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[vc_row][vc_column][vc_video link=”https://youtu.be/WzJkJikmYe8″][vc_column_text]Abbad Yahya is a 29-year-old Palestinian novelist whose fourth novel Crime in Ramallah was banned by the Palestinian authority in the West Bank in 2017. The novel includes depictions of gay sex, as well as political commentary about fanaticism and religious extremism — subjects largely considered taboo in the region. All copies of the book were confiscated by the attorney general in February this year, on the grounds it contained texts that threatened public decency.
When the controversy arose, Yahya was abroad in Qatar. He was so afraid for his life that he did not to go back to his native Ramallah and spent time in other countries in the Middle East and Europe. Threats were issued to him and his family via social media and copies of the book burnt on the Gaza strip. The Public Prosecutor issued a summons for questioning against Yahya and detained the distributor of the novel.
Despite this, Yahya has spent the last year giving interviews to the international and Arab press and raising awareness of freedom of expression and the lives of young people in the West Bank and Gaza, particularly in relation to their sexuality.
“In my point of view, the most important impact of all of this, was raising the awareness amongst the youth and their decisions that are related to their sexual lives, as well as making a public discussion about the issue,” says Yahya.
Crime in Ramallah follows the lives of three young Palestinian men and the different ways they cope with living in the claustrophobic society of Ramallah. The passage in the novel most cited as causing outrage is when one of the characters sees a picture of the Palestinian leader Yasser Arafat with a gun and imagines it as a penis.
The novel was criticised by some of Yahya’s own colleagues. According to AP, the head of the Palestinian Writers Union, Murad Sudani, said it was a: “silly novel that violates the national and religious values of the society in order to appease the West and win prizes.”
“The job of the writer in our occupied country is to raise the hope and enlighten people — not to break the national and religious symbols,” Sudani added. “My freedom as a writer ends when the freedom of the country begins.”
But Yahya does not agree. “Censors proclaim themselves to be the representatives of the public and their opinion, while present us as an obscure minority, insignificant in its voice and influence,” Yahya tells Index on Censorship. “This nomination proves the exact opposite, as it comes as a recognition of what we do and the things we stand for, and a proof that our voice is indeed heard. Freedom is contagious, and being one of the nominees strengthens my unshakable conviction in the ideals of freedom and freedom of expression.
See the full shortlist for Index on Censorship’s Freedom of Expression Awards 2018 here.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” el_class=”text_white” css=”.vc_custom_1490258749071{background-color: #cb3000 !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship.” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]
By donating to the Freedom of Expression Awards you help us support
individuals and groups at the forefront of tackling censorship.
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Facebook has received much criticism recently around the removal of content and its lack of transparency as to the reasons why. Although it maintains their right as a private company to remove content that violates community guidelines, many critics claim this disproportionately targets marginalised people and groups. A report by ProPublica in June 2017 found that Facebook’s secret censorship policies “tend to favour elites and governments over grassroots activists and racial minorities”.
The company claims in their community standards that they don’t censor posts that are newsworthy or raise awareness, but this clearly isn’t always the case.
Most recently, almost a year after the human rights groups’ letter, Facebook has continuously censored content related to the Rohingya people, a stateless minority who mostly reside in Burma. Rohingya have repeatedly been banned from Facebook for posting about atrocities committed against them. The story resurfaced amid claims that Rohingya people will be offered sterilisation in refugee camps.
Refugees have used Facebook as a tool to document the accounts of ethnic cleansing against their communities in refugee camps and Burma’s conflict zone, the Rakhine State. These areas range from difficult to impossible to be reached by reporters, making first-hand accounts so important.
Rohingya activists told the Daily Beast that their accounts are frequently taken down or suspended when they post about their persecution by the Burmese military.
In September 2016 Facebook admitted removing a live video posted by anti-Dakota Access Pipeline activists in the USA. The video showed police arresting around two dozen protesters, although after the link was shared access was denied to viewers.
Facebook blamed their automated spam filter for censoring the video, a feature that is often criticised for being vague and secretive.
In the same month as the Dakota Access Pipeline video, Facebook suspended the accounts of editors from two Palestinian news publications based in the occupied West Bank without providing a reason. There are no reports of the journalists violating the networking site’s community standards, but the editors allege their pages may have been censored because of a recent agreement between the US social media giant and the Israeli government aimed at tackling posts inciting violence.
Facebook later released a statement which stated: “Our team processes millions of reports each week, and we sometimes get things wrong.”
In July 2016 a Facebook live video was censored for showing the aftermath of a black man shot by US police in his car. Philando Castile was asked to provide his license and registration but was shot when attempting to do so, according to Lavish Reynolds, Castile’s girlfriend who posted the video.
The video does not appear to violate Facebook’s community standards. According to these rules, videos depicting violence should only be removed if they are “shared for sadistic pleasure or to celebrate or glorify violence”.
“Facebook has long been a place where people share their experiences and raise awareness about important issues,” the policy states. “Sometimes, those experiences and issues involve violence and graphic images of public interest or concern, such as human rights abuses or acts of terrorism.”
Reynold’s video was to condemn wrongful violence and therefore was appropriate to be shown on the website.
Facebook blamed the removal of the video on a glitch.
In October 2016, Facebook removed a Swedish breast cancer awareness campaign that had depictions of cartoon breasts. The breasts were abstract circles in different shades of pinks. The purpose of the video was to raise awareness and to educate, meaning that by Facebook’s standards, it should not have been censored.
The video was reposted and Facebook apologised, claiming once again that the removal was a mistake.
The Autumn issue of Index on Censorship magazine explored the censorship of the female nipple, which occurs offline and on in many areas around the world. In October 2017 a Facebook post by Index’s Hannah Machlin on the censoring of female nipples was removed for violating community standards.
A month earlier, in a serious blow to media freedom, Facebook removed an iconic photo from the Vietnam War. The photo is widespread and famous for revealing the atrocities of the war, especially on innocent people like children.
In a statement made following the removal of the photograph, Index on Censorship said: “Facebook should be a platform for … open debate, including the viewing of images and stories that some people may find offensive, is vital for democracy. Platforms such as Facebook can play an essential role in ensuring this.”
The newspaper whose post was censored posted a front-page open letter to Mark Zuckerberg stating that the CEO was abusing his power. After public outrage and the open letter, Facebook released a statement claiming they are “always looking to improve our policies to make sure they both promote free expression and keep our community safe”.
Facebook’s community standards claim they remove photos of sexual assault against minors but don’t mention historical photos or those which do not contain sexual assault.
The young woman shown in the photo, who now lives in Canada, released her own statement saying: “I’m saddened by those who would focus on the nudity in the historic picture rather than the powerful message it conveys. I fully support the documentary image taken by Nick Ut as a moment of truth that capture the horror of war and its effects on innocent victims.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1509981254255-452e74e2-3762-2″ taxonomies=”1721″][/vc_column][/vc_row]
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Breaking the Silence, an Israeli organisation consisting of Israeli veteran combatants, aims to collect and share testimonies about the realities of military operations in the Occupied Territories. Since 2004, the group has collected over 1,000 (mainly anonymous) statements from Israelis who have served their military duty in the West Bank and Gaza.
In 2014, Breaking the Silence published 111 testimonies from over 60 soldiers who served in Operation Protective Edge in Gaza. The organisation reached out to soldiers directly after the cessation of bombing in Gaza and published a book of its findings in May 2015. For publishing these frank accounts Breaking the Silence has come under repeated attack from the Israeli government.
In 2016 pressure on the organisation became particularly pointed and personal, with state-sponsored legal challenges, denunciations from the Israeli cabinet, physical attacks on staff members and damages to property. Led by Israeli politicians including the prime minister, and defence minister, there have been persistent attempts to force the organisation to identify a soldier whose anonymous testimony was part of a publication raising suspicions of war crimes in Gaza. Losing the case would set a precedent that would make it almost impossible for Breaking the Silence to operate in the future. The government has also recently enacted a law that would ban the organisation’s widely acclaimed high school education programme.
Following the attacks on the organisation, hundreds of soldiers began to break their own silence in a spontaneous outpouring of support for the group. The soldiers, who are non-Breaking the Silence testifiers, posted pictures on social media of their army service. This included testimonies from soldiers who served in the First and Second Intifadas and even the Lebanon War. Public figures, musicians, artists, and hundreds of individuals, were involved in this wave of support.
In March 2017, Israel’s state prosecutor asked a court to dismiss its previous request to force Breaking the Silence to provide details that were liable to expose the identity of a soldier whose testimony raised suspicions of war crimes.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” el_class=”text_white” css=”.vc_custom_1490258749071{background-color: #cb3000 !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship.” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]
By donating to the Freedom of Expression Awards you help us support
individuals and groups at the forefront of tackling censorship.
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We, the undersigned organisations, all dedicated to the value of creative freedom, are writing to express our grave concern that Ashraf Fayadh has been sentenced to death for apostasy.
Ashraf Fayadh, a poet, artist, curator, and member of British-Saudi art organisation Edge of Arabia, was first detained in August 2013 in relation to his collection of poems Instructions Within following the submission of a complaint to the Saudi Committee for the Promotion of Virtue. He was released on bail but rearrested in January 2014.
According to court documents, in May 2014 the General Court of Abha found proof that Fayadh had committed apostasy (ridda) but had repented for it. The charge of apostasy was dropped, but he was nevertheless sentenced to four years in prison and 800 lashes in relation to numerous charges related to blasphemy.
At Ashraf Fayadh’s retrial in November 2015 the judge reversed the previous ruling, declaring that repentance was not enough to avoid the death penalty. We believe that all charges against him should have been dropped entirely, and are appalled that Fayadh has instead been sentenced to death for apostasy, simply for exercising his rights to freedom of expression and freedom of belief.
As a member of the UN Human Rights Council (HRC), the pre-eminent intergovernmental body tasked with protecting and promoting human rights, and the Chair of the HRC’s Consultative Group, Saudi Arabia purports to uphold and respect the highest standards of human rights. However, the decision of the court is a clear violation of the internationally recognised rights to freedom of conscience and expression. Article 18 of the Universal Declaration of Human Rights (UDHR) states that, “[e]veryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief”. Furthermore, under Article 19 of the Universal Declaration of Human Rights, “everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers”. Saudi Arabia is therefore in absolute contravention of the rights that as a member of the UN HRC it has committed to protect.
There are also widespread concerns over an apparent lack of due process in the trial: Fayadh was denied legal representation, reportedly as a result of his ID having been confiscated following his arrest in January 2014. It is our understanding that Fayadh has 30 days to appeal this latest ruling, and we urge the authorities to allow him access to the lawyer of his choice.
We call on the Saudi authorities to release Ashraf Fayadh and others detained in Saudi Arabia in violation of their right to freedom of expression immediately and unconditionally.
List of signatories:
AICA (International Association of Art Critics)
Algerian PEN
All-India PEN
Amnesty International UK
Arterial Network
ARTICLE 19
Artists for Palestine UK
Austrian PEN
Banipal
Bangladesh PEN
Bread and Roses TV
British Humanist Association
Bulgarian PEN
Centre for Secular Space
CIMAM (International Committee for Museums and Collections of Modern Art)
Council of Ex-Muslims of Britain
Croatian PEN
Crossway Foundation
Danish PEN
English PEN
Ethiopian PEN-in-Exile
FIDH (International Federation for Human Rights)
Five Leaves Publications
Freemuse
German PEN
Haitian PEN
Human Rights Watch
Index on Censorship
International Humanist and Ethical Union
Iranian PEN in Exile
Jimmy Wales Foundation
Lebanese PEN
Ledbury Poetry Festival
Lithuanian PEN
Modern Poetry in Translation
National Coalition Against Censorship (NCAC)
Norwegian PEN
One Darnley Road
One Law for All
Palestinian PEN
PEN American Center
PEN Canada
PEN International
PEN South Africa
Peruvian PEN
Peter Tatchell Foundation
Portuguese PEN
Québec PEN
Russian PEN
San Miguel PEN
Scottish PEN
Slovene PEN
Society of Authors
South African PEN
Split This Rock
Suisse Romand PEN
School of Literature, Drama and Creative Writing, University of East Anglia
The Voice Project
Trieste PEN
Turkish PEN
Wales PEN Cymru