Of all the contentious cultural material China’s censors could crack down on, an inoffensive 1990s boy band ballad seems like an odd option.
China’s Ministry of Culture this week issued a new blacklist of 100 songs including the innocuous I Want it That Way by the Backstreet Boys, Katy Perry’s Last Friday Night and Beyonce’s Run the World (Girls). Although the majority of the blacklisted tunes came from Taiwan or Hong Kong, Lady Gaga leads the pack with a total of six banned tracks: The Edge of Glory, Hair, Marry the Night, Americano, Judas and Bloody Mary. Music websites must remove by 15 September or face prosecutions.
There is still no word on whether Guangzhou’s very own Back Dorm Boys have also been blacklisted.
Tibetan singer Tashi Dhondup, who was sentenced to 15 months hard labour in January 2010 for recording political songs, has been released a few months early, according to Radio Free Asia.
RFA’s source, who was not named but who is cited as a close relative, added that locals and friends came out to welcome him home. There was no police interference. In other parts of China, police often prevent any kind of public welcome for newly-released dissidents, often keeping them under house arrest or in further secret detention for a time. (See the curious case of Hada).
The radio station said a document smuggled out of China last year claimed the 30-year-old had “violated laws” by singing songs about Tibetan independence and their exiled spiritual leader the Dalai Lama. Two of his songs were singled out, Torture without Trace and 58. The latter referenced a failed 1958-59 uprising against Chinese rule which sparked the Tibetan exodus to India.
Thousands of C’s of his controversial songs spread through markets in the Tibetan areas of Qinghai province which may have prompted Dhondup’s arrest, media said at the time.
Index on Censorship magazine recently published an article by Beijing-based Tibetan dissident writer Woeser headlined Tradition in Protest. She quotes from 58:
The year of 1958
Is when the black enemy entered Tibet
Is when the lamas were put in prison
That time was terrifying …
The year of 2008
Is when innocent Tibetans were beaten
Is when people of the world were massacred
That time was terrifying.
Woeser describes the young singer. “Someone sent me a photo of Dhondup. Round-faced, with long narrow eyes, he appeared fashionable, dressed in black hunting gear with lightened hair.” A poet friend of hers later revealed he was a relative of Dhondup’s. “The Dhondup he spoke of was a wayward youth who liked to get drunk, sing, and chase grassland girls”, but “He’s a hero now. When I ask at roadside stalls in Xining [capital of Qinghai province] if they’ve got his songs they make sure I’m not police or undercover, then pull out a big bag full of his recordings. They’re all copies of course.”
Dechen Pemba, a London-based Tibetan activist blogger said she welcomed the news of his release. “People all over the world have come to know of his thoughts, feelings, musical talent and great courage,” she told Uncut. “We hope he will be able to recover from his experiences in prison and return to making music.”
Index award winner, Ferhat Tunç has been sentenced to 25 days in prison for a speech he made during a 2006 concert. Tunç was charged under article 7/2 of Turkey’s Anti-Terror Law and article 220/6 of its Turkish Criminal Law, namely “spreading propaganda” for a terrorist organistion. Here Turkish novelist Kaya Genç talks to Kurdish musicians —including Tunç — about making their voices heard despite continuing discrimination and prejudice
Music and Censorship: Who calls the tune?
A panel discussion on music and censorship
Friday 3 December – 6:30pm
School of Oriental and African Studies
Thornhaugh St, Russell Square, WC1H 0XG
Location: Room G2
Nearest tube Russell Square
(Room G2 is immediately to the left of reception as soon as you enter the main building. Ask at reception if any doubt.)
Music is the most censored of all the arts – from the restrictions facing musicians in Iran to the pressures of the global market. To coincide with Index on Censorship’s special issue on music and censorship, ‘Smashed Hits 2.0’, please join us for a panel discussion with leading performers, broadcasters, producers and commentators.
David Jones, director of Serious and London Jazz Festival Daniel Brown, journalist and broadcaster Malu Halasa, writer and editor Lucy Duràn, broadcaster and academic Khyam Allami, musician
Chair: Jo Glanville, editor, Index on Censorship
The event will include a special screening of the short film Baddil Musiqah (7min, Arabic with English subtitles). Produced by Aramram, an independent film production company based in Jordan, it gives an insight into what is on the minds of young independent Arab musicians in the region today.
