Why Project 2025 is a threat to a free media

Reframing the US government’s relationship with the media and placing free speech and democracy in the firing line is at the heart of Project 2025, the 922-page policy plan supported by over 400 conservatives and led by the Heritage Foundation thinktank.

Contributed to by more than 100 of Donald Trump’s former administration officials, the document lays out a comprehensive vision for the next conservative US administration, and seeks to fundamentally change the nature of government’s relationship with the media.

The US has one of the most highly developed mass media networks in the world, TV being the most consumed. The “big three” – Fox, MSNBC and CBS – dominate the mainstream independent sphere and are often criticised for a consistently “far left” or “far right” bias; public government-supported networks PBS and NPR, meanwhile, promise to provide unbiased factual reporting.

Many on the right, including former President Donald Trump, accuse NPR and PBS of left-leaning bias and call for ending government-funded media. Republican lawmakers’ past efforts to defund NPR and PBS have gained traction with Project 2025.

But defunding public media could lead to local news station closures, increasing the influence of biased reporting from major networks like Fox, which the left claims is a mouthpiece for Trump’s political agenda.

Trump has always tried to reframe free speech as biased and has sought to place journalists in the news itself in the pursuit of delegitimisation.

As explained by Russian economist Sergei Guriev and American political scientist Daniel Treisman, authors of Spin Dictators, the new generation of autocracy is diverse. While the primary goal remains the same – monopolising political power – this new power is maintained “by repressing any opposition, controlling all communications, [and] punishing critics.”

A skilful ruler can control people by reshaping their beliefs about the world, fooling them into compliance and even enthusiastic approval. “In place of harsh repression, the new dictators manipulate information. Like spin doctors in a democracy, they spin the news to engineer support. They are spin dictators.”

A closer look at Chapter 8 of Project 2025, with its policy proposals against public media and press freedom and its potential to endanger journalists both domestically and abroad, reveals these strategies and beliefs in action.

Mike Gonzales, a journalist and senior fellow at the Heritage Foundation, lays out the plan for how a future administration could defund the Corporation for Public Broadcasting (CPB).

The CPB operates as a private nonprofit corporation and is the primary financial backer of public radio and television, using tax dollars to finance public media institutions to ensure Americans have access to free, local public media. While fully funded by the federal government, the organisation doesn’t engage in programme production, distribution, or station ownership.

At the centre of Gonzales’s case against the CPB is the need to defund National Public Radio (NPR) and the Public Broadcasting System (PBS). The claim is that the nonprofit media organisations have a liberal bias, and the country cannot afford to spend half a billion dollars on “leftist opinion”. The “government should not be compelling the conservative half of the country to pay for the suppression of its own views,” his document asserts.

NPR and PBS have faced longstanding criticism from Republican politicians on the basis of an alleged liberal bias. Republican nominee Donald Trump took to Twitter earlier this year, writing, “No more funding for NPR, a total scam!” He claimed that the organisation is “Only used to damage Trump’” and that “they are a liberal disinformation machine,” after a former editor at NPR criticised Katherine Maher, NPR’s new CEO, for fostering a liberal bias.

Gonzales asserts that a Project 2025 defunding of public media would not lead to the end of such organisations. “Defunding CPB would by no means cause NPR or PBS – or other public broadcasters that benefit from CPB funding – to file for bankruptcy,” he argues, “The membership model and support from corporations and foundations would enable these broadcasters to continue thriving.”

David Liberman, a media studies professor who has been covering the industry for decades agrees: “Project 2025’s proposal to defund the Corporation for Public Broadcasting falls into a familiar trap. The Heritage Foundation believes that it would undermine what it calls the “leftist opinion” it perceives on PBS and National Public Radio. But the initiative is mostly symbolic: little federal money goes to their most controversial newscasts.”.

Only 8% of NPR’s revenues actually come from federal funds and 15% for PBS. Cutting the amount of cash the government gives them would likely have a detrimental, but not fatal, effect. But the CPB has another function, it supports almost 1,500 smaller stations including rural stations across the USA. According to the CPB, rural public broadcasting stations heavily rely on its Community Service and that’s where 70% of CPB’s annual appropriation goes.

Liberman, who has reported on these populations firsthand, adds: “The entities that would be most hurt are independently owned NPR stations—particularly the ones that provide local journalism. The money from CPB accounts for about 12% of their budgets. The lost contributions would be especially damaging to stations in rural news deserts that have lost their daily newspapers.”

This not only diminishes the visibility of local issues but also deprives communities of trusted journalism, making more accessible news outlets such as social media platforms like X and biased news organisations like Fox the primary sources people turn to for information,

Defunding and denouncing public media sources like PBS and NPR not only has a financial impact, but also a profoundly chilling effect on public broadcasters, setting a dangerous precedent for the topics and individuals that they cover or give a voice to. Gonzales concludes that NPR and PBS are “non-educational.”

While the argument for maintaining unbiased public media is valid, penalising free speech and dismissing information as lacking educational value simply because it doesn’t align with the Republican Party’s values blurs the boundaries of governmental influence and challenges the distinction between fact and opinion in the public media sector.

But it is the attack on local journalism that is the most pernicious.

Risky business: Journalists around the world under direct attack

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The truth is in danger. Working with reporters and writers around the world, Index continually hears first-hand stories of the pressures of reporting, and of how journalists are too afraid to write or broadcast because of what might happen next.

In 2016 journalists are high-profile targets. They are no longer the gatekeepers to media coverage and the consequences have been terrible. Their security has been stripped away. Factions such as the Taliban and IS have found their own ways to push out their news, creating and publishing their own “stories” on blogs, YouTube and other social media. They no longer have to speak to journalists to tell their stories to a wider public. This has weakened journalists’ “value”, and the need to protect them. In this our 250th issue, we remember the threats writers faced when our magazine was set up in 1972 and hear from our reporters around the world who have some incredible and frightened stories to tell about pressures on them today.

Around 2,241 journalists were killed between 1996 and 2015, according to statistics compiled by Cardiff University and the International News Safety Institute. And in Colombia during 2015 104 journalists were receiving state protection, after being threatened.

In Yemen, considered by the Committee to Protect Journalists to be one of the deadliest countries to report from, only the extremely brave dare to report. And that number is dwindling fast. Our contacts tell us that the pressure on local journalists not to do their job is incredible. Journalists are kidnapped and released at will. Reporters for independent media are monitored. Printed publications have closed down. And most recently 10 journalists were arrested by Houthi militias. In that environment what price the news? The price that many journalists pay is their lives or their freedom. And not just in Yemen.

Syria, Mexico, Colombia, Afghanistan and Iraq, all appear in the top 10 of league tables for danger to journalists. In just the last few weeks National Public Radio’s photojournalist David Gilkey and colleague Zabihullah Tamanna were killed in Afghanistan as they went about their work in collecting information, and researching stories to tell the public what is happening in that war-blasted nation. One of our writers for this issue was a foreign correspondent in Afghanistan in 1990s and remembers how different it was then. Reporters could walk down the street and meet with the Taliban without fearing for their lives. Those days have gone. Christina Lamb, from London’s Sunday Times, tells Index, that it can even be difficult to be seen in a public place now. She was recently asked to move on from a coffee shop because the owners were worried she was drawing attention to the premises just by being there.

Physical violence is not the only way the news is being suppressed. In Eritrea, journalists are being silenced by pressure from one of the most secretive governments in the world. Those that work for state media do so with the knowledge that if they take a step wrong, and write a story that the government doesn’t like, they could be arrested or tortured.

In many countries around the world, journalists have lost their status as observers and now come under direct attack. In the not-too-distant past journalists would be on frontlines, able to report on what was happening, without being directly targeted.

So despite what others have described as “the blizzard of news media” in the world, it is becoming frighteningly difficult to find out what is happening in places where those in power would rather you didn’t know. Governments and armed groups are becoming more sophisticated at manipulating public attitudes, using all the modern conveniences of a connected world. Governments not only try to control journalists, but sometimes do everything to discredit them.

As George Orwell said: “In times of universal deceit, telling the truth is a revolutionary act.” Telling the truth is now being viewed by the powerful as a form of protest and rebellion against their strength.

We are living in a historical moment where leaders and their followers see the freedom to report as something that should be smothered, and asphyxiated, held down until it dies.

What we have seen in Syria is a deliberate stifling of news, making conditions impossibly dangerous for international media to cover, making local news media fear for their lives if they cover stories that make some powerful people uncomfortable. The bravest of the brave carry on against all the odds. But the forces against them are ruthless.

As Simon Cottle, Richard Sambrook and Nick Mosdell write in their upcoming book, Reporting Dangerously: Journalist Killings, Intimidation and Security: “The killing of journalists is clearly not only to shock but also to intimidate. As such it has become an effective way for groups and even governments to reduce scrutiny and accountability, and establish the space to pursue non-democratic means.”

In Turkey we are seeing the systematic crushing of the press by a government which appears to hate anyone who says anything it disagrees with, or reports on issues that it would rather were ignored. Journalists are under pressure, and so is the truth.

As our Turkey contributing editor Kaya Genç reports on page 64, many of Turkey’s most respected news outlets are closing down or being forced out of business. Secrets are no longer being aired and criticism is out of fashion. But mobs attacking newspaper buildings is not. Genç also believes that society is shifting and the public is being persuaded that they must pick sides, and that somehow media that publish stories they disagree with should not have a future.

That is not a future we would wish upon the world.

Order your full-colour print copy of our journalism in danger magazine special here, or take out a digital subscription from anywhere in the world via Exact Editions (just £18* for the year). Each magazine sale helps Index on Censorship fight for free expression worldwide.

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[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”94291″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228208533353″][vc_custom_heading text=”Afghanistan in 1978-81″ font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228208533353|||”][vc_column_text]April 1982

Anthony Hyman looks at the changing fortunes of Afghan intellectuals over the past four or five years.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”94251″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228208533410″][vc_custom_heading text=”Colombia: a new beginning?” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228208533410|||”][vc_column_text]August 1982

Gabriel García Márquez and others who faced brutal government repression following the 1982 election.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”93979″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228408533703″][vc_custom_heading text=”Repression in Iraq and Syria” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228408533703|||”][vc_column_text]April 1983

An anonymous report from Amnesty point to torture, special courts and hundreds of executions in Iraq and Syria. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Danger in truth: truth in danger” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F05%2Fdanger-in-truth-truth-in-danger%2F|||”][vc_column_text]The summer 2016 issue of Index on Censorship magazine looks at why journalists around the world face increasing threats.

In the issue: articles by journalists Lindsey Hilsum and Jean-Paul Marthoz plus Stephen Grey. Special report on dangerous journalism, China’s most famous political cartoonist and the late Henning Mankell on colonialism in Africa.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”76282″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/05/danger-in-truth-truth-in-danger/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

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