Serbian prime minister grilled on press freedom at London event

Serbian Prime Minister Aleksandar Vucic speaking at LSE (Photo: Milana Knezevic)

Serbian Prime Minister Aleksandar Vucic speaking at LSE (Photo: Milana Knezevic)

It wasn’t quite a remote controlled drone carrying a provocative political message, but Serbian Prime Minister Aleksandar Vucic’s Monday night lecture at the London School of Economics (LSE) came with its own controversial incident.

“What can you say about the total censorship of all opposition media”,  Vucic was asked by a young woman in the audience just as the premier sat down for the question and answer portion of the event. She explained that she was representing Nikola Sandulovic, an opposition politician from the Serbian Republican Party, who was sitting beside her. Sandulovic said later he had travelled to London to confront Vucic.

Chaos ensued. Sandulovic claimed, among other things, that a police officer connected to Vucic had threatened to kill him and that he had evidence contained on a CD he held aloft. Vucic hit back that the Republican Party had only 0.01% of public support, and disputed Sandulovic’s assertion that he had been an adviser to former Serbian Prime Minister Zoran Djindjic, who was assassinated in 2003. Accusations flew across the room until LSE’s moderator James Ker-Lindsay finally managed regain control of the situation.

After the event, Sandulovic told Index he came to London because the media in Serbia ignore him and his party, apart from when government-friendly outlets attack him.

That press freedom was a popular topic on the night did not comes as a surprise. Serbia has seen a string of censorship incidents during Vucic’s time in power, as Index and many others have reported.

The prime minister himself brought up the press in his introductory lecture. He explained how his government has passed several new laws aimed at improving the media landscape, and complained that despite this, they are “scapegoated”. He directly addressed the recent controversial cancellation of a political talk show, Utisak Nedelje (Impressions of the Week), saying authorities have been subjected to a blame campaign for what was a commercial decision. Supporters of the show, including host Olja Beckovic, say it was down to political pressure.

In a joking reference to his infamous role under Slobodan Milosevic, he said he had been the “worst minister of information”. Curiously, he also used this former job as a counterargument to critics, arguing that his past had made it easy to blame him for any instance of censorship.

But this didn’t seem to stop the press-related questions, though none of the journalists present were chosen to ask one. Apart from the memorable Sandulovic intervention, an audience-member pointed out that Utisak Nedelje wasn’t the only show to have been taken off air in recent times.

If there was an overarching theme to the night, it was that it seemed to showcase different — some would say conflicting — sides of Vucic and his administration. He reminded the audience that Belgrade had recently organised a successful Pride parade, before adding that he didn’t want to attend. To have that choice, he argued, was a real mark of freedom.

There were, of course, questions about the football drone. While Vucic said he didn’t want to share his own views, he said UEFA (European football’s governing body) saw Serbia’s side of the story by awarding them the win, before pointing out that Serbia carries its share of the responsibility. The planned state visit from Albanian Prime Minister Edi Rama — the first in 68 years — will go ahead, he also confirmed, despite the post-drone postponement.

In response to questions about relations with Russia — just weeks after the Belgrade military parade where Vladimir Putin was the guest of honour — he said the two countries would continue to build their relationship, but that this would have no impact on Serbia’s ultimate goal of European Union accession.

Much has been made of Vucic’s apparent journey from Milosevic man to EU enthusiast. He seemed to reference this as he said he is “not perfect” and that he works “every single day” to change and better himself. But on Monday, he left more questions than answers about the direction he is taking Serbia in.

Mapping Media Violations in Europe: Serbia

serbia-map10292014

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This article was originally posted on 29 October at indexoncensorship.org

Romania: Audiovisual Council paralysed in middle of election campaign

Caption goes here

Map of censorship incidents in Romania via mediafreedom.ushahidi.com

In November, Romanians are set to head to the polls to elect a new president from a field of 14 candidates during two rounds of polling. But one important participant, the National Audiovisual Council of Romania (CNA), will be sidelined as it loses its legally mandated quorum.

According to the CNA’s website, its role is to “ensure that Romania’s TV and radio stations operate in an environment of free speech, responsibility and competitiveness.”

While the first round of voting is set to get underway on 2 November, the CNA’s quorum of eight will be halved on 4 November when four members of the council step down at the end of their terms. If no candidate wins a majority in the first poll, the top candidates will compete in a second round on 16 Nov.

“Without a quorum, the CNA cannot function, and thus it cannot sanction the eventual abuses of television or radio stations during the election campaign,” said Narcisa Iorga, a CNA board member. Iorga believes politicians will benefit from this, as it is in their best interests to have an inactive CNA. Television stations will also use the situation in their favor, though they are already accustomed to breaking the audiovisual legislation, she added.

According to some members of the council, it could be January before the CNA regains its quorum and the ability to make decisions on issuing sanctions, well after the election campaign and the two rounds of voting.

The CNA is Romania’s only regulatory body overseeing television and radio programmes. In its watchdog role, the regulator ensures that legislation governing programming is respected. It’s a key role in a country where television is the dominant media among the population. Political parties and interest groups use the country’s live television shows to get their message across to the public.

By law, the CNA is supposed to have 11 board members. To maintain a quorum, eight members need to be present at the proceedings. The members, who have a mandate of six years, are nominated by the senate (three members), the chamber of deputies (three), the president (two), the government (three), and are confirmed by the parliament.

This is where politics comes into play: the parliament, controlled by a coalition led by the party of Victor Ponta, the prime minister who is the best-placed candidate at the presidential elections, did not vote to confirm the new members before the parliamentary vacation began. Therefore in less than a month, the CNA will have only seven members, one member short of the quorum.

Not having enough members to be able to take decisions is nothing new for the regulatory body. When there are politically sensitive issues on the table, some of its members usually go on a vacation.

For example, on 9 October a number of complaints against the Antena 3 news television will be debated, but it is more than likely that will be no quorum. Two CNA members are currently on vacation, and another two just announced their absence, wrote Iorga on her Facebook wall.

Media violation reports from mediafreedom.ushahidi.com

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This article was published on 8 Oct 2014 at indexoncensorship.org

The future of journalism: Latest issue, autumn 2014

[vc_row][vc_column][vc_custom_heading text=”The explosion of social media, the rise of citizen reporters, the dangers of freelancing in a war zone, the invention of new technology: journalism is clearly going through its biggest changes in history. But will the public know more or less as a result?”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

This is the question we explore in great depth in the latest issue of Index on Censorship magazine. Contributors include Iona Craig (2014 winner of the Martha Gellhorn Prize for her reporting in Yemen); Index award nominee Dina Meza and the BBC’s Samira Ahmed. We also have an exclusive, new short story by acclaimed novelist, playwright and author Ariel Dorfman.

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And Australia’s race commissioner, Tim Soutphommasane, speaks out on how the right to be a bigot should not override the right to be free from the effects of bigotry.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: THE FUTURE OF JOURNALISM” css=”.vc_custom_1483551011369{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Back to the future: Iona Craig on journalists trying to stay safe in war zones

Digital detectives: Ray Joseph on the new technology helping Africa’s journalists investigate

Re-writing the future: Five young journalists talk on their hopes and fears for the profession – from Yemen, India, South Africa, Germany and the Czech Republic  

Attack on ambition: Dina Meza on a Honduran generation ground down by fear

Stripsearch cartoon: Martin Rowson envisages an investigative reporter meeting Deep Throat

Generation why: Ian Hargreaves asks on how the powerful may or may not be held to account in the future

Making waves: Helen Womack reports from Russia on the radio station standing up for free media

Switched on and off: US journalist Debora Halpern Wenger on TV’s power shift from news producers to news consumers

TV news will reinvent itself  (again): Taylor Walker interviews a veteran TV reporter on the changes ahead

Right to reply: Samira Ahmed on how the BBC tackles viewers’ criticism

Readers as editors: Stephen Pritchard on how news ombundsmen create transparency

Lobby matters: Political reporter Ian Dunt on the push/pull of journalists and politicians inside Britain’s corridors of power

Funding news freedom: Glenda Nevill looks at innovative ways to pay for reporting

Print running: Will Gore on how newspapers innovate for new audiences

Paper chase: Luis Carlos Díaz on overcoming Venezuela’s newsprint shortage

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Free thinking? Australia’s race commissioner Tim Soutphommasane on bigotry

Guarding the guards: Jemimiah Steinfeld on China’s human rights lawyers becoming targets

Taking down the critics: Irene Caselli investigates allegations that Ecuador’s government is silencing social media users

Maid equal in Brazil: Claire Rigby on the Twitter feed giving voice to abuse of domestic workers in Brazil

Home truths in the Gulf: Georgia Lewis on how UAE maids fear speaking out on maltreatment

Text messaging: Indian school books are getting “Hinduised”, reports Siddarth Narrain from India

We have to fight for what we want: our editor, Rachael Jolley, interviews the OSCE’s Dunja Mijatovic on 20 years championing free speech

Decoding defamation: Lesley Phippen’s need-to-know guide for journalists

A hard act to follow: Tamsin Allen gives a lawyer’s take on Britain’s libel reforms

Walls divide: Jemimah Steinfeld speaks to Chinese author Xiaolu Guo about a life of censorship

Taking a pop: Steven Borowiec profiles controversial South Korean artist Lee Ha

Mapping media threats: Melody Patry and Milana Knezevic look at rising attacks on journalists in the Balkans

Holed up in Harare: Index’s contributing editor Natasha Joseph reports from southern Africa on the dangers of reporting in Zimbabwe

Burma’s “new” media face threats and attack: Burma-born author Wendy Law-Yone looks at news in the run up to the impending elections

Head to head: Sascha Feuchert and Charlotte Knobloch debate whether Mein Kampf should be published

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Political framing: Kaya Genç interviews radical Turkish artist, Kutlug Ataman

Action drama: Julia Farrington on Belarus Free Theatre and the upcoming Belarus election

Casting away: Ariel Dorfman, a new short story by the acclaimed human rights writer

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Index around the world: Alice Kirkland gives a news update on Index’s global projects

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

From the factory floor: Vicky Baker on listening to the world’s garment workers via new technology

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

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Greece: A tougher climate for press freedom

Marilena Katsimi, journalist and general secretary of Journalists’ Union of Athens Daily Newspapers (ESIEA)

Marilena Katsimi, journalist and general secretary of Journalists’ Union of Athens Daily Newspapers (ESIEA)

Freedom of information and media’s role as a “watchdog” has deteriorated in Greece over the past six to seven years, as a result of the economic crisis and the fiscal agreements signed by the Greek government.

Marilena Katsimi, journalist and general secretary of Journalists’ Union of Athens Daily Newspapers (ESIEA) — the largest journalist union in the country — was targeted in October 2012 for commenting on air about the response by Nikos Dendias, ex minister of public order, to an article published in the Guardian. The article mentioned allegations of police brutality against protesters.

Katsimi with her colleague Kostas Arvanitis were suspended for voicing mild criticism, sparking reactions in the journalistic community and on social media.

Index on Censorship spoke with Katsimi about how censorship is exercised in Greece, and to what extent journalists are allowed to report on social struggles in the country.

Index: How would you describe the media censorship in Greece in recent years?

Katsimi: Listen, I want to be clear. There was always censorship in most of mainstream media in Greece (TV, newspapers, radio). It appeared mainly with the form of self-censorship; we all knew for whom we were working for and what we were “supposed” to say or to report.

However, as a reporter for the international news desk of ERT (Hellenic Broadcasting Corporation), the ex state-owned broadcaster, I have experienced a high degree of freedom in reporting. I can’t recall any incident of being targeted at my time there, even when I took a firm stand on certain news reports.

When we were working for the morning news magazine, together with my colleague Kostas Arvanitis, I tried to be fair and balanced according to the journalistic principles a public broadcaster should adhere to: objectivity, plurality etc. In this context, I managed to speak my personal opinion several times without being censored.

However, since the fiscal agreements between the Greek government and the troika and the austerity measures that followed up, we clearly saw that much was about to change.

Initially, the duration of the broadcast was cut by two hours with no convincing explanation. Later on, we were suspended because we commented on the response of Nikos Dendias, ex minister of Public Order, to an article published in the British newspaper The Guardian.

And then came the closure of ERT. In my opinion, it was a move by a suppressive regime that wanted to manipulate public opinion and exclude any opposition voice.

Index: Could you give us some other examples of censorship?

Katsimi: As a general secretary of ESIEA, Journalists’ Union of Athens Daily Newspapers, I am responsible for the new members that join the Union.

While discussing censorship issues with the 70 new members about to register in ESIEA, I was informed that “censorship pressure was unbearable”. Editors-in-chief, media executives and other managerial staff told journalists in an overt way that “this is the proper way” of reporting while expecting from them “a certain political twist” in stories.

Let me give you another example, the one of privately-owned ANT1 TV. On the eve of the Euro elections in May, the main news bulletin of the station reported unsubstantiated information on opposition party SYRIZA’s alleged internal disagreements about getting out the vote from Golden Dawn (neo-nazi party) sympathisers! At the same time, the bulletin overemphasised that a possible outcome in favour of SYRIZA would destabilise the country and it would be a serious political accident.

After some contacts I made with journalists from privately owned ANT1 TV, I was told that there was a straightforward message on how to “report” the news and “shape” these stories. However, there has not been a single official complaint because many fear of losing their job.

For years, in privately owned media, journalists struggled to express their own voice and criticism through their reports — but now things have gotten much worse.

Index: Can you say something about the conditions in the newspaper sector? It seems that censorship comes always with a great loss of jobs.

Katsimi: Yes, this is true, up to a certain point. From 2005 until 2012 the newspapers’ sales numbers declined by 50% — consequently, there was a great loss of jobs. According to data regarding ESIEA members, the number of unemployed journalists from 2009-2014 is 749 while from 2003-2008 the same number was 69.

Let me say that as a union we do our best so that nobody stays unemployed, however, we have to face this grim reality in the media sector. In consultation with journalists’ assemblies and their representatives we try to push employers to pay on time and pay back compensation that they owe to media workers.

Because of the economic stalemate, there is a huge difficulty for most of the media to take loans from banks and continue to be viable. This in turn, functions as an excuse for media owners to put all sorts of pressure on journalists. They are often being threatened with layoffs in case they refuse a salary reduction; and bear in mind that those still with a job have already seen their salary vanish.

At the moment 400 journalists — members of ESIEA have already contacted our legal department to exercise their right of labor lien. All these cases refer to the three years between 2011-2014.

Index: Let’s get back to content issues. How would you describe media reporting on the major social and political problems in the two years before the EU parliamentary elections in May?

Katsimi: I think that news criteria in Greece vary according to the interests of the particular media outlet. For years, there were hardly any “quality” papers which tried to criticise government policies in an honest and healthy manner. At the same time there were plenty of “tabloids” which reported on the basis of populism and sentimentalism.

However, in my opinion, mainstream media and especially those that supported government policies without doubts or second thoughts, are the ones that did not give space to the social struggles in the form of strikes, anti-fascist rallies, demonstrations and confrontations with the police.

When it came to major news stories like the mining conflict in Skouries, Northern Greece, most of the media failed to report the amount of dissent and the size of the demonstrations that took place in that area and in other big cities. The story of Skouries was by all means a “scoop” of citizen, grass-roots journalism — it rang a “bell” to those who still carried on with a “journalistic consciousness”.

Another example is the Golden Dawn case. Not until international organisations and media outlets shed a light on the role of the neo-nazis, did mainstream media “discover” the phenomenon and attempt to report on it.

I’ d like to add that several social issues like the right to citizenship or human rights abuses against immigrants, asylum seekers and other minorities, were not reported at all or they were downplayed by “right wing” newspapers.

Index: So, what about the future?

Katsimi: After the public broadcaster’s shutdown and the launch of the new state-run broadcaster NERIT, all I see is that the government succeeded in suppressing alternative opinions and controlling, more than ever, public broadcasting.

On the other hand, there is still hope in citizen journalism and in new media collectives that are not bound to big economic interests and are free to report on social issues mainstream media neglect.

This article was published on Wednesday, 24 Sept 2014 at indexoncensorship.org