22 Feb 19 | History, Magazine, News and features, Press Releases
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![With concern for those not free, the Spring 1972 issue of Index on Censorship magazine](https://www.indexoncensorship.org/wp-content/uploads/1973/12/1.-1972-Spring-220x300.jpg)
“With concern for those not free” The spring 1972 Index on Censorship magazine was the first issue. Read it now for free.
Index on Censorship is pleased to announce that the online archive of 45 years of publications of Index on Censorship magazine, published by SAGE Publishing, will be free to read globally.
Free archive access will cover the years 1972 to the end of 2017, and will give students, researchers and those interested in research and reading on freedom of expression online access to journalism and reporting about freedom of expression issues, plus stories by and about censored writers and artists.
The archive is available on the SAGE Publishing website, where users can browse by year or keyword search.
“Free speech is increasingly becoming one of the most fiercely contested and misunderstood issues of our time,” said Rachael Jolley, editor of Index on Censorship magazine. “It’s incredibly important that people can trace and learn from trends in freedom of expression and censorship as we experience many authoritarian leaders following a similar playbook to the 1970s and 1980s. We want to ensure as many people as possible are able to access stories and articles on issues of freedom of expression and by censored writers and artists by using this archive.”
Until now, access to the Index on Censorship magazine archive has been through paid subscription. From February 21 2019 all back issues of the magazine, excluding the four most recent issues, will be freely available.
Since its establishment in 1972, Index on Censorship magazine has published some of the greatest names in literature including Samuel Beckett, Nadine Gordimer, Mario Vargas Llosa, Hilary Mantel and Kurt Vonnegut. It also has published some of the greatest campaigning writers of our age from Vaclav Havel to Amartya Sen and Ariel Dorfman plus journalism from Mexico, Argentina, South Africa, China, India, Turkey and more. Editor Rachael Jolley was named British Society of Editors’ editor of the year in the specialist publication category (2016) and the magazine has received numerous awards including the APEX Award for Excellence and the Hermann Kesten prize.
With each new issue of the magazine, an archival issue will become available for students, researchers and supporters of free expression. The four latest issues of the magazine are available for purchase in print or digital formats via SAGE Publishing, bookshops and Exact Editions.
For more information, please contact [email protected].
Subscription information
Annual digital subscription (four issues) £18
A complete digital replica of the magazine
Annual print subscription (four issues) £35
Four high-quality print editions delivered to your door
Available at these bookshops
BFI, Serpentine Gallery and MagCulture (London), News from Nowhere (Liverpool), Home (Manchester) and Red Lion Books (Colchester).
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17 Dec 18 | Magazine, News and features, Volume 47.04 Winter 2018
[vc_row][vc_column][vc_custom_heading text=”Vital moments during our lifetimes are complicated by taboos about what we can and can’t talk about, and we end up making the wrong decisions just because we don’t get the full picture, says Rachael Jolley in the winter 2018 issue of Index on Censorship magazine” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][vc_column_text]
![Birth, Marriage and Death](https://www.indexoncensorship.org/wp-content/uploads/2018/12/mag-winter-2018-cover-2000w-232x300.jpg)
Birth, Marriage and Death, the winter 2018 issue of Index on Censorship magazine.
Birth, marriage and death–these are key staging posts. And that’s one reason why this issue looks at how taboos around these subjects have a critical impact on our world.
Sadly, there are still many of us who feel we can’t talk about problems openly at these times. Societal pressure to conform can be a powerful element in this and can help to create stultifying silences that frighten us into not being able to speak.
Being unable to discuss something that has a major and often complex impact on you or your family can lead to ignorance, fear and terrible decisions.
Not knowing about information or medical advice can also mean exposing people to illness and even death.
The Australian Museum sees death as the last taboo, but it also traces where those ideas have come from and how we are sometimes more shy to talk about subjects now than we were in the past.
The Sydney-based museum’s research considers how different cultures have disposed of the dead throughout history and where the concepts of cemeteries and burials have come from.
For instance, in Ancient Rome, only those of very high status were buried within the city walls, while the Ancient Greeks buried their dead within their homes.
The word “cemetery” derives from the Greek and Roman words for “sleeping chamber”, according to the Australian Museum, which suggests that although cremation was used by the Romans, it fell out of favour in western Europe for many centuries, partly because those of the Christian faith felt that setting fire to a body might interfere with chances of an afterlife.
Taboos about death continue to restrict speech (and actions) all around the world. In a six-part series on Chinese attitudes to death, the online magazine Sixth Tone revealed how, in China, people will pay extra not to have the number “4” in their mobile telephone number because the word sounds like the Mandarin word for “death”.
It also explores why Chinese families don’t talk about death and funerals, or even write wills.
In Britain, research by the charity Macmillan Cancer Support found just over a third of the people they surveyed had thoughts or feelings about death that they hadn’t shared with anyone. Fears about death concerned 84% of respondents, and one in seven people surveyed opted out of answering the questions about death.
These taboos, especially around death and illness, can stop people asking for help or finding support in times of crisis.
Mental health campaigner Alastair Campbell wrote in our winter 2015 issue that when he was growing up, no one ever spoke about cancer or admitted to having it.
It felt like it would bring shame to any family that admitted having it, he remembered. Campbell said that he felt times had moved on and that in Britain, where he lives, there was more openness about cancer these days, although people still struggle to talk about mental health.
Hospice director Elise Hoadley tells one of our writers, Tracey Bagshaw, for her article on the rise of death cafes (p14), that British people used to be better at talking about death because they saw it up close and personal. For instance, during the Victorian period it would be far more typical to have an open coffin in a home, where family or friends could visit the dead person before a funeral. And vicar Laura Baker says of 2018: “When someone dies we are all at sea. We don’t know what to do.”
In a powerful piece for this issue (p8), Moscow-based journalist Daria Litvinova reports on a campaigning movement in Russia to expose obstetric abuse, with hundreds of women’s stories being published. One obstacle to get these stories out is that Russian women are not expected to talk about the troubles they encounter during childbirth. As one interviewee tells Litvinova: “And generally, giving birth, just like anything else related to women’s physiology, is a taboo subject.” Russian maternity hospitals remain institutions where women often feel isolated, and some do not even allow relatives to visit. “We either talk about the beauty of a woman’s body or don’t talk about it at all,” said one Russian.
Elsewhere, Asian-American women talk to US editor Jan Fox (p27) about why they are afraid to speak to their parents and families about anything to do with sex; how they don’t admit to having partners; and how they worry that the climate of fear will get worse with new legislation being introduced in the USA.
As we go to press, not only are there moves to introduce a “gag rule” – which would mean removing funding from clinics that either discuss or offer abortion – but in the state of Ohio, lawmakers are discussing House Bill 565, which would make abortions illegal even if pregnancies arise from rape or incest or which risk the life of the mother. These new laws are likely to make women more worried than before about talking to professionals about abortion or contraception.
Don’t miss our special investigation from Honduras, where the bodies of young people are being discovered on a regular basis but their killers are not being convicted. Index’s 2018 journalism fellow Wendy Funes reports on p24.
We also look at the taboos around birth and marriage in other parts of the world. Wana Udobang reports from Nigeria (p45), where obstetrician Abosede Lewu tells her how the stigma around Caesarean births still exists in Nigeria, and how some women try to pretend they don’t happen — even if they have had the operation themselves. “In our environment, having a C-section is still seen as a form of weakness due to the combination of religion and culture.”
Meanwhile, there’s a fascinating piece from China about how its new two-child policy means women are being pressurised to have more children, even if they don’t want them — a great irony when, only a decade ago, if women had a second child they had to pay.
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” size=”xl” align=”right” custom_color=”#dd3333″][/vc_column_inner][vc_column_inner width=”3/4″][vc_custom_heading text=”Taboos, especially around death and illness, can stop people asking for help or finding support in times of crisis” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column_inner][/vc_row_inner][vc_column_text]
In other matters, I have just returned from the annual Eurozine conference of cultural journals, this year held in Vienna. It was interesting to hear about a study into the role of this specific type of publication. Research carried out by Stefan Baack, Tamara Witschge and Tamilla Ziyatdinova at the University of Groningen, in the Netherlands, is looking at what long-form cultural journalism does and what it achieves.
The research is continuing, but the first part of the research has shown that this style of magazine or journal stimulates creative communities of artists and authors, as well as creating debates and exchanges across different fields of knowledge. Witschge, presenting the research to the assembled editors, said these publications (often published quarterly) have developed a special niche that exists between the news media and academic publishing, allowing them to cover issues in more depth than other media, with elements of reflection.
She added that in some countries cultural journals were also compensating for the “shortcomings and limitations of other media genres”. Ziyatdinova also spoke of the myth of the “short attention span”.
At a time when editors and analysts continue to debate the future of periodicals in various forms, this study was heartening. It suggests that there still is an audience for what they describe as “cultural journals” such as ours – magazines that are produced on a regular, but not daily basis which aim to analyse as well as report what is going on around the world. Lionel Barber, the editor of the Financial Times newspaper, spoke of his vision of the media’s future at the James Cameron Memorial Lecture at London’s City University in November. As well as arguing that algorithms were not going to take over, he said he was convinced that print had a future. He said: “I still believe in the value and future of print: the smart, edited snapshot of the news, with intelligent analysis and authoritative commentary.”
His belief in magazines as an item that will continue to be in demand, if they offer something different from something readers have already consumed, was made clear: “Magazines, which also count as print – are they going to just disappear? No. Look at The Spectator, look at the sales of Private Eye.”
The vibrancy of the magazine world was also clear at this year’s British Society of Magazine Editors awards in London, with hundreds of titles represented. Jeremy Leslie, the owner of the wonderful Magculture shop in London (which stocks Index on Censorship) received a special award for his commitment to print. This innovative shop stocks only magazines, not books, and has carved out a niche for itself close to London’s City University. Well done to Jeremy. Index was also shortlisted for the specialist editor of the year award, so we are celebrating as well.
We hope you will continue to show your commitment to this particular magazine, in print or in our beautiful digital version, and think of buying gift subscriptions for your friends at this holiday time (check out https://shop.exacteditions.com/index-on-censorship for a digital subscription from anywhere in the world). We appreciate your support this year, and every year, and may you have a happy 2019.
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Rachael Jolley is editor of Index on Censorship. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship magazine, with its special report on Birth, Marriage and Death.
Index on Censorship’s winter 2018 issue is Birth, Marriage and Death, What are we afraid to talk about? We explore these taboos in the issue.
Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Birth, Marriage and Death” font_container=”tag:h3|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F12%2Fbirth-marriage-death%2F|||”][vc_column_text]The winter 2018 issue of Index on Censorship magazine explores taboos surrounding birth, marriage and death. What are we afraid to talk about?
With: Liwaa Yazji, Karoline Kan, Jieun Baek[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_row_inner][vc_column_inner][vc_single_image image=”104225″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/12/birth-marriage-death/”][/vc_column_inner][/vc_row_inner][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:h3|text_align:left”][vc_row_inner][vc_column_inner][vc_column_text]In print, online. In your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
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13 Dec 18 | Magazine, Magazine Editions, Volume 47.04 Winter 2018
Author
Svetlana Alexievich won the Nobel Prize for Literature in 2015. The Belarusian author is celebrated for her writing about the post-Soviet world. In her books The Unwomanly Face of War, Boys in Zinc and Secondhand Time she chronicles the experience of ordinary people
Novelist
Mark Haddon is an author, illustrator and screenwriter who has written fifteen books for children and won two BAFTAs. His bestselling novel, The Curious Incident of the Dog in the Night-time, won seventeen literary prizes
Novelist
Yuri Herrera is a bestselling Mexican writer currently based in the USA. His first novel Trabajos del reino won the 2003 Binacional de Novela/Border of Words and made Herrera one of the most famous writers in Latin America
10 Dec 18 | Events, Volume 47.04 Autumn Extras
[vc_row full_width=”stretch_row_content_no_spaces”][vc_column][vc_single_image image=”104230″ img_size=”full” alignment=”center”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Death Cafés, gay rights on the isle of Lewis, flamboyant coffin culture in Ghana and China’s new two-child policy: birth, marriage and death are global issues that affect us all. So what are we still so afraid to talk about when it comes to birth, marriage and death?
Join Xinran, internationally best-selling author of The Good Women of China (2002), Buy Me the Sky (2015) and The Promise (2018) and the first woman to host a Chinese phone-in radio show; Emilie Pine, author of Notes to Self and The An Post Irish Book Awards winner of Newcomer of the Year 2018; and CEO and founder of Bloody Good Period, Gabby Edlin to tackle the tricky topics of the taboo and (self-)censorship when it comes to some of our most human experiences at the launch of Index on Censorship’s latest magazine.
Chaired by Index on Censorship magazine editor Rachael Jolley, expect punchy debate, frank conversation and breaking down these barriers head-on.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”95586″ img_size=”full”][vc_column_text]Xinran[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”104245″ img_size=”full”][vc_column_text]Gabby Edlin[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”104560″ img_size=”full”][vc_column_text]Emilie Pine[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”90098″ img_size=”full”][vc_column_text]Rachael Jolley[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][vc_column_text]With thanks to our sponsors SAGE, venue partner Foyles and beer sponsor Flying Dog[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”102597″ img_size=”full” onclick=”custom_link” link=”https://uk.sagepub.com/en-gb/eur”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”81965″ img_size=”full” onclick=”custom_link” link=”https://www.flyingdog.com/”][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][vc_column_text]
When: Thursday 10 January, 6:30-8:30pm
Where: Foyles, 107 Charing Cross Road, Soho, London WC2H 0DT
Tickets: This event is now sold out. To be added to the waiting list, contact: [email protected]
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