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Wael al-Dahdouh, the al-Jazeera bureau chief in Gaza, has become the symbol of the suffering of Palestinian journalists. Footage of him continuing to work after an Israeli airstrike killed his wife, two of his children and a grandson gained global attention in October. His suffering was compounded this month when his son, Hamza, also a journalist, was killed in a targeted drone attack. This week 53-year-old Wael left Gaza for treatment on an injury sustained during a strike last month that left an al-Jazeera cameraman dead.
Youmna el-Sayed, the al-Jazeera English correspondent in Gaza, was very close to both Wael and his son Hamza. Speaking from Cairo, where she and her family were evacuated this month, she told Index: “I consider Wael as an older brother while Hamza is, or was, younger than me. He was a very nice and kind person. He was loved by everyone. If you go to the Gaza Strip and speak about Hamza, no one will tell you anything bad about him… And Hamza was always there. With us at all times. I saw him every day.”
The Israeli Defence Force (IDF) has produced documentation to show that Hamza al-Dahdouh took money from the terrorist group Islamic Jihad and that his colleague, Mustafa Thuraya, also killed in the airstrike, was a member of Hamas’s Gaza City Brigade.
El-Sayed said she did not accept the IDF’s version of events: “Israel has made so many claims before but has produced no strong and solid proof or evidence other than just claims that it has given out to the public.”
She said she didn’t know Thuraya but could vouch for Hamza. “I know him very well. I was at his wedding last winter so I know the whole family very well. I know who Hamza is, and I know he’s not associated with any of the Palestinian factions or fighters. Hamza was a journalist.”
As for Wael al-Dahdouh himself, el-Sayed said the veteran correspondent was driven by his faith to continue reporting despite his personal grief. “Despite the killing of his family, he went back on air to pursue his message because, for him, it’s a duty. He’s not just doing it because he’s al-Jazeera correspondent. He’s doing it because it has so many other meanings deeper than that. He tells me this is a duty I will be asked upon from God before anyone else.”
El-Sayed said she spoke to al-Dahdouh after the death of his son: “I gave him my condolences. And I know Wael is a very strong person. But that day, he cried when he spoke to me, and I was already crying. I told him, ‘I don’t even know what to tell you. Hamza wasn’t just your son. He was my brother’. He told me, ‘Hamza loved you very much, you know. He always spoke about you even after you evacuated’. That really pricked my heart because Hamza was like a younger brother to me. We always joked and we always spoke together and we discussed everything that was going on.”
Since the war began more than 83 journalists have been killed, the majority killed in Gaza, according to the CPJ. Of these, 76 are Palestinian, four Israeli, and three Lebanese. The CPJ have called it the deadliest conflict for journalists on record. The IDF insists that it is targeting terrorists and that many of those victims identified as journalists are in fact militant fighters. But Youmna el-Sayed does not believe this. “Many of the journalists in the Gaza Strip were targeted in their homes. Hamza was targeted along with Mustafa in their car directly — after three months of this war. How can people associated with Hamas and Islamic Jihad… be left freely to move around and work as journalists in every targeted area for over three months?”
With experienced journalists such as Youmna el-Sayed and Wael al-Dahdauh forced to leave Gaza, it is difficult to imagine how the world will ever find out what is really happening on the ground.
“I’m a mother with four children. I’m married. Like any other war, of course, any escalation that breaks out in the Gaza Strip, it’s our first mission to cover what’s happening,” said el-Sayed. But this war was different. “Everything was happening so quickly. The war wasn’t just in limited areas or on a certain sector or against a certain group. Our families, like any other person in the Gaza Strip, were in constant danger all the time. It was the constant worry about my family and my kids and are they safe or not. It’s very challenging. It was a struggle I had never lived before.”
As a reporter in Gaza, el-Sayed had to negotiate not just the Israeli bombardment but working in territory ruled by Hamas. “If you have watched my reporting, I will tell you that every single thing that happens in the Gaza Strip from Hamas I report it as neural, as I had seen it. I tried to be as objective as I can because it’s a moral duty.”
She added: “My first reporting on 7 October was about the barrages of rockets that were fired from the Gaza Strip and from different areas and the unprecedented attack that we have witnessed from Gaza and from the Palestinian fighting groups in the Gaza Strip against the Israeli towns. So, I’m not going to shut my eyes about what is happening in the Gaza Strip from the Palestinian fighters or Palestinian factions simply because I’m a Palestinian journalist reporting from Gaza. Then I’m not a journalist.”
At the same time, she said the actions of Hamas should not prevent her from reporting what the Israeli army is doing in Gaza. “I’m not supposed to be only reporting what is happening from or within Gaza, from Hamas against Israel, and totally turning a blind eye towards what’s happening in the Gaza Strip from the Israeli army. That’s not being impartial. That’s just giving one side of the story against the other.”
El-Sayed finally decided to make the difficult decision to leave Gaza because she no longer felt her family was safe. She had already been displaced five times before she finally evacuated to Egypt. “But I’m only here with my body,” she said. “My heart and my mind are totally in the Gaza Strip. I’m just in front of the news every single hour. I’m always looking at my phone, checking the news websites on a minute-by-minute basis to see what is happening there. And at the same time, I’m very much heartbroken and worried about the people, my friends that are there, my colleagues, everyone that I have left there. But at the end, I had to choose between being a journalist and continuing to pursue my job and being a mother with four children, who I need to look out for their lives. And this is the only reason why I had to leave.”
The Winter 2023 issue of Index looks at how comedians are being targeted by oppressive regimes around the world in order to crack down on dissent. In this issue, we attempt to uncover the extent of the threat to comedy worldwide, highlighting examples of comedians being harassed, threatened or silenced by those wishing to censor them.
The writers in this issue report on example of comedians being targeted all over the globe, from Russia to Uganda to Brazil. Laughter is often the best medicine in dark times, making comedy a vital tool of dissent. When the state places restrictions on what people can joke about and suppresses those who breach their strict rules, it's no laughing matter.
Still laughing, just, by Jemimah Steinfeld: When free speech becomes a laughing matter.
The Index, by Mark Frary: The latest in the world of free expression, from Russian elections to a memorable gardener
Silent Palestinians, by Samir El-Youssef: Voices of reason are being stamped out.
Soundtrack for a siege, by JP O'Malley: Bosnia’s story of underground music, resistance and Bono.
Libraries turned into Arsenals, by Sasha Dovzhyk: Once silent spaces in Ukraine are pivotal in times of war.
Shot by both sides, by Martin Bright: The Russian writers being cancelled.
A sinister news cycle, by Winthrop Rodgers: A journalist speaks out from behind bars in Iraqi Kurdistan.
Smoke, fire and a media storm, by John Lewinski: Can respect for a local culture and media scrutiny co-exist? The aftermath of disaster in Hawaii has put this to the test.
Message marches into lives and homes, by Anmol Irfan: How Pakistan's history of demonising women's movements is still at large today.
A snake devouring its own tail, by JS Tennant: A Cuban journalist faces civic death, then forced emigration.
A 'seasoned dissident' speaks up, by Martin Bright: Writing against Russian authority has come full circle for Gennady Katsov.
And God created laughter (so fuck off), by Shalom Auslander: On failing to be serious, and trading rabbis for Kafka.
The jokes that are made - and banned - in China, by Jemimah Steinfeld: Journalist turned comedian Vicky Xu is under threat after exposing Beijing’s crimes but in comedy she finds a refuge.
Giving Putin the finger, by John Sweeney: Reflecting on a comedy festival that tells Putin to “fuck off”.
Meet the Iranian cartoonist who had to flee his country, by Daisy Ruddock: Kianoush Ramezani is laughing in the face of the Ayatollah.
The SLAPP stickers, by Rosie Holt and Charlie Holt: Sometimes it’s not the autocrats, or the audience, that comedians fear, it’s the lawyers.
This great stage of fools, by Danson Kahyana: A comedy troupe in Uganda pushes the line on acceptable speech.
Joke's on Lukashenka speaking rubbish Belarusian. Or is it?, by Maria Sorensen: Comedy under an authoritarian regime could be hilarious, it it was allowed.
Laughing matters, by Daisy Ruddock: Knock knock. Who's there? The comedy police.
Taliban takeover jokes, by Spozhmai Maani and Rizwan Sharif: In Afghanistan, the Taliban can never by the punchline.
Turkey's standups sit down, by Kaya Genç: Turkey loses its sense of humour over a joke deemed offensive.
An unfunny double act, by Thiện Việt: A gold-plated steak and a maternal slap lead to problems for two comedians in Vietnam.
Dragged down, by Tilewa Kazeem: Nigeria's queens refuse to be dethroned.
Turning sorrow into satire, by Zahra Hankir: A lesson from Lebanon: even terrible times need comedic release.
'Hatred has won, the artist has lost', by Salil Tripathi: Hindu nationalism and cries of blasphemy are causing jokes to land badly in India.
Did you hear the one about...? No, you won't have, by Alexandra Domenech: Putin has strangled comedy in Russia, but that doesn't stop Russian voices.
Of Conservatives, cancel culture and comics, by Simone Marques: In Brazil, a comedy gay Jesus was met with Molotov cocktails.
Standing up for Indigenous culture, by Katie Dancey-Downs: Comedian Janelle Niles deals in the uncomfortable, even when she'd rather not.
Your truth or mine, by Bobby Duffy: Debate: Is there a free speech crisis on UK campuses?
All the books that might not get written, by Andrew Lownie: Freedom of information faces a right royal problem.
An image or a thousand words?, by Ruth Anderson: When to look at an image and when to look away.
Lukashenka's horror dream, by Alhierd Bacharevič and Mark Frary: The Belarusian author’s new collection of short stories is an act of resistance. We publish one for the first time in English.
Lost in time and memory, by Xue Tiwei: In a new short story, a man finds himself haunted by the ghosts of executions.
The hunger games, by Stephen Komarnyckyj and Mykola Khvylovy: The lesson of a Ukrainian writer’s death must be remembered today.
The woman who stopped Malta's mafia taking over, by Paul Caruana Galizia: Daphne Caruana Galizia’s son reckons with his mother’s assassination.
Since the Hamas’ 7 October terrorist attacks and the subsequent Israeli assault on Gaza, German authorities are using increasingly illiberal measures to curtail pro-Palestine activism. Under the guise of combatting Israel-related antisemitism, civic space for freedom of expression and assembly is shrinking.
The seemingly isolated incidents highlighted in this article are piling up and the curtailing of civic space is starting to be noticed internationally: Civicus, which ranks countries by freedom of expression rights, recently downgraded Germany in a review from "open" to "restricted" due to repression of pro-Palestinian voices, as well as of climate activists.
Stigmatisation of pro-Palestine activism
In her speech celebrating the 60th anniversary of the foundation of Israel in 2008, former chancellor Angela Merkel referred to the historical responsibility of Germany for the Shoah, including the security of Israel, as part of Germany’s “Staatsräson” (reason for existence). As Hamas has never credibly renounced its goal of destroying Israel, many German policymakers instinctively lean towards near unconditional support for Israel in the face of such adversaries. For them, the 7 October attacks only served to highlight that Germany cannot give an inch to critics of Israel.
There are long-standing disagreements around where to draw the line between legitimate criticism of Israel and attacks on Israel that single it out because it is a Jewish state, are expressed in antisemitic ways or are motivated by antisemitic views. For example, the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism acknowledges that “criticism of Israel similar to that levelled against any other country cannot be regarded as antisemitic” but identifies seven examples of when attacks on Israel may be antisemitic (taking into account the overall context). For example, it could be antisemitic to reference classic antisemitic tropes such as the blood libel conspiracy myth to describe Israel, deny the Jewish people’s right to self-determination or blame Jews collectively for the actions of Israel, according to IHRA.
While Germany has adopted IHRA, much looser standards seem to be applied by authorities and commentators committed to tackling Israel-related antisemitism. Calls for a binational state, advocacy for the Palestinian refugees’ right of return, support for Boycott, Divestment and Sanctions (BDS) or accusations that Israel is committing Apartheid are regularly identified as antisemitic. There is a strong sense that given its historical responsibility, it is not Germany’s place to judge, or let anyone else judge, Israel even as its offensive in Gaza has resulted in one of the highest rates of death in armed conflict since the beginning of the 21st century, and disproportionately affects civilians.
Against this background, advocacy for Palestinian political self-determination and human rights is cast as suspicious. In the liberal Die Zeit newspaper, journalist Petra Pinzler criticised the Swedish climate activist Greta Thunberg as she “sympathises more and more openly with the Palestinians and thus divides the climate movement.” Apparently sympathy with the Palestinians has become a cause for concern.
The debates since 7 October have created an atmosphere in which pro-Palestinian voices are more and more stigmatised. Pro-Palestinian protests have repeatedly been banned by local authorities. Their dystopian rationale for these bans revolves around the idea that, based on assessments of previous marches, crimes are likely to be committed by protesters. The practice is not new: in the past, German police have even banned protests commemorating the ”Nakba” (Arabic for “catastrophe”), the collective mass expulsion and displacement of around 700,000 Palestinians from their homes during the 1947-49 wars following the adoption of the Partition Plan for Palestine by the United Nations. In reaction to pro-Palestine protests since 7 October, the antisemitism commissioner of North Rhine Westphalia and former federal justice minister even suggested the police should pay closer attention to the nationality of pro-Palestine protest organisers as protests organised by non-Germans could be banned more easily.
Furthermore, pro-Palestinian political symbols are being falsely associated with Hamas or other pro-terrorist organisations. In early November, the Federal Interior Ministry banned the chant “From the River to the Sea, Palestine will be free” as a symbol of both Hamas and Samidoun, a support network for the Marxist-Leninist Popular Front for Liberation of Palestine which has been designated as a terrorist organisation by the European Union.
While one plausible interpretation of the “From the River to the Sea” slogan is that it is a call for the destruction of Israel, it is equally plausible to understand it as a call for a binational state with full equality of all citizens. Without context, the slogan cannot automatically be identified as antisemitic, though it is of course entirely legitimate to criticise this ambivalence. As has been extensively documented, the slogan does not originate with nor is exclusively used by Hamas.
Apart from being based on misinformation, banning "From the River to the Sea" has also created the ludicrous situation that the German police force is asked to make assessments on whether holding a "From the River we do see nothing like equality" placard is an expression of support for terrorism. A former advisor to Angela Merkel even called for the German citizenship of a previously stateless Palestinian woman to be revoked who posted a similar slogan ("From the River to the Sea #FreePalestine") on her Instagram.
In some cases, these dynamics venture into the absurd. On 14 October, the activist Iris Hefets was temporarily detained in Berlin for holding a placard that read: “As a Jew & an Israeli Stop the Genocide in Gaza.”
These illiberal and ill-conceived measures are not limited to protests. In response to the 7 October attacks, authorities in Berlin allowed schools to ban students from wearing keffiyeh scarves to not “endanger school peace”.
Curtailing civic spaces
While these trends have been accelerated since 7 October, they predate it. In 2019, the German Bundestag passed a resolution that condemned the BDS movement as antisemitic. It referenced the aforementioned IHRA definition of antisemitism (which does not comment on boycotts), compared the BDS campaign to the Nazi boycotts of Jewish business and called on authorities to no longer fund groups or individuals that support BDS.
BDS calls for the boycott of Israeli goods, divestment from companies involved in the occupation of Arab territories and sanctions to force the Israeli government to comply with international law and respect the rights of Palestinians, including the right of return for Palestinian refugees. Inspired by the boycott campaign against Apartheid South Africa, BDS has attracted many supporters, but critics have claimed that BDS singles out Israel and delegitimises its existence. Accusations of antisemitism within the movement should of course be taken seriously: BDS supporters have previously been accused of employing antisemitic rhetoric about malign Jewish influence and intimidating Jewish students on campus. However, many of BDS’ core demands are clearly not antisemitic. Since the BDS lacks a central leadership that would issue official stances, it is difficult to make blanket statements about the movement in its entirety.
The 2019 resolution is now being cited to shut down cultural events. A planned exhibition in Essen on Afrofuturism was cancelled over social media posts that, according to the museum, “do not acknowledge the terroristic attack of the Hamas and consider the Israeli military operation in Gaza a genocide” and expressed support for BDS. The Frankfurt book fair “indefinitely postponed” a literary prize for the Palestinian author Adania Shibli, after one member of the jury resigned due to supposed anti-Israel and antisemitic themes in her book. Shibli has since been accused by the left-wing Taz newspaper of being an “engaged BDS supporter” for having signed one BDS letter in 2007 and a 2019 letter that criticised the city of Dortmund for revoking another literary price for an author that supports BDS. A presentation by the award-winning Forensic Architecture research group at Goldsmiths (University of London), which has analysed human rights abuses in Syria, Venezuela and Palestine as well as Neo-Nazi murders in Germany, was likewise cancelled by the University of Aachen which cited the group’s founder Eyal Weizman’s support for BDS.
The curtailing of civic space increasingly affects voices that have stood up for human rights at great personal risk. The Syrian opposition activist Wafa Ali Mustafa was detained by Berlin police near a pro-Palestine protest, reportedly for wearing a keffiyeh scarf. Similarly, the Heinrich-Böll-Stiftung, which is associated with the centre-left Green Party, pulled out of the Hannah Arendt prize ceremony, which was due to be awarded to the renowned Russian dissident, philosopher and human rights advocate Masha Gessen. Despite acknowledging differences between the two, Gessen had compared Gaza to the Jewish ghettoes in Nazi-occupied Europe in an article about the politics of memory in Germany, the Soviet Union, Russia, Poland, Ukraine, Hungary and Israel.
Conversation stoppers
Alarm bells should ring as one of Europe’s major liberal democracies has taken an authoritarian turn in the aftermath of 7 October. Germany’s noble commitment to its historical responsibility in the face of rising antisemitism is morphing into a suppression of voices advocating for Palestinian political self-determination and human rights.
In this distorted reality, civic spaces are eroded, cultural symbols banned, political symbols falsely conflated with support for terrorism and events are shut down. So far, there has been little pushback or critical debate about these worrying developments. To the contrary: politicians, foundations, cultural institutions and media outlets seem to be closing ranks under the shadow of the 2019 BDS resolution and a skewed interpretation of the IHRA definition.
Following the appalling violence committed by Hamas on 7 October, and the scale of civilian suffering in Gaza due to the subsequent Israeli military offensive, polarisation and tension between communities have been on the rise. In this context, it is crucial to be able to have passionate, empathetic, controversial and nuanced discussions about the conflict, its history, the present impasse, potential ways forward and its impact on Jewish, Muslim and Arab communities abroad. With the voices of activists, authors and even internationally renowned human rights advocates being increasingly isolated, these vital exchanges are prevented from taking place.
The rules on what we can and cannot say have exponentially increased since Hamas’ attack in Israel in October and Israel’s response. Just ask Masha Gessen. Over the last few days the Russian-American writer has found themselves at the centre of a controversy over an award they were due to receive.
It was a play of two acts. Act one, disinformation. The well-respected site LitHub ran an article with the heading “Masha Gessen’s Hannah Arendt Prize has been canceled because of their essay on Gaza.” The problem was it hadn’t been cancelled. Gessen pointed that out, saying they had only been approached by one journalist and that as a result “inaccuracies pile up”. LitHub had to issue what every editor dreads – a correction.
The reality – act two – was more prosaic. The main sponsor withdrew their support of the ceremony. It still went ahead, just at a different venue, on a different day. This past weekend Gessen received the Hannah Arendt prize for political thought for their work documenting Russian war crimes. It was a slimmed-down event; Gessen had a police escort.
Even in the absence of more in-your-face censorship, this still feels very problematic, part of a broader ecosystem in which people are punished in some way for what they say. And all of this because of a few lines in a New Yorker article in which Gessen compared Gaza to Nazi-era ghettos.
I should state here, for whatever relevance it holds, that I am Jewish. My family tree lost most of its branches because of the Holocaust. I’m sensitive to both inaccurate comparisons with the Holocaust and to Jewish suffering and prejudice writ large. Like myself, Gessen was born into a Jewish family and is a descendent of those murdered in the Holocaust. Their piece was not, as the furore would have made me assume, a 3000-word smear piece on Israel. Instead it was a thoughtful response to Germany’s Holocaust memory, which criticised Israeli policy at points – as we all do. Gessen’s words were precise, measured, balanced. The root of the controversy was when Gessen says “the ghetto [Gaza] is being liquidated”, a part that is far from throwaway and instead accompanied by caveats and qualifications. That it could cause such outrage exemplifies everything wrong with how we are approaching conversations right now. We simply can’t handle views that we find confronting or upsetting. Our instinct is to silence and to over-correct.
We’re ending 2023 in a bad place. In every region of the world democracies are under attack, as a Freedom House report concluded. Argentina has elected a foul-mouthed president who denies the number of disappeared from the previous dictatorship. Donald Trump could be president in the USA again in 2024, even if from a jail cell, and he’s already threatened his critics. In once liberal Hong Kong Jimmy Lai, a pro-democracy activist and publisher, is on the stand in what could be best labelled a show trial. Russian troops are far from losing in Ukraine. And all the while countries like Germany, which are meant to promote free speech, are getting in tangles over anything they think could remotely be perceived as antisemitic. It’s a very bad place indeed.
Of course we didn’t arrive at the Gessen moment overnight. Our inability to move an inch from whatever camp we’ve pitched our flag has been going on for some time, with Israel-Palestine and other conflicts and ways we identify.
But staying with Israel-Palestine, who exactly does it benefit? Our fear that some language might be labelled antisemitic means we’re looking in the wrong direction. Attacks on Jews are rising around the world. In Germany itself, the far-right AfD party won its first mayoral victory at the weekend. Anti-Muslim crimes are surging too. There are plenty of real, ugly attacks that we need to tackle. It’s just they’re not coming from Gessen or the New Yorker. To suggest as such distracts.
If the goal is to lessen hatred, to create more tolerant societies, the approach of trying to block out speech we don’t like doesn’t work, not least because the instinct itself is authoritarian. Pro-Palestinian voices are being silenced, as are Jewish ones. It’s minorities who always lose out.
In Gessen’s acceptance speech for the award, which was not their original one, they spoke of the power of comparisons: “Comparison is the way we know the world. And yet we make rules about things that cannot be compared to each other,” they said, adding that the Holocaust has been put in a place where it is seen as an exception, unlike anything else, beyond likening. Gessen was clearly not going to be silenced. Instead they chose the moment to pause and reflect, to open up a conversation about how language is used and to challenge the rules around speech that we’ve currently been told to obey. There are lessons to be learnt here as we head into 2024.