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On 25 December 2012, Gaza’s Hamas government announced a ban on Palestinian journalists working with Israeli media.
This decision affected just three journalists in Gaza, one of whom is 25-year-old Abeer Ayyoub. Abeer went from working as a fixer for visiting foreign journalists to writing stories herself, and in the process landing a job with Israeli newspaper Ha’aretz. Starting at the beginning of the last attack on Gaza in November 2012, she quickly made a name for herself by breaking stories that most journalists operating in the Strip had never realised existed.
I spoke to Abeer about what the ban means for her work, and for the state of press freedom in Gaza today
Ruth Michaelson: When we spoke the other day, you described working for Ha’aretz as “your dream”. Why did you want to work with Israeli media?
Abeer Ayyoub: Because I wanted to be the Palestinian voice in Israeli media, to send a message and cover these events from Palestinian eyes — I didn’t want Israeli journalists to be talking about something they’ve never seen [Israeli citizens are banned from entering Gaza]. So I wanted to be the one talking to Israelis, to communicate exactly what is going on here. Most Israelis are misled about what life is like here — they think that we’re all terrorists, which is not the case: Gaza has many civilians who have nothing to do with resistance. Sure, they have their own affiliations, but people have lives here, and they want to live in peace.
RM: Did you feel under threat while you were working for Ha’aretz?
AA: No, never. People showed understanding about my reasons for doing this; my family, my colleagues, even the Gaza authorities were supportive when I asked them before starting at Ha’aretz. They told me that they were in favour of having Palestinians writing for the Israeli media. The criticisms I heard or felt came from people who aren’t involved with the media, so I didn’t take them seriously.
RM: Why did you decide to talk to the Hamas government before going to work for Israeli media?
AA: I hate to do things in secret: I want to do everything under the light. I wasn’t asking for permission, I was just informing them of what was going on. They told me “go ahead, we never banned anyone from working with Israeli media, and it’s the same for you.” It was the head of media relations in Gaza who told me that, the same person who later told me I was banned.
RM: What reason did Hamas give for the ban?
AA: There were several different reasons given — that Israeli media is hostile to us, and that Israel doesn’t allow Palestinians to go inside and cover what’s going on, so we’re not going to allow them to do the same here. But the third and most depressing reason is that they expressed concern that journalists who work with Israeli media will ultimately become spies.
RM: Why do you think they changed their minds like this?
AA: It’s been very difficult to figure this out, as the reasons kept changing — especially as they banned their officials from talking with Israeli media in the same ruling. They certainly have their reasons, but it’s none of the reasons they’ve made public.
RM: So how were you informed about the ban?
AA: Just like everyone around me, I read it in the papers. No one called me or contacted me to let me know. So after I read about it, I went to the media office and asked them if they were serious about this. They told me that they were, and that I had no other choice but to submit to this decision. Initially I thought that I wouldn’t submit to this, but then I reasoned that I have no wish to create extra problems for myself.
RM: What were the risks involved if you hadn’t complied?
AA: The statement said that anyone working for Israeli media will be “punished”: I didn’t want punishment or to be arrested, as I have work that I still want to do here nonetheless. The thing is that a lot of normal people on the ground are against working with Israeli media, so I didn’t think that I would find a lot of support. I decided to stop for a while until things change, and I’m sure that they will change, because Hamas tend to take decisions like this and then repeal them at a later date.
RM: What do you think is the reason behind such a sweeping ruling that only affects three people?
AA: This is the thing — there have been allegations that there are people who work for Israeli media in secret, with no bylines. But again, this was a ruling also designed to affect Hamas officials, and I believe this was aimed primarily at them. Once again, the reason for this will be anything except the reasons they gave.
RM: The timing of the decision seems political, in that it came after the ceasefire with Israel. Do you think that this has anything to do with the ruling?
AA: This was one of Hamas’s claims, that Israel had targeted journalists during the war, and so if Israel doesn’t respect our journalists then we don’t want them to work with Israel. How these two things are related is something that I don’t personally understand.
RM: How comfortable do you feel working as a journalist in Gaza now, following this ban?
AA: I feel comfortable at the moment, my relationship with the government is good. I work a lot with other forms of international media, and things seem to be okay. Sometimes [the Hamas government] remind me, with provocations or questions about whether I’m still working with Ha’aretz, that they are still focused on this, even if they say it as a joke. But this to me is nothing too serious.
RM: Many elements of both Israeli and Palestinian life are hidden from view given the restrictions on freedom of movement, do you feel like the decision contributes to this?
AA: Exactly. Now there is a real problem — things are disjointed. I can’t express myself within Israeli media: this is permitting any potential media bias, or at the very least reports lacking in sufficient information.
RM: What will be missing from Israeli media discourse as a result of this decision?
AA: Basically I think the gap between civilians on both sides will be widened. We only know about their government, and they only know about ours. The things that I wanted to write about were what normal, everyday people are doing — people like me or my family and friends: we hate the on-going conflict. We believe in resistance, but things are not like the normal depiction of Palestinians in the media, which is likely to portray us as inherently violent.
RM: What would you say is the state of press freedom in Gaza?
AA: I would say it’s changing from time to time, sometimes we have enough space to write, but other times we are denied our simplest rights. It’s the case wherever; governments always try to control journalism when it comes to writing about them.
Ruth Michaelson is a freelance journalist. She tweets at @_Ms_R
On 25 December 2012, Gaza’s Hamas government announced a ban on Palestinian journalists working with Israeli media.
This decision affected just three journalists in Gaza, one of whom is 25-year-old Abeer Ayyoub. Abeer went from working as a fixer for visiting foreign journalists to writing stories herself, and in the process landing a job with Israeli newspaper Ha’aretz. Starting at the beginning of the last attack on Gaza in November 2012, she quickly made a name for herself by breaking stories that most journalists operating in the Strip had never realised existed.
I spoke to Abeer about what the ban means for her work, and for the state of press freedom in Gaza today
Ruth Michaelson: When we spoke the other day, you described working for Ha’aretz as “your dream”. Why did you want to work with Israeli media?
Abeer Ayyoub: Because I wanted to be the Palestinian voice in Israeli media, to send a message and cover these events from Palestinian eyes — I didn’t want Israeli journalists to be talking about something they’ve never seen [Israeli citizens are banned from entering Gaza]. So I wanted to be the one talking to Israelis, to communicate exactly what is going on here. Most Israelis are misled about what life is like here — they think that we’re all terrorists, which is not the case: Gaza has many civilians who have nothing to do with resistance. Sure, they have their own affiliations, but people have lives here, and they want to live in peace.
RM: Did you feel under threat while you were working for Ha’aretz?
AA: No, never. People showed understanding about my reasons for doing this; my family, my colleagues, even the Gaza authorities were supportive when I asked them before starting at Ha’aretz. They told me that they were in favour of having Palestinians writing for the Israeli media. The criticisms I heard or felt came from people who aren’t involved with the media, so I didn’t take them seriously.
RM: Why did you decide to talk to the Hamas government before going to work for Israeli media?
AA: I hate to do things in secret: I want to do everything under the light. I wasn’t asking for permission, I was just informing them of what was going on. They told me “go ahead, we never banned anyone from working with Israeli media, and it’s the same for you.” It was the head of media relations in Gaza who told me that, the same person who later told me I was banned.
RM: What reason did Hamas give for the ban?
AA: There were several different reasons given — that Israeli media is hostile to us, and that Israel doesn’t allow Palestinians to go inside and cover what’s going on, so we’re not going to allow them to do the same here. But the third and most depressing reason is that they expressed concern that journalists who work with Israeli media will ultimately become spies.
RM: Why do you think they changed their minds like this?
AA: It’s been very difficult to figure this out, as the reasons kept changing — especially as they banned their officials from talking with Israeli media in the same ruling. They certainly have their reasons, but it’s none of the reasons they’ve made public.
RM: So how were you informed about the ban?
AA: Just like everyone around me, I read it in the papers. No one called me or contacted me to let me know. So after I read about it, I went to the media office and asked them if they were serious about this. They told me that they were, and that I had no other choice but to submit to this decision. Initially I thought that I wouldn’t submit to this, but then I reasoned that I have no wish to create extra problems for myself.
RM: What were the risks involved if you hadn’t complied?
AA: The statement said that anyone working for Israeli media will be “punished”: I didn’t want punishment or to be arrested, as I have work that I still want to do here nonetheless. The thing is that a lot of normal people on the ground are against working with Israeli media, so I didn’t think that I would find a lot of support. I decided to stop for a while until things change, and I’m sure that they will change, because Hamas tend to take decisions like this and then repeal them at a later date.
RM: What do you think is the reason behind such a sweeping ruling that only affects three people?
AA: This is the thing — there have been allegations that there are people who work for Israeli media in secret, with no bylines. But again, this was a ruling also designed to affect Hamas officials, and I believe this was aimed primarily at them. Once again, the reason for this will be anything except the reasons they gave.
RM: The timing of the decision seems political, in that it came after the ceasefire with Israel. Do you think that this has anything to do with the ruling?
AA: This was one of Hamas’s claims, that Israel had targeted journalists during the war, and so if Israel doesn’t respect our journalists then we don’t want them to work with Israel. How these two things are related is something that I don’t personally understand.
RM: How comfortable do you feel working as a journalist in Gaza now, following this ban?
AA: I feel comfortable at the moment, my relationship with the government is good. I work a lot with other forms of international media, and things seem to be okay. Sometimes [the Hamas government] remind me, with provocations or questions about whether I’m still working with Ha’aretz, that they are still focused on this, even if they say it as a joke. But this to me is nothing too serious.
RM: Many elements of both Israeli and Palestinian life are hidden from view given the restrictions on freedom of movement, do you feel like the decision contributes to this?
AA: Exactly. Now there is a real problem — things are disjointed. I can’t express myself within Israeli media: this is permitting any potential media bias, or at the very least reports lacking in sufficient information.
RM: What will be missing from Israeli media discourse as a result of this decision?
AA: Basically I think the gap between civilians on both sides will be widened. We only know about their government, and they only know about ours. The things that I wanted to write about were what normal, everyday people are doing — people like me or my family and friends: we hate the on-going conflict. We believe in resistance, but things are not like the normal depiction of Palestinians in the media, which is likely to portray us as inherently violent.
RM: What would you say is the state of press freedom in Gaza?
AA: I would say it’s changing from time to time, sometimes we have enough space to write, but other times we are denied our simplest rights. It’s the case wherever; governments always try to control journalism when it comes to writing about them.
Ruth Michaelson is a freelance journalist. She tweets at @_Ms_R
OPINION
“Maybe we have a discussion about who is a journalist,” said Israeli government spokesman Mark Regev, in a much-publicised interview with Al Jazeera on Monday during which he was grilled about Israeli attacks on media centres in Gaza City. Even with the hopes for the current ceasefire holding, this is undoubtedly still a discussion that needs to be had, as Israel’s behaviour towards journalists throughout the week-long Gaza crisis has set something of a precedent.
The main target, hit during three out of the five incidents, was the Al Shorouq tower, known locally as “the journalists’ building”, as it housed media outlets including Sky News, Al Arabiya, Al Quds TV and Russia Today. The third attack killed two people, including a local head of a branch of the militant group Al Quds brigades, and wounded eight journalists. Regev dismissed suggestions Israeli forces were targeting journalists, saying:
If you can bring me someone who is a bona fide journalist who was injured, I want to know about it.
At the suggestion that Palestinian journalists were not being given the same level of respect that Regev gives the Israeli media — which he praises for its freedom — the spokesman argued that the media in Gaza is not free, implying it is a legitimate target for Israeli attacks.
The illegitimacy of Palestinian media has been the first line of defence by Israelis justifying four separate attacks on media centre buildings — and one journalist directly — since the beginning of the Gaza crisis. The first attack last Sunday morning used five missiles to target a tower block housing pro-Hamas station Al Aqsa TV as well the offices of independent Palestinian news agency Ma’an, and has previously housed international media such as the BBC. According to Reporters Without Borders, “around 15 reporters and photographers wearing vests with the words TV Press were on the building’s roof at the time, covering the Israeli air strikes”. In an attack on Tuesday, two journalists from Al Aqsa TV were killed by an Israeli airstrike while driving in a car marked “press”.
Regev told the Al-Jazeera presenter: “unlike the country where you’re broadcasting from, Israel has a free press, the Israeli press is very aggressive and we respect that right.” He later added: “If you think Al Aqsa is free press, like say Tass in the former Soviet Union is a free press [sic], then let’s be serious for a second.”
Regev ignored how Israeli media is, like Al Aqsa, also likely to publish articles in favour of its own government’s policy, particularly in a time of heightened conflict. Witness the infamous Jerusalem Post article published by Gilad Sharon (son of Ariel), entitled “A decisive conclusion is necessary”, which stated: “There is no middle path here — either the Gazans and their infrastructure are made to pay the price, or we reoccupy the entire Gaza Strip.”
Al Aqsa in particular may not be a sterling example of free media, but that an attacking army is allowed to cherry pick sources of “legitimate” media is highly disturbing. It also implies that the IDF are of the belief that for Palestinians, their nationality trumps all, making them supposedly legitimate targets. Regev himself used the word “legitimate” to describe channels such as Al-Jazeera and the BBC in comparison to Al Aqsa, although offices used by Al Jazeera were also damaged during a nearby attack on the Abu Khadra building on Wednesday night, and offices of Agence France-Press (AFP) were targeted on Tuesday evening. Journalists, regardless of whether their outlet is considered “legitimate”, have been treated as collateral damage in this conflict.
Regev also blamed Hamas for “using journalists as human shields” by “placing their communications equipment in buildings that they know that journalists will use”. For their part, Ma’an stated when reporting on this issue that “there is no military infrastructure of any kind inside the building,” referring to the Al Shawa tower, another media base. The IDF have provided no proof of the communications equipment on either building.
Israel made much of its decision to allow international media into Gaza, from keeping the northern Erez checkpoint open to fast-processing of the press cards that allow journalists to cross it. On arrival at Erez, it was mandatory for all journalists to sign a waiver, stating that should they come to any harm, the IDF bears no responsibility.
The Israeli Government Press Office was also quick to condemn rumours of Hamas refusing to allow journalists to leave Gaza, but had fewer qualms about making its own demands that restrict journalists’ movement when inside the Strip. It explicitly warned journalists to stay away from anything or anyone connected to Gaza’s ruling Hamas party — a difficult task in a place as densely-populated as Gaza. In one incident, Nicole Johnston from Al Jazeera’s English service reported receiving a message from the IDF which said:
Don’t take any Hamas or Islamic Jihad leaders in a car with you. We know who we’re looking for. We know their cars.
This implies that journalists were expected to consider contact with any Hamas official as overtly making themselves a target, a tactic designed to dissuade them from conducting interviews or engaging in any activity where the perspective of Hamas might be broadcast.
International media have praised the Israelis for their decision to allow Gaza to remain open, in contrast to Operation Cast Lead in 2009. But there is evidence of sleight-of-hand with journalistic safety, and the so-called “rules of engagement”. Targeting media, or in this case — targeting journalists who either don’t or can’t comply with the IDF’s demands — ignores Protocol 1, Article 79 of the Geneva Convention which states it is a war crime to target the media. This is despite a press release distributed by the Israeli government press office, which stated: “Israel and the IDF are fully committed to international law in general, and to the Laws of Armed Conflict in particular”.
International media have been flooding into Gaza to work alongside Palestinian media. But with such an aggressive targeted air campaign in one of the most densely populated areas on Earth and no “front line” to speak of, the most that both parties were able to do was to speak up in order to hope that Israel would react to international pressure to accept some part of the so-called “rules of engagement” and avoid targeting journalists.
The ceasefire is holding for now, but there are many lessons to be learned from the past week and a half, most of all because the vast majority of people believe that similar attacks on Gaza are likely to happen again. If that is the case, it is not unreasonable to expect that Israel and the IDF will have learnt that the harming of media of any nationality is not just an action which attracts the bad press that they seek to avoid. It is a crime.
Ruth Michaelson is a freelance journalist currently on assignment in Gaza. She tweets at @_Ms_R
To the dismay of those born before the 90s, last year a remake of the 1984 classic Footloose was released. Studio executives might be pleased to learn that they might be able to retell the story — with an international twist.
On Thursday Hamas banned Gaza residents from singing in the Palestinian version of American Idol, called New Star. Executives from the show, set to air next month, said that the ban force 12 contestants from the competition.
Hamas, which has been criticised for clamping down on free expression in the region, deemed the programme to be “indecent” according to contest organisers.
New Star is in its third year, and the popular programme doesn’t stray very far from the format we’ve grown to love in the United States and beyond. The programme’s answer to Simon Cowell, Dr. Ghawi Ghawi, is an all-too-familiar character for anyone out there with an Arab father. And just like Idol spin-offs all over the world, it offers the chance to make fun of delusional contestants.
No word as to whether or not the Palestinian answer to Footloose’s Ren McCormack will challenge Hamas, get the girl and save the day.