20 Nov 2023 | Middle East and North Africa, News and features, Qatar
“It’s an opportunity to maybe shine a light on the issues and use our platforms to make change for the better.”
These were the words of England midfielder Jordan Henderson during a press conference in the months preceding the 2022 World Cup in Qatar. His comments were in response to questions about the host nation’s appalling human rights record, particularly in regard to LGBTQ+ people, women and labour migrants, and whether teams should be boycotting the competition in protest.
England manager Gareth Southgate echoed Henderson’s suggestion. “There would be more change if we go and these things are highlighted,” he argued. “There’s an opportunity to use our voices and our platform in a positive way.”
This sentiment was commonly expressed in the build-up to the tournament, as teams justified their participation in what was widely regarded to be an ill-disguised sportswashing attempt. However, a year has gone by and such changes have yet to materialise, with those inside the state continuing to be denied basic rights and freedoms.
Qatari physician and activist Dr Nasser Mohamed tells Index on Censorship that for LGBTQ+ people inside the state the situation has not improved.
“As we were approaching the lead up to the Qatar World Cup, I noticed that the coverage and the public message was so disconnected from the lived reality that I had,” he revealed.
Mohamed publicly came out as gay in 2022, after his anonymous attempts to publicise the struggles of LGBTQ+ people in his home country received little traction, seeking asylum in the United States as a result. He described his initial reaction to Qatar being awarded the World Cup as one of “anger and defeat”. He accused the state of using the tournament to try and launder their international reputation, and attempting to gaslight the world into believing they aren’t abusers, despite “taking everything” from him.
As for the suggestions that the pressure of a global audience would force the state to improve their stance on LGBTQ+ rights, Nasser assured us that this has not been the case. “In terms of things on the ground, I think they have not changed, if anything they are worse,” he said. “Arrests, torture, everything, it’s still happening.”
The activist also condemned his home state’s use of celebrity endorsements to launder their image. “You get people like David Beckham coming in and selling their influence to the authoritative regime, saying things like ‘football has the power to change the world’. Amazing! Do you think it will happen by your magical presence?” he laughed. “You can’t just show up and magically infuse goodness into the world, there needs to be action.”
Mohamed also criticised the role of the media when it came to reporting on such human rights violations, arguing that much of the coverage afforded to LGBTQ+ rights in the region framed the issue as a cultural argument between the Middle East and the West, which he said came at the detriment of actual LGBTQ+ people in the country.
“You get all the thousands of spins on the same factual story. ‘Muslim Dad beats his son’ or ‘Homophobic Qatari is violently attacking his LGBT child’. Then on the Arabic side, ‘white Europeans and Americans are intruding to come and tell Middle Eastern parents how to raise their children’,” he explained.
“Then people get really afraid because now they are worried about Islamophobia, racism, discrimination. In comparison, sometimes it feels like being in the closet and occasionally facing homophobia is a lesser evil.”
The absence of change in Qatar is not down to a lack of effort on the part of persecuted groups. In the autumn 2022 issue of Index, when we looked at the free speech implications of hosting the tournament in Qatar, Qatari activist Abdullah Al-Maliki outlined the many ways the regime punishes – and thereby silences – human rights defenders. He wrote:
“Tamim [bin Hamad Khalifa al-Thani] has planted fear and terror in the hearts and minds of the Qatari people. No one in our country can criticise the actions and words of the corrupt dictator, or those of his terrorist gang.”
Mohamed spoke about his own recent experience. He suggested that external pressure has been placed on platforms and organisations to stifle any allegations of human rights violations in the state, a situation he is no stranger to. He described being “ghosted” by Meta, “shadowbanned” by X (formerly Twitter) and speaking to high-profile politicians at length only for those conversations to go nowhere.
“There’s censorship definitely,” he said. “It’s really hard because Qatar’s money is everywhere. Whenever my voice reached a certain level, I was dropped by the people I was talking to.”
It seems that simply spreading the word is not helping to bring about changes in the region. “I naively thought nothing was happening through lack of knowledge,” Mohamed said, before pausing. “It’s not a lack of knowledge.”
There are similar concerns over the continuing exploitation of migrant workers in Qatar. Despite promises from the state that conditions would improve following global outrage in the build-up to the World Cup, a report published last week by Amnesty International stated that progress towards improving these rights has largely stalled since the tournament ended, while hundreds of thousands of workers who suffered abuses linked to the tournament have still not received justice.
Prior to the tournament, there was hope that the global pressure had successfully pushed Qatar into improving conditions for migrant labourers. Reforms were passed in 2021 in an attempt to reduce the power of sponsors over workers’ mobility and to raise the minimum wage, motions which were largely influenced by the criticisms levelled at the country following their successful World Cup bid. However, Amnesty International’s Head of Economic Social Justice, Steve Cockburn, said on publication of the new report that Qatar had shown a “continued failure to properly enforce or strengthen” these pre-World Cup labour reforms, putting the legacy of the tournament in “serious peril”.
He said in a statement: “From illegal recruitment fees to unpaid wages, hundreds of thousands of migrant workers lost their money, health and even their lives while FIFA and Qatar tried to deflect and deny responsibility. Today, a year on from the tournament too little has been done to right all these wrongs, but the workers who made the 2022 World Cup possible must not be forgotten.”
Human Rights Watch stated earlier this year that the 2021 legislation was not in itself adequate to solve the issues faced by migrant workers, calling claims by Qatari authorities and FIFA that their labour protection systems were adequate to prevent abuse “grossly inaccurate and misleading”. An investigation by the organisation found that some issues being faced by migrant workers in the country in the aftermath of the World Cup include wage theft, being prohibited from transferring jobs, not receiving their entitled compensations and being unable to join a union.
Mohamed believes that the fight for human rights in Qatar should encompass all such groups who find themselves exploited, abused or persecuted, but that more targeted action is required: “Workers rights, women’s rights, you can support all of these causes and I think it can be powerful, and it can be a very helpful thing to do, but it needs intention.”
10 Nov 2023 | Hungary, News and features, Opinion, Ruth's blog
How we express ourselves and the mediums we choose is an intensely intimate process. Artists, writers, dancers, actors and musicians think very hard about what they wish to convey and how they wish to convey it.
Creativity and freedom of expression go hand in hand. To curtail one imperils the other. Creativity that is confined is censorship and when freedom of expression is under threat, self-censorship in art and culture becomes more prevalent.
All of us who value our voices and our freedoms have a duty to promote and protect creativity and ensure that everyone can tell their stories – however challenging they may be – in whatever medium they choose.
We expect these challenging but universal rights to be upheld in every nation – and especially those that claim to share our democratic values. And you would have thought they would be a given within the European Union member states. Yet, it seems all too often we are likely to be disappointed.
Victor Orbán’s government of Hungary is a case in point. A member of the European Union, Hungary is seemingly on a path leading further away from the democratic norms we all hold dear and venturing off to the dark recesses of oppression.
This week, the target of Hungary’s increasing authoritarianism is the World Press Photo exhibition and specifically the work of Hannah Reyes Morales.
Reyes Morales is a widely respected artist who uses her art and her skill to tell the story of LGBTQI+ life in the Philippines based on her own lived experience. She explores the joy, the optimism, the heartache and the sorrow that modern life brings to everyone.
Her artwork is a canvas in which her representation of emotion is weaved delicately against her own experiences. It is a celebration of what it is to be human and a stark reminder of the fragility of what we all hold dear.
So, a celebrated artist of international standing showcasing her work in a European Country. That’s all good then, yes?
Apparently not.
Orbán’s government not only sought to censor the World Press Photo exhibition – they sought to ban any and all works which featured LGBTQI+ works.
The head of Hungary’s National Museum, Laszlo Simon, has now also been sacked for his curation of the exhibition. He is accused of providing access to material to under 18s which ‘promotes’ homosexuality under the controversial Hungarian law that bans the “display and promotion of homosexuality” in materials accessible to children, such as books and films.
While the head of the museum is clear that no laws were intentionally broken, the compliance with the rule is not the issue. It is the law itself which is an affront to freedoms. And the fact that for the first time on European soil the World Press Photo exhibition has been censored.
LGBTQI+ rights in Hungary are under attack and those who speak out are ostracised. Artistic freedom is under attack and those that challenge it do so at the fear of losing their jobs.
This is yet another attempt by the repressive regime of Viktor Orbán to erase minority voices, silence campaigns and censor anything that does not fit into his narrow world view.
The European Commission chief Ursula von der Leyen has already called Orbán’s legislation a ‘disgrace’. Human rights organisations around the world have marked Hungary’s lurch to the populist right as a defining moment in European history and should pose the question to other EU members about the sort of leaders they want in their club.
But it also exposes the ease with which authoritarianism and censorship can spread. Curtailing creativity today will lead to greater censorship tomorrow.
Index on Censorship continues to – and always will – share the stories of those silenced by Orbán. And we stand with Simon and Reyes-Morales as they try to make sure that all voices are heard and celebrated.
2 Oct 2023 | Afghanistan, Chile, China, India, Israel, Kuwait, Magazine Contents, Nigeria, Pakistan, Peru, Poland, Russia, Saudi Arabia, Turkey, Uganda, United Arab Emirates, United States, Volume 52.03 Autumn 2023, Yemen
Contents
The Autumn 2023 issue of Index looks at blasphemy laws, and how they are being weaponised by the religious right as a means of imposing intolerance. We wanted to understand the ways in which religion is being used by states as an excuse for censorship, and how this has played out in a global context.
The writers in this issue have examined blasphemy laws in countries all over the world, shining a light on the those who have been left voiceless or have been persecuted in the name of religion. These worrying stories paint a picture of a growing movement amongst the religious right that threatens to suppress those who do not conform to increasingly strict cultures and norms.
Up Front
Faithful foot soldiers, by Jemimah Steinfeld: The religious right is in, our rights to speech out.
The Index, by Mark Frary: From fraught elections in Mali to Russians launching VPNs, this is free expression in focus.
Features
Oiling the wheels of injustice, by Francis Clarke and Mark Frary: Behind a mega-city construction and the roar of Formula 1, Saudi Arabia is driving human rights further into the ground.
Pinochet's ghost still haunts, by Juan Carlos Ramírez Figueroa: The Chilean dictator is long gone, but support lingers on.
The dissident lives on, by Martin Bright: The dissident is not dead, long live the dissident.
No place to hide, by Nik Williams: Transnational repression has no borders in a digital world.
Peer pressure, by Thiện Việt: In China, enforced social rankings aren’t just confined to the realms of Black Mirror.
No country for anxious men, by Laura Silvia Battaglia: A mental health crisis in Yemen has left people locked up with no voice.
Nollywood gets naked, by Tilewa Kazeem: It’s getting hot in Nigeria, as the film scene strips back on what’s deemed inappropriate.
Policing symbolism, by Jimena Ledgard: Peruvian protesters are being met with violence, and not even flower carpets are safe.
Setting the story straight, by Danson Kahyana: Uganda’s new anti-homosexuality law is having an unexpected effect, with literature being ripped apart.
A marriage made in transgression, by Alexandra Domenech: Despite being tortured by security forces and her fiancé thrown in jail, Russian dissident Alexandra Popova is staying put in Moscow.
Out of the oven, into the fire, by Mir Aiyaz: Rohingya Muslims hoping for open arms in India are getting a cold reception.
Special Report: In bad faith - how religion is being weaponised by the right
For the love of God?, by Rebecca L Root: As intolerance rises in many parts of the world, a misplaced profanity can spell out death.
Worshippers of power, by Jemimah Steinfeld: Under the eye of the religious right, Margaret Atwood discusses why a blasphemy accusation holds so much power.
King David he is not, by JP O'Malley: The USA's religious right is playing the Trump Card.
No sex please, we're Hindus, by Salil Tripathi: Oppenheimer isn't just breaking box office records, it's offending Hindu nationalists.
In the name of the father?, by Francis Clarke: A far from extensive list of the countries currently imposing sentences on those who "offend".
A call to harm, by Ayesha Khan: Pakistan has some of the world's harshest blasphemy laws, but punishments come from those outside the law too.
The blasphemy obstacle course, by Mai Al-Nakib: Kuwait's rocky relationship with blasphemy laws is breeding a generation of self-censored authors.
Self-worship is the new religion, by Tara Isabella Burton: A new faith is emerging and it's not necessarily open to different views.
Think of the children, by Katie Dancey-Downs: When Juno Dawson's stories are banned, is it really about the books?
Turkey's zealots still want blood, by Kaya Genç: A foundation related to the controversial and failed translation of The Satanic Verses continues to be attacked.
Sharia Law and disorder, by Kola Alapinni: When the state fails to step in, violent mobs control the punishments for blasphemy in Nigeria.
Loose hair in Tehran, by Farnaz Haeri: The writer describes her first time walking out in Iran without a headscarf.
Handmaid's tale in a holy land, by Jo-Ann Mort: In an Israel that is eroding women's rights, female-free billboards and segregated beaches are just some of the battlegrounds.
Practise what they preach, by Simon Coates: Religious values are an excuse to eradicate LGBTQ+ discussion in the UAE, while tolerance is forgotten.
Poland's papal problem, by Kseniya Tarasevich: One Pope's lack of integrity paints a picture of Poland's infiltrated politics.
Comment
Turkish and European courts failed me, by Nedim Türfent: How one journalist swapped a press card for a "terrorist" badge.
Truth in seduction, by Mark Hollingsworth: A historian struggles to lift the cloak of secrecy on a KGB-orchestrated sex scandal.
First they came for the female journalists, by Zahra Joya: The space for women in Afghanistan is ever-diminishing, and female journalists are crucial.
Speak, debate, challenge, by Ruth Anderson: Index's guiding framework remains the same in a 2023 context.
Culture
Will Paulina ever rest?, by Ariel Dorfman and Jemimah Steinfeld: The Death and the Maiden protagonist fights for justice once more. Plus an exclusive new short story.
Lines of inquiry, by Richard Norton-Taylor: The thorn in intelligence establishment's side explains the growing pressure on whistleblowers
26 Sep 2023 | Botswana, News and features
It has been a cold, dark road towards dismantling the shackles of homophobia and rebuking the spirit of prejudice and blasphemy that curtains the small society of Botswana. And for transgender activists finding ways to make their voices heard and fight stigmas, art has become an important tool.
In June this year, prominent trans activist Katlego Kolanyane-Kesupile was part of the team that launched the second iteration of the Banana Club Artist Fund, enrolling several LGBTQ+ artists in Botswana for a three month residency aimed at amplifying the voices of marginalised communities through creativity.
Kolanyane-Kesupile is a cultural architect and artivist (or artist-activist), and alongside the Banana Club is also the founder of the Queer Shorts Showcase Festival, an LGBTQ+ themed theatre festival. She uses art to communicate on gender issues and to bring human rights to the fore in Botswana, using creativity as a catalyst for social transformation and mind-set change.
Expressing herself through artivism is the “merging of age-old traditions of storytelling, education and community building,” she told Index.
As part of the PlayCo Black Women Theatre Maker residency in New York, she wrote and produced an Afro-futuristic play. Her work “focuses on marginalised communities and the outputs are focused on creative educational products,” she said, and believes that an artist can also be a critical scholar of human rights and social justice. In fact, she holds a master’s degree in Human Rights, Culture and Social Justice.
At the heart of her craft and expression is a desire to showcase the validity and essence of LGBTQ+ individuals in society and why their experiences matter. Botswana is a country that has made leaps towards acceptance, but where prejudice still runs wild.
Two landmark cases in recent years went a long way to challenging homophobic stances in the country. The first was in 2017, when activist Tshepo Ricki Kgositau became the first trans woman to be allowed to change her gender marker to female on her identity card, after a high court ruling. The second was when same-sex relations were decriminalised at the country’s highest court in 2019. But pushing for more rights and acceptance for LGBTQ+ people has proven difficult.
Botswana has experienced a face-off between the LGBTQ+ community and religious entities, which culminated in a spat during a protest march in the country’s capital city, Gaborone, in July this year. Members of the Evangelical Church community organised the march against a bill that would comply with the 2019 ruling, and make homosexuality legal. Those on the march handed a petition to Parliament, and asked legislators to vote against the bill. The chairperson of the Evangelical Fellowships of Botswana (EFB), Pulafela Siele, said that allowing same-sex relations in Botswana “open[s] the floodgates of immorality and abomination in society”.
Legislator Wynter Mmolotsi, who received the petition on behalf of the National Assembly, said that Parliament is dictated to by the people.
“The only thing that Parliament can do is to make laws that are guided by the values of the country; the values of the people. Parliament can agree or disagree – and make laws that reflect the values of the nation,” he said.
The chief executive director of the organisation of Lesbians Gays and Bisexuals of Botswana (LEGABIBO), Thato Moruti, said that the church’s advocacy not only crippled human rights but also harmed the democracy that Botswana is known to value and prioritise. “The church is setting a dangerous trend of manipulating legislators and the courts. This could cause destabilisation of democracy as they are not only pushing Christian fundamentalism, but also sowing seeds of social discord based on gender and sexual orientation,” he said.
Moruti echoed the need to find common ground and respect the rights of all people, calling for dialogue instead of “combative approaches”.
Kolanyane-Kesupile is not the only trans activist in Botswana using creativity to push for acceptance and the rights of the LGBTQ+ community. Melino Carl is considered Botswana’s first transgender model, and has walked catwalks in Johannesburg, New York and Paris. Fashion is her first love, but growing her artistry and coming out publicly wasn’t easy. She has been assaulted five times and has dealt with being systematically humiliated and ridiculed because of her gender identity and sexual
orientation.
“Homophobia is not taken seriously. So many members of the LGBTQ+ community face discrimination and violence,” Carl told Index.
She said it’s important to highlight the validity of their identity: “Since there are not enough platforms to speak, I express my activism through fashion. I believe that it is a vehicle to inspire and uplift members of the LGBTI community and make them feel validated and boost their self-esteem and confidence.”