An appeal decision in the Twitter Joke Trial is to be handed down by Lord Chief Justice at the Royal Courts of Justice tomorrow morning [27 July].
Last month Paul Chambers appealed his conviction for having jokingly tweeted in January 2010 that he would blow Nottingham’s Robin Hood airport “sky high” if his planned flight to Northern Ireland to visit his now-fiancee would be affected by the weather.
He was found guilty at Doncaster magistrates court of sending a message via public electronic communications that was “grossly offensive or of an indecent, obscene or menacing character, contrary to the Communications Act 2003”. Chambers was fined £385, and ordered to pay £600 in costs. He also lost his job.
The trial has become a landmark case for freedom of expression in the UK, highlighting the tension between the legal system and advances in social communication. Chambers has had the support of some leading British comedians, including Graham Linehan, Stephen Fry and Al Murray.
Writing for Index on Censorship in November 2010, comedy writer Graham Linehan said:
This is the kind of case that would make me refuse jury service. It obliterates my confidence in the judicial system. Why should I let people who don’t “get it” have any power over me or anyone else?
We’re trying to evolve here, and the people who don’t get it are slowing us down. If they can’t keep up, they need to get out of the way.
The irony is that all over the worldwide web, anonymous internet warriors are only to happy to incite hatred and murder, and surely this is where the appropriate resources should be directed.
David Allen Green provides some useful background to the two-and-a-half year saga here.
The Defamation Bill is an achievement, but more must be done to reform England’s libel laws and encourage debate in the public interest, says Rachel Ehrenfeld (more…)
It was a packed house last night for our event at the Frontline Club debating life after the Leveson Inquiry, which is set to make recommendations for regulation of the British press this autumn.
Panellists Brian Cathcart (Kingston University and Hacked Off), David Aaronovitch (Times), Helen Lewis (New Statesman) and Angela Phillips (Goldsmiths and the Coordinating Committee for Media Reform) — chaired by Jonathan Dimbleby — discussed what they both believed and hoped Leveson would hold for the future.
Phillips argued that the level of collusion between the press, politicians and police was the “shocking” factor, adding that Leveson must examine media ownership to prevent future abuses. The issue — which has been raised of late as hearings come to a close — is outside the judge’s broad terms of reference, with Aaronovitch questioning how diversity would be ensured were caps to be brought in.
On public interest, Cathcart repeated his call for a strong public interest defence to protect responsible journalism, with Phillips matching it with a statutory right of reply. As for ethics, Aaronovitch toyed with the idea of a “bulked-up” self-regulatory system with ethical underpinning, suggesting a modified version of the BBC’s guidelines and penalties model.
Lewis, meanwhile, implored Leveson address the reality that the British press is now competing in a global market of news websites and papers alike. “What the internet has done is terrifying because you can see how well each piece of content has done,” Lewis said, adding that we needed to “get over the idea that blogs and Twitter are the Wild West”.
This has not been the first time Leveson has been nudged to examine the pressures brought on by the web, with MailOnline editor Martin Clarke telling him in May that the Inquiry was obsessing with the “last war” of print in trying to solve the press puzzle. It was left to Aaronovitch last night to muse: “we are locking the stable door after horse has died.”
Indeed, as several audience members noted, there was perhaps more confusion after than before the debate. Such is the array of issues Leveson himself has to tackle this summer as he sits down to pen his report.
Can’t say I envy him the task.
The debate was streamed live, and you can watch it in full below:
