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In the run up to today’s Azerbaijani presidential election, we publish an article and photographs from Index on Censorship magazine showing how the authorities have cracked down on journalists, activists and artists that criticize the government. These stories of the risks journalist and photographers face show how far the regime will go to silence its critics including intimidation and prison sentences. Writers Rasul Jafarov and Rebecca Vincent document the stories of some of the country’s courageous photojournalists, who have documented what life is really like under President Ilham Aliyev.
“In authoritarian regimes, art can serve as a powerful means of expressing criticism and dissent, subverting traditional means of censorship. Photography is particularly telling, capturing the raw truth and making it difficult for even seasoned propagandists to refute. These photographs, from Abbas Atilay, Shahla Sultanova, Mehman Huseynov, Aziz Karimov, Ahmed Muxtar and Jahangir Yusif, show a side of the capital Baku that contrasts sharply with the sleek, glossy image President Ilham Aliyev’s government seeks to portray. They expose an authoritarian regime prepared to arrest those who document protests and criticism — journalists, human rights defenders, civic and political activists and even ordinary citizens.
But those who embrace subjects others prefer to avoid, exposing unsavoury truths the Azerbaijani authorities would prefer to keep hidden — such as corruption and human rights abuses — do so at significant personal risk and hardship.
As journalists, they face intimidation, harassment, threats, blackmail, attacks and imprisonment in connection with their work, which is seen as direct criticism of the authorities. As artists, they face economic hardship and restrictions on where they can display and disseminate their work.
Most of these images were taken during unsanctioned protests in Baku. Photographers face particular hazards when covering protests in Azerbaijan, as not only can they be injured in the general chaos, but they can also be singled out because of their work. The Institute for Reporters’ Freedom and Safety reports that so far in 2013 there have been 17 attacks against journalists and photographers covering protests.
Narimanov Park, Baku, 15 May 2010. Police forcibly detain a political activist during an unsanctioned protest. Photograph by Abbas Atilay
Fountain Square, Baku, 10 March 2013. A political activist during an unsanctioned demonstration protesting the deaths of military conscripts in non-combat situations. Authorities used excessive force to disperse the peaceful protest and detained more than 100 people. Photograph by Jahangir Yusif
Sabir Park, Baku, 11 March 2011. During an unsanctioned political protest
in the wake of the Arab Spring, a police officer encourages journalists to take his photo. This was a rare move, which the photographer believes was intended to distract photographers from other aspects of the protest, such as police physically restraining protesters. Photograph by Mehman Huseynov
Shamsi Badalbayli Street, Baku, 2 April 2012. A resident is forcibly evicted from the area where the Winter Garden will be constructed. Approximately 300 complaints have been sent to the European Court of Human Rights related to forced evictions from this area. Photograph by Ahmed Muxtar
Fountain Square, Baku, 20 October 2012. Police detain a young opposition activist during an unsanctioned protest calling for parliament to be dissolved after a video was released showing an MP discussing the sale of parliamentary seats. Dozens of activists were detained during that protest. Photograph by Aziz Karimov
Hijab ban, 5 October 2013. Photograph by Aziz Karimov
Investigative journalist Khadija Ismayilova confronts police. Photograph by Mehman Huseynov
Nevreste Ibrahomova, head of Azerbaijan Islamic Party’s Women Council, holds the photo of an arrested Azerbaijani Islamist and chants freedom to him. Photograph by Shahla Sultanova
Photographers also face arrest and protracted legal action as a result of their work. Mehman Huseynov faces up to five years in prison on politically motivated hooliganism charges stemming from an altercation with a police officer during protests ahead of the Eurovision Song Contest in May 2012. The photographers featured in this story are among the few courageous individuals in Azerbaijan who remain willing to take on the risks associated with this work. They need international support and protection before they, too, become the subjects rather than the artists.”
Rasul Jafarov is the chairman of the Human Rights Club and project coordinator of the Art for Democracy Campaign. Rebecca Vincent is Art for Democracy’s advocacy director. She writes regularly on human rights issues in Azerbaijan
To find out more about the magazine and for subscription options, and read more about stories from the issue click here. These photographers will be part of an exhibition in London this winter. For more details, follow @art4democracy Join us to launch of Index on Censorship’s autumn issue on 15 October. To register for the event, click here.
In response to reports that the UK newspaper industry’s Royal Charter proposal will be rejected tomorrow, Index on Censorship Chief Executive Kirsty Hughes said today:
Unconfirmed reports that the Privy Council will reject the newspaper industry’s royal charter proposal should not mean that the political party proposal for a regulator will be waved through. A truly independent self regulator should not be created by politicians. Now is the time to open transparent discussions with the aim of creating genuine independent self-regulation that will ensure the protection of free speech in the UK.”
Since the start of the Leveson Inquiry into UK press standards, Index has warned that there should be no political interference in determining the characteristics or establishment of a press regulator. Establishing press regulation by Royal Charter could allow politicians to meddle in press regulation and threaten media freedom in the UK.
Nic Dawes
The autumn 2013 issue of Index on Censorship magazine will be available 1 Oct. Subscription information: Print | Web | iPad
Nelson Mandela’s legacy has been “too easily dismissed”, South African editor Nic Dawes tells Index on Censorship magazine in the latest issue.
In an interview for the magazine, Dawes, who has just left his job as editor at South Africa’s Mail & Guardian for a new job at the Hindustan Times, said: “His legacy is being brought back to us.”
South Africa was going through a phase when the people who brought us press freedom “now seek to restrict it”.
“We are going through a very classical process, what happens when a liberation movement has been in power for a while and starts to see its hegemony challenged and then reaches for a convenient lever to limit that challenge.”
Read the full interview with Nic Dawes in the new issue of Index on Censorship magazine.
Listen to the podcast below or click here.
(Photo illustration: Shutterstock)
In May this year, the Ugandan government closed two newspapers. The crime The Monitor and The Red Pepper newspapers committed was publishing a letter by the now renegade former Coordinator of Security Services, General David Sejusa, in which he claimed that President Yoweri Museveni was grooming his son Muhoozi Kainerugaba to succeed him. In the same letter, General Sejusa claimed that there was a plot to assassinate all army officers and senior government officials who are against the president’s succession plan.
The letter had been written to the Internal Security Organization (ISO) boss to investigate the allegations, but was leaked to the media. Despite this, the government went ahead and closed the two media houses which had run the story for two weeks. They were only allowed to reopen after meetings with the minister of internal affairs, where the editors were told that government would not hesitate to close the media houses for good if they did not stop “reporting irresponsibly.” These are the only privately owned dailies in the country.
This was not The Monitor’s first run-in with the government. At its inception in the early 1990’s, it was the only privately owned daily that competed with the government-owned New Vision. New Vision towed the government line as a mouthpiece and enjoyed all the advertising deals from all government ministries and agencies. The Monitor was totally denied all government adverts, with the intention of killing it off because it was the only paper that was questioning government decisions on different issues. It was the readership plus some support from private businesses that kept it alive. The African Centre for Media Excellence (ACME) has also criticised the paper and its sister FM station, KFM, for bending under government pressure. This came after it pulled down a critical story about the president, claiming that it had been badly written.
Print media is not alone in being targeted. During the 2009 riots that rocked Uganda, the government closed five privately owned FM radio stations reporting on it. Four of them were reopened after six weeks, after they had publicly apologised to the president and promised never to do that again. Central Broadcasting Services (CBS), however, was closed for over a year. It took a lot of pleading to the president from the media, church, monarchy and other wealthy and influential people to reopen CBS. Since it went back on air, most of the political discussions were bumped off air and some individuals who government felt were anti-establishment were barred from appearing as panelists on the different radio talk shows.
To add to the problem, the government also directly controls a wide range of media. New Vision is run under the government-owned Vision Group and is building up a powerful media conglomerate with four other newspapers publishing in local languages, three television stations, three radio stations in the capital Kampala, plus other local radio stations in at least all the other regions of the country. All these are strictly government mouthpieces, and management will not allow opposition politicians or activists to use these platforms to reach the masses. The national broadcaster, Uganda Broadcasting Corporation (UBC), which runs the national television station and a multitude of radio stations in the countryside, is also tightly under government control.
Furthermore, while Uganda is seen in the East African region as having the best and less repressive media legislation, the government has of late tended to make amendments to the existing media laws to make them restrictive. The African Media Barometer (AMB), which is made up of leading media practitioners in the country from private and government-owned media houses, as well as lawyers and representatives from civil society, reported in 2012 that there are a few positive developments in Uganda with the licensing of more print and electronic media outlets. However, AMB also notes that the media freedom declines ahead of elections as the government grows increasingly nervous and attempts to clamp down on freed speech. Private media houses, especially radio stations, also practice self-censorship in order not to annoy the powers that be.
Ibrahim Bisika from the government’s Media Centre says the friction between media and government arises out of “editorial mismanagement” where media houses publish stories that bring them in direct confrontation with government. Moses Serwanga, a director at the Uganda Media Development Foundation (UMDF) says that media freedoms in the country are getting curtailed because of the creeping political dictatorship where political leaders do not want to leave office.