to learning how to use things like the internet.

“If support workers aren’t well-informed, you aren’t well-informed,” says Roach.

This is particularly important when thinking of ever-advancing mobile phone access and capabilities: while internet usage for disabled persons currently sits at 62 per cent, mobile phone access is 82 per cent. Most disabled people under 65 use mobile phones for calls and text messages. With smartphone penetration on the rise in the UK, there are possibilities for increasing accessibility for disabled persons — but this relies entirely on access to not only the equipment, but tailored training on how to use it.

Smartphones open up the doors to apps catering to disabled persons, and this is already being explored. For example, the voice-operated “Georgie” app, which helps blind users find buses or navigate. The UK’s Department for Work and Pensions recently announced a plan to train 200 people to use the application. Apple’s iPhone has been celebrated for the usability of its “assistive” features, and this also increases options for developers of apps.

But there is still a long way to go: the head of London-based accessibility consultancy Hassell Inclusion, Jonathan Hassell, told the Guardian that a narrow definition of accessibility could also be a barrier:

“In audience terms, the needs of the small audience of totally blind people are being catered for well, whereas the needs of the much larger audience of people with more moderate vision difficulties, probably because of ageing, seems to be being ignored.”

While this is a slow process, it will surely improve in the coming years.

The Arrest of Ai Weiwei

WATCH A LIVE PERFORMANCE OF THE ARREST OF AI WEIWEI FROM 7.30pm GMT

A few days after China’s most famous dissident artist Ai Weiwei was released from jail in June 2011, writer Barnaby Martin called his old mobile phone number. Unexpectedly, Ai answered call. Through subsequent meetings and conversations Martin recorded a full and unparalleled account of Ai Weiwei’s incarceration, from his airport detention to final release.

#aiww: The Arrest of Ai Weiwei is a new play by Howard Brenton, based on Barnaby Martin’s novel and directed by James Macdonald, showing now at the Hampstead Theatre. Index on Censorship is taking part in the worldwide live web streaming of the play, from 1930GMT on Friday 19 April.

This elegant performance centres on communication and miscommunication. In a series of baffling scenes the artist tries and fails to convey his version of events to a steady stream of guards, interrogators and officials who do not want to know. Challenged about his blog, Ai replies, “It’s the net, it’s freedom, why can I not say what I want? I’m human.”

He might as well be inhabiting a different world. In rare moments when we watch prisoner and guards communicating, for instance about how to cook Beijing noodles, it feels like Ai Weiwei might have won. His belief in the basic human need to think, believe and act freely has permeated even the Party’s most brain-washed foot soldiers.

These moments don’t last long, however. Although he was never beaten, Ai emerged from 81 days of imprisonment and psychological torture a different man.

This production serves as a reminder that arguments for national security and “harmony” will always be used in authoritarian regimes to limit freedom and condemn artists as “hooligans” and “conmen”, guilty of subverting state power. But all that Ai Weiwei claims to have been doing was depicting “humanity”, “nakedness” and “life”.

Index is glad to support Hampstead Theatre’s live streaming of #aiww: The Arrest of Ai Weiwei. You can watch it live from 19:30GMT on Friday 19 April

The Arrest of Ai Weiwei

WATCH A LIVE PERFORMANCE OF THE ARREST OF AI WEIWEI FROM 7.30pm GMT

A few days after China’s most famous dissident artist Ai Weiwei was released from jail in June 2011, writer Barnaby Martin called his old mobile phone number. Unexpectedly, Ai answered call. Through subsequent meetings and conversations Martin recorded a full and unparalleled account of Ai Weiwei’s incarceration, from his airport detention to final release.

#aiww: The Arrest of Ai Weiwei is a new play by Howard Brenton, based on Barnaby Martin’s novel and directed by James Macdonald, showing now at the Hampstead Theatre. Index on Censorship is taking part in the worldwide live web streaming of the play, from 1930GMT on Friday 19 April.

This elegant performance centres on communication and miscommunication. In a series of baffling scenes the artist tries and fails to convey his version of events to a steady stream of guards, interrogators and officials who do not want to know. Challenged about his blog, Ai replies, “It’s the net, it’s freedom, why can I not say what I want? I’m human.”

He might as well be inhabiting a different world. In rare moments when we watch prisoner and guards communicating, for instance about how to cook Beijing noodles, it feels like Ai Weiwei might have won. His belief in the basic human need to think, believe and act freely has permeated even the Party’s most brain-washed foot soldiers.

These moments don’t last long, however. Although he was never beaten, Ai emerged from 81 days of imprisonment and psychological torture a different man.

This production serves as a reminder that arguments for national security and “harmony” will always be used in authoritarian regimes to limit freedom and condemn artists as “hooligans” and “conmen”, guilty of subverting state power. But all that Ai Weiwei claims to have been doing was depicting “humanity”, “nakedness” and “life”.

Index is glad to support Hampstead Theatre’s live streaming of #aiww: The Arrest of Ai Weiwei. You can watch it live from 19:30GMT on Friday 19 April